Trois contes basés sur des textes traditionnels, disposés comme un mélodrame par Enjott Schneider. Les contes exigent un narrateur de préhension et un organiste imaginative qui trouve sons colorés et doux qui sont dramaturgique approprié, en fonction de la spécification de l'organe. Un atout précieux pour le répertoire des concerts d'orgue, inaugurations d'organes ou pour les enfants et des concerts de jeunes. / Voix Et Orgue
SKU: AP.44281
ISBN 9781470620325. UPC: 038081498768. English.
Another delightful offering from classroom teacher and storyteller Susan Milligan and jazz singer and music teacher Louise Rogers, Jazzy Fairy Tales Volume II continues the jazz adventures for young children with three new fairy tales designed to bring jazz music into your classroom. The activities provided are a charming way to introduce young children to jazz with the musical stories of Georgie the Jazzy Giant, The Gunnigator, and The Jazzy Gingerbread Man. Jazzy Fairy Tales II Book and CD may be used to supplement an existing program or to provide a ready-made, easy-to-use, all-encompassing music curriculum. The CD is narrated and beautifully sung by Louise Rogers with easy call-and-response exercises and songs to accompany the stories. Jazzy Fairy Tales II is user-friendly and requires no previous musical knowledge. A delightful educational resource for any classroom! Recommended for grades Pre-K to 3.
SKU: HL.49019695
ISBN 9790001191142. 9.0x12.0x0.15 inches. German.
Three fairy-tales based on traditional texts, arranged as a melodrama by Enjott Schneider. The fairy-tales require a gripping narrator and an imaginative organist who finds colourful and gentle sounds that are dramaturgically suitable, depending on the specification of the organ. A valuable addition to the repertoire for organ concerts, organ inaugurations or children's and youth concerts.
SKU: HL.49043971
ISBN 9790001196307. English.
With his three songs for mixed a-cappella choir (SSAATB) which were published under the speaking title of 'Fairy Land' in 2013, Hermann Grosse-Schware takes us to the wonderful land of fairy tales. All three six-part works are based on English-language poems by William Shakespeare. The first piece 'Over hill, over dale' from 'A Midsummer Night's Dream' is characterized by melodic sequences and a distinctive rhythm which portrays the content of the piece headed 'Swift and Easy' as does the swaying 3/4 rhythm of No. 2 'Philomel, with melody'. In the lively 'Come unto these yellow sands' (No. 3) one seems to be experiencing the barking of the dog and the crowing of the cock at first hand.
SKU: HL.49046031
ISBN 9790001165297. UPC: 841886031678. 9.0x12.0x0.213 inches.
The Fairy-Tale Narratives (Märchenerzählungen) for B-flat Clarinet (ad libitum Violin), Viola and Piano, Op. 132, belong to the few Schumann works that were composed, revised and published in a short time: composed in Düsseldorf, at beginning of October 1853, the new composition was already offered for publication to the Breitkopf & Härtel publishing house on 3 November and printed in February1854. Composition and publication of the Märchenerzählungen were accompanied, though, by difficult times, the final days before the composer was admitted to the psychiatric clinic in Endenich. The work's reception lies in the shadow of the last creative period: The pieces were associated with his life's darker phases and were very little played. The Märchenerzählungen transmit Schumann's single work for this unusual piano trio with viola and clarinet. The only well-known earlier example in this setting at that time is Mozart's “Kegelstatt” Trio K 498 (composed in 1786). Schumann was certainly already acquainted with the work from his Leipzig years - it was played in one of the “quartet sessions” in 1829. This edition is based on a new edition of all Schumann works, Volume II / 3.
SKU: HL.49045889
9.0x12.0x0.33 inches.
As far back as I can remember, I have always been fascinated with fairy tales: with their archetypal characters and set phrases like'Once upon a time...'and'...they all lived happily ever after'. Fairy tales were however also a source of unrest for me as a seismograph of mankinds underlying primal fears and desires. So as a performer and composer I have always felt that Robert Schumann's Marchenerzahlungen [Fairy Tales] (scored for the same instrumentation as my own composition) was a disjointed, complex contemporary work - despite the innocence and naivety of its initial appearance. I therefore do not intend my own Es war einmal (Once upon a time...)to be a mere sentimental, nostalgic flight into the distant past, but as a naive and fantastical alternative concept to our genuine world with all its upheavals. Jorg Widmann.
SKU: AP.1-ADV7431
UPC: 805095074314. English.
Originally conceived as a piano duet in 1908 and later arranged for orchestra in 1911, this popular set was inspired by the 17th-century fairy tales penned by Charles Perrault and Marie Catherine Aulnoy. Some of the compositions are preceded by excerpts from the corresponding fairy tales.
