Get to the Point! A Collection of Pointing Pages and Powerful Plans

Editée par la maison d'édition Bookmakers International, la partition musicale ayant pour titre Vantage point vous fera découvrir au travers de ses 96 pages, des morceaux de Deus. Cette partition qui se joue pour Piano/Vocal/Guitare (PVG) et plus particulièrement pour Piano, Voix Et Guitare est à classer parmi la catégorie musicale Variété Française. / Piano/Vocal/Guitare (PVG) / 96 pages / Partition

Jean-Jacques Eigeldinger est un des spécialistes incontestés de l'oeuvre de Frédéric Chopin, à laquelle il a déjà consacré trois ouvrages qui font référence, en particulier Conseils d'interprétation, paru aux éditions Buchet-Chastel en 1998. Sans doute, avec L'univers musical de Chopin, l'auteur pousse-t-il encore plus loin la réflexion autour du Polonais dont il tente de percer les secrets. Premier axe : démystifier l'homme autant que le compositeur en les replaçant dans le contexte artistique, littéraire, social et politique de l'époque. S'il s'applique à détruire de fausses légendes, Eigeldinger brosse aussi le portrait d'un génie musical atypique. Deuxième point fort : en filigrane, le musicologue revisite ses oeuvres principales, notamment ses Préludes, d'un point de vue esthétique et analytique. La démonstration convainc d'emblée, si tant est que le lecteur dispose de la connaissance musicale requise pour en saisir les subtilités. Le néophyte risque donc de s'y perdre, tant les exemples musicaux occupent une place de choix. Le connaisseur, lui, y trouvera un "puits d'informations sans fond", propre à enrichir, voire à corriger, sa perception de Chopin. --Pierre Guillaume

This volume contains a magnificent selection of authentic Piano transcriptions for nine great piano-led contemporary hits. Includes Vocal line, complete lyrics and chord symbols. A CD with 'soundalike' backing tracks and full demonstration performances for each song is included to aid learning and as a reference point. The Play Piano With... series is dedicated to providing choice music in arrangements that encourage players to enjoy themselves at the Piano!

Très apprécié actuellement, on parle même d'une mode ! Grâce à de nombreux enregistrements, le chant grégorien est devenu un objet d'études pour les musicologues. Pour permettre aux ensembles d'amateurs de comprendre et de pratiquer ce répertoire millénaire, cet ouvrage propose une approche simple, dans l'esprit de la pédagogie mise au point par les moines de Solesmes, mais revu à la lumière des recherches actuelles. Un cd d'illustration sonore des exemples musicaux cités dans l'ouvrage est inclus dans ce livre.

Profitez de l'amusant, le rire et l'apprentissage et profiter de l'occasion pour jouer le Piano avec...Les tremblements, à l'aide de ces pièces de Piano à onze de leurs mélodies populaires. Cette édition de PVG conatins arrangements pour Piano avec la ligne vocale, des paroles complètes et des symboles de la guitare pour chacune de ces chansons formidables. Sur le CD complet semblables sont instrumental choeurs de pistes : un avec piano ainsi qu'un moins le piano, donc vous pouvez jouer le long de chaque morceau ! / Piano/Vocal/Guitare (PVG) / 32 pages / Partition + Cd

Edition : copies manuscrites 1700 et 1741, édition 1729Le fac-similé regroupe trois versions de ce motet : Copie Philidor de 1700 - Edition Boyvin de 1729 - Manuscrit Cauvin de 1741.Présentation par Jean Saint-Arroman et Philippe Lescat : Les sources - les documents musicaux - comparaison entre le manuscrit Philidor (1700) et les parties séparées (1704) - lecture du manuscrit - - - / Choeurs Soli Et Orchestre, (Grand Motet Pour Choeurs, Soli Et Orchestre) / 170 pages / niveau : 1 / Fac-Similés - Format: 23.5 X 32.5

Edition : Paris, l'Auteur, Boivin, Leclerc, 1747La partition étant très agrémentée, nous avons fait un effort particulier pour offrir une reproduction très claire. - Présentation de :Philippe Lescat : Les titres des piècesJean Saint-Arroman : La transcription des pièces de viole - Les signes d'agrémentation - / Clavecin / 56 pages / niveau : 1 / Fac-Similés - Format: 24 X 33

Variétés / Recueil avec Ligne mélodique, paroles et accords / Spirale / Reliure : Spirale Nb de Pages : 351 Niveau : Facile (debutant)

Editeur : Paris, R. Ballard, 1665Ces chansons ' pour danser et pour boire ', peuvent être transposées pour toutes les voix. Les étudiants d'Irène Ginger proposent dans la préface des chorégraphies adaptées à quelques-unes de ces chansons.Présentation par le Département de musique ancienne du CNSMDP (classe d'Irène Ginger) : chorégraphie de certaines pièces. / Musique De Chambre, Voix (Dessus), Duos De Voix (Dessus Et Basse) / 104 pages / niveau : 1 / Fac-Similés - Format: 24 X 33

Original, acoustic jazz melodies for the jazz fan and anyone whowants to develop his or her musicality. With written-out solos andchords, improvisation is encouraged. In addition to playing alongwith the CD, you can also play the pieces as duets with twoprofessional musicians from the Chris Vadala Quintet. Listen, playand improvise with inspiring jazz music! / Trompette / 56 pages / niveau : Moyen / Partition + Cd

Imagine someone who has worked as an international saxophonist, an educator, a technician, a consultant, and as a designer, and you can imagine Peter Ponzol. For the first time, Peter offers details from his famous Saxophone Workshops. Learn about: ' Maintenance ' Reeds ' Mouthpieces ' Ligatures ' Sound ' Flexibility This exciting and informational pocket book will be a much needed addition to your musical library! Convenient pocket-sized book - 3.5 x 5.5 - perfect to toss in your gig bag! 64 pages. Peter has been around saxophones for decades, doing it all from manufacturing horns to reeds to mouthpieces. As well, he is a seasoned player. What he discusses in this book is coming from one of the sources-read carefully! - David Liebman, Sax artist/ author/ clinician. Read this review from Sax On The Web: The information in this book is right up SOTW's alley, with answers regarding reeds, necks, mouthpieces, saxes, maintenance, and the like. I would assume that the number of redundant threads started could be reduced almost in half simply with a reading of this book and those owning it could refer back to it at their leisure, as needed. And there is enough info in this book which contradicts some of our SOTW urban legends to make an episode of MythBusters. If you catch the right posts at the right time, much of the info in this book is already posted here on SOTW. But you have to see it and if hunting for it, you have to find it. OTOH it's all conveniently gathered and organized here in this primer - plus more. There are suggestions such as replacing the neck cork once or twice a year, which I would, if posting a response, say is not necessary. But here's the difference. Many of us on the forum are experienced musicians but few have the experience and depth that Ponzol has. We can write with credibility - Ponzol writes with authority. And this is based on decades not only as a top-echelon player, but as a successful and innovative sax, neck and mpc designer. The book is a 61 page pocket reference booklet which, in addition to topics mentioned above, include thoughts on ligatures, sound and flexibility. It is based on items of interest asked by attendees at workshops he has given over the years, hence the title. He begins by pointing out that at these workshops one of the first things he does is look at the condition of attendees' equipment with the observation that at least 90% of them need some kind of work and adjustments. What follows in the book's 61 pages are recommendations generated by this observation. Included are interesting comments such as: aging store-bought reeds by letting them sit for several years is fairly useless since the aging process stops once the bark has been cut away from the reed; not earth-shattering but interesting and certainly myth debunking. Again something that fits right in with many of the conversations on this forum. Interesting thoughts follow regarding the future of natural cane reeds, or how to select and get the most from your reeds - things I wouldn't think of like sanding the heel of your reed. SOTWers might also get a kick out of, and relate to, the title of his section on mouthpieces, 'Now the Fun Begins'. There are also interesting side comments we don't often hear like: in the 70s so many young players like Ponzol were trying to get Trane's recorded sound by working on metal Links because that's what they saw in photos and yet, Trane often recorded with hard rubber mpcs because, in Trane's opinion, it didn't have as much spit in the sound for him. It's interesting how some things come around back to you. There are two exercises I recommend to my students and have recommended on the forum regarding volume and embouchure control and flexibility. I've never heard anyone else recommend these exercises and yet here they are in Peter's book. Then it hit me. The only other one I know who uses them is a former teacher of mine and I remembered that years ago he said he had had some lessons with Ponzol. So 'the circle is unbroken' LOL. I would highly recommend it for beginners and intermediates, as well as for more advanced players to recommend to their students. It has made me re-think even some of my most basic assumptions regarding equipment and maintenance, which has made the read well worth it. I wish every SOTW newbie would start out their Forum time with this booklet at their disposal.