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Young Man Dies
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Young Man Dies
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Romance, Op. 13 for Trombone and Piano
Romance, Op. 13 for Trombone and Piano
#
Trombone and Piano
#
Joachim Bruun de Neergaard
#
Niels-Ole Bo Johansen
#
Romance, Op. 13 for Trombone a
#
Gordon Cherry
#
SheetMusicPlus
Piano,Tenor Trombone - SKU: A0.1362757 Composed by Joachim Bruun de Neergaard. Arranged by Niels-Ole Bo Johansen. 20th Century,Romantic Period. Score an...
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Piano,Tenor Trombone - SKU: A0.1362757 Composed by Joachim Bruun de Neergaard. Arranged by Niels-Ole Bo Johansen. 20th Century,Romantic Period. Score and part. 10 pages. Gordon Cherry #947132. Published by Gordon Cherry (A0.1362757). Niels-Ole Bo Johansen has recently discovered a hidden treasure of relatively unknown and forgotten works of Danish origin for the Trombone from the early 20th Century. This series of music will be subtitled The Danish Trombone Heritage and will be published by Cherry Classics over the next while. Below is Niels' description of Romance, Op. 13 by Joachim Bruun de Neergaard composed in 1915.Anton Hansen's (father of the Danish School for Trombone) first meeting with Joachim Bruun de Neergaard (1877-1929) was rather a disastrous one. Hansen an extraordinary Trombonist, also a very fine pianist, was hired to play at a dinner dance at Skjoldnæsholm manor. A young man insisted on playing along with the tunes Hansen performed - on a terribly out -of-tune ocarina. Hansen writes in his memoirs that his first thought was that the young man was slightly retarded. As it turned out, he was the son of the family living in the manor, which made the situation even more awkward. That young man, Joachim Bruun de Neergaard was not the slightest bit retarded. He was on the contrary highly intelligent and managed, in addition to his composition studies, to attain a degree in law with the highest honors.The Romance for Trombone and Orchestra, here in the version for Trombone and Piano, reveals a composer with a very fine sense of the trombone’s singing qualities.This work is perfect for advanced intermediate performers and is almost 7 minutes in length.Trombone soloist Johansen and his collaborator, Pianist Erik Kaltoft beautiifully perform Romance on their 2018 album The French Connection. Below is a sample of the work (available on Apple Music and as a CD).
$20.00 ≈
£15.93
Will Ye Go to the Indies
Will Ye Go to the Indies
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Choral SATB
#
Andrew J
#
Lyrical Publishing
#
Will Ye Go to the Indies
#
Lyrical Publishing
#
SheetMusicPlus
Choral Choir (SATB) - SKU: A0.953939 Composed by Andrew J. Boyle. Arranged by Lyrical Publishing. Celtic,Folk,World. Octavo. 8 pages. Lyrical Publishing...
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Choral Choir (SATB) - SKU: A0.953939 Composed by Andrew J. Boyle. Arranged by Lyrical Publishing. Celtic,Folk,World. Octavo. 8 pages. Lyrical Publishing #2897793. Published by Lyrical Publishing (A0.953939). Will Ye Go to the Indies: As a young man Scotland’s great poet, Robert Burns, fell in love with a girl he called Highland Mary, and persuaded her to emigrate with him to the West Indies. In the text of this song we hear the poem he wrote about those huge decisions. Tragically, Mary died before they could start their life together. Many years later, in 1792, Burns set the poem to an old Scottish folk song. To his publisher he explained: You must know, that all my earlier love-songs were the breathings of ardent Passion; and tho’ it might have been easy in aftertimes to have given them a polish, yet that polish would have defaced the legend of my heart.
$3.60 ≈
£2.87
Will Ye Go to the Indies
Will Ye Go to the Indies
#
Choral SATB
#
Andrew J
#
Lyrical Publishing
#
Will Ye Go to the Indies
#
Lyrical Publishing
#
SheetMusicPlus
Choral Choir (SATB) - SKU: A0.953941 Composed by Andrew J. Bolye. Arranged by Lyrical Publishing. Celtic,Folk,World. Octavo. 9 pages. Lyrical Publishing...
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Choral Choir (SATB) - SKU: A0.953941 Composed by Andrew J. Bolye. Arranged by Lyrical Publishing. Celtic,Folk,World. Octavo. 9 pages. Lyrical Publishing #2897719. Published by Lyrical Publishing (A0.953941). Will Ye Go to the Indies: As a young man Scotland’s great poet, Robert Burns, fell in love with a girl he called Highland Mary, and persuaded her to emigrate with him to the West Indies. In the text of this song we hear the poem he wrote about those huge decisions. Tragically, Mary died before they could start their life together. Many years later, in 1792, Burns set the poem to an old Scottish folk song. To his publisher he explained: You must know, that all my earlier love-songs were the breathings of ardent Passion; and tho’ it might have been easy in aftertimes to have given them a polish, yet that polish would have defaced the legend of my heart.
$3.99 ≈
£3.18
Butterfly's Day Out (mandolin part - mandolin/misc. instr., cel, bs)
Butterfly's Day Out (mandolin part - mandolin/misc. instr., cel, bs)
#
Mark O'Connor
#
Butterfly's Day Out
#
Mark O'Connor Musik International
#
SheetMusicPlus
String Ensemble,String Trio - Level 5 - SKU: A0.861878 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 8 pages. Mark O'Conno...
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String Ensemble,String Trio - Level 5 - SKU: A0.861878 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 8 pages. Mark O'Connor Musik International #6205023. Published by Mark O'Connor Musik International (A0.861878). Butterfly’s Day Out (mandolin part – mandolin/misc instr., cel, bs) MO110BMandolin Part (score and parts available)Music by Mark O’Connor4 pages - 4:45 minutes in length Butterfly’s Day Out for mandolin/misc. instr., cello and doublebass by O’Connor is on the album Appalachia Waltz featuring Yo-Yo Ma and Edgar Meyer. The piece was one of the stand-out cuts, receiving a wide variety of radio play, and bringing the trio’s music to new audiences. Written originally for the mandolin, it surely is one of O’Connor’s most memorable mandolin melodies. With the aid of Edgar Meyer arranging the fabulous cello and bass solo sections, the piece can be performed in a variety of instrumental settings. The mandolin part could be also covered by guitar, piano, harp or most any chordal instrument. The piece was named by a young music student at an inner-city camp for underprivileged youths. At his workshop, O’Connor performed his new piece on the mandolin and asked for the kids to help him name it. The title, Butterfly’s Day Out, helped O’Connor complete his vision for the tune. The whole experience also inspired the idea for O’Connor to start his own Fiddle Camps. The music is suited for advanced and intermediate levels. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1994 Composed by Mark O’ConnorOriginally released on Appalachian Waltz featuring Mark O’Connor, Yo-Yo Ma and Edgar Meyer, Sony ClassicalOther versions of Butterfly’s Day Out can be heard on Mark O’Connor’s Thirty-Year Retrospective OMAC Records, A Musical Legacy OMAC Records and The Essential Mark O’Connor Sony Classical Catalogue Number MO110BCopyright © 1994 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$4.50 ≈
£3.58
Butterfly's Day Out (mandolin part - mandolin/misc. instr., vla, cel)
Butterfly's Day Out (mandolin part - mandolin/misc. instr., vla, cel)
#
String Trio: violin, viola, cello
#
ADVANCED
#
Mark O'Connor
#
Butterfly's Day Out
#
Mark O'Connor Musik International
#
SheetMusicPlus
String Ensemble,String Trio - Level 5 - SKU: A0.861879 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 8 pages. Mark O'Conno...
(+)
String Ensemble,String Trio - Level 5 - SKU: A0.861879 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 8 pages. Mark O'Connor Musik International #6205029. Published by Mark O'Connor Musik International (A0.861879). Butterfly’s Day Out (score – mandolin/misc instr., vla, cel) MO111AMandolin Part (score - cel/bs, parts available)Music by Mark O’Connor4 pages - 4:45 minutes in length Butterfly’s Day Out adapted for mandolin/misc. instr., viola and cello by O’Connor is on the album Appalachia Waltz featuring Yo-Yo Ma and Edgar Meyer. The piece was one of the stand-out cuts, receiving a wide variety of radio play, and bringing the trio’s music to new audiences. Written originally for the mandolin, it surely is one of O’Connor’s most memorable mandolin melodies. With the aid of Edgar Meyer arranging the fabulous cello and bass solo sections, the piece can be performed in a variety of instrumental settings. The mandolin part could be also covered by guitar, piano, harp or most any chordal instrument. The piece was named by a young music student at an inner-city camp for underprivileged youths. At his workshop, O’Connor performed his new piece on the mandolin and asked for the kids to help him name it. The title, Butterfly’s Day Out, helped O’Connor complete his vision for the tune. The whole experience also inspired the idea for O’Connor to start his own Fiddle Camps. The music is suited for advanced and intermediate levels. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1994 Composed by Mark O’ConnorOriginally released on Appalachian Waltz featuring Mark O’Connor, Yo-Yo Ma and Edgar Meyer, Sony ClassicalOther versions of Butterfly’s Day Out can be heard on Mark O’Connor’s Thirty-Year Retrospective OMAC Records, A Musical Legacy OMAC Records and The Essential Mark O’Connor Sony Classical Catalogue Number MO111ACopyright © 1994 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$4.50 ≈
£3.58
Butterfly's Day Out (viola part - mandolin/misc. instr., vla, cel)
Butterfly's Day Out (viola part - mandolin/misc. instr., vla, cel)
#
Mark O'Connor
#
Butterfly's Day Out
#
Mark O'Connor Musik International
#
SheetMusicPlus
String Ensemble,String Trio - Level 5 - SKU: A0.861882 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 7 pages. Mark O'Conno...
(+)
String Ensemble,String Trio - Level 5 - SKU: A0.861882 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 7 pages. Mark O'Connor Musik International #6205031. Published by Mark O'Connor Musik International (A0.861882). Butterfly’s Day Out (viola part – mandolin/misc instr., vla, cel) MO111BViola Part (score - cel/bs, parts available)Music by Mark O’Connor3 pages - 4:45 minutes in length Butterfly’s Day Out adapted for mandolin/misc. instr., viola and cello by O’Connor is on the album Appalachia Waltz featuring Yo-Yo Ma and Edgar Meyer. The piece was one of the stand-out cuts, receiving a wide variety of radio play, and bringing the trio’s music to new audiences. Written originally for the mandolin, it surely is one of O’Connor’s most memorable mandolin melodies. With the aid of Edgar Meyer arranging the fabulous cello and bass solo sections, the piece can be performed in a variety of instrumental settings. The mandolin part could be also covered by guitar, piano, harp or most any chordal instrument. The piece was named by a young music student at an inner-city camp for underprivileged youths. At his workshop, O’Connor performed his new piece on the mandolin and asked for the kids to help him name it. The title, Butterfly’s Day Out, helped O’Connor complete his vision for the tune. The whole experience also inspired the idea for O’Connor to start his own Fiddle Camps. The music is suited for advanced and intermediate levels. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1994 Composed by Mark O’ConnorOriginally released on Appalachian Waltz featuring Mark O’Connor, Yo-Yo Ma and Edgar Meyer, Sony ClassicalOther versions of Butterfly’s Day Out can be heard on Mark O’Connor’s Thirty-Year Retrospective OMAC Records, A Musical Legacy OMAC Records and The Essential Mark O’Connor Sony Classical Catalogue Number MO111BCopyright © 1994 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$4.50 ≈
£3.58
Butterfly's Day Out (cello part - mandolin/misc. instr., vla, cel)
Butterfly's Day Out (cello part - mandolin/misc. instr., vla, cel)
#
Mark O'Connor
#
Butterfly's Day Out
#
Mark O'Connor Musik International
#
SheetMusicPlus
String Ensemble,String Trio - Level 5 - SKU: A0.861884 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 7 pages. Mark O'Conno...
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String Ensemble,String Trio - Level 5 - SKU: A0.861884 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 7 pages. Mark O'Connor Musik International #6205037. Published by Mark O'Connor Musik International (A0.861884). Butterfly’s Day Out (cello part – mandolin/misc instr., vla, cel) MO111CCello Part (score - cel/bs, parts available)Music by Mark O’Connor3 pages - 4:45 minutes in length Butterfly’s Day Out adapted for mandolin/misc. instr., viola and cello by O’Connor is on the album Appalachia Waltz featuring Yo-Yo Ma and Edgar Meyer. The piece was one of the stand-out cuts, receiving a wide variety of radio play, and bringing the trio’s music to new audiences. Written originally for the mandolin, it surely is one of O’Connor’s most memorable mandolin melodies. With the aid of Edgar Meyer arranging the fabulous cello and bass solo sections, the piece can be performed in a variety of instrumental settings. The mandolin part could be also covered by guitar, piano, harp or most any chordal instrument. The piece was named by a young music student at an inner-city camp for underprivileged youths. At his workshop, O’Connor performed his new piece on the mandolin and asked for the kids to help him name it. The title, Butterfly’s Day Out, helped O’Connor complete his vision for the tune. The whole experience also inspired the idea for O’Connor to start his own Fiddle Camps. The music is suited for advanced and intermediate levels. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1994 Composed by Mark O’ConnorOriginally released on Appalachian Waltz featuring Mark O’Connor, Yo-Yo Ma and Edgar Meyer, Sony ClassicalOther versions of Butterfly’s Day Out can be heard on Mark O’Connor’s Thirty-Year Retrospective OMAC Records, A Musical Legacy OMAC Records and The Essential Mark O’Connor Sony Classical Catalogue Number MO111CCopyright © 1994 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$4.50 ≈
£3.58
Butterfly's Day Out (score - mandolin/misc. instr., cel, bs)
Butterfly's Day Out (score - mandolin/misc. instr., cel, bs)
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Mark O'Connor
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Butterfly's Day Out
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Mark O'Connor Musik International
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SheetMusicPlus
String Ensemble,String Trio - Level 5 - SKU: A0.861877 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 12 pages. Mark O'Conn...
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String Ensemble,String Trio - Level 5 - SKU: A0.861877 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 12 pages. Mark O'Connor Musik International #6205021. Published by Mark O'Connor Musik International (A0.861877). Butterfly’s Day Out (score – mandolin/misc instr., cel, bs) MO110AScore (parts available)Music by Mark O’Connor8 pages - 4:45 minutes in length Butterfly’s Day Out for mandolin/misc. instr., cello and doublebass by O’Connor is on the album Appalachia Waltz featuring Yo-Yo Ma and Edgar Meyer. The piece was one of the stand-out cuts, receiving a wide variety of radio play, and bringing the trio’s music to new audiences. Written originally for the mandolin, it surely is one of O’Connor’s most memorable mandolin melodies. With the aid of Edgar Meyer arranging the fabulous cello and bass solo sections, the piece can be performed in a variety of instrumental settings. The mandolin part could be also covered by guitar, piano, harp or most any chordal instrument. The piece was named by a young music student at an inner-city camp for underprivileged youths. At his workshop, O’Connor performed his new piece on the mandolin and asked for the kids to help him name it. The title, Butterfly’s Day Out, helped O’Connor complete his vision for the tune. The whole experience also inspired the idea for O’Connor to start his own Fiddle Camps. The music is suited for advanced and intermediate levels. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1994 Composed by Mark O’ConnorOriginally released on Appalachian Waltz featuring Mark O’Connor, Yo-Yo Ma and Edgar Meyer, Sony ClassicalOther versions of Butterfly’s Day Out can be heard on Mark O’Connor’s Thirty-Year Retrospective OMAC Records, A Musical Legacy OMAC Records and The Essential Mark O’Connor Sony Classical Catalogue Number MO110ACopyright © 1994 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$7.50 ≈
£5.97
Butterfly's Day Out (double bass part - mandolin/misc. instr., cel, bs)
Butterfly's Day Out (double bass part - mandolin/misc. instr., cel, bs)
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String Trio: violin, viola, cello
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ADVANCED
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Mark O'Connor
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Butterfly's Day Out
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Mark O'Connor Musik International
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SheetMusicPlus
String Ensemble,String Trio - Level 5 - SKU: A0.861880 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 11 pages. Mark O'Conn...
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String Ensemble,String Trio - Level 5 - SKU: A0.861880 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 11 pages. Mark O'Connor Musik International #6205027. Published by Mark O'Connor Musik International (A0.861880). Butterfly’s Day Out (double bass part – mandolin/misc instr., cel, bs) MO110DDouble Bass Part (score and parts available)Music by Mark O’Connor4 pages - 4:45 minutes in length Butterfly’s Day Out for mandolin/misc. instr., cello and doublebass by O’Connor is on the album Appalachia Waltz featuring Yo-Yo Ma and Edgar Meyer. The piece was one of the stand-out cuts, receiving a wide variety of radio play, and bringing the trio’s music to new audiences. Written originally for the mandolin, it surely is one of O’Connor’s most memorable mandolin melodies. With the aid of Edgar Meyer arranging the fabulous cello and bass solo sections, the piece can be performed in a variety of instrumental settings. The mandolin part could be also covered by guitar, piano, harp or most any chordal instrument. The piece was named by a young music student at an inner-city camp for underprivileged youths. At his workshop, O’Connor performed his new piece on the mandolin and asked for the kids to help him name it. The title, Butterfly’s Day Out, helped O’Connor complete his vision for the tune. The whole experience also inspired the idea for O’Connor to start his own Fiddle Camps. The music is suited for advanced and intermediate levels. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1994 Composed by Mark O’ConnorOriginally released on Appalachian Waltz featuring Mark O’Connor, Yo-Yo Ma and Edgar Meyer, Sony ClassicalOther versions of Butterfly’s Day Out can be heard on Mark O’Connor’s Thirty-Year Retrospective OMAC Records, A Musical Legacy OMAC Records and The Essential Mark O’Connor Sony Classical Catalogue Number MO110DCopyright © 1994 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$4.50 ≈
£3.58
Butterfly's Day Out (cello part - mandolin/misc. instr., cel, bs)
Butterfly's Day Out (cello part - mandolin/misc. instr., cel, bs)
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String Trio: violin, viola, cello
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ADVANCED
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Mark O'Connor
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Butterfly's Day Out
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Mark O'Connor Musik International
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SheetMusicPlus
String Ensemble,String Trio - Level 5 - SKU: A0.861876 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 7 pages. Mark O'Conno...
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String Ensemble,String Trio - Level 5 - SKU: A0.861876 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 7 pages. Mark O'Connor Musik International #6205025. Published by Mark O'Connor Musik International (A0.861876). Butterfly’s Day Out (cello part – mandolin/misc instr., cel, bs) MO110CCello Part (score and parts available)Music by Mark O’Connor3 pages - 4:45 minutes in length Butterfly’s Day Out for mandolin/misc. instr., cello and doublebass by O’Connor is on the album Appalachia Waltz featuring Yo-Yo Ma and Edgar Meyer. The piece was one of the stand-out cuts, receiving a wide variety of radio play, and bringing the trio’s music to new audiences. Written originally for the mandolin, it surely is one of O’Connor’s most memorable mandolin melodies. With the aid of Edgar Meyer arranging the fabulous cello and bass solo sections, the piece can be performed in a variety of instrumental settings. The mandolin part could be also covered by guitar, piano, harp or most any chordal instrument. The piece was named by a young music student at an inner-city camp for underprivileged youths. At his workshop, O’Connor performed his new piece on the mandolin and asked for the kids to help him name it. The title, Butterfly’s Day Out, helped O’Connor complete his vision for the tune. The whole experience also inspired the idea for O’Connor to start his own Fiddle Camps. The music is suited for advanced and intermediate levels. Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1994 Composed by Mark O’ConnorOriginally released on Appalachian Waltz featuring Mark O’Connor, Yo-Yo Ma and Edgar Meyer, Sony ClassicalOther versions of Butterfly’s Day Out can be heard on Mark O’Connor’s Thirty-Year Retrospective OMAC Records, A Musical Legacy OMAC Records and The Essential Mark O’Connor Sony Classical Catalogue Number MO110CCopyright © 1994 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com
$4.50 ≈
£3.58
Young And Beautiful
Young And Beautiful
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String Trio: 2 violins, cello
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INTERMEDIATE
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Lana Del Rey
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Sarah Cellobat Chaffee
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Young And Beautiful
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Sarah Cellobat Chaffee
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SheetMusicPlus
String Trio Cello,Violin - Level 3 - SKU: A0.1241462 By Lana Del Rey. By Elizabeth Grant and Rick Nowels. Arranged by Sarah Cellobat Chaffee. Film/TV,Po...
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String Trio Cello,Violin - Level 3 - SKU: A0.1241462 By Lana Del Rey. By Elizabeth Grant and Rick Nowels. Arranged by Sarah Cellobat Chaffee. Film/TV,Pop,Wedding. 12 pages. Sarah Cellobat Chaffee #836832. Published by Sarah Cellobat Chaffee (A0.1241462). *INSTRUMENTATION: 2 VIOLINS & CELLO*Young And Beautiful, one of Lana Del Rey's biggest hits, was released in 2013 as part of the soundtrack for Baz Luhrmann's major motion picture The Great Gatsby. With lyrics describing the singer's apprehension about whether true love can last, the song's haunting and atmospheric production brought chills to audiences around the world and garnered widespread critical acclaim. The song became Del Rey's highest-charting single up to that point, received multiple awards including a Grammy nomination, and is now a very popular wedding-music request -- so you really can't go wrong adding this one to your gig books! This Cellobat arrangement for your two-violin and cello trio maintains the beautiful soaring melodies, driving string figures, and dynamic passion of the original for a chart you and your audience are sure to love! Rated intermediate; this will be playable for students and easily sightreadable for professionals.Sarah “Cellobat†Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild†residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat.
$14.99 ≈
£11.94
Carson Cooman: Kahlenberg for piano
Carson Cooman: Kahlenberg for piano
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Easy Piano
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EASY
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Carson Cooman
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Carson Cooman: Kahlenberg for
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Musik Fabrik Music Publishing
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SheetMusicPlus
Easy Piano - Level 2 - SKU: A0.533601 Composed by Carson Cooman. Concert,Contemporary,Standards. Score. 4 pages. Musik Fabrik Music Publishing #3030261....
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Easy Piano - Level 2 - SKU: A0.533601 Composed by Carson Cooman. Concert,Contemporary,Standards. Score. 4 pages. Musik Fabrik Music Publishing #3030261. Published by Musik Fabrik Music Publishing (A0.533601). Kahlenberg (2005) for solo piano (young performers) is dedicated toElisabeth Carolyn Parker. It is a single movement meditation for solopiano, inspired by the mountain Kahlenberg, at the edge of the ViennaWoods outside of Vienna, Austria.The work combines atmospheric figurations and patterns with simplemonodic melodies that emerge from the texture. The piano pedal providesblurring of sound. A very still, chorale section is surrounded by the twosimilar outer sections. The piece dies away to nothingness at the end.
$7.75 ≈
£6.17
The Unquiet Grave from American Death Ballads (Downloadable)
The Unquiet Grave from American Death Ballads (Downloadable)
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High voice
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David Conte
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The Unquiet Grave from America
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E. C. Schirmer Music Company - Digital
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SheetMusicPlus
High voice and piano - Moderately Difficult - SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer M...
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High voice and piano - Moderately Difficult - SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8454-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8454-2E). English.American Death Ballads was composed especially for tenor Brian Thorsett. We have been frequent collaborators since 2011, when he premiered the complete set of my Three Settings of W. B. Yeats for string quartet and tenor. At his urging, I transcribed and published my Three Poems of Christina Rossetti (originally for medium voice) for high voice, which he premiered at the San Francisco Conservatory in 2014. American Death Ballads was premiered by him at the San Francisco Conservatory, November 1, 2015, with pianist John Churchwell, and at the National Association of Teachers of Singing (NATS) Conference in Chicago, July 10, 2016, with pianist Warren Jones.The choice of texts for my American Death Ballads was inspired partly by Copland’s Old American Songs, which I deeply admire, but more by my dear friend and colleague the late Conrad Susa’s Two Murder Ballads. The ingenuity of Susa’s accompaniments for his ballads in imagining anew the original source material owes a great deal to Copland’s accompaniment for his songs. Though the content of my songs is completely original and not based on preexisting melodies, I have tried to expand on this further, as the texts are much longer, and go through many different moods and characters. The four texts I chose include stories about murder, death, and dying. Though two of the texts were written in England, they traveled to the colonies almost immediately. The subjects of the texts had spent time in America, and their stories were well known to Americans.Wicked Polly is a cautionary tale. Polly has lived a dissolute and immoral life, saying, 'I'll turn to God when I grow old.' Suddenly taken ill, she realizes that it is too late to repent. She dies in agony and is presumably sent to hell; young people are advised to heed. My musical setting is stately and preacherly in character for the narrator; for Polly it becomes pleading and remorseful. The Unquiet Grave was brought to the attention of Alan Lomax, the great American field collector of folk music, by English folk singer Shirley Collins. The text is taken from an English folk song dating from 1400. In The Unquiet Grave, a young man mourns his dead lover too fervently and prevents her from obtaining peace. The dead woman complains that his weeping is keeping her from peaceful rest. He begs a kiss; she tells him it would kill him. When he persists, wanting to join her in death, she explains that once they were both dead their hearts would simply decay, and that he should enjoy life while he has it. My setting is in a flowing Andante with a rocking accompaniment. Three voices are delineated here: the narrator, the mournful lover, and the dead lover speaking from the grave. The Dying Californian first appeared in the New England Diadem in 1854. Its lyrics are based on a letter from a New Englander’s sailor to his brother who is dying at sea while on the way to California to seek his fortune in the California gold fields. He implores his brother to impart his message to his father, mother, wife, and children. My setting opens with the singer alone in a moderate dirge tempo, then, joined by the piano, moves through many tonalities and moods before ending with supreme confidence as the speaker 'gained a port called Heaven/Where the gold will never rust.'Captain Kidd was a Scottish sailor who was tried and executed for piracy and murder in 1701. The American connection to this ballad is that Kidd escaped to America and for a time lived in New York and Boston, though he was a wanted criminal by the British authorities and was extradited to Britain, where he was hung at 'Executioner’s Dock.' The lyric was printed in Britain in 1701, traveling to the colonies almost immediately. Though the didactic tone of the text is similar to Wicked Polly, it expresses no regret until the final lines: 'Take warning now by me, and shun bad company, / Lest you come to hell with me, for I must die.' My setting is fast and spirited, expressing the confidence of a man who lived life as he wanted. -David Conte.
$3.50 ≈
£2.79
Cadenza for 3rd Mvmt of Piano Concerto in C Major #21 by W.A.Mozart, by Rozalina Gutman, for little
Cadenza for 3rd Mvmt of Piano Concerto in C Major #21 by W.A.Mozart, by Rozalina Gutman, for little
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Rozalina Gutman
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EFFECTIVE LEADERSHIP
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Cadenza for 3rd Mvmt of Piano
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Foundation C.H.A.R.I.S.M.A.: Community Helps to Assure the Rescue, Inspiration $ Support for Music & the Arts
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1018475 Composed by Rozalina Gutman. 20th Century,Children,Classical,Contemporary,Standards. Score and parts. 5 pa...
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Chamber Orchestra - Level 4 - SKU: A0.1018475 Composed by Rozalina Gutman. 20th Century,Children,Classical,Contemporary,Standards. Score and parts. 5 pages. Foundation C.H.A.R.I.S.M.A.: Community Helps to Assure the Rescue, Inspiration $ Support for Music & the Arts #4718069. Published by Foundation C.H.A.R.I.S.M.A.: Community Helps to Assure the Rescue, Inspiration $ Support for Music & the Arts (A0.1018475). MOZART, SYMPHONIC PERCEPTION OF REALITY & EFFECTIVE LEADERSHIP Rozalina Gutman’s Flow-based secret recipe that defies the common expectations of young students’ ability to achieve uncommon heights on their most satisfying path towards Higher Human Potential, is now OUT! No more waiting to grow up for having hands-on FUN-driven experiential interaction with complex and sophisticated piano/orchestra compositional mindset of Mozart! Thanks to this new publication release of CADENZA FOR THE 3RD MOVEMENT OF CONCERTO FOR PIANO & ORCHESTRA #21 IN C MAJOR BY W.A.MOZART, (K467) FOR LITTLE FUN-LOVING GENIUSES WITH SMALL AND FAST-MOVING HANDS, shared generously (in Limited Edition) by int’ly recognized master piano instructor Rozalina Gutman, now young performers can utilize her creative form of scaffolding during developmentally-critical time of their childhood. Her emotionally/intellectually balanced approach allows for the multi-dimensional engagement of child’s brain, fostering synaptic network growth for the symphonic perception of the reality - the crucial for the effective leadership ability to grasp complexities of balancing multiple priorities with no oversimplification, to help avoid the minds’s blind spots... (Read & see more inside, including Photo: Mihaly Csikszentmihalyi, Professor Flow, visionary Hungarian-born Research Psychologist who coined the term Flow & initiated paradigm shifting studies, shows his support for Rozalina Gutman’s innovations in the area of infusing children’s learning process with authentic narrative & fun, to help them achieve the state of Flow. )This publication affirms Rozalina Gutman’s outstanding lifelong commitment to advocacy for Music and Arts Education and Expressive Arts Therapy, to raise awareness for their evident high efficacy transformative impact on the human mind. And her Flow-infused teaching magic illustrates well this undeniable fact.(See inside Photo: Rozalina Gutman’s advocacy for Music Education message receives enthusiastic support from Maestro Gustavo Dudamel, proud music educator and passionate advocate for Music Education, conductor of famed Simon Bolivar National Youth Orchestra of Venezuela & Youth Orchestra of Los Angeles, conductor of LA Philharmonic.)Rozalina Gutman launched her campaign for Advocacy for Music Education through Brain/Music Research at the time of her presentation on her unique holistic teaching method (while showcasing this Cadenza) at the 17th International Seminar for the Commission on Education of Professional Musicians (CEPROM), ISME, under auspices of UNESCO. The head of Chinese delegation personally invited her to 29th World Conference of ISME in Beijing, China, where she led Int’l Symposium on this subject. ...Rozalina Gutman’s method revolves around encouraging students to invent narratives, relating to content and structure of the classical music pieces they are learning. Motivation for the child to enjoy the experience of learning... comes through personal investment in the meaning of the music being studied... Michael Hannan, Editor of Peer-Reviewed CEPROM Proceedings & Chair of 17th Int’l Seminar of CEPROM, ISME, under auspices of UNESCO(See more Photos of Rozalina Gutman inside: with celebrity supporters: Prof. Mihaly Csikszentmihalyi (Professor Flow), LA Philharmonic Conductor Gustavo Dudamel, Sen. Nancy Pelosi, Dr. Alexander (Sugar Tax on coke), Quincy Jones, celebrities’ producer, Dr. Deepak Chopra, among many others celebrities! )And now, you too can team up with this visionary strive - JOIN NOW! the initiated by her multi-disciplinary international campaign to advocate for the transformative power of Music & the Arts, to utilize this ancestral gift for propelling the spread of the human mind evolution during our time: www.CHARISMAfoundation.org Rozalina Gutman, int’ly recognized music educator and presenter, multidisciplinary scholar, concert.
$137.78 ≈
£109.73
Piano Album For The Young
Piano Album For The Young
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Easy Piano
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BEGINNER
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Metin Yñlmaz
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Metin Yñlmaz
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Piano Album For The Young
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Kñnay Global
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SheetMusicPlus
Easy Piano - Level 1 - SKU: A0.1092814 By Metin Yılmaz. By Metin Yılmaz. Arranged by Metin Yılmaz. 20th Century,Instructional,Jazz,Traditional....
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Easy Piano - Level 1 - SKU: A0.1092814 By Metin Yılmaz. By Metin Yılmaz. Arranged by Metin Yılmaz. 20th Century,Instructional,Jazz,Traditional. Score. 44 pages. Kınay Global #696917. Published by Kınay Global (A0.1092814). Born in Ankara in 1976, Metin Yilmaz started his formal musical education at the Bilkent University, Department of Musical Composition in the Faculty of Performing Arts. He studied with Hatira Ahmetli on “Taniyev’s Harmony and Musical Pedogogyâ€. He continued his musical studies with Arif Melikov in Baku Music Academy following a special invitation. He performed in four concerts which included his own compositions that were broadcasted on Russian NTV, Azerbaijan State Televisions. He participated in Rostropovitch’s musicality and instrumental composition master classes. He pariticipated in seminars along with Russian and Iranian composers in International Zagulba Composition Festival that took place in Baku. His interviews from these seminars were published in various mediums. Some of his pianoworks were represented in various concerts and recorded by known pianist Yuri Savetskin. He completed his composition education in Turkey with Aydın Azimov in Mersin University State Conservatorium and graduated in the first place. Soon after his graduation he perfırmed and conducted his own piano concerto “SARI†with Mersin Youth Symphony Orchestra. While working as an academic instructor in Çukurova State Conservatorium he also instructed piano in Mersin Fine Arts High School. Later he instructed in Baskent State Conservatorium. His arrangements and compositions are performed in Antalya, Bodrum and Ankara by Baskent University Academic Orchestra. He continued his master’s and artistic proficiency in Baku Music Academy with Arif Melikov and in Moscow Tchaikovsky Conservatorium with Igor Dranov. His composition “Geveze†(Babbler) was deemed worthy for the first place in Yamaha International Composition Competition and was performed in America, Germany, Italy and China. He participated and performed in various concerts and organizations in Ankara, Baku and Tiblisi Jazz Festivals and jazz Clubs and started Babel Project music community that arranged concerts. The modal jazz and Turkish music arrangements draw attention and his workshops inspired many young jazz musicians. He composed and arranged documentary and titles compositions that were broadcasted on Turkish National Radio and Television and other broadcasting institutions. He thought Music Theory & Culture and participated in foundation of Atilim University Department of Jazz. He thought in Yildirim Beyazıt University State Conservatorium. He broadcasted “HAFIZAMDAKI MAKAMLAR†in Turkish National Television that explored music of architecture. He is the board chairman of Musical Therapy Education and Research Association and general director of School of Art Machine that evolved into Babel Project Music Ltd. His musical compositions fuse elements of traditional, contemporary and classical music styles in a natural sense of integrity blended with mature emotional expressiveness.
$5.00 ≈
£3.98
Soldier's March by Schumann for String Quartet in Schools
Soldier's March by Schumann for String Quartet in Schools
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String Quartet: 2 violins, viola, cello
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INTERMEDIATE
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Classical
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R
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Joseph Judge
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Soldier's March by Schumann fo
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School Ensemble Music
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SheetMusicPlus
String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1158964 Composed by R. Schumann. Arranged by Joseph Judge. Chamber,Romantic Period....
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String Quartet Cello,String Quartet,Viola,Violin - Level 3 - SKU: A0.1158964 Composed by R. Schumann. Arranged by Joseph Judge. Chamber,Romantic Period. 20 pages. School Ensemble Music #759205. Published by School Ensemble Music (A0.1158964). Soldiers March, by R. Schumann, 3:30, for string quartet. Also includes Humming Song, First Loss, and Wild Horseman from Album for the Young. Violin, Violin, Viola, Cello, with alternate part for another Violin to play the Viola part. These recognizable songs were arranged to be easy to play: range limited, rests provided, melodies marked, rehearsal marks designed for easy group cuing, and the workload shared (everyone gets to play the melody). Also available for other quartets: Brass, Saxophone, Woodwind. Submit feedback at SchoolEnsemble.com.
$8.99 ≈
£7.16
Young Man Dies by David Wilcox - Guitar Tab
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Guitar notes and tablatures
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David Wilcox
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Young Man Dies
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Musicnotes
Performed by: David Wilcox: Young Man Dies Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (t...
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Performed by: David Wilcox: Young Man Dies Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Guitar Tab, instruments: Voice;Guitar; 7 pages -- Folk~~Singer-Songwriter
$5.50 ≈
£4.38
Dichterliebe
Dichterliebe
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French Horn and Piano
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ADVANCED
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Classical
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Robert Schumann
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Layne Anspach
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Dichterliebe
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Songburd Music
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SheetMusicPlus
French Horn,Piano - Level 5 - SKU: A0.1416184 Composed by Robert Schumann. Arranged by Layne Anspach. Classical. Score and part. 62 pages. Songburd Musi...
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French Horn,Piano - Level 5 - SKU: A0.1416184 Composed by Robert Schumann. Arranged by Layne Anspach. Classical. Score and part. 62 pages. Songburd Music #997868. Published by Songburd Music (A0.1416184). ROBERT SCHUMANN was a German pianist, music critic and one of the great composers of the Romantic Period who, in an earlier part of his career, was generally critical of the compositional works for piano and voice of his day, and consequently the greater number of his compositions throughout the 1830s were written mostly for piano.  Then came the year of 1840, considered to be Schumann’s liedarjahr (year of song), when he composed nearly half of his life’s best-known works, featuring some of the greatest liederkreis (song cycles) ever written for voice and piano.  One of his widely celebrated song cycles is the well-known Dichterliebe, Op. 48, which is based on a fanciful story of a knight who experiences rejection and love lost, giving us an insight into Schumann’s interests as a ballad writer, melding dramatic irony with his introspective nature and musical style. Schumann’s talent for combining dramatic lyrics with pleasing melodies is clearly seen in the moving lieder (songs) of his repertoire, and his Dichterliebe (A Poet’s Love) is thought to be the paramount work among his song cycles.  Achieved in part by drawing upon the lyric poetry of Heinrich Heine, a German author, poet and literary critic whose political activism among the Junges Deutschland (Young Germans) of the 1830s and 1840s instigated at one point the banning of his works in Germany, leading him to become an expatriate who spent his final years living in Paris, France. Notably, the Romantic Period in Germany is thought to have had its roots in the Sturm und Drang (Storm and Stress) of the late 1700s and was certainly influenced to some degree by the French Revolution, which contrasted itself to the rationalism of the fading period of the Age of Enlightenment.  Thus, the ideological movement of the Young Germans, and its reactive stance to the Romanticism of the era, adds some contrast to Heine’s lyric poetry, which expressed personal emotions and the irony of love, solidified in his Buch der Lieder (Book of Songs) that was published in 1827. Divided into five sections, Heine’s Book of Songs dealt with issues of unrequited love, romanticism, and introspection, and it was from the more than 60 poems of the lyrical cycle Lyrisches Intermezzo (Lyrical Intermezzo) that Schumann found inspiration for his noteworthy song cycle, selecting 16 of Heine’s lyric poems for his Dichterliebe.  For this arrangement, German lyrics are included to assist the performer in connecting the music to the thoughts, feelings, and specific moments expressed in the words that might otherwise be lost if not aligned with the music.  Noting that changes in mood or tone of the music are better understood when aligned with the words, and by including the lyrics, the performer can phrase a passage while having a guide to see the end of the musical line. Romantic lieder allows for rubato in performance, as playing the piece exactly as written on the page will result in a less inspiring rendition.  To match the horn’s register with the vocal line, the piano part required alterations by moving some notation higher in the register.
$54.99 ≈
£43.80
When We Were Young
When We Were Young
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Choral SATB
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Adele
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Alex Silverman
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When We Were Young
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Red Star
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SheetMusicPlus
Choral Choir (SATB divisi) - SKU: A0.978062 By Adele. By Adele Adkins and Tobias Jesso Jr. Arranged by Alex Silverman. Pop,R & B. Octavo. 10 pages. Red ...
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Choral Choir (SATB divisi) - SKU: A0.978062 By Adele. By Adele Adkins and Tobias Jesso Jr. Arranged by Alex Silverman. Pop,R & B. Octavo. 10 pages. Red Star #5296481. Published by Red Star (A0.978062). Adele's When We Were Young, for Choir SSAATB and Piano. The power and emotion of Adele's original recording is captured in this sensitive arrangement for mixed choir. Great melodies, big harmonies, and a stylistically authentic accompaniment; transposed to G major for singability. Fantastic ballad, accessible to amateur or college choirs.For more like this, or just to say hello, check out my website - alexsilverman.co.uk - and get in touch by writing to alex@alexsilverman.co.uk
$2.59 ≈
£2.06
Telemann: Sonata Op. 2 No. 2 for Violin Duo
Telemann: Sonata Op. 2 No. 2 for Violin Duo
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2 Violins (duet)
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INTERMEDIATE
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Georg Philipp Telemann 1681-17
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James M
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Telemann: Sonata Op. 2 No. 2 f
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jmsgu3
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SheetMusicPlus
String Ensemble - Level 3 - SKU: A0.552333 Composed by Georg Philipp Telemann 1681-1767. Arranged by James M. Guthrie. Baroque,Instructional,Standards,W...
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String Ensemble - Level 3 - SKU: A0.552333 Composed by Georg Philipp Telemann 1681-1767. Arranged by James M. Guthrie. Baroque,Instructional,Standards,Wedding. 31 pages. Jmsgu3 #6327363. Published by jmsgu3 (A0.552333). I. Largo II. Allegro III. Affettuoso IV. VivaceGeorg Philipp Telemann's Sonatas Op. 2, also known as the Six Sonatas for two flutes (or violins), are significant for several reasons. First, they are dedicated to two young music lovers, explicitly appealing to a circle of pupils and music enthusiasts. The pieces foster the ability of musical expression and are characterized by a combination of expansive baroque thematic material and charming galant features in the slow and fast movements, respectively. Telemann was considered one of the leading German composers of his time, and his works, including the Sonatas Op. 2, reflect his significant contribution to the Baroque music era. The Methodical nature of these sonatas, as described when they were published in 1732, is also noteworthy, as they included a second, ornamented version of the simple melodies, showcasing Telemann's innovative approach to composition.Furthermore, Telemann's music, which incorporates French, Italian, and German national styles, remained highly regarded by colleagues and critics alike during his lifetime and the latter half of the 18th century. Numerous theorists and prominent composers cited his works as models, and he influenced pupils of J.S. Bach in Leipzig, such as Wilhelm Friedemann Bach. Therefore, Telemann's Sonatas Op. 2 contributed to the expansion of domestic music-making and influenced other composers and musicians of his time and beyond.
$24.95 ≈
£19.87
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Young Man Dies
