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367 sheet music found Olympic Reel (violin part - violin and rhythm section)
Olympic Reel (violin part - violin and rhythm section) # Violin # Folkloric/Traditional # Mark O'Connor # Olympic Reel # Mark O'Connor Musik International # SheetMusicPlus
Violin Solo - SKU: A0.861893 Composed by Mark O'Connor. Folk. 8 pages. Mark O'Connor Musik International #6205949. Published by Mark O'Connor Musik Inte...(+)
Violin Solo - SKU: A0.861893 Composed by Mark O'Connor. Folk. 8 pages. Mark O'Connor Musik International #6205949. Published by Mark O'Connor Musik International (A0.861893). Olympic Reel (violin part - violin and rhythm section) MO139BViolin Part - Violin and Folk Instr. (lead sheet available)Music by Mark O’Connor4 pages - 2:00 minutes in length Olympic Reel (for violin) composed by Mark O'Connor was written in early 1996 for the Summer Olympic Games in Atlanta, GA. It was premiered at the closing ceremonies before 100,000 people in the Olympic Stadium, with 10,000 world-class athletes from around the world in attendance, as well as 3.5 billion people from the television viewing audience.Mr. O'Connor wanted to write a fiddle tune that brought celtic sounds from Europe mixed in with the American folk music to give an international flavor to the style. One of Mr. O'Connor's friends and colleagues, Natalie MacMaster, was the artist to first record this music on CD, and she subsequently asked the composer to join her in a version that accommodated both of them on fiddles. The result was fiddle fireworks, Olympic style! Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1996 Composed by Mark O’ConnorCan be heard on In My Hand Warner Bros. (Natalie McMaster, Mark O’Connor; and on Mark O’Connor’s Crossing Bridges OMAC Records Catalogue Number MO139BCopyright © 1996 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com Olympic Reel (score - violin and rhythm section)
Olympic Reel (score - violin and rhythm section) # Violin # INTERMEDIATE/ADVANCED # Folkloric/Traditional # Mark O'Connor # Olympic Reel # Mark O'Connor Musik International # SheetMusicPlus
Violin Solo - Level 4 - SKU: A0.861894 Composed by Mark O'Connor. Folk. 8 pages. Mark O'Connor Musik International #6205947. Published by Mark O'Connor ...(+)
Violin Solo - Level 4 - SKU: A0.861894 Composed by Mark O'Connor. Folk. 8 pages. Mark O'Connor Musik International #6205947. Published by Mark O'Connor Musik International (A0.861894). Olympic Reel (score - violin and rhythm section) MO139AViolin and Folk Instr. (lead sheet) (violin part available)Music by Mark O’Connor4 pages - 2:00 minutes in length Olympic Reel (for violin) composed by Mark O'Connor was written in early 1996 for the Summer Olympic Games in Atlanta, GA. It was premiered at the closing ceremonies before 100,000 people in the Olympic Stadium, with 10,000 world-class athletes from around the world in attendance, as well as 3.5 billion people from the television viewing audience.Mr. O'Connor wanted to write a fiddle tune that brought celtic sounds from Europe mixed in with the American folk music to give an international flavor to the style. One of Mr. O'Connor's friends and colleagues, Natalie MacMaster, was the artist to first record this music on CD, and she subsequently asked the composer to join her in a version that accommodated both of them on fiddles. The result was fiddle fireworks, Olympic style! Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1996 Composed by Mark O’ConnorCan be heard on In My Hand Warner Bros. (Natalie McMaster, Mark O’Connor; and on Mark O’Connor’s Crossing Bridges OMAC Records Catalogue Number MO139ACopyright © 1996 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com The Wind that Shakes the Barley for Solo Violin - Variations on an Unaccompanied Fiddle Tune
The Wind that Shakes the Barley for Solo Violin - Variations on an Unaccompanied Fiddle Tune # Violin # INTERMEDIATE # Myanna Harvey # Cassia Harvey # The Wind that Shakes the Barle # C Harvey Publications # SheetMusicPlus
Violin Solo - Level 3 - SKU: A0.806441 Composed by Myanna Harvey. Arranged by Cassia Harvey. Celtic,Folk,World. 5 pages. C Harvey Publications #5376309....(+)
Violin Solo - Level 3 - SKU: A0.806441 Composed by Myanna Harvey. Arranged by Cassia Harvey. Celtic,Folk,World. 5 pages. C Harvey Publications #5376309. Published by C Harvey Publications (A0.806441). From plaintive to fiercely beautiful, this arrangement of the traditional fiddle tune The Wind that Shakes the Barley evokes the words that Robert Joyce wrote for the ballad over a hundred years ago. This solo violin fiddle arrangement uses running notes and an energetic double stop section to give voice to the complexity of feelings Joyce wrote about in his poem. I sat within a valley green,I sat there with my true love,My sad heart strove the two between,The old love and the new love,The old for her, the new that madeMe think of Ireland dearly,While soft the wind blew down the gladeAnd shook the golden barley-Robert JoyceIntermediate level, 2 pages Appalachian Fiddle Music
Appalachian Fiddle Music # Violin # Contemporary # Appalachian Fiddle Music # Mel Bay
Publications - Digital Sheet
Music # SheetMusicPlus
Fiddle - Multiple Levels -
Appalachian. E-book. 212
pages. Mel Bay Publications -
Digital Sheet Music #30091EB.
Published by Mel Bay
Publications - ...(+)
Fiddle - Multiple Levels -
Appalachian. E-book. 212
pages. Mel Bay Publications -
Digital Sheet Music #30091EB.
Published by Mel Bay
Publications - Digital Sheet
Music ISBN 9781513459936. 8.75 x 11.75 inches.
Appalachian fiddle music, based on the musical traditions of the people who settled in the mountainous regions of the southeastern United States, is widely-known and played throughout North America and parts of Europe because of its complex rhythms, its catchy melodies, and its often-ancient-sounding stylistic qualities. The authors explore the lives and music of 43 of the classic Appalachian fiddlers who were active during the first half of the 20th century. Some of them were recorded commercially in the 1920s, such as Gid Tanner, Fiddlin John Carson, and Charlie Bowman. Some were recorded by folklorists from the Library of Congress, such as William Stepp, Emmett Lundy, and Marion Reece. Others were recorded informally by family members and visitors, such as John Salyer, Emma Lee Dickerson, and Manco Sneed. All of them played throughout most of their lives and influenced the growth and stylistic elements of fiddle music in their regions. Each fiddler has been given a chapter with a biography, several tune transcriptions, and tune histories. To show the richness of the music, the authors make a special effort to show the musical elements in detail, but also acknowledge that nothing can take the place of listening. Many of the classic recordings used in this book can be found on the web, allowing you to hear and read the music together. Appalachia Waltz (unaccompanied violin)
Appalachia Waltz (unaccompanied violin) # Violin # INTERMEDIATE/ADVANCED # Classical # Mark O'Connor # Appalachia Waltz # Mark
O'Connor Musik International # SheetMusicPlus
Violin - Advanced
Intermediate -
Composed by Mark O'Connor.
Contemporary Classical, Post-
Romantic, Neo-Classical,
Folk, Americana. Solo Part. 7
...(+)
Violin - Advanced
Intermediate -
Composed by Mark O'Connor.
Contemporary Classical, Post-
Romantic, Neo-Classical,
Folk, Americana. Solo Part. 7
pages. Published by Mark
O'Connor Musik International Appalachia Waltz MO106
Appalachia Waltz for unaccompanied violin by Mark O?Connor
Violin Solo ? 3 pages
Music by Mark O?Connor
3 pages - 5:00 minutes in length
Appalachia Waltz is a piece composed by Mark O?Connor for unaccompanied violin which gained fame as the title track from the album featuring O?Connor, Yo-Yo Ma, and Edgar Meyer. The Sony Classical release remained for many months in the top ten of Billboard Magazine?s Classical music chart. O?Connor originally composed the piece as a solo for unaccompanied violin in 1993 before he brought it to the trio when compiling material for their album. Here, in its original form, ?Appalachia Waltz? is just the way O?Connor performs it in his solo
concerts. With the musical influences coming from Scandinavian and Appalachian folk fiddling, O?Connor creates two independent lines while playing double-stops surprising the listener who is hearing just one fiddle. It is one of O?Connor?s most beautiful pieces. The music is suited for advanced and intermediate levels.
Original music printed from the composer?s manuscripts.
Music editing, copying and engraving by Mark O?Connor
using ?Finale? on Apple Macintosh 1993
Composed By Mark O?Connor
Originally released on ?Appalachia Waltz? featuring Mark O'Connor, Yo-Yo Ma and Edgar Meyer, Sony Classical
Can be heard on ?Thirty Year Retrospective? OMAC Records Recordshttps://omacrecords.com/omac-5-6-thirty-year-retrospective
Other versions can be heard on Mark O'Connor's "Crossing Bridges", ?Duo? by Mark and Maggie O?Connor OMAC Records and ?The Essential Mark O?Connor? Sony Classical
Catalogue Number MO106
Copyright 1993 by Mark O?Connor Music International Fiddle Sonata (violin solo part - violin and piano)
Fiddle Sonata (violin solo part - violin and piano) # Violin and Piano # INTERMEDIATE/ADVANCED # Mark O'Connor # Fiddle Sonata # Mark O'Connor Musik International # SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.861944 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 18 pages. Mark O'Connor Musik I...(+)
Chamber Orchestra - Level 4 - SKU: A0.861944 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. Score and parts. 18 pages. Mark O'Connor Musik International #6208239. Published by Mark O'Connor Musik International (A0.861944). Fiddle Sonata (violin solo part – violin and piano) MO121BViolin Solo Part (piano score available)Music by Mark O’Connor14 pages - 16:00 minutes in length I. IntroductionII. HoedownIII. WaltzIV. Gigue Fiddle Sonata for violin and piano composed by Mark O’Connor was a commission from the Library Of Congress in Washington D.C. It was premiered in Jefferson Hall during the Library’s prestigious ‘97-’98 chamber music season. The Library was featuring piano in the year’s programming and requested O’Connor compose utilizing the instrument. The premier was broadcast on NPR’s Performance Today and was also the centerpiece for a nationally broadcast public radio special, America’s Fiddler, Mark O’Connor at the Library Of Congress. Although O’Connor did not utilize the piano as a back-up instrument in his childhood fiddling contests, it does have a tradition accompanying fiddlers in Scotland, Shetland and Canada. The Sonata begins with Introduction and features a melodic and romantic theme with beautiful chords. Hoedown, in D minor, is very lively and tuneful. The Waltz is a lovely theme that undergoes some insightful development. The finale, Gigue, is a 6/8 dance which is quite a romp and features some fast bow work on a very catchy tune. The music is well suited for advanced and intermediate students.Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1997 Composed by Mark O’ConnorCommissioned by the Library Of Congress-Washington D.C. Catalogue Number MO121BCopyright © 1997 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com Fiddle Sonata (piano score - violin and piano)
Fiddle Sonata (piano score - violin and piano) # Violin and Piano # INTERMEDIATE/ADVANCED # Mark O'Connor # Fiddle Sonata # Mark O'Connor Musik International # SheetMusicPlus
Piano,Violin - Level 4 - SKU: A0.861943 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. 40 pages. Mark O'Connor Musik International #6208237....(+)
Piano,Violin - Level 4 - SKU: A0.861943 Composed by Mark O'Connor. 20th Century,Contemporary,Folk. 40 pages. Mark O'Connor Musik International #6208237. Published by Mark O'Connor Musik International (A0.861943). Fiddle Sonata (piano score – violin and piano) MO121APiano Score (violin part available)Music by Mark O’Connor36 pages - 16:00 minutes in length I. IntroductionII. HoedownIII. WaltzIV. Gigue Fiddle Sonata for violin and piano composed by Mark O’Connor was a commission from the Library Of Congress in Washington D.C. It was premiered in Jefferson Hall during the Library’s prestigious ‘97-’98 chamber music season. The Library was featuring piano in the year’s programming and requested O’Connor compose utilizing the instrument. The premier was broadcast on NPR’s Performance Today and was also the centerpiece for a nationally broadcast public radio special, America’s Fiddler, Mark O’Connor at the Library Of Congress. Although O’Connor did not utilize the piano as a back-up instrument in his childhood fiddling contests, it does have a tradition accompanying fiddlers in Scotland, Shetland and Canada. The Sonata begins with Introduction and features a melodic and romantic theme with beautiful chords. Hoedown, in D minor, is very lively and tuneful. The Waltz is a lovely theme that undergoes some insightful development. The finale, Gigue, is a 6/8 dance which is quite a romp and features some fast bow work on a very catchy tune. The music is well suited for advanced and intermediate students.Original music printed from the composer’s manuscripts.Music editing, copying and engraving by Mark O’Connorusing Finale on Apple Macintosh 1997 Composed by Mark O’ConnorCommissioned by the Library Of Congress-Washington D.C. Catalogue Number MO121ACopyright © 1997 by Mark O’Connor Music International For more information on violinist and composer Mark O'Connor, O’Connor String Camps, Touring Ensembles, Discography, Bio, Repertoire and more, please visitwww.markoconnor.com For information on the O’Connor Method – instructional book series for violin, viola, cello and school string orchestra programs:www.oconnormethod.com The Violist Meets the Fiddler: 12 Violin & Viola Duet Mash-Ups of Popular Classical and Fiddle Tunes
The Violist Meets the Fiddler: 12 Violin & Viola Duet Mash-Ups of Popular Classical and Fiddle Tunes # Violin, Viola (duet) # INTERMEDIATE # Various public domain and trad # Steven Kruse, Penny Thompson K # The Violist Meets the Fiddler: # String Play for All # SheetMusicPlus
Instrumental Duet Instrumental Duet,Viola,Violin - Level 3 - SKU: A0.859950 Composed by Various public domain and traditional. Arranged by Steven Kruse,...(+)
Instrumental Duet Instrumental Duet,Viola,Violin - Level 3 - SKU: A0.859950 Composed by Various public domain and traditional. Arranged by Steven Kruse, Penny Thompson Kruse. Classical,Country,Folk,Romantic Period. Score and parts. 103 pages. String Play for All #5728959. Published by String Play for All (A0.859950). This book is an arrangement for violin and viola of the popular book, The Violinist Meets the Fiddler, for two violins. It is designed to introduce students to traditional fiddle tunes, combined with familiar classical melodies in fun, easily accessible arrangements. In the twelve duets included in this book, the first violin part is designed for the more advanced student, on the level of Suzuki Violin School, Books 3-5. Third position, rapid passage work involving string crossings and chromaticism are utilized. The viola part ranges in level from Books 1-3 and remains in first position. Double stops can be found in both parts. In the viola part, double stops usually involve open strings. Classical pieces include works of Bach, Beethoven, Dvorak, Handel, Mozart, Offenbach, Pachelbel, Schubert, Rossini, Vivaldi and Johann Strauss. Fiddle Tunes include Turkey in the Straw, Arkansas Traveler, Liberty, Cripple Creek, Boil 'em Cabbage Down and Sally Ann Johnson.. Violin String Sampler Sheet Music
Violin String Sampler # Violin # Contemporary # Robin Kay Deverich # Violin String Sampler # Global Music School String Publications # SheetMusicPlus
Violin Solo - SKU: A0.902205 Arranged by Robin Kay Deverich. Contemporary. 82 pages. Global Music School String Publications #5355041. Published by Glob...(+)
Violin Solo - SKU: A0.902205 Arranged by Robin Kay Deverich. Contemporary. 82 pages. Global Music School String Publications #5355041. Published by Global Music School String Publications (A0.902205). Violin Online String Sampler Violin Sheet Music is a fun and easy way to actively learn, study and play beautiful violin music from a wide variety of styles and eras. 54 pieces are featured, representing music history periods, cultures and styles such as Medieval, Renaissance, Baroque, Classical, Romantic, 20th Century, Fiddle, Klezmer, Gypsy, Chinese, Greek, Carnatic, Arabic, Mariachi, Ragtime and Blues. These arrangements have been simplified for advanced beginners to intermediate players and include a representative sampling of most major forms of string music such as concertos, symphonies, sonatas, quartets and trios. As an added bonus, sound files of each piece and a study guide are currently available on the website ViolinOnline.com* as a self-guided class specifically designed to accompany this music: https://www.violinonline.com/stringclass.html The study guide explains the history and musical form of the selected pieces, and includes violin technique tips for each piece of music. Let the music begin! *No guarantees are made that these sound files and website will be available indefinitely.Shortened and simplified pieces include: Columba aspexit by Hildegard of Bingen; Sixth Royal Estampie from Chansonnier du Roy; Helas Madame; Kemp’s Jigg; Fantasia by Lupo; Minuet from The Fiddle New Model’d by Crome; Rondeau by Purcell; Hornpipe from Water Music by Handel; La Folia medley by Marais, Corelli, and Vivaldi; Double Violin Concerto in A Minor, Op. 3, No. 8, 1st movement by Vivaldi; Prelude from Cello Suite I in G Major by Bach; Allegro from Brandenburg Concerto No. 5 by Bach; Kyrie from Messa a 4 con violini by Cazzati; Medley: He Shall Feed His Flock Like a Shepherd and Hallelujah Chorus from Messiah by Handel; Arioso from Cantata No.156 by Bach; Ave Verum Corpus, K. 618 by Mozart; Adagio from Violin Concerto No. 3 in G by Mozart; Andante from String Quartet No. 13 in Am by Schubert; Andante from Emperor Quartet in C major by Haydn; Surprise Symphony No. 94, 2nd movement by Haydn; Pastoral Symphony No. 6, 1st and 5th movements by Beethoven; Hungarian Dance No. 5 by Brahms; The Moldau from Ma Vlast by Smetana; Halling from 25 Norwegian Folksongs and Dances by Grieg; Emperor Waltz by Strauss; Vieille Chanson by Viardot; Andante from Violin Concerto in E Minor by Mendelssohn; Allegro and Adagio from Cello Concerto in B minor by Dvorak; Notturno from String Quartet No. 2 in D major by Borodin; Elegy Op. 44 for Viola and Piano by Glazunov; Barcarolla from Sonata in Bb for Viola and Piano by Vieuxtemps; Ave Maria from a theme by J.S. Bach by Gounod/Bach; Sicilienne Op. 78 for cello and piano by Fauré; Meditation from Thaïs by Massenet; Habanera from Carmen by Bizet; Reed Flutes from The Nutcracker Suite by Tchaikovsky; Overture from Pulcinella Ballet by Stravinsky; Moderato from Sonata No. 1 in G Major by Gallo; Assez vif from String Quartet in F Major by Ravel; Sehr langsam from 4 Pieces, Op. 7 by Webern; Simple Gifts melody by Brackett; Braul from Romanian Folk Dances by Bartok; The Basso-Gypsy Traditional; Odessa Bulgarish-Klezmer Traditional; Varys Hasapikos-Greek Traditional; El Jarabe Tapatio-Mexican Traditional; Jasmine Flower-Chinese Traditional; Sara Sara-Tyāgarāja (Carnatic); Longa Nahawand by Bey (Arabic/Ottoman); Irish Washerwoman-Irish Traditional; Fiddle Medley: Bile Them Cabbage Down, Devil’s Dream and Shuffle-Fiddle Traditional; The Ragtime Violin by Berlin; The Castle Walk by Europe & Dabney; St. Louis Blues by Handy. ColorAll Violin Fingering and Piano String Sampler Sheet Music
ColorAll Violin Fingering and Piano String Sampler # Violin and Piano # EASY # Contemporary # Robin Kay Deverich # ColorAll Violin Fingering and # Global Music School String Publications # SheetMusicPlus
Piano,Violin - Level 2 - SKU: A0.902216 Arranged by Robin Kay Deverich. Contemporary. 255 pages. Global Music School String Publications #5355093. Publi...(+)
Piano,Violin - Level 2 - SKU: A0.902216 Arranged by Robin Kay Deverich. Contemporary. 255 pages. Global Music School String Publications #5355093. Published by Global Music School String Publications (A0.902216). This combined version of the of the Piano Accompaniment and Violin Online String Sampler: ColorAll Fingering Violin Music is a fun and easy way to actively learn, study and play beautiful violin music from a wide variety of styles and eras. 54 pieces are featured, representing music history periods, cultures and styles such as Medieval, Renaissance, Baroque, Classical, Romantic, 20th Century, Fiddle, Klezmer, Gypsy, Chinese, Greek, Carnatic, Arabic, Mariachi, Ragtime and Blues. These arrangements have been simplified for advanced beginners to intermediate players, and include a representative sampling of most major forms of string music such as concertos, symphonies, sonatas, quartets and trios. If you need help with fingering, this ColorAll Fingering version of Violin Online String Sampler Violin Music is a simple and easy way to quickly begin playing the violin sheet music. ColorAll Fingering is a patented approach to violin playing, and uses colored violin fingering numbers over each note to indicate which string should be used to play the fingered notes: blue fingering numbers, play these notes on the G string; gold fingering numbers, play these notes on the D string; green fingering numbers, play these notes on the A string; purple fingering numbers, play these notes on the E. As an added bonus, sound files of each piece and a study guide are currently available on the website ViolinOnline.com* as a self-guided class specifically designed to accompany this music: https://www.violinonline.com/stringclass.html The study guide explains the history and musical form of the selected pieces, and includes violin technique tips for each piece of music. Let the music begin!*No guarantees are made that these sound files and website will be available indefinitely.Pieces include: Columba aspexit by Hildegard of Bingen; Sixth Royal Estampie from Chansonnier du Roy; Helas Madame; Kemp’s Jigg; Fantasia by Lupo; Minuet from The Fiddle New Model’d by Crome; Rondeau by Purcell; Hornpipe from Water Music by Handel; La Folia medley by Marais, Corelli, and Vivaldi; Double Violin Concerto in A Minor, Op. 3, No. 8, 1st movement by Vivaldi; Prelude from Cello Suite I in G Major by Bach; Allegro from Brandenburg Concerto No. 5 by Bach; Kyrie from Messa a 4 con violini by Cazzati; Medley: He Shall Feed His Flock Like a Shepherd and Hallelujah Chorus from Messiah by Handel; Arioso from Cantata No.156 by Bach; Ave Verum Corpus, K. 618 by Mozart; Adagio from Violin Concerto No. 3 in G by Mozart; Andante from String Quartet No. 13 in Am by Schubert; Andante from Emperor Quartet in C major by Haydn; Surprise Symphony No. 94, 2nd movement by Haydn; Pastoral Symphony No. 6, 1st and 5th movements by Beethoven; Hungarian Dance No. 5 by Brahms; The Moldau from Ma Vlast by Smetana; Halling from 25 Norwegian Folksongs and Dances by Grieg; Emperor Waltz by Strauss; Vieille Chanson by Viardot; Andante from Violin Concerto in E Minor by Mendelssohn; Allegro and Adagio from Cello Concerto in B minor by Dvorak; Notturno from String Quartet No. 2 in D major by Borodin; Elegy Op. 44 for Viola and Piano by Glazunov; Barcarolla from Sonata in Bb for Viola and Piano by Vieuxtemps; Ave Maria from a theme by J.S. Bach by Gounod/Bach; Sicilienne Op. 78 for cello and piano by Fauré; Meditation from Thaïs by Massenet; Habanera from Carmen by Bizet; Reed Flutes from The Nutcracker Suite by Tchaikovsky; Overture from Pulcinella Ballet by Stravinsky; Moderato from Sonata No. 1 in G Major by Gallo; Assez vif from String Quartet in F Major by Ravel; Sehr langsam from 4 Pieces, Op. 7 by Webern; Simple Gifts melody by Brackett; Braul from Romanian Folk Dances by Bartok; The Basso-Gypsy Traditional; Odessa Bulgarish-Klezmer Traditional; Varys Hasapikos-Greek Traditional; El Jar. Fiddle Caprices and Pizzicato Pieces: six virtuosic studies for solo violin
Fiddle Caprices and Pizzicato Pieces: six virtuosic studies for solo violin # Violin # ADVANCED # Alisa Rose # Fiddle Caprices and Pizzicato # Alisa Rose # SheetMusicPlus
Violin Solo - Level 5 - SKU: A0.974444 Composed by Alisa Rose. Concert,Contemporary,Instructional. 37 pages. Alisa Rose #6016177. Published by Alisa Ros...(+)
Violin Solo - Level 5 - SKU: A0.974444 Composed by Alisa Rose. Concert,Contemporary,Instructional. 37 pages. Alisa Rose #6016177. Published by Alisa Rose (A0.974444). For intermediate to advanced players and suitable for concert programming. This cross-genre collection of virtuosic works for solo violin studies pizzicato and percussive techniques as well as tango and fiddle styles. Composer and violinist Alisa Rose is a modern musician with a versatile voice which is strengthened by the diversity of her musical background. A San Francisco Conservatory-trained violinist and chamber musician (B.M. with Camilla Wicks, M.M. in Chamber Music as a student of Bettina Mussumeli), Alisa complemented her formal violin training with extensive studies of improvisation, composing, and the rich American fiddle traditions. Her expressive voice and stylistic fluidity has been featured in ensembles that encompassed her love of both roots music and classical chamber music, including the modern-folk ensemble Real Vocal String Quartet (U.S. Department of State Cultural Ambassadors), classical crossover stars Quartet San Francisco (Grammy-nominated), bluegrass band 49 Special (Rockygrass Band Contest Winners), and in her current contemporary roots duo, Scroggins & Rose (Freshgrass Album Fund Awardees). As a composer, Alisa Rose blends American folk techniques with classical concert forms. This style can be heard on her album of cross-genre virtuoso works for solo violin entitled Fiddle Caprices and Pizzicato Pieces as well as many of her compositions for Real Vocal String Quartet including So it Goes and Slacker Ridge. American & Celtic Folk Tunes: Supplementary Exercises, Songs, & Scales for the Beginning Violinist
American & Celtic Folk Tunes: Supplementary Exercises, Songs, & Scales for the Beginning Violinist # Violin # BEGINNER # uniquely integrating exercises # Stephanie Immordino, Public Do # Stephanie Immordino # American & Celtic Folk Tunes: # SJI Music, LLC # SheetMusicPlus
Violin Solo - Level 1 - SKU: A0.887952 Composed by Stephanie Immordino, Public Domain. Arranged by Stephanie Immordino. Celtic,Country,Folk,Instructiona...(+)
Violin Solo - Level 1 - SKU: A0.887952 Composed by Stephanie Immordino, Public Domain. Arranged by Stephanie Immordino. Celtic,Country,Folk,Instructional. 19 pages. SJI Music, LLC #4887065. Published by SJI Music, LLC (A0.887952). American & Celtic Folk Tunes is progressive compilation of exercises, songs, and scales for beginning violinists. It focuses on violin technique and intonation to aid the student in becoming a well-equipped violinist. By uniquely integrating exercises and scales with well-known traditional American and Celtic fiddle tunes, it caters to the student interested in the folk genre. The cleanly formatted e-book includes songs such as Bile 'em Cabbage Down, Simple Gifts, Amazing Grace, Oh! Susanna, Sailor's Hornpipe, and more. Some songs also feature guitar chords to facilitate ensemble playing. It may be used as a stand alone method book, or as supplementary material. .