Matériel : Partition
Description Gustav Mahler: Symphony No.3 In D Minor (Miniature Score) Miniature Score edition of Mahler's Symphony No.3 In D Minor For Alto Solo, Choirs and Orchestra. Songlist Symphony No.3 In D Minor
SKU: PR.UE003703
UPC: 680160683765.
SKU: BR.EB-8951
ISBN 9790004186206. 9 x 12 inches. German.
Of all his symphonies, Mahler gave the Fourth, his favorite and problem child, his most particular attention. The Heavenly Life, a humoresque composed in 1892 for soprano and piano, which he already wanted to use in the final movement of the Third Symphony under the title What the Child Tells Me, ultimately became the nucleus and final movement of the Fourth. Even after publication in 1901, Mahler kept repeatedly refining the orchestration. His maxim not without my retouching led to a whole series of revised reprints. It is probably no coincidence that Mahler performed especially the Fourth Symphony in his last two New York concerts in February 1911, using this opportunity to review once again the score and parts. This performance material with his retouching served as the main source for the new edition. Furthermore, included for the first time were corrections and annotations in conjunction with performances of the Fourth, which Mahler entered into the scores of conductors such as Mengelberg and Wickenhauser. PB 5664 has been awarded the Presto Sheet Music Award 2020.
SKU: CY.CC2933
ISBN 9790530057520.
Jere my Kempton has arranged selections from the 1st movement of Mahler's Symphony No. 3 for 8-part Trombone Choir, featuring the dramatic opening and the iconic 1st Trombone solo.This 10-minute work is appropriate for advanced performers.
SKU: BR.OB-5633-16
ISBN 9790004347911. 10.5 x 14 inches.
The first textcritical edition of Mahler's most extensive work is a further milestone in the project, Mahler - The Symphonies. The many sources first consulted here for an edition include, among others, the conducting scores used for early performances by Mahler, Mengelberg and other conductors, as well as the parts of the Vienna Philharmonic used by Mahler, Bruno Walter and many additional great conductors right up to the present. Furthermore, another set of parts from Mahler's personal possession was consulted. These sources, significantly expanding the source base in comparison with that of the 1974 Kritische Gesamtausgabe, guarantee a reliable, scholarly valid music text, shedding at the same time new light on Mahler's complex process of revision. In unprecedented comprehensiveness, the editorial report contains references from Mahler's letters and other authentic documents indispensable for an understanding of the work and its interpretation. The orchestral parts feature as usual optimal readability and practicality. Rounding off the edition is the introductory essay Mahler as Symphonist, together with the knowledgeable preface by Constantin Floros, doyen of Mahler research.
