SKU: FL.FX072308
This series proposes the very best of baroque pieces for sackbut or trombone, revised by great teachers and concertists, at reduced price.
SKU: KN.19187
UPC: 822795191875.
This grade 3-5 anthology offers brass quintets a treasure trove of classical repertoire. A complete concert program can be found in this convenient volume and will be a valuable resource for practically any type of performance.Conte nts:Ases Tod (Grieg), Three Renaissance Dances (Gervaise), Largo From The New World Symphony (Dvorak), Three EnglishaEUR^Madrigals (Traditional), The Thunderer (Sousa), The Entertainer (Joplin), March Militaire (Schubert), Fanfare For Brass Quintet (Ziek), Badinerie (Bach), Hungarian Dance No. 5 (Brahms).
SKU: KN.19186
UPC: 822795191868.
SKU: KN.19184
UPC: 822795191844.
SKU: KN.19182
UPC: 822795191820.
SKU: KN.19183
UPC: 822795191837.
SKU: KN.19185
UPC: 822795191851.
SKU: HL.49015916
ISBN 9790220124518. UPC: 884088567606. 8.25x11.75x0.375 inches. Italian.
Like many Englishmen I had sung madrigals for pleasure - usually late at night with friends, after several glasses of wine. While these madrigals have their charm, and many are extremely beautiful, I found, as I began an extended exploration of the madrigal as a creative venture, that the richest source lies in the Italian Renaissance.In 1998 I embarked on a project to write a series of madrigals, eventually deciding to collect them in 'books' in the manner of Italian madrigalists, such as Monteverdi or Gesualdo. The Second Book is for an unusual six-part group - the Scandinavian Trio Mediaeval (3 sopranos) and three tenors (John Potter plus two from the Hilliard Ensemble) - and sets Petrarch in the original 14th century Italian. I focused on those sonnets known as the Rima Sparsi (scattered verses) and added one extra Petrarch setting - originally a radiophonic piece (Marconi's Madrigal) for CBC's Marconi Day. Gavin Bryars.
SKU: HL.394429
ISBN 9781705157794. UPC: 196288032687. 6.75x9.0x0.115 inches.
This collection features five of the most popular choral works from the English Madrigal School, a brief period from the 1580s to the 1620s that followed the arrival of Italian secular polyphony on English shores. The name SAM-Klang takes the three voice parts from the arrangements -- Soprano, Alto and Men -- and combines it with the Scandinavian and German words for “sound†to create the portmanteau word “sound together†or “harmony.†The series offers basic and advanced choral repertoire. In addition to new repertoire and new arrangements, you will also find essential parts of the classical German, Scandinavian, French and English SATB repertoire, carefully and considerately reworked for SAM. The arrangements retain the characteristic features of the original movements and have almost the same richness of timbre, resulting in works which sound nearly unchanged to an audience. Piano reductions of all choral movements facilitate rehearsal preparation. The arrangements offer development opportunities for all voice sections, bringing new life and new quality to SAM choir work. SAM-Klang enables youth choirs to gain access to classical choral literature and ensures that mixed choirs who face challenges in finding singers for all male voice parts continue to have access to well-loved repertoire.
SKU: PE.EP66983B
ISBN 9790300732787. English.
Madriga ls 4 & 5
SKU: ST.EM24
ISBN 9790220209888.
CONT ENTS Ah, cruel, hateful fortune (SSA(orT)A(orT)T(orB)B) Ah, sweet, alas, when first I saw (SSATB) Alas, what hope of speeding (SST(orA)B) Bright Phoebus greets most clearly (SSAT (or A) T (or A) B) Farewell, my love (SSAT) If pity reign with beauty (SSATB) I love, alas, yet am I not beloved (SSAA (or T) TB) Lo, here my heart I leave (SSTB) Mourn now, my soul (SSATB) Must I part, O my jewel? (SSAATB) O heavens, what shall I do? (SSATB) See what a maze of error (SSATB) She that my plaints (SSAT (or A) B) Sleep now, my Muse (SSAATB) Sleep now, my Muse (SSAT) Sorrow consumes me (SSATB) Sound out, my voice (SSATB) Sweet love, 0 cease thy flying (SSA (or T) TB) That Muse which sung (SSATB) Up then, Melpomene (SSAT (or A) T (or B) B) What can I do, my dearest? (SSAB) What, shall I part thus? (SSAT (or A) B) Why should I love? (SSATB) Why wail we thus? (SSAT (or A) TB) With Angel's face and brightness (SSAT (or A) T (or A) B) Woe am I, my heart dies (SSAB).
SKU: ST.MB74
ISBN 9790220219535.
Publ ished in 1590, Thomas Watson's Italian Madrigals Englished set the poet's own texts, in English, to music by Marenzio, Nanino and Striggio. Like Musica transalpina, dating from two years earlier, the collection marked an important stage in the assimilation of Italian secular styles within English music.
SKU: HL.295096
ISBN 9781540055309. UPC: 888680945459. 6.75x10.5 inches.
American rock band Smash Mouth released this hit in 1999 and the SATB arrangement proved to be a huge hit. Now in new voicings, everyone gets to perform this amazing arrangement that turns the tune into an English madrigal!
SKU: HL.295094
ISBN 9781540055286. UPC: 888680945435. 6.75x10.5x0.036 inches.
SKU: HL.295098
ISBN 9781540055316. UPC: 888680945466. 6.75x10.5 inches.
SKU: ST.EM27
ISBN 9790220203428.
A minor canon of Norwich Cathedral, Carlton belonged also to the older generation of madrigal composers, particularly fond of the 'Byrd' or English cadence of flat versus sharp leading-notes. Although he claims to have laboured 'somewhat to imitate the Italian style', he admitted in his preface, 'I cannot forget that I am an English man.' CONTENTS All creatures then (SSATB) Calm was the air (SSAT (or A) B) Content thyself with thy estate (SAATB) Even as the flowers do wither (SSATB) From stately tower (SSATB) If women can be courteous (SSATB) Let every sharp (SSATB) Like as the gentle heart (SSATB) Nought is on earth (SSATB) Nought under heaven (SSATB) O vain desire (SSATB) Sound saddest notes (SSATB) So whilom learned (SSATB) The heathen Gods for love (SA (or T) A (or T) BB) The love of change (SSATB) The self-same things (SS (or A) ATB) The witless boy (SSATB) When Flora fair (SSATB) Who seeks to captivate (SAATB) Who vows devotion (SSATB) With her sweet locks (SSATB) Ye gentle ladies (SSATB).
SKU: AP.6-251020
ISBN 9780486251028. English.
This convenient edition makes available for the first time, 39 of Monteverdi's finest madrigals in one inexpensive paperbound volume. English translations of texts and other editorial material by Stanley Appelbaum. Sold in the USA only. 272 pgs.
SKU: ST.EM8
ISBN 9790220206320.
Well -known in his day as one of the most important contributors to East's Whole Book of Psalms (1592), Farmer was in the service of the Earl of Oxford who, more than any other nobleman, established the professional Elizabethan theatre. In the year that Burbidge opened the Globe Theatre, these 18 madrigals (the most famous is probably Fair Phyllis) gave the composer an attractive place in the history of English music. CONTENTS A little pretty bonny lass (SATB) Cease now thy mourning (SAT(or A) B (or T)) Compare me to the child (SAT(or A) B) Fair nymphs, I heard one telling (SSAT(or A) TB) Fair Phyliss, I saw (SATB) I thought, my love (SATB) Now each creature joys the other (SATB) O stay sweet love (SATB) Soon as the hungry lion (SATB) Sweet friend, thy absence (SAT(or A) B) Sweet Lord, your flame still burning (SATB) Take time while time doth last (SATB) The flattering words (SATB) Who would have thought that face? (SAAT) You blessed bowers (SSATTTBB) You'll never leave still tossing (SATB) You pretty flowers that smile (SAT(or A) B.
