Telemann's popular Wedding Divertissement for Descant Recorder (or Oboe Violin) and Piano accompaniment edited by Walter Bergmann. Set as part of the ABRSM Descant Recorder examination grade 2.
SKU: MB.30859
ISBN 9781513465951. 8.75x11.75 inches.
Imagine a campfire! Envision sitting around the bright flames with your friends and family singing songs out in the great expanse. Imagine that those melodies you sing stir up joy, hope, and belief in the great wonders of the world. Melodies have connected different kinds of people for many, many years. Music brings us closer, and music makes any occasion more festive and memorable. This book was written to promote the love of old folk melodies, provide processional music for special celebrations, and to include players of all levels. Music educators will find that there are many possibilities and combinations for practice and performance. Includes a 16-page pull-out section of twelve selected pieces for an optional cello part.
It is my great hope that music students, families, and educators will all enjoy this very special collection of Beautiful Melodies from Around the World.Â
SKU: HL.49002353
ISBN 9790220102189. UPC: 073999585544. 6.5x9.25x0.089 inches.
Soprano recorder (oboe, violin) and piano.
SKU: BA.BA04050
ISBN 9790006443598. 33 x 26 cm inches. Language: German. Text: Feustking, Friedrich Christian.
“A lmiraâ€, Handel’s first opera, was well received when premiered in 1705 at the Theater am Gänsemarkt in Hamburg. The director was Reinhard Keiser, who, remarkably, had himself already set Friedrich Christian Feustking’s text to music. The role of Fernando was sung by Johann Mattheson. The translation used by Handel leaves several Italian arias in their original language, resulting in a delightful mixture of German and Italian.The opera which, after sundry entangled romances, ends in the wedding of three couples, is characterised by exuberant scenes: the procession at Almira’s crowning ceremony, a duel, a prison scene and a masked-ball involving the three continents Europe, Africa and Asia. The vocal score to “Almira†by George Frideric Handel brings about a small sensation: Whilst conducting a reenactment of this work in 1732, Georg Philipp Telemann removed the Aria no. 28 “Ingrato, spietato†from his conducting score. Since then this aria has been deemed lost. Due to necessity only the edited vocal text devoid of any music was presented in the 1994 volume of the “Halle Handel Editionâ€. Thanks to a recently discovered contemporary manuscript copy from the beginning of the 18th century which was found in the music library of the Mariengymnasium in Jever, this aria has now been made available to performers for the first time in this new vocal score edition. Previous to this the corresponding pages could only be seen as a facsimile in an article of the “Göttinger Händel-Beiträgeâ .Now the aria can be performed again. Furthermore, with the help of this new source, missing measures in the basso continuo which had initially been completed by the editor of the “Halle Handel Edition†volume, could be reconstructed from the basso continuo part of the Bellante aria “Ich brenne zwar†(no. 71).
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?< /p> MUSICOLOGICA LLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
What can I expect from a Barenreiter Urtext edition?< /p>
MUSICOLOGICA LLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: FH.WC0
ISBN 978-1-55440-576-3.
This new series offers a sequenced approach to the study of clarinet from the beginner to advanced levels. With a progressive collection of Repertoire, Etudes, Recordings, Orchestral Excerpts, and Technique, the Clarinet Series, 2014 Edition provides complete support for teachers and students at every level of study. Nine progressive volumes of Repertoire expose students to a wealth of music from the earliest works for clarinet to accompanied and unaccompanied contemporary compositions. Students will explore some of the most definitive solo pieces written for clarinet, along with popular folk tunes, Klezmer melodies, Classical solos, and contemporary compositions that incorporate traditional and extended techniques.Technical Repertoire:Gigue - Georg Philipp Telemann, arr. Jason NobleBouree anglaise - George Frideric Handel, arr. Stephen ChatmanComputer Game - Paul HarrisWolsey's Wilde - William Byrd, arr. Jason NobleMairi's Wedding (Lewis Bridal Song) - Traditional Gaelic melody, arr. Christine DonkinPolka-dot Rag - Jazz standard, arr. Paul HarrisThe King's March, T 432 - Jeremiah Clarke, arr. Jason NobleLyrical Repertoire:Austrian Hymn (Gott erhalte Franz den Kaiser), Hob. XXVIa: 43 - Franz Joseph Haydn, arr. Jason NobleThe Huron Carol - 16th-century French, arr. Martin van de VenAir, from The Double Dealer - Henry Purcell, arr. James RaeReverie - Claude Debussy, arr. Jason NobleOde to Newfoundland - Hubert Parry, arr. Christine DonkinLondonderry Air - Irish folk song, arr. Harold BirstonTumbalalaika - Jewish folk song, arr. Martin van de Ven and Christine Donkin.
