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Variation on a Theme
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You've selected:
Variation on a Theme
expert
Piano solo
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10 sheet music found
<
1
Variation
Variation
#
Piano solo
#
ADVANCED
#
Classical
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Rodion Chedrine
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Variation
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Schott Music - Digital
#
SheetMusicPlus
Piano - advanced - On a theme by Anton Diabelli. Composed by Rodion Chedrine. Downloadable, single sheet. Duration 2:00. Schott Music - Digital #Q5609...
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Piano - advanced - On a theme by Anton Diabelli. Composed by Rodion Chedrine. Downloadable, single sheet. Duration 2:00. Schott Music - Digital #Q560928. Published by Schott Music - Digital
$3.99 ≈
3.70€
Carson Cooman: Kayser Variations for piano
Carson Cooman: Kayser Variations for piano
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Piano solo
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ADVANCED
#
Carson Cooman
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Carson Cooman: Kayser Variatio
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Musik Fabrik Music Publishing
#
SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.533691 Composed by Carson Cooman. 20th Century,Concert,Contemporary,Standards. Score. 13 pages. Musik Fabrik Music Publis...
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Piano Solo - Level 5 - SKU: A0.533691 Composed by Carson Cooman. 20th Century,Concert,Contemporary,Standards. Score. 13 pages. Musik Fabrik Music Publishing #3038633. Published by Musik Fabrik Music Publishing (A0.533691). This work, Kayser Variations, was written as a tribute to Margaret Kayser, long-timechemistry teacher (for 16 years) at Allendale Columbia School in Rochester, New York onthe event of her retirement from teaching.This work takes a variations on a theme form but uses the concept of placing the choraletheme itself in the middle of the work (instead of its customary place at the beginning),surrounded on both sides by variations. The theme is God Save the King/Queen, thenational anthem of the United Kingdom.The pitch material of the variation accompaniment is derived, at some points, from subscriptsand coefficients from chemical formulae and balanced chemical equations.Each of the variations also pokes fun at a different element, style, or method of 20th centurymusic competition. So this work is also a parody of sorts.This work should be performed with a slight break (almost a breath) between each variation.Dynamic markings are provided as a guide but performers should use their own judgment.Pedal should be used by the performer where appropriate. This work should always beperformed in its entirety. The variations should never be played on their own.
$12.95 ≈
12.00€
Piano Suite "Sacred Metamorphoses", op. 47
Piano Suite "Sacred Metamorphoses", op. 47
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Piano solo
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ADVANCED
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Adrian Gagiu
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Piano Suite "Sacred Metamorpho
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Adrian Gagiu
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SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1004686 Composed by Adrian Gagiu. 20th Century,Contemporary,Romantic Period. Score. 54 pages. Adrian Gagiu #4297857. Publ...
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Piano Solo - Level 5 - SKU: A0.1004686 Composed by Adrian Gagiu. 20th Century,Contemporary,Romantic Period. Score. 54 pages. Adrian Gagiu #4297857. Published by Adrian Gagiu (A0.1004686). Sacred Metamorphoses is a mostly contemplative and almost mystical piano suite in F sharp major in Neo-romantic style and in 8 movements, entirely on themes from Symphony No. 3 by Camille Saint-Saens presented in its first movement. Each of the following character movements is actually a huge variation on the themes, with different techniques and deeply felt or virtuoso passages.
$18.99 ≈
17.59€
Sonata #5 in B-flat minor
Sonata #5 in B-flat minor
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Piano solo
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ADVANCED
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Contemporary
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James Domine
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Sonata #5 in B-flat minor
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Earth Music, Ltd.
#
SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.976507 Composed by James Domine. 20th Century,Concert,Contemporary. Score. 31 pages. Earth Music, Ltd. #2081747. Publishe...
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Piano Solo - Level 5 - SKU: A0.976507 Composed by James Domine. 20th Century,Concert,Contemporary. Score. 31 pages. Earth Music, Ltd. #2081747. Published by Earth Music, Ltd. (A0.976507). This sonata is a solo transcription of the first movement of Domine’s Piano Concerto #1 in B-flat minor. The sonata begins with a slow introduction that juxtaposes two opposite harmonic realms represented by the interval of a diminished fifth. As the opening sequence drifts aimlessly through a cloud of amorphous sonorities, the principal theme is suddenly and aggressively thrust center stage by an angry theme marked Agitato. This theme wends its torturous way to the contrastingly quiet subordinate theme. An episode of melancholic discourse ensues, creating an air of confidential intimacy. The exposition ends with an elided dominant cadence which is left unresolved and that leads directly to the development section. Chord clusters built on hexachords provide a serialized variation on the principal theme. This tripartite antiphonal sequence works toward a culmination as the theme is expanded in rhythmic layers, finally reaching a cacophonic explosion. A retransition based on the slow introduction leads to the recapitulation, this time with alternating variations on the principal theme. After the lyrical restatement of the subordinate theme, the coda confronts us with a starkly bleak musical atmosphere that concludes with a fiery flourish. This transcription was made at the request of piano pedagogue Joanna Ezrin for Vera Weber, who has played it to great acclaim in numerous competitions and recitals.
$8.95 ≈
8.29€
Barcarolle
Barcarolle
#
Piano solo
#
ADVANCED
#
Contemporary
#
Martin Lachance
#
Barcarolle
#
Martin Lachance
#
SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1009917 Composed by Martin Lachance. Contemporary. Score. 16 pages. Martin Lachance #22641. Published by Martin Lachance ...
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Piano Solo - Level 5 - SKU: A0.1009917 Composed by Martin Lachance. Contemporary. Score. 16 pages. Martin Lachance #22641. Published by Martin Lachance (A0.1009917). In honor of Gabriel Fauré Barcarolle No.4 by Gabriel Fauré was one of the first pieces I learned when I was studying piano at the college level. I still clearly remember my first contact with this piece, which was also my first encounter with Fauré. The strange beauty of the secondary theme of this piece captivated me. In honor of Fauré and in memory of this highpoint in my musical development, I also composed a barcarolle. Written on a larger scale, the form of my piece still strives to emulate Fauré. It is written in ABA form, with a contrasting central section introducing an intricate theme. Although it might sound new, this central theme is essentially a variation on the initial melodic motif of the piece. The piece is built on a ternary rocking rhythm typical of the barcarolle. Still, some rhythm irregularities are noticeable from the very beginning of the piece, with measures alternating between 9/8 and 11/8.
$9.99 ≈
9.25€
Prelude 4 in D Minor Phrygian
Prelude 4 in D Minor Phrygian
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Piano solo
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ADVANCED
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Contemporary
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Brian Golden
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Brian Golden
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Prelude 4 in D Minor Phrygian
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Brian Golden
#
SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1191080 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 9 pages. Brian Golden ...
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Piano Solo - Level 5 - SKU: A0.1191080 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 9 pages. Brian Golden #790596. Published by Brian Golden (A0.1191080). Prelude 4 in D Minor Phrygian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99 ≈
5.55€
Prelude 5 in Bb Major Lydian
Prelude 5 in Bb Major Lydian
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Piano solo
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ADVANCED
#
Contemporary
#
Brian Golden
#
Brian Golden
#
Prelude 5 in Bb Major Lydian
#
Brian Golden
#
SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1191533 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 5 pages. Brian Golden ...
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Piano Solo - Level 5 - SKU: A0.1191533 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 5 pages. Brian Golden #791032. Published by Brian Golden (A0.1191533). Prelude 5 in Bb Major Lydian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99 ≈
5.55€
Prelude 13 in F# Major Ionian
Prelude 13 in F# Major Ionian
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Piano solo
#
ADVANCED
#
Contemporary
#
Brian Golden
#
Brian Golden
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Prelude 13 in F# Major Ionian
#
Brian Golden
#
SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1248571 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 3 pages. Brian Golden ...
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Piano Solo - Level 5 - SKU: A0.1248571 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 3 pages. Brian Golden #843062. Published by Brian Golden (A0.1248571). Prelude 13 in F# Major Ionian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.
$5.99 ≈
5.55€
Prelude 8 in C Minor Aolian
Prelude 8 in C Minor Aolian
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Piano solo
#
ADVANCED
#
Contemporary
#
Brian Golden
#
Brian Golden
#
Prelude 8 in C Minor Aolian
#
Brian Golden
#
SheetMusicPlus
Piano Solo - Level 5 - SKU: A0.1216191 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 6 pages. Brian Golden ...
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Piano Solo - Level 5 - SKU: A0.1216191 By Brian Golden. By Brian Golden. Arranged by Brian Golden. Classical,Contemporary. Score. 6 pages. Brian Golden #812802. Published by Brian Golden (A0.1216191). Prelude 8 in C Minor Aolian from 24 Preludes for the Piano in Major and Minor Modes by composer Brian Golden  The creative concept in writing these preludes is to provide a link to past preludes written for the keyboard, and in particular to the works of J.S. Bach and Frederic Chopin, whose works stand as essential repertoire for any student of the piano.  Using Bach’s and Chopin’s examples, my goal was to compose in all twenty-four keys, yet offer my own variation on the progression of key signatures – Bach’s being a pattern of major to parallel minor progressing chromatically through all keys, and Chopin’s a pattern of major to relative minor keys progressing clockwise through the circle of fifths.  In order to expand my harmonic and melodic possibilities, I have included the modal keys rather than only the major and harmonic minor keys, and have chosen to work counterclockwise through the circle of fifths, which is a more natural harmonic progression.  Therefore, all major preludes resolve from one to another V-I, as well as do all the minor preludes.  While there are seven modal scales, I decided to leave out the locrian modes for the following reasons.  First, due to the diminished fifth, the locrian mode cannot be thought of as either major nor minor.  Second, the locrian mode did not have a relative key to pair with, since there were no other keys with the identical characteristic notes.  In creating the key architecture, I determined that there was only one solution to pairing major and relative minor scales based on a shared parent key and characteristic note - ionian/aolian, mixolydian/phrygian and lydian/dorian.  This specific order of modal scales is the only order that would enable composing in all twelve key signatures.  Finally, the inspiration for each prelude came from playing through several other preludes in the same keys - mostly by Bach and Chopin - and letting their themes and styles influence me in the writing of my own.YouTube Link https://youtu.be/xb4E0I-vJek.
$5.99 ≈
5.55€
Variations with Haydn
Variations with Haydn
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Piano solo
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ADVANCED
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Stefan Heucke
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Variations with Haydn
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Schott Music - Digital
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SheetMusicPlus
Piano - difficult - SKU: S9.Q47140 For piano. Composed by Stefan Heucke. This edition: single sheet. Downloadable, Separate edition. Op. 85. Dura...
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Piano - difficult - SKU: S9.Q47140 For piano. Composed by Stefan Heucke. This edition: single sheet. Downloadable, Separate edition. Op. 85. Duration 25 minutes. Schott Music - Digital #Q47140. Published by Schott Music - Digital (S9.Q47140). The President of the German Bundestag, Norbert Lammert, asked me to compose a piano work which should relate to the German anthem and was to be performed for the first time on the occasion of his retirement from political activities in autumn 2017. The title Variationen mit Haydn [Variations with Haydn] illustrates that Haydn's own variations on his hymn are part of the work, yet are modified immediately upon appearance. The piece consists of the theme as set by Haydn, four groups of four variations each, with the first of each variation being audibly close to Haydn, while the others gradually move farther away from him. The theme reappears in the coda very softly and pensively – damaged, yet not broken. Stefan Heucke.
$24.99 ≈
23.15€
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