Gospel, Blues etc.

The basic principles of blues piano explained for the intermediate-level pianist-The forerunner to the awarded-winning Exploring Jazz Piano books Improvising Blues Piano examines the harmonic rhythmic and melodic aspects of the blues assuming a basic competence of around grade 3.All styles are covered from the 1920s to the present from the early boogie pioneers via swing gospel jump-jive New Orleans Chicago and Kansas City schools to the more sophisticated jazz and funky blues of the current scene. Over 60 pieces including many original compositions by the author together with new arrangements of well-known standarts such as 'Ain't No Sunshine' 'Blueberry Hill' 'Blue Monk' 'Got My Mojo workin' 'Honky Tonk Train Blues' 'How Long Blues' 'Just aCloser Walk with Thee' 'Pine Top's Boogie Woogie' 'St Louis Blues' etc.' Authentic left-hand patterns and bass lines' Professional chord voicings blues scales licks and riffs' Co-ordination exercises for both hands' Suggested listeningEach chapter is graded within itself providing some challenging pieces towards the end. Improvising is encouraged at all stages with assignments giving ideas and guidance.The accompanying CD contains all the pieces including some play-along tracks performed by Tim Richards.A very useful and comprehensive survey of different blues styles. Tim's clear demonstrations on the accompanying CD make this the essential book for all aspiring blues pianists (Jools Holland)This book leaves any possible competition standing at the post. (Brian Priestley Jazzwise Magazine)I highly recommend the book. It's the best I've seen yet... Helpful features include a grat Cd by the London-based Richards who is a top-notch performer recording artist and educator. It's almost like having your own personal instructor. (Blues Review USA)The presentation is immaculate the method is logical and friendly. This book feels good... (MOJO)A brilliant new publication from Schott. Each chapter extends the player's harmonic knowledge and gives clear instructions how to progress... You learn not just how to play the blues but also its history and major exponents.

Par GORDON ANDREW D.. Due to the high demand of two of Andrew D. Gordons blues piano/keyboard books, 100 Ultimate Blues Riffs and the 12 Bar Blues Bible, he has adapted examples from the two books along with new examples into a blues organ book and Ultimate Blues OrganRiffs is the result. There is an increased interest in playing the organ these days as many keyboard players are adding organ modules, organs, software etc. , to their array of instruments. This book consists of 96 riffs, in many different keys, and covers a wide range ofblues organ styles including Blues, Funk, Gospel, Jazz & Rock. The music notation consists of the right and left hand parts as well as a bass line. Although primarily written and recorded with the organ in mind, pianists and keyboard players willalso find the material in this book very useful. All the 96 examples have been recorded twice, the first time with the organ right and left hand parts, guitar rhythm, bass and drums. The second time, has the rhythm guitar part, bass and drums so thatthe keyboard player can practice along with the rhythm tracks. Due to the high demand of two of Andrew D. Gordon's blues piano/keyboard books, 100 Ultimate Blues Riffs and the 12 Bar Blues Bible, he has adapted examples from the two books along with new examples into a blues organ book and Ultimate Blues Organ Riffs is the result. There is an increased interest in playing the organ these days as many keyboard players are adding organ modules, organs, software etc. , to their array of instruments. This book consists of 96 riffs, in many different keys, and covers a wide range of blues organ styles including Blues, Funk, Gospel, Jazz & Rock. The music notation consists of the right and left hand parts aswell as a bass line. Although primarily written and recorded with the organ in mind, pianists and keyboard players will also find the material in this book very useful. All the 96 examples have been recorded twice, the first time with the organ right and left hand parts, guitar rhythm, bass and drums. The second time, has the rhythm guitar part, bass and drums so that the keyboard player can practice along with the rhythm tracks./ Tablatures / Guitare Tablatures

Intermediate/Advanced Level. Par GORDON ANDREW D.. Outstanding Blues and Jazz Compositions Intermediate/Advanced Level by Andrew D. Gordon progresses on further from the Beginner/Intermediate package. It contains 10 challenging compositions in the blues, boogie woogie, jazz, gospel and rhythm and blues idioms. It introduces the musician to more complex chords including 9th. 11th. and 13th. chords, syncopated rhythms, passing chords, tremolos, octave runs, chromatic walking bass lines, jazz licks, major and minor blues progressions, turnarounds etc. All these techniques are used by professional pianists giving you a practical approach to learning these styles. Recorded at normal and slow tempos. Outstanding Blues and Jazz Compositions Intermediate/Advanced Level by Andrew D. Gordon progresses on further from the Beginner/Intermediate package. It contains 10 challenging compositions in the blues, boogie woogie, jazz, gospel and rhythm and blues idioms. It introduces the musician to more complex chords including 9th. 11th. and 13th. chords, syncopated rhythms, passing chords, tremolos, octave runs, chromatic walking bass lines, jazz licks, major and minor blues progressions, turnarounds etc. All these techniques are used by professional pianists giving you a practical approach to learning these styles. Recorded at normal and slowtempos. / Niveau : 4 / Jazz / Recueil / Piano

Par MINVIELLE-SEBASTIA PIERRE. Cette méthode de Piano Blues s'adresse aux pianistes et autres joueurs de claviers, désireux d'acquérir de solides connaissances en la matière mais aussi, et surtout, de la pratique instrumentale. Par une suite d'exercices, d'exemples et surtout de morceaux, vous aborderez ici la pratique des 'plans? de Blues, les grilles spécifiques, le rythme, l'harmonie, les modes, etc. Pour l'improvisation, des explications simples et adaptées, ainsi que de nombreux plans 'dans le style', vous initieront à l'interprétation de solos. Des conseils sur l'accompagnement sont bien sûr également prodigués, de manière simple, claire et très explicite. Enfin, les 40 morceaux proposés dans cet ouvrage, issus des différentes tendances du Blues (gospel, shuffle, rock, boogie, etc.), enrichiront votre connaissance globale du style. Ainsi, du blues traditionnel au blue-jazz, en passant par le blues-rock, la ballade blues, le blues majeur et mineur ou encore le boogie-blues, rien ne vous sera épargné ! Grâce à ses nombreux exemples et playbacks, le DVD joint rendra cette méthode plus agréable encore, et vous aidera à en comprendre les moindres détails, à peaufiner le travail de mise en place nécessaire à l'interprétation blues... et à vous faire plaisir !/ Méthode / Piano

Par MINVIELLE-SEBASTIA PIERRE. Cette méthode de Piano Blues s'adresse aux pianistes et autres joueurs de claviers, désireux de compléter leurs connaissances dans le domaine mais aussi, et surtout, de pratiquer le Blues sous toutes ses formes et à l'aide de tous les outils qui en sont issus. Par une suite d'exercices, d'exemples et surtout de morceaux, vous y aborderez la pratique des 'plans? de Blues, les grilles spécifiques, le rythme, les accords, l'harmonie, les modes, etc. L'accompagnement Blues y est largement représenté, mais l'improvisation et le jeu en solo ne sont pas en reste pour autant. Par ailleurs, les nombreux morceaux issus des différentes tendances du Blues (gospel, shuffle, boogie, rock, etc.) enrichiront votre connaissance globale du style. Enfin, le DVD Vidéo reprend chaque exercice pour en faciliter la compréhension, alors que le CD Audio vous propose les playbacks correspondants, sur lesquels vous pourrez mettre en application les enseignements mais aussi vous exercer en toute liberté. - See more at: http://www.carisch.com/fra/produit.asp'sku=MF2127#sthash.5CFN5Scl.dpuf/ Méthode / Piano

Par KEMBER JOHN. A great collection of original jazz study and study pieces, spanning a host of jazz idioms from blues, trad and big band, to gospel, ballad and more reflective styles. These carefully-graded studies explore systematically a broad range of techniques including left and right hand chord shapes, larger hand stretches, more complex rhythms, blue notes, ornaments and chromatic phrasing. Whether you are learning on your own or with a teacher Jazz Piano Studies is the ideal route to sylish jazz Piano playing. / Niveau : Assez Facile / Recueil / Piano

230 folk songs and spirituals, religious and secular, arranged for piano and voice. From joyous gospel to deeply felt blues, this wonderful collection contains vintage songs sung and played through the years by black Americans - at work, in church and for pure entertainment. Included are spirituals, blues, work songs and a variety of social and dance songs. This is an indispensable treasury of music for singers, musicians and all readers seeking a comprehensive sourcebook of black American folk music. It will be equally welcomed at parties, family get-togethers, sing-alongs, church events and other gatherings where people want to play and sing these classic folk songs thatare an integral part of American musical history./ Recueil / Chant et Piano

Keyboard magazine calls Chuck Leavell “one of the finest rock keyboardists of all time.” His work has been heard on the recordings of Eric Clapton The Rolling Stones George Harrison Train The Indigo Girls Blues Traveler and many others. In his first instructional DVD Chuck starts out with the basics – stretching finger exercises octaves and scales – and then demonstrates techniques useful for playing blues gospeland boogie woogie piano. Along the way he breaks down Eric Clapton's “Alberta” and The Allman Brothers' “Statesboro Blues” and “Jessica.” Archival clips of Ray Charles Mississippi FredMcDowell Meade “Lux” Lewis Eric Clapton and The Allman Brothers Band complement recollections of Chuck's early musical experiences and notable career highlights. This jam-packed DVD also includes a special section inwhich Chuck shares his thoughts about how to prepare for the recording studio. Whether you're a beginner or a pro at the piano this DVD will provide you with tips to improve your playing! 125 minutes.

Par MATHEOS CHRIS. Here is something for everyone, introducing students to many different styles of bass playing: rock 'n roll, blues, swing, funk, reggae, classical, alternative, country, be-bop, ska, bossa nova, heavy metal, gospel, two-hand tapping, etc. Examples focus on basic patterns, chord progressions, and playing with a band. The companion CD features all examples recorded with a professional band. Audio includes band examples with and without bass - students can hear it and play along. 25 examples included, written in bass clef and tab. / Niveau : Débutant / All Styles - Licks and Phrases / Tablatures / Guitare Basse Tablatures

The Associated Board's Jazz Piano series is a comprehensive introduction to the world of jazz. A pioneering set of publications and a rigorously planned syllabus provide the building blocks you need to play jazz with imagination understanding and style and to improvise effectively right from the start. Five books of graded pieces provide a wealth of jazz repertoire for you to play from the great African-American tradition to the vibrant dynamic and multicultural nature of jazz today. Throughout there is a huge range of styles: funky rock grooves up tempo swing tunes calypsos latin pieces jazz waltzes modal pieces bebop gospel etc. There areclassic tunes by such jazz greats as Miles Davis and Thelonius Monk in addition to the brand new pieces which have been specially commissioned from professional British jazz pianists and educators.Within each album there are 15 pieces presented in three categories - blues standards and contemporary jazz. Each piece provides a head which contains all the characteristic voicings phrasing and rhythmic patterns needed for a stylish performance. An improvised section follows where guideline pitches and left-hand voicings are given as a practical starting point for your own solos.These pieces will get you playing confidently and creatively.