Metrical Dissonance in the Music of Robert Schumann
SKU: HL.51481525
UPC: 840126989762. 9.0x12.0x0.296 inches.
The Fantasy Pieces op. 88 are Schumann's first contribution to the genre of the piano trio and date from his very prolific “chamber music year†1842. However, Schumann needed an unusually long time to give the work its final form: the Fantasy Pieces were released only in the autumn of 1850 after several revisions. The brevity and the modest technical demands of the four charming character pieces make them an ideal entry into the world of Schumann's chamber music also for non-professional musicians. The Fantasy Pieces, taken from the volume Schumann • Piano Trios HN 916, are now available from Henle for the first time also as a practical single edition.
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SKU: CY.CC2898
There are three movements in Fantasy Pieces that make up Robert Schumann’s Opus 73. Completed in 1849, he linked each piece harmonically. He directs the performers to follow on to the next section, indicating that these movements were intended as a whole. From a mood of delicate expression, through eloquent and lively, to fiery and urgent, this is a compelling and intriguing work. The Fantasy Pieces are full of Romanticism and thoughtfulness to make it an important and entertaining work.This version has been skillfully arranged for Euphonium and Piano by Ralph Sauer, retired Principal Trombonist of the Los Angeles Philharmonic and is appropriate for advanced performers.
SKU: HL.49008105
ISBN 9790001115964. UPC: 196288077473. 9.0x12.0x0.355 inches.
The fourth volume in this series of female composers is dedicated to works of the 19th and 20th century. The pieces by Violetta Dinescu, Caroline Ansink, Myriam Marbe and Lucie Robert-Diessel have been composed specially for this anthology. M. Wieck: Fantasy on Skandinavian Folksongs • L.A. le Beau: Romanc, Op. 24/1 • C. Faisst: Melody after an old Ballad • J. Senffter: Three pieces Op. 25 • L. Vellére: Nocturne • V. Shlonsky: Dialogue • M. Marbe: Prphet and Bird • B. Heller: Lalai • L. Robert-Diessel: Lamento • E. Firsova: Album leaf • V. Dinescu: Flesh across • C. Ansink: Water under the bridge.
SKU: YM.GTP01101942
ISBN 9784636115994. 12 x 9 inches.
This is a collection of easy piano solo arrangements featuring memorable masterpieces FINAL FANTASY series of games I to XIII, which have fans all over the world. The best album includes iconic tracks such as Chocobo Theme and Aerith's Theme from the early games, as well as classic pieces like Eyes On Me and Because You're Here..
SKU: HL.48182311
UPC: 888680787066. 9.25x12.25x0.055 inches.
Written by Marcel Grandjany on a tune of Haydn, Fantasy is a piece for Harp that includes 5 variations of the main theme. Ideally to be played on pedal Harp, it would fit the skills and abilities of advanced Harp players. The technical difficulties encountered are various as this piece involves some hand-crossings, arpeggios, natural harmonies, accidental alterations as well as some pedal changes. Marcel Grandjany is a French-born American who lived in the 20th century. He studied with Alphonse Hasselmans at the Paris Conservatoire from the age of 11 and got the First Prize at 13 years old. He composed numerous pieces for Harp, of all levels: '3 Very Easy Little Pieces, Op. 7', 'Divertissement, Op. 29', 'Variation on the Londonderry Air, Op. 20' and 'Two Duets for 2 harps, Op. 26' among many others..
SKU: SU.27040260
The five Fantasy Pieces are manifestations of the piano in its sundry traditions. The Prelude is a response to the instrument's mechanical side and timbral possibilities; the Free Invention is a wild study in two-part counterpoint; the Intermezzo contains many dense harmonic textures; the Passacaglia is a demonstration of pianistic virtuosity, and the Postlude explores the instrument's resonance and acoustical properties. Piano Solo Duration: 20' Composed: 2001 Published by: Hutter Music.
SKU: CY.CC2300
There are three movements in Fantasy Pieces that make up Robert Schumann's Opus 73. Completed in 1849, he linked each piece harmonically. He directs the performers to follow on to the next section, indicating that these movements were intended as a whole.
