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When Your Feet Don
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You've selected:
When Your Feet Don
Sheetmusic to print
24 sheet music found
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1
When Your Feet Don't Touch The Ground
When Your Feet Don't Touch The Ground
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Cello (band part)
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EASY
#
Contemporary
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Eliot Kennedy and Gary Barlow
#
Liz Lee - Cellomoji
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When Your Feet Don't Touch The
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Cellomoji
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SheetMusicPlus
Cello Solo - Level 2 - Digital Download SKU: A0.900336 Composed by Eliot Kennedy and Gary Barlow. Arranged by Liz Lee - Cellomoji. Contemporary. Individu...
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Cello Solo - Level 2 - Digital Download SKU: A0.900336 Composed by Eliot Kennedy and Gary Barlow. Arranged by Liz Lee - Cellomoji. Contemporary. Individual part. 4 pages. Cellomoji #6307305. Published by Cellomoji (A0.900336). Here's the beautiful duet from the musical Finding Neverland. Even though it is only written for a single cello player I think it captures the song beautifully. There are some challenges with the key changes, but if you are practicing your scales you should be able to get this. I hope you have fun learning this one!Questions? liz@cellomoji.comCellomoji Website: http://eepurl.com/cOx6H9Cellomoji Youtube: https://www.youtube.com/channel/UCS8SDY7dyqUR4P3t3qRPISgCellomoji Instagram: www.instagram.com/cellomoji
$4.99 ≈
4.63€
When Your Feet Don't Touch The Ground
When Your Feet Don't Touch The Ground
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Choral TTBB
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INTERMEDIATE/ADVANCED
#
Eliot Kennedy and Gary Barlow
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Theodore Hicks
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When Your Feet Don't Touch The
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Theo Hicks Music
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SheetMusicPlus
Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.1085253 Composed by Eliot Kennedy and Gary Barlow. Arranged by Theodore Hicks. A Cappella,Broadw...
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Choral Choir (TTBB) - Level 4 - Digital Download SKU: A0.1085253 Composed by Eliot Kennedy and Gary Barlow. Arranged by Theodore Hicks. A Cappella,Broadway,Contemporary,Musical/Show. Octavo. 9 pages. Theo Hicks Music #689397. Published by Theo Hicks Music (A0.1085253). A magical song about growing up from the musical Neverland. Originally performed by the 2018 International Champions, After Hours, this piece works well for small ensemble (quartet minimum) or a large choir. For SSAA or SATB voicings, please reach out to the arranger through the website listed below. This song is contestable in Barbershop Harmony Society contests, Sweet Adeline's International contests, and Harmony Incorporated contests. For more information or arrangement titles from Theodore Hicks, visit www.theohicksmusic.com. LIKE Theo Hicks Music on Facebook at https://www.facebook.com/theohicksmusic/.
$4.00 ≈
3.71€
When Your Feet Don't Touch the Ground from Finding Neverland [Musical] - Piano/Vocal/Guitar
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Piano, Vocal and Guitar
#
Broadway
#
When Your Feet Don't Touch the
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Musicnotes
When Your Feet Don't Touch the Ground Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Piano/Vocal/Guitar;Duet, inst...
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When Your Feet Don't Touch the Ground Digital Sheetmusic plus an interactive, downloadable digital sheet music file, scoring: Piano/Vocal/Guitar;Duet, instruments: Voice 1;Voice 2;Piano;Guitar; 6 pages -- Show/Broadway~~Musical
$5.50 ≈
5.10€
When Your Feet Don't Touch the Ground from Finding Neverland [Musical] - Piano/Vocal/Chords, Singer Pro
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Piano, Voice
#
Broadway
#
When Your Feet Don't Touch the
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Musicnotes
Performed by: Ellie Goulding: When Your Feet Don't Touch the Ground Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadab...
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Performed by: Ellie Goulding: When Your Feet Don't Touch the Ground Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Chords;Singer Pro, instruments: Voice 1;Voice 2;Piano; 10 pages -- Show/Broadway~~Musical
$5.95 ≈
5.52€
When Your Feet Don't Touch the Ground by Ellie Goulding - Leadsheet
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Melody line, (Lyrics) and Chords
#
Ellie Goulding
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When Your Feet Don't Touch the
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Musicnotes
Performed by: Ellie Goulding: When Your Feet Don't Touch the Ground Digital Sheetmusic plus an interactive, downloadable digital sheet music file (this arr...
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Performed by: Ellie Goulding: When Your Feet Don't Touch the Ground Digital Sheetmusic plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Leadsheet;Lyrics/Melody/Chords, instruments: Voice 1;Voice 2;C Instrument; 5 pages -- Pop~~Show/Broadway~~Musical
$3.50 ≈
3.25€
Jesus Shall Reign Where'er the Sun
Jesus Shall Reign Where'er the Sun
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Piano solo
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ADVANCED
#
John Hatton
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Paul Thurmond
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Jesus Shall Reign Where'er the
#
Paul Thurmond
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SheetMusicPlus
Piano Solo - Level 5 - Digital Download SKU: A0.828227 Composed by John Hatton. Arranged by Paul Thurmond. 20th Century,Baroque,Christian,Sacred. Score. ...
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Piano Solo - Level 5 - Digital Download SKU: A0.828227 Composed by John Hatton. Arranged by Paul Thurmond. 20th Century,Baroque,Christian,Sacred. Score. 7 pages. Paul Thurmond #4968929. Published by Paul Thurmond (A0.828227). Tune: DUKE STREETUse: Prelude, PostludeOne Sunday my church was singing Jesus Shall Reign Where’er the Sun as the opening hymn. It’s our tradition that the last stanza of a hymn is sung in unison, so that I as the organist can change the harmonization and keep things interesting. Sometimes I know ahead of time what I’m going to do, and sometimes I make it up on the spot.On this particular morning I planned on being spontaneous. (Can spontaneity be planned?) When we got to the final stanza, I threw on the 16′ pedal reed and went to town.I don’t know if this is the case for all musicians, but while I’m playing my brain is working on several different levels. Most of these are involved in actually playing the music, but there’s also a running commentary on how things are going. This commentary is usually really boring: It’s going okay. It’s going okay. It’s going okay. Sometimes the messages are more interesting: Uh-oh. She just dropped her mute. I missed that chord; remember to circle it when we’re done. My page turner appears to be on fire.So: We’re in the final stanza of Jesus Shall Reign Where’er the Sun. Big, majestic hymn. Over a hundred congregants and choir members are enthusiastically singing in unison. I’m leading them from the organ with an improvised accompaniment that involves all of my limbs. It’s fair to say that I was concentrating hard.Suddenly the commentary part of my brain breaks in: Dude, your feet are totally playing Canon in D. Cool!Canon in D is the most famous work of Johann Pachelbel, a German composer who preceded Bach by a few decades. It’s overused at weddings, but it’s actually a really good piece of music. The original is for three violins and a basso continuo part, which would usually have been played by harpsichord and cello. In this case, the basso continuo plays the same eight measures again and again throughout the piece. This technique of repetition is called a ground bass. While that’s going on, the violins play several different themes on top of it.When I was improvising that Sunday, my feet had accidentally wandered into that ground bass part, which happened to fit nicely with the melody we were singing. During the sermon (sorry Pastor!) I started going through the violin themes in my head, seeing if any of them could also match up with the hymn tune. Some of them worked and some didn’t. I decided to write a sort of theme and variations, where the hymn tune appears in various forms. Sometimes it’s played along with one of the violin themes, and sometimes a violin theme serves as an interlude on its own. And except for one passage, the left hand is always playing some version of the basso continuo theme. I also changed the meter from 4/4 to 3/4 to make it more interesting. It culminates in a climax worthy of a king. I hope you enjoy it.
$4.99 ≈
4.63€
When Your Feet Don't Touch The Ground
When Your Feet Don't Touch The Ground
#
Piano, Vocal and Guitar
#
Broadway
#
Eliot Kennedy
#
Pop
#
When Your Feet Don't Touch The
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Hal Leonard - Digital Sheet Music
#
SheetMusicPlus
By Eliot Kennedy. For Piano/Vocal/Guitar (chords only). Musical/Show; Pop. Piano/Vocal/Guitar (chords only). 6 pages. Published by Hal Leonard - Digital Sheet M...
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By Eliot Kennedy. For Piano/Vocal/Guitar (chords only). Musical/Show; Pop. Piano/Vocal/Guitar (chords only). 6 pages. Published by Hal Leonard - Digital Sheet Music
$4.99 ≈
4.63€
When Your Feet Don't Touch The Ground (from 'Finding Neverland')
When Your Feet Don't Touch The Ground (from 'Finding Neverland')
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Piano, Vocal and Guitar
#
Broadway
#
Gary Barlow and Eliot Kennedy
#
When Your Feet Don't Touch The
#
Hal Leonard - Digital Sheet Music
#
SheetMusicPlus
By Gary Barlow and Eliot Kennedy. Musical/Show. Piano/Vocal/Guitar (chords only). 6 pages. Published by Hal Leonard - Digital Sheet Music (HX.362864). - Piano/V...
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By Gary Barlow and Eliot Kennedy. Musical/Show. Piano/Vocal/Guitar (chords only). 6 pages. Published by Hal Leonard - Digital Sheet Music (HX.362864). - Piano/Vocal/Guitar (chords only) - Musical/Show - Hal Leonard - Digital Sheet Music
$4.99 ≈
4.63€
When Your Feet Don't Touch The Ground
When Your Feet Don't Touch The Ground
#
Piano, Vocal and Guitar
#
Broadway
#
When Your Feet Don't Touch The
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
This edition: Interactive Download. Broadway, Musical/Show. PVG. 6 pages. Published by Hal Leonard - Digital Sheet Music (HX.406944). - PVG - Broadway,Musical/S...
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This edition: Interactive Download. Broadway, Musical/Show. PVG. 6 pages. Published by Hal Leonard - Digital Sheet Music (HX.406944). - PVG - Broadway,Musical/Show - Hal Leonard - Digital Sheet Music
$4.99 ≈
4.63€
When Your Feet Don't Touch The Ground
When Your Feet Don't Touch The Ground
#
Easy Piano
#
EASY
#
Broadway
#
Gary Barlow & Eliot Kennedy
#
Musical/Show
#
When Your Feet Don't Touch The
#
Hal Leonard - Digital Sheet Music
#
SheetMusicPlus
By Gary Barlow & Eliot Kennedy. Broadway; Musical/Show. Easy Piano. 6 pages. Published by Hal Leonard - Digital Sheet Music (HX.353643). - Easy Piano - Broadway...
(+)
By Gary Barlow & Eliot Kennedy. Broadway; Musical/Show. Easy Piano. 6 pages. Published by Hal Leonard - Digital Sheet Music (HX.353643). - Easy Piano - Broadway; Musical/Show - Hal Leonard - Digital Sheet Music
$3.99 ≈
3.70€
Gary Barlow: When Your Feet Don't Touch The Ground - voice, piano or guitar
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Piano, Vocal and Guitar
#
INTERMEDIATE
#
Broadway
#
Gary Barlow
#
Virtualsheetmusic
Instantly printable sheet music by Gary Barlow for voice, piano or guitar of MEDIUM skill level. / musical/show,broadway
Instantly printable sheet music by Gary Barlow for voice, piano or guitar of MEDIUM skill level. / musical/show,broadway
$6.97 ≈
6.46€
Gary Barlow: When Your Feet Don't Touch The Ground (from 'Finding Neverland') - voice, piano or guitar
#
Piano, Vocal and Guitar
#
INTERMEDIATE
#
Broadway
#
Gary Barlow
#
Virtualsheetmusic
Instantly printable sheet music by Gary Barlow for voice, piano or guitar of MEDIUM skill level. / musical/show
Instantly printable sheet music by Gary Barlow for voice, piano or guitar of MEDIUM skill level. / musical/show
$6.97 ≈
6.46€
Gary Barlow & Eliot Kennedy: When Your Feet Don't Touch The Ground - piano solo
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Piano solo
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EASY
#
Broadway
#
Gary Barlow & Eliot Kennedy
#
Virtualsheetmusic
Instantly printable sheet music by Gary Barlow & Eliot Kennedy for piano solo of EASY skill level. / musical/show,broadway,children
Instantly printable sheet music by Gary Barlow & Eliot Kennedy for piano solo of EASY skill level. / musical/show,broadway,children
$6.97 ≈
6.46€
Eliot Kennedy: When Your Feet Don't Touch The Ground - voice, piano or guitar
#
Piano, Vocal and Guitar
#
INTERMEDIATE
#
Broadway
#
Eliot Kennedy
#
Virtualsheetmusic
Instantly printable sheet music by Eliot Kennedy for voice, piano or guitar of MEDIUM skill level. / musical/show,pop
Instantly printable sheet music by Eliot Kennedy for voice, piano or guitar of MEDIUM skill level. / musical/show,pop
$6.97 ≈
6.46€
Lent and Easter Choral book 2 - with parts
Lent and Easter Choral book 2 - with parts
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Connie Boss
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cdboss @cvalley
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Lent and Easter Choral book 2
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Connie Boss
#
SheetMusicPlus
Small Ensemble Cello,Flute,Guitar,Piano,Violin,Voice - Level 2 - Digital Download SKU: A0.801606 Composed by Connie Boss. Easter,Sacred. Score and parts....
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Small Ensemble Cello,Flute,Guitar,Piano,Violin,Voice - Level 2 - Digital Download SKU: A0.801606 Composed by Connie Boss. Easter,Sacred. Score and parts. 52 pages. Connie Boss #6255285. Published by Connie Boss (A0.801606). This book contains 4 original songs for Lent and Easter. Each song takes you one step closer to Easter. You will get a duet vocals with accent instruments (flute, violin or cello with parts included) and piano. These are all lovely with harmonies and moving parts. cdboss @cvalley.net. I also have these in strings and piano as well in book form as well as individual sales.Lyrics:The Journey (Lenten)Composed by Connie Boss Verse 1:As we start this Lenten journeyA time of fast and prayerWe reflect on your own journeyAnd it’s beyond compare Refrain: For you fasted in the desertFor forty daysAnd you battled with the devilIn every way Verse 2: Ash Wednesday starts our journeyWith a mark of sacrificeA cross of ashes on our foreheadsFor us you paid the price Refrain: For you fasted in the desertFor forty daysAnd you battled with the devilIn every way Verse 3: As our time ends for this journeyWe enter Holy WeekWe reach that fateful dayForgiveness now we seek Refrain: For you fasted in the desertFor forty daysAnd you battled with the devilIn every way Final Refrain: So through our Lenten journeyWe fast and prayAnd we battle with the devilIn every wayTowel and Basin(Holy Thursday)Composed by Connie Boss V1Before the feast of the Passover, JesusKnew His time had comeHe would leave this world to travel to HisFather’s Kingdom come Refrain: Father I’ll doWhat You want me to V2Jesus knew there was a traitoramong His treasured friendsand He gave him many chancesbut he betrayed Him in the end Refrain: the Devil inducedHis friend Judas V3 Simon Peter said to Jesus, youNeed not wash my feetJesus said unless I wash themYou’ll have no place with Me Refrain: Hear my commandThen You’ll understand V 4 Jesus used a towel and basinTo wash the disciples feetHe told each person when He finishedDo the same to those you meet Final Refrain: For you will be cleansedNow free from sinAll but one of youJesus used a towel and basinTo wash the disciples feet Crucified(song for Good Friday)Composed by Connie Boss Refrain:Crucified, Lord they crucified you.Crucified, Lord they crucified you. V1The people shout. Let’s crucify!He’s not our King. So, He must dieBut Pilate said. Is He the one?I see no crime. That He has done. Refrain:Crucified, Lord they crucified you.Crucified, Lord they crucified you. V2With piercing thorns. A crown of grief!Carried a cross. To CalvaryThey nail your hands. And then your feetUpon the cross. For all to see Refrain:Crucified, Lord they crucified you.Crucified, Lord they crucified you. V3Then you cried out. With your last breathForgive them God. Then came your deathThe sky grows dark. &nbs.
$6.99 ≈
6.48€
Lent and Easter Strings book 2 - Strings and Piano
Lent and Easter Strings book 2 - Strings and Piano
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Sacred music
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Connie Boss
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Lent and Easter Strings book 2
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Connie Boss
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SheetMusicPlus
Small Ensemble,Strings Cello,Guitar,Piano,Viola,Violin - Level 2 - Digital Download SKU: A0.801605 Composed by Connie Boss. Christian,Easter,Sacred. Scor...
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Small Ensemble,Strings Cello,Guitar,Piano,Viola,Violin - Level 2 - Digital Download SKU: A0.801605 Composed by Connie Boss. Christian,Easter,Sacred. Score and parts. 23 pages. Connie Boss #6254973. Published by Connie Boss (A0.801605). This book contains 4 original songs for Lent and Easter. Each song takes you one step closer to Easter. You will get a score of strings trio and piano, plus just the strings in 2 pages each so no page turning. These are all lovely with harmonies and moving parts. Strings trio is for violin, viola and cello. cdboss @cvalley.net. I also have these individually and with vocals as well.Lyrics:The Journey (Lenten) Composed by Connie Boss Verse 1: As we start this Lenten journey A time of fast and prayer We reflect on your own journey And it’s beyond compare Refrain: For you fasted in the desert For forty days And you battled with the devil In every way Verse 2: Ash Wednesday starts our journey With a mark of sacrifice A cross of ashes on our foreheads For us you paid the price Refrain: For you fasted in the desert For forty days And you battled with the devil In every way Verse 3: As our time ends for this journey We enter Holy Week We reach that fateful day Forgiveness now we seek Refrain: For you fasted in the desert For forty days And you battled with the devil In every way Final Refrain: So through our Lenten journey We fast and pray And we battle with the devil In every wayTowel and Basin(Holy Thursday)Composed by Connie Boss V1Before the feast of the Passover, JesusKnew His time had comeHe would leave this world to travel to HisFather’s Kingdom come Refrain: Father I’ll do What You want me to V2Jesus knew there was a traitor among His treasured friendsand He gave him many chancesbut he betrayed Him in the end Refrain: the Devil inducedHis friend Judas V3 Simon Peter said to Jesus, youNeed not wash my feetJesus said unless I wash themYou’ll have no place with Me Refrain: Hear my commandThen You’ll understand V 4 Jesus used a towel and basinTo wash the disciples feetHe told each person when He finishedDo the same to those you meet Final Refrain: For you will be cleansedNow free from sinAll but one of youJesus used a towel and basinTo wash the disciples feet Crucified (song for Good Friday) Composed by Connie Boss Refrain: Crucified, Lord they crucified you. Crucified, Lord they crucified you. V1 The people shout. Let’s crucify! He’s not our King. So, He must die But Pilate said. Is He the one? I see no crime. That He has done. Refrain: Crucified, Lord they crucified you. Crucified, Lord they crucified you. V2 With piercing thorns. A crown of grief! Carried a cross. To Calvary They nail your hands. And then your feet Upon the cross. For all t.
$6.99 ≈
6.48€
The Story Of Reuben Clamzo & His Strange Daughter
The Story Of Reuben Clamzo & His Strange Daughter
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Choral TTBB
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EASY
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo & H
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octa...
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Choral Choir (TTBB) - Level 2 - Digital Download SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99 ≈
3.70€
Anthem of World United
Anthem of World United
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Choral SATB
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INTERMEDIATE
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Johnson Gao
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Johnson Gao
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Anthem of World United
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Johnson Gao
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SheetMusicPlus
Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1300859 By Johnson Gao. By Johnson Gao. Arranged by Johnson Gao. 21st Century,Multicultur...
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Choral Choir,Choral (SATB) - Level 3 - Digital Download SKU: A0.1300859 By Johnson Gao. By Johnson Gao. Arranged by Johnson Gao. 21st Century,Multicultural,Patriotic,World. 11 pages. Johnson Gao #890537. Published by Johnson Gao (A0.1300859). Anthem of the “All nations will be perished, and the world must uniteâ€Â Colorful Number One Scholar October 3, 2023 The world was originally no any nations.The land was plundered and divided into territories.Colonize first after occupying a frontier;If you had formed a country, you must raise an army.Warfare is a deadly killing weapon,The saints use it when there are no other satisfied ways.Today's world is in ruins.The United States, China, Russia, and European Union compete. Each of them wants to dominate the world.They don't want to be cooperative diligently;They use the dirty tricks instead;They use every possible means for cunning.When the saint raises only one foot high,While the devil has already jumped ten feet tall.They are blind at what the Doomsday is coming,They still love to rob and snatch.They would like to die together;You die and I die, too.What a shame.The human body contains cells.All cells have membranes.With membranes they know how to be selfish.Selfish genes have played an important role in evolution.Love yourself and your country is only a low level of selfishness; Sacrifices oneself and destroys countries are the high level of selfishness: The world must be for the global public welfare.It is really a kind of selfish seeking benefit only for human beings. Looking at the world today, Among Emperors, Empresses, Presidents and Chairmen,No one is worthy of become a future world leader.They only know how to love themselvesAnd their countries’ benefits in a naive way;They dislike to destroy all the countries,They don’t practice the rule for world population’s commonwealth, Knowing not the brilliance patriotism in the past Has becoming the hurdles on the road to globalization. How sad, how sad!Preparing to establish the “World Leadership Education Instituteâ€. It should be put to the top priority.I advise you not to be too innocent,All nations will be perished;This is a historical march.Ah, ha, oh, eh, yah!Home sapiensism needs to be promoted.The world must be unified. è¬åœ‹æ¶ˆäº¡, 世界一統æŒÂ 七彩狀元 2023 å¹´ 10 月 3 日 世界原無國。 æŽ åœ°å‰²ç‚ºç–†ã€‚ 開疆先殖民; 有國必建è»ã€‚ 兵乃凶器也, è–人ä¸å¾—æ„而用之。 如今世é“悪。 美, ä¸, ä¿„, æçˆã€‚ å„想稱霸雄; ä¸æ€åˆä½œå‹¤ã€‚ å用拆臺術。 åˆé‘½è§¸æŠ¼è¨ˆ, 無所ä¸ç”¨å…¶æ¥µã€‚ é“高æ‰ä¸€å°º, é”高已一丈。 ä¸è¦‹æœ«æ—¥è¿‘, é‚„è¦æ¶èˆ‡å¥ªã€‚ 情願åŒæ¸ç›¡; ä½ æ»æˆ‘ä¸æ´»ã€‚ æ¥ç¬‘何ç‰çµ•ã€‚ 人體å«ç´°èƒžã€‚ 細胞皆有膜。 有膜知自ç§ã€‚ 自ç§åŸºå› 在進化ä¸åŠŸå‹³å“著。 å°ç§æ„›å·±æ„›åœ‹; 大ç§æ¨å·±æ»…國, 天下為公。 蓋實為æ§äººé¡žä¹‹å¤§ç§ä¹Ÿã€‚統觀當今世界,皇, åŽ, 總統, 主å¸, 無一é…ç•¶æœªä¾†ä¸–ç•Œé ˜è¢–ã€‚ 唯其åªçŸ¥å°ç§æ„›å·±æ„›åœ‹; 勿崇大ç§æ»…國, 天下為公。 å°ä¸çŸ¥æ˜”日辉煌的爱国主义 æ£åœ¨æˆä¸ºå…¨çƒåŒ–é“路上的攔路虎。 悲哉, 悲哉! ç±Œå»ºä¸–ç•Œé ˜è¢–æ•™è‚²å¸é™¢ã€‚ å¯è¬‚當務之急。 勸å›èŽ«å¤ªè ¢, è¬åœ‹å¿…消亡; æ¤ä¹ƒæ·å²è¦å¾‹ã€‚å•Š, 哈, 哦, ä¾, å‘€! 智人主義需æ創; 世界必æ¸ä¸€ã€‚.
$1.99 ≈
1.85€
Bagpipe music - instrumental improvisation based on the poem by Louis MacNeice (mp3)
Bagpipe music - instrumental improvisation based on the poem by Louis MacNeice (mp3)
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Contemporary
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David Warin Solomons
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Bagpipe music - instrumental i
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David Warin Solomons
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SheetMusicPlus
Sampler - Level 4 - Digital Download SKU: A0.1354408 By David Warin Solomons. By David Warin Solomons. Contemporary. Full Performance. Duration 261. Davi...
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Sampler - Level 4 - Digital Download SKU: A0.1354408 By David Warin Solomons. By David Warin Solomons. Contemporary. Full Performance. Duration 261. David Warin Solomons #939127. Published by David Warin Solomons (A0.1354408). Instrumental version of my improvisation on Louis MacNeiceis Bagpipe MusicThe original poem is: It's no go the merry-go-round, it's no go the rickshaw,All we want is a limousine and a ticket for the peepshow.Their knickers are made of crêpe-de-chine, their shoes are made of python,Their halls are lined with tiger rugs and their walls with heads of bison.John MacDonald found a corpse, put it under the sofa,Waited till it came to life and hit it with a poker,Sold its eyes for souvenirs, sold its blood for whiskey,Kept its bones for dumb-bells to use when he was fifty.It's no go the Yogi-Man, it's no go Blavatsky,All we want is a bank balance and a bit of skirt in a taxi.Annie MacDougall went to milk, caught her foot in the heather,Woke to hear a dance record playing of Old Vienna.It's no go your maidenheads, it's no go your culture,All we want is a Dunlop tyre and the devil mend the puncture.The Laird o' Phelps spent Hogmanay declaring he was sober,Counted his feet to prove the fact and found he had one foot over.Mrs Carmichael had her fifth, looked at the job with repulsion,Said to the midwife 'Take it away; I'm through with overproduction'.It's no go the gossip column, it's no go the Ceilidh,All we want is a mother's help and a sugar-stick for the baby.Willie Murray cut his thumb, couldn't count the damage,Took the hide of an Ayrshire cow and used it for a bandage.His brother caught three hundred cran when the seas were lavish,Threw the bleeders back in the sea and went upon the parish.It's no go the Herring Board, it's no go the Bible,All we want is a packet of fags when our hands are idle.It's no go the picture palace, it's no go the stadium,It's no go the country cot with a pot of pink geraniums,It's no go the Government grants, it's no go the elections,Sit on your arse for fifty years and hang your hat on a pension.It's no go my honey love, it's no go my poppet;Work your hands from day to day, the winds will blow the profit.The glass is falling hour by hour, the glass will fall for ever,But if you break the bloody glass you won't hold up the weather.
$5.50 ≈
5.10€
Rhythm Only - Book 2 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)
Rhythm Only - Book 2 - Eighths and Sixteenths - Assorted Meters (Sight Reading Exercise Book)
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Choral SATB
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INTERMEDIATE
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Nathan Petitpas - Dots and Bea
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Rhythm Only - Book 2 - Eighths
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Dots and Beams
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SheetMusicPlus
Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.931836 Composed by Nathan Petitpas - Dots and Beams. Instructional. Octavo. 137 pages. Do...
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Choral Choir (SATB divisi) - Level 3 - Digital Download SKU: A0.931836 Composed by Nathan Petitpas - Dots and Beams. Instructional. Octavo. 137 pages. Dots and Beams #4776187. Published by Dots and Beams (A0.931836). This collection presents its user with a series of increasingly difficult rhythms on a single pitch. The rhythmic material in this series is organized into 10 difficulty levels. Each difficulty level contains four exercises in each of the following time signatures: 2/4, 3/4, 4/4, 6/8, 9/8, and 12/8. This gives exercises in 2, 3, and 4 beats per bar in both simple and compound meters. The first two exercises of each time signature have no ties while the remaining two exercises in each time signature include ties. In Book 1 of this series you’ll find difficulty levels 1 to 5, while Book 2 completes the set with levels 6 to 10. The exercises in this collection are intentionally random and difficult to internalize. They don’t follow any predictable or standard groove pattern, but instead are random successions of eighth- and sixteenth-note groupings within the prescribed difficulty level. In keeping the rhythmic material as unpredictable as possible the door is left open for the materials to be used in conjunction with any number of exercises, while forcing the user to process every rhythm as its own event without relying on pattern recognition to help in identifying the rhythms. To curate the difficulty of rhythm in as objective a way as possible I looked at all of the possible eighth-note and sixteenth-note groupings within the basic unit of one beat. Each difficulty level builds on the exercises of the previous by adding groupings that are slightly more conceptually challenging. Difficulty Level 9 contains all possible groupings, while Level 10 focuses on the more challenging groupings by omitting easy ones. Some suggestions for how to use this book include: Practice sight-reading. When doing so it is encouraged to cycle through the exercises quickly rather than dwelling on a particular exercise for a long period of time. The goal in practising sight-reading is not to learn the material but to develop the skill of reading new material. Use a metronome! The most important thing you can do with this material is learn how to read these rhythms and play them in time. Advanced metronome work: Place the metronome click on weak beats. With the metronome clicking only on the beat you run the risk of relying on the metronome to give you the time. Placing the metronome click on non-strong beats forces you to take responsibility for the time. For example, instead of putting the metronome click on each quarter-note in 4/4, play the exercise with the metronome giving the second eighth note of each beat, or the last sixteenth note, or beats 2 and 4, or only the downbeat of each bar. Be creative with this one! The possibilities are limitless. Develop independence between hands by playing a repeating pattern in one hand while reading an exercise in the other. Expand on this by adding patterns in hands and feet while reading a rhythm with a remaining limb. This is a great exercise for drummers and percussionists but any instrumentalist could benefit from coordination practice. Use these rhythms to practice scales. Instead of playing scales in straight sixteenth-notes, try playing them in the rhythms given in these exercises. Write in sticking patterns, dynamics, accents, phrase marks, or other articulations for you or your students to practice. If you’re not happy with the ties I included, feel free to add some of your own. Combine the above exercises in any way that you think will be beneficial to your practice. As with any of the Dots and Beams books, the uses for this particular collection are limited only by the imagination of the musician using it. I encourage anybody using this book to find as many uses for these exerci.
$10.00 ≈
9.27€
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When Your Feet Don
