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The Last Time I Felt Like This
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You've selected:
The Last Time I Felt Like This
Sheetmusic to print
24 sheet music found
<
1
The Last Time I Felt Like This
The Last Time I Felt Like This
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Big Note Piano
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BEGINNER
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Johnny Mathis & Jane Olivor
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The Last Time I Felt Like This
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Hal Leonard - Digital
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SheetMusicPlus
Digital Download SKU: HX.454299 By Johnny Mathis & Jane Olivor. Pop,Rock,Standards. E-Z Play Today. 3 pages. Published by Hal Leonard - Digital (HX.45429...
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Digital Download SKU: HX.454299 By Johnny Mathis & Jane Olivor. Pop,Rock,Standards. E-Z Play Today. 3 pages. Published by Hal Leonard - Digital (HX.454299). About Hal Leonard E-Z Play TodayFor organs, pianos, and electronic keyboards. E-Z Play Today is the shortest distance between beginning music and playing fun. Now there are more than 300 reasons why you should play E-Z Play Today. * World's largest series of music folios * Full-size books - large 9 x 12 format features easy-to-read, easy-to-play music * Accurate arrangements... simple enough for the beginner, but accurate chords and melody lines are maintained * Eye-catching, full-color covers * Lyrics... most arrangements include words and music * Most up-to-date registrations - books in the series contain a general registration guide, as well as individual song rhythm suggestions * Guitar Chord Chart - all songs in the series can also be played on guitar.
$2.99 ≈
2.80€
The Last Time I Felt Like This
The Last Time I Felt Like This
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Johnny Mathis & Jane Olivor
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Gary Wolk
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The Last Time I Felt Like This
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Gary Wolk Music
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SheetMusicPlus
String Ensemble Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1321490 By Johnny Mathis & Jane Olivor. By Alan Bergman, Marilyn Bergman, and Mar...
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String Ensemble Cello,Viola,Violin - Level 3 - Digital Download SKU: A0.1321490 By Johnny Mathis & Jane Olivor. By Alan Bergman, Marilyn Bergman, and Marvin Hamlisch. Arranged by Gary Wolk. 20th Century,Film/TV,Wedding. 12 pages. Gary Wolk Music #909953. Published by Gary Wolk Music (A0.1321490). An instrumental version of the song made popular by Johnny Mathis and Jane oliver, arranged for String Sextet.
$19.99 ≈
18.71€
The Last Time I Felt Like This
The Last Time I Felt Like This
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Piano Trio: piano, violin, cello
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INTERMEDIATE
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Johnny Mathis & Jane Olivor
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Vicki Falkland
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The Last Time I Felt Like This
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Victoria Louise
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SheetMusicPlus
Piano Trio Cello,Piano,Violin - Level 3 - Digital Download SKU: A0.1114164 By Johnny Mathis & Jane Olivor. By Alan Bergman, Marilyn Bergman, and Marvin H...
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Piano Trio Cello,Piano,Violin - Level 3 - Digital Download SKU: A0.1114164 By Johnny Mathis & Jane Olivor. By Alan Bergman, Marilyn Bergman, and Marvin Hamlisch. Arranged by Vicki Falkland. Comedy,Film/TV,Holiday,Standards,Wedding. 15 pages. Victoria Louise #716097. Published by Victoria Louise (A0.1114164). This arrangement of the title song from Same Time Next Year is for violin, cello and piano. Your download includes full score and separate parts for violin, cello and piano.
$12.99 ≈
12.16€
The Last Time I Felt Like This
The Last Time I Felt Like This
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Piano, Vocal and Guitar
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Wedding/Ballad
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Pop music
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Jane Olivor and Johnny Mathis
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Pop
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The Last Time I Felt Like This
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Hal Leonard - Digital Sheet Music
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SheetMusicPlus
By Jane Olivor and Johnny Mathis. Love; Pop; Standards. Piano/Vocal/Guitar (chords only). 4 pages. Published by Hal Leonard - Digital Sheet Music (HX.19212). - ...
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By Jane Olivor and Johnny Mathis. Love; Pop; Standards. Piano/Vocal/Guitar (chords only). 4 pages. Published by Hal Leonard - Digital Sheet Music (HX.19212). - Piano/Vocal/Guitar (chords only) - Love; Pop; Standards - Hal Leonard - Digital Sheet Music
$4.99 ≈
4.67€
Marvin Hamlisch: The Last Time I Felt Like This for voice, piano and guitar
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Piano, Vocal and Guitar
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INTERMEDIATE
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Wedding/Ballad
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Pop music
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Marvin Hamlisch
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Virtualsheetmusic
Instantly printable sheet music by Johnny Mathis for voice, piano or guitar of MEDIUM skill level. / love,pop,standards
Instantly printable sheet music by Johnny Mathis for voice, piano or guitar of MEDIUM skill level. / love,pop,standards
$5.97 ≈
5.59€
Symphony No. 6 ... The Penobscot River (2004) for chorus and orchestra
Symphony No. 6 ... The Penobscot River (2004) for chorus and orchestra
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Orchestra
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INTERMEDIATE/ADVANCED
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Thomas Oboe Lee
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Symphony No. 6 ... The Penobsc
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Thomas Oboe Lee
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SheetMusicPlus
Full Orchestra - Level 4 - Digital Download SKU: A0.869295 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Scor...
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Full Orchestra - Level 4 - Digital Download SKU: A0.869295 Composed by Thomas Oboe Lee. 20th Century,Baroque,Classical,Contemporary,Romantic Period. Score and parts. 149 pages. Thomas Oboe Lee #431379. Published by Thomas Oboe Lee (A0.869295). Instrumentation: 3222-4231-timp-2perc-hp-chorus-strings Program note:It has been a wonderful two years of thinking, learning and working on my Continental Harmony Project with the Bangor Symphony Orchestra. It is a rare occasion that a composer in the 21st century would receive a commission to write a musical work of such scale: a 40-minute piece for symphony orchestra, 200-plus chorus and a ballet company. At the Bangor Public Library I found some wonderful evocative 19th century texts for the chorus about the city of Bangor and its environs: the Penobscot River, Mt. Ktaadn, the logging industry, the native American culture, etc. At times I felt overwhelmed, but most of the times I was exuberant and quite inspired by the music that came forth in the process. The premiere is less than a month away, and I am looking forward to it. Susan Jonason, Executive Director of the Bangor Symphony, has made the occasion a very public one: a free concert on a Saturday evening! I hope the audience will go home humming the tunes from the work as they walk into the crisp, cool Bangor night.Formally the work is in five movements. The first, third and fifth movements are choral, and the two in between are orchestral. In the premiere, the Robinson Ballet will dance in the orchestral movements. The first movement is about the Penobscot River from winter to spring. The melting of the ice is a harbinger of things to come: warmer weather, for instance; but it has also contributed to a lot of flooding in the city of Bangor and its surroundings.The second movement is a waltz, a grand 19th century ballroom waltz for the ladies of the rich lumber barons. They come to the ball showing off their latest hats and gowns from London, Paris and Milan.The third movement is about the woods and the people who work in them. Thoreau’s text about Mt. Ktaadn is full of awesome thoughts about how nature is beautiful, yet unkind to man. It is followed by a J.G. Whittier lyric entitled The Logger’s Boast. The original song had twenty stanzas to it. I whittled it down to five. I don’t know what the original song sounded like, so I made up my own version of a lumberjack’s drinking song.The fourth movement is a wild, drunken polka. After a long week of working in the woods the lumbermen come back to the city and spend all their earnings on booze, women and gambling. And they dance the night away …The last movement begins with a funeral march for Joe Attien, a native American who was Thoreau’s guide when he came up here in the 1900’s. The work ends with a rousing march, a centennial hymn to the city of Bangor. God bless our city Bangor, now! On this its birthday morn …NB: The two ballet movements, II. La Valse and IV. Drunken Polka, are optional.
$9.99 ≈
9.35€
The Last Time I Felt Like This from Same Time Next Year - Piano/Vocal/Guitar
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Piano, Vocal and Guitar
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The Last Time I Felt Like This
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Musicnotes
Marvin Hamlisch - The Last Time I Felt Like This Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music f...
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Marvin Hamlisch - The Last Time I Felt Like This Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Guitar, instruments: Voice;Piano;Guitar; 4 pages -- Cabaret~~Ballads~~Love~~R & B~~Adult Contemporary~~Pop Rock~~Soft Rock~~Show/Broadway~~Theater~~Wedding Reception
$5.50 ≈
5.15€
The Last Time I Felt Like This from Same Time Next Year - Beginner Notes
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Big Note Piano
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BEGINNER
#
The Last Time I Felt Like This
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Musicnotes
Marvin Hamlisch - The Last Time I Felt Like This Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music f...
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Marvin Hamlisch - The Last Time I Felt Like This Digital Sheetmusic - instantly downloadable sheet music plus an interactive, downloadable digital sheet music file (this arrangement contains complete lyrics), scoring: Piano/Vocal/Chords, instruments: Voice;Treble Clef Instrument;Piano; 3 pages -- Cabaret~~Ballads~~Love~~R & B~~Adult Contemporary~~Pop Rock~~Soft Rock~~Show/Broadway~~Theater~~Wedding Reception
$3.95 ≈
3.70€
Free at Last
Free at Last
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Easy Piano
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EASY
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Gospel/Spiritual
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Louis Landon
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Free at Last
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Landon Creative, Inc.
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SheetMusicPlus
Piano Solo - Early Intermediate - Digital Download Composed by Louis Landon. Spiritual, New Age. Sheet Music Single. 7 pages. Published by Landon Cre...
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Piano Solo - Early Intermediate - Digital Download Composed by Louis Landon. Spiritual, New Age. Sheet Music Single. 7 pages. Published by Landon Creative, Inc.
Healing Hearts 2
Louis Landon
2015 / Landon Creative
66 minutes
Review by Kathy Parsons
Louis Landon continues to soar on the wings of an amazingly creative period - now going on several years! Healing Hearts 2 is the follow-up to Healing Hearts, which was released the end of 2014 and is nominated for Album of the Year on Whisperings Solo Piano Radio. This is Landon’s second album for 2015 and he’s already working on his first release for 2016! The fourteen tracks on Healing Hearts 2 were gathered from improvisations created during sessions at Landon’s Healing Piano of Sedona (AZ), so the piano solos are very smooth and soothing - probably the most relaxed and relaxing album of Landon’s career. Recorded on a Steinway B grand piano at The Peace Palace in Sedona and mastered by Joe Bongiorno at Piano Haven, also in Sedona, the piano sound is impeccable - very warm and enveloping. Landon told me that this is the best music he never wrote, referring to the fact that the music just flows out of him during these sessions, reflective of each client’s wants and needs at the time of the session.
The full Healing Hearts 2 album is a little more than an hour of quietly uplifting music and works exceptionally well as a relaxing and healing experience. I’d like to mention a few favorite pieces, though. The album begins with “Sisters,” a very gentle piece that expresses the love and special bond that can exist between sisters. Very light and free, it’s a beautiful start. “Free At Last” starts out almost mournfully - dark and searching - gradually becoming livelier and more optimistic. It’s an amazing musical journey and development! “Relax and Enjoy” expresses the warm comfort of just letting go and “being” for awhile - leisurely and contented. “Feeling the Love” is so warm and open that it feels like a musical embrace - melodic yet very free. “All Is Well” is almost ambient, but what a wonderful atmosphere of quiet contentment it creates - a perfect peace. “Transition” is like floating on a cloud - effortless and so peaceful. “Dark Nights” is one of the most beautiful pieces Landon has recorded. It reminds me a little bit of Beethoven’s “Moonlight Sonata” and some of Chopin’s Nocturnes - so poignant and heartfelt that it takes my breath away. The gracefully flowing “Dancer” expresses freedom and elegant movement. “Lullaby” closes this excellent album with a piece so soothing it could melt the tension out of anyone. Gorgeous!
If you are looking for music that will relax and refresh your inner being, you need to look no further than Healing Hearts 2. This is the real deal when it comes to soothing piano music with substance and heart. It is available from louislandon.com, Amazon, iTunes, and CD Baby. Highly recommended!
November 1, 2015
Recorded at The Peace Palace, Sedona, AZ, from November 2015 to February 2016. on a Steinway B.
Music mastering: Joe Bongiorno at Piano Haven Studio, Sedona, AZ
Louis Landon is a composer and Steinway artist. Formerly of New York and currently living in Sedona, Arizona, Louis has dedicated his life to music. His career has taken him around the world playing a variety of styles with some of the most recognized names in the entertainment industry. He toured nationally and internationally, playing classical music for Mikhail Baryshnikov; jazz fusion with The John Payne Band; Latin music with "Pucho and his Latin Soul Brothers”; pop music with Rupert "Pina Colada Song" Holmes; and rock & roll with John Hall, opening for "Little Feat”.
Louis began playing the piano by ear at 4 years old and began lessons at 5. As a teenager, he played guitar and keyboard in bands and went on to study music at Stony Brook University, Boston Conservatory and Berklee College of Music.
For the past 30 years, through his production company, Landon Music Company, Louis has written and produced music for film, video, and commercials. He recorded his first original album, Love Songs & Jazz, in 1994 and has since released 38 Albums/CDs on the LCI Record label. His latest, entitled Provocative Piano, was released on January 29, 2021. He has just finished up yet another solo piano album, Nighttime Piano for Relaxation and Deep Sleep, with a release date of April 23, 2021.
Louis Landon mission:
To create a more compassionate world by writing, recording and performing music that inspires love, peace, joy and gratitude.
Reviews:
“While some pianists are virtuosos in their playing and others may not be as technically proficient, but have great emotional content in their music, Louis Landon brings it all together with impeccable style and grace. His work covers diverse compositional terrain, incorporating influences of classical, new age, jazz, pop, and more in a mellifluous spectrum of moods and musical colors.” Michaeldiamondmusic.com
"He has a gift for composition that is second to none." Zone Music Reporter
"… indeed meditative and mellow, [he] sacrifices no musical rigor to achieve those ends. With backgrounds in jazz, Latin music, rock, pop, film composing, and classical piano, Louis brings his breadth and depth of experience to bear here. His playing and compositions are sensitive as they are complex and… a diverse range of influences is more than apparent.” Keyboard Magazine
Recognition:
Louis Landon's music has had over 140 million streams on Pandora radio!
Louis Landon's music has had over 34 million streams on Spotify!
Thanksgiving Piano was nominated for Album of the Year 2020 by Whisperings Radio.
Departure - Solo Piano was nominated for Album of the Year 2017 by Whisperings Radio.
Healing Hearts 2 - Solo Piano won 2016 “Contemporary and Modern” Album of the Year at solo piano.com and was nominated for Album of the Year at Enlightened Piano Radio, also in 2016.
Healing Hearts - Solo Piano was nominated for Album of the Year at Whisperings Radio 2015.
Solo Piano for Love, Peace & Mermaids was nominated for Album of the Year at Whisperings Radio 2010.
Solo Piano for Peace was nominated for the 2009 ZMR Music Awards in three categories: Album of the Year, Best Instrumental Album - piano, and Best Cover Art by Zone Music Reporter. Solo Piano for Peace was listed at #30 of the top 100 albums for airplay in 2009 by Zone Music Reporter.
Peace Revolution! was Louis Landon's 7th CD and 2nd solo piano CD. It was #7 on the NAR top 100 charts and was played on over 50 stations worldwide.
unwind charted at #3 of the top 100 cds for the month of February, 2006 on Zone Music Reporter's website, playing on over 121 stations internationally.
Visit LouisLandon.com for bookings, CDs, sheet music, contact info and more.
$5.25 ≈
4.91€
Trapped
Trapped
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Concert band
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INTERMEDIATE/ADVANCED
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Contemporary
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Scott Custer Jr
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being used for my kindness
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Trapped
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Scott Custer Jr
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SheetMusicPlus
Concert Band - Level 4 - Digital Download SKU: A0.1153691 By Scott Custer Jr. By Scott Custer Jr. Contemporary. Score and parts. 101 pages. Scott Custer ...
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Concert Band - Level 4 - Digital Download SKU: A0.1153691 By Scott Custer Jr. By Scott Custer Jr. Contemporary. Score and parts. 101 pages. Scott Custer Jr #753948. Published by Scott Custer Jr (A0.1153691). My first complete concert band piece. It's been in the works for about 3 months. The early drafts of this piece were written in April/May and were then left to collect dust for months. I wrote it to experiment with melodic/harmonic minor scales and did not intend to finish the piece. Around the same time I wrote the early drafts of the piece, my high school band director asked if I wanted to write a piece for the concert band. I agreed and spent months working on different pieces of music, completing none of them. Around late October I stumbled across this looking through old pieces of music for some new ideas. I listened through it 3 or 4 times and decided to continue the piece. After spending roughly two months finishing the draft, and another month revising and adding parts, I had finally finished Trapped. When I started working on this piece with the intention of finishing it, I was at a difficult point in my life. I had recently come home from my rookie season of drum corps and was still transitioning back to the real world. The freedom of tour had been taken away from me, I had mentally matured a lot during the summer. While only 17 I felt like I was stuck with a bunch of kids. I had spent all summer with friends much older than me, learning a lot from them and taking inspiration from them in many ways. When I started this piece, I was conflicted with many thoughts and emotions. I was still under the impression that my peers in the music program hated me because of some of my actions last year. The girl from home I had been talking with all summer while I was gone, and hoped to start a relationship with, lied to me while I was gone about many things, causing me to remove them from my life. The last year and a half have involved many events like losing my best friend of 5 years because of, what I consider, an overreaction on my part; being used for my kindness; lied to; having secrets about me revealed behind my back by those I trusted; being a therapy friend; constant overthinking; as well as toxic friendships I didn’t want to leave because I gave them the benefit of the doubt. I felt trapped. I had spent so long trying to improve myself to become who I am today, and I still felt like crap. Even though I knew and promised myself I wouldn’t follow through, I was battling suicidal thoughts and I was in a severely depressive episode of my life. I wrote this piece to express the feeling of overthinking, being trapped in your mind, and the road to recovery. The constant back-and-forth battles with yourself, unsure of where to go and what to do next; feeling trapped. I hope that this piece connects and resonates with those of you in a similar position to what I was in, and I promise there is a way out and that life does get better. And with that, I present to you, Trapped.
$25.00 ≈
23.40€
Eternal Bridge For Oboe Harp And Strings
Eternal Bridge For Oboe Harp And Strings
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Luis Anjos Teixeira
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Eternal Bridge For Oboe Harp A
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Luis Anjos Teixeira
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SheetMusicPlus
Large Ensemble Cello,Double Bass,Harp,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.889419 Composed by Luis Anjos Teixeira. Concert,Contemporary...
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Large Ensemble Cello,Double Bass,Harp,Oboe,Viola,Violin - Level 3 - Digital Download SKU: A0.889419 Composed by Luis Anjos Teixeira. Concert,Contemporary. Score and parts. 36 pages. Luis Anjos Teixeira #3492515. Published by Luis Anjos Teixeira (A0.889419). For the 2018 Chamber Music Contest Entry Eternal Bridge was made to be performed by a group of six soloists playing the following instruments: Oboe, Harp, Violin, Viola, Cello, Double Bass. It is not a difficult piece once learned. It is really a great fun for the players and very easy listening too, It covers a very wide range of audience demands. There is a groove feeling on it that makes it very pleasant to most all people. Because of its plasticity the piece allows many interpretations, therefore I did not made much use of interpretation symbols in order to leave to the performers the freedom of doing their own. Bowing and fingering are left totally virgin at the hands of the schools or the creativity of the performing Artists. P.S. - The score was written on Finale. The sound file For the 2018 Chamber Music Contest Entry, was performed with samplers from Garritan and conceived as an audio support for the presentation of the score. This is the first time that this version is published in Sheet Music Plus. Thank you very much for taking your time to read this text and to listen to the file. I hope you have a lot of fun and enjoy the music. Sheers! Thanks to Claudia Eppelt for the cover design, all the Love and inspiration. Special Thanks to Nina and Stray Queen Mimi for my Family, all their Love Patience and Compassion. Love Forever.„The litle story of the - „Eternal BridgeEternal Bridge came out of a dream. Imagine a little railway station, a train that comes and stops, and your friends go inside. As you step on the little stairs to go inside, the doors close letting you out, and the train starts rolling. It speeds up very fast and enough so you can`t jump out of the little stairs back to the ground, you are holding now to the iron bars around the doors of the train, you see your friends and the people inside but they can`t see you, they can`t hear you, and you notice that the train is now on a bridge so high, that you can`t see the earth any more. Wind is blowing around me and I feel this cosmic cold and everything starts to twist around in a gigantic spiral. I still feel the Gravity but it goes in all directions at the same time pushing me violently and I feared to fail the grip on the iron bars and fall down, in an imaginary endless abyss. Little by little the speed of the events slows down progressively until everything freezes. Now, The other side of the bridge does not exist at all, neither the beginning or up or down. The train disappeared in a glimpse and I noticed that I was not falling down, just hanging there out in hyperspace, Free from Gravity. I lost the fear of falling in the abyss, it felt kind a good, because the only thing that I could see was light, pure beautiful bright white light, I was floating in light, I realised I could stay there forever, but then I felt lonely and wanted to come back home. When I finally woke up, I wrote this words in Portuguese and made a song out of it. the words go like:Ponte eterna abismo sem fundo - Vento ciclónico medo profundo - Comboio gelado lentidão d`aço - Espiral eterna suspensa no espaço - Maos agarram a vida duas barras d` aço - Corpo sacudido em espasmos de medo - Alucinação divina acordar de um sonho Eternal Bridge endless Abyss - Cyclonic wind deep Fear - Frozen Train slowness of steel - Eternal spiral suspended in space - Hands cling to life on two bars of steel - Body shaken into spasms of fear - Divine hallucination waking up from a dream
$25.00 ≈
23.40€
Too Much For Our Thirst (Trombone and Piano)
Too Much For Our Thirst (Trombone and Piano)
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Trombone and Piano
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INTERMEDIATE/ADVANCED
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Contemporary
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Alexander Burdiss
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Too Much For Our Thirst
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Ars Nova Press
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SheetMusicPlus
Piano,Tenor Trombone - Level 4 - Digital Download SKU: A0.1335564 Composed by Alexander Burdiss. Contemporary. Score and part. 12 pages. Ars Nova Press #...
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Piano,Tenor Trombone - Level 4 - Digital Download SKU: A0.1335564 Composed by Alexander Burdiss. Contemporary. Score and part. 12 pages. Ars Nova Press #921400. Published by Ars Nova Press (A0.1335564). Too Much For Our Thirstby Alexander BurdissArranged for Trombone and PianoDedicated to Courtney CarmackPerformance Time: approx. 7:00This is an adaptation for trombone of a piece originally written for tuba. The Eyes of the Poor from Paris SpleenWritten by Charles Baudelaire, Translated by Arthur Symons Ah! you want to know why I hate you to-day. It will probably be less easy for you to understand than for me to explain it to you; for you are, I think, the most perfect example of feminine impenetrability that could possibly be found. We had spent a long day together, and it had seemed to me short. We had promised one another that we would think the same thoughts and that our two souls should become one soul; a dream which is not original, after all, except that, dreamed by all men, it has been realised by none. In the evening you were a little tired, and you sat down outside a new café at the corner of a new boulevard, still littered with plaster and already displaying proudly its unfinished splendours. The café glittered. The very gas put on all the fervency of a fresh start, and lighted up with its full force the blinding whiteness of the walls, the dazzling sheets of glass in the mirrors, the gilt of cornices and mouldings, the chubby-cheeked pages straining back from hounds in leash, the ladies laughing at the falcons on their wrists, the nymphs and goddesses carrying fruits and pies and game on their heads, the Hebes and Ganymedes holding out at arm's-length little jars of syrups or parti-coloured obelisks of ices; the whole of history and of mythology brought together to make a paradise for gluttons. Exactly opposite to us, in the roadway, stood a man of about forty years of age, with a weary face and a greyish beard, holding a little boy by one hand and carrying on the other arm a little fellow too weak to walk. He was taking the nurse-maid's place, and had brought his children out for a walk in the evening. All were in rags. The three faces were extraordinarily serious, and the six eyes stared fixedly at the new café with an equal admiration, differentiated in each according to age. The father's eyes said: How beautiful it is! how beautiful it is! One would think that all the gold of the poor world had found its way to these walls. The boy's eyes said: How beautiful it is! how beautiful it is! But that is a house which only people who are not like us can enter. As for the little one's eyes, they were too fascinated to express anything but stupid and utter joy. Song-writers say that pleasure ennobles the soul and softens the heart. The song was right that evening, so far as I was concerned. Not only was I touched by this family of eyes, but I felt rather ashamed of our glasses and decanters, so much too much for our thirst. I turned to look at you, dear love, that I might read my own thought in you; I gazed deep into your eyes, so beautiful and so strangely sweet, your green eyes that are the home of caprice and under the sovereignty of the Moon; and you said to me: Those people are insupportable to me with their staring saucer- eyes! Couldn't you tell the head waiter to send them away? So hard is it to understand one another, dearest, and so incommunicable is thought, even between people who are in love!
$9.99 ≈
9.35€
Stabat Mater
Stabat Mater
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Choral SATB
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INTERMEDIATE/ADVANCED
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Contemporary
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Annemieke Lustenhouwer
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Stabat Mater
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Annemieke Lustenhouwer
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1187117 Composed by Annemieke Lustenhouwer. Contemporary. Octavo. 130 pages. Annemieke Lustenhou...
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Choral Choir (SATB) - Level 4 - Digital Download SKU: A0.1187117 Composed by Annemieke Lustenhouwer. Contemporary. Octavo. 130 pages. Annemieke Lustenhouwer #786752. Published by Annemieke Lustenhouwer (A0.1187117). What happens when you close your eyes and you see yourself standing next to Mother Mary when Jesus dies? What do you see and what do you feel? That was what I’ve been asking myself for years when I read the text Stabat Mater. This composition tells about this experience and this questions. Sometimes a motif tells quite literally about this story, like the moment when Jesus is nailed down the cross: first the right hand, then the left hand and finaly with one nail both feet. In the first part of the composition, the viola tells with sforzato accents about this.This Stabat Mater is not only an expression of the pain of the Virgin Mother, but is also a tribute to JS Bach as well. Bach is by some seen as a fith evangelist. Nowadays there are still a lot of people who are affected by how his music tells about biblical stories, like I am. In this Stabat Mater I use the number 5 to express that: the first part is written in 5/4th and the last part Quando corpus et Amen is written with 5 parts in the choir. There can also be found a reworked choral in the choir passages of  O quam tristis et afflicta. It is the choral Wie nahe mir mein Ende from BWV 166.Polyfony is a returning presence in this Stabat Mater. I had an visual idea about this. When I was young I saw in an exhibition a tapestry with all kinds of colours and threads, and everything felt in motion. It was a kind of organized mess, but it was beautiful and felt perfect. I wondered if I could manage to express this idea in music as well. Under one of the polyphonic passages there is a Latin-American dance rhythm to express that motion. I heard that rhythm in my childhood in a rhythmbox of the keyboard of my dad. Another passage has the baroque sarabande-rhythme underneath in the double bass.A lullaby-feeling in some parts of the Stabat Mater tells about another story that got intertwined with this composition. It’s the story of a mother who rocks her terminal dying little son in her arms. I once read that story and it felt connected with the Stabat Mater text for a long time. I decided to express that as well.This composition is dedicated to the Dutch conductor Geert van den Dungen. However I saw many conductors, while playing the oboe and clarinet from a young age, there was nobody who let me think very deeply about music. Geert was the one who changed that for me. I started to study scores and developed a great interest in music analysis and music psychology. Many moments of inspiration and understanding for this Stabat Mater happened on choir rehearsals and concerts where Geert was working. I am very grateful for that.Conductors score with parts for the string players.
$19.00 ≈
17.78€
Stabat Mater - string ensemble parts
Stabat Mater - string ensemble parts
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Contemporary
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Annemieke Lustenhouwer
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Stabat Mater - string ensemble
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Annemieke Lustenhouwer
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SheetMusicPlus
Small Ensemble - Level 4 - Digital Download SKU: A0.1195919 Composed by Annemieke Lustenhouwer. Contemporary. Score and parts. 80 pages. Annemieke Lusten...
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Small Ensemble - Level 4 - Digital Download SKU: A0.1195919 Composed by Annemieke Lustenhouwer. Contemporary. Score and parts. 80 pages. Annemieke Lustenhouwer #795094. Published by Annemieke Lustenhouwer (A0.1195919). What happens when you close your eyes and you see yourself standing next to Mother Mary when Jesus dies? What do you see and what do you feel? That was what I’ve been asking myself for years when I read the text Stabat Mater. This composition tells about this experience and this questions. Sometimes a motif tells quite literally about this story, like the moment when Jesus is nailed down the cross: first the right hand, then the left hand and finaly with one nail both feet. In the first part of the composition, the viola tells with sforzato accents about this.This Stabat Mater is not only an expression of the pain of the Virgin Mother, but is also a tribute to JS Bach as well. Bach is by some seen as a fith evangelist. Nowadays there are still a lot of people who are affected by how his music tells about biblical stories, like I am. In this Stabat Mater I use the number 5 to express that: the first part is written in 5/4th and the last part Quando corpus et Amen is written with 5 parts in the choir. There can also be found a reworked choral in the choir passages of  O quam tristis et afflicta. It is the choral Wie nahe mir mein Ende from BWV 166.Polyfony is a returning presence in this Stabat Mater. I had an visual idea about this. When I was young I saw in an exhibition a tapestry with all kinds of colours and threads, and everything felt in motion. It was a kind of organized mess, but it was beautiful and felt perfect. I wondered if I could manage to express this idea in music as well. Under one of the polyphonic passages there is a Latin-American dance rhythm to express that motion. I heard that rhythm in my childhood in a rhythmbox of the keyboard of my dad. Another passage has the baroque sarabande-rhythme underneath in the double bass.A lullaby-feeling in some parts of the Stabat Mater tells about another story that got intertwined with this composition. It’s the story of a mother who rocks her terminal dying little son in her arms. I once read that story and it felt connected with the Stabat Mater text for a long time. I decided to express that as well.This composition is dedicated to the Dutch conductor Geert van den Dungen. However I saw many conductors, while playing the oboe and clarinet from a young age, there was nobody who let me think very deeply about music. Geert was the one who changed that for me. I started to study scores and developed a great interest in music analysis and music psychology. Many moments of inspiration and understanding for this Stabat Mater happened on choir rehearsals and concerts where Geert was working. I am very grateful for that.String parts only, see for conductors/ choir score Sheet Music plus and Sheet music direct.
$19.00 ≈
17.78€
What I Did For Love
What I Did For Love
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Jazz Ensemble
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INTERMEDIATE/ADVANCED
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Broadway
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Edward Kleban and Marvin Hamli
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Terry Vosbein
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What I Did For Love
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Max Frank Music
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.1396334 Composed by Edward Kleban and Marvin Hamlisch. Arranged by Terry Vosbein. Broadw...
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Jazz Ensemble Jazz Ensemble - Level 4 - Digital Download SKU: A0.1396334 Composed by Edward Kleban and Marvin Hamlisch. Arranged by Terry Vosbein. Broadway,Jazz,Musical/Show. 48 pages. Max Frank Music #979709. Published by Max Frank Music (A0.1396334). Experience â??What I Did For Loveâ? like never before with this new big band arrangement inspired by the legendary Stan Kenton. This slow ballad from the classic musical â??A Chorus Lineâ? takes on new life with the rich textures and dynamic energy of a full big band.The arrangement opens with a haunting piano introduction, setting the mood for a heartfelt performance. As the arrangement slowly builds, the alto saxophone takes center stage with a soulful improvised solo, adding a personal touch to the familiar melody. As it reaches its climax, the band explodes with big fat and loud chords that soar to new heights.With its blend of traditional big band elements and emotional harmonic content, this arrangement of â??What I Did For Loveâ? is sure to captivate audiences and leave a lasting impression. Donâ??t miss the opportunity to experience this timeless classic in a whole new way.Instrumentation: 5 saxes (AATTB), 5 trumpets, 4 trombones, tuba, piano, guitar, bass, drums.
$49.99 ≈
46.78€
Cygnus X-1 Book Ii: Hemispheres
Cygnus X-1 Book Ii: Hemispheres
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Bass guitar
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INTERMEDIATE/ADVANCED
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Rock
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Rush
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Tracy Dean McCallum
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Cygnus X-1 Book Ii: Hemisphere
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Tracy Dean McCallum
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SheetMusicPlus
Bass Guitar - Level 4 - Digital Download SKU: A0.1193208 By Rush. By Alex Lifeson, Geddy Lee, and Neil Peart. Arranged by Tracy Dean McCallum. Rock. Scor...
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Bass Guitar - Level 4 - Digital Download SKU: A0.1193208 By Rush. By Alex Lifeson, Geddy Lee, and Neil Peart. Arranged by Tracy Dean McCallum. Rock. Score. 16 pages. Tracy Dean McCallum #792663. Published by Tracy Dean McCallum (A0.1193208). When our weary world was youngThe struggle of the ancients first beganThe gods of Love and ReasonSought alone to rule the fate of ManThey battled through the agesBut still neither force would yieldThe people were dividedEvery soul a battlefieldEvery soul a battlefieldThe Universe dividedAs the Heart and Mind collidedWith the people left unguidedFor so many troubled yearsIn a cloud of doubts and fearsTheir world was torn asunder into hollow hemispheresSome fought themselves, some fought each otherMost just followed one anotherLost and aimless like their brothersFor their hearts were so unclearAnd the truth could not appearTheir spirits were divided into blinded hemispheresSome who did not fightBrought tales of old to lightMy Rocinante sailed by nightOn her final flightTo the heart of Cygnus' fearsome forceWe set our courseSpiralled through that timeless spaceTo this immortal placeI have memory and awarenessBut I have no shape or formAs a disembodied spiritI am dead and yet unbornI have passed into OlympusAs was told in tales of oldTo the City of ImmortalsMarble white and purest goldI see the Gods in battle rage on highThunderbolts across the skyI cannot move, I cannot hideI feel a silent scream begin insideThen all at once the chaos ceasedA stillness fell, a sudden peaceThe Warriors felt my silent cryAnd stayed their struggle, mystifiedApollo was astonishedDionysus thought me madBut they heard my story furtherAnd they wondered, and were sadLooking down from OlympusOn a world of doubt and fearIts surface splintered intoSorry hemispheresThey sat a while in silenceThen they turned at last to meWe will call you CygnusThe God of Balance you shall beWe can walk our road togetherIf our goals are all the sameWe can run alone and freeIf we pursue a different aimLet the truth of Love be lightedLet the love of truth shine clearSensibilityArmed with sense and libertyWith the Heart and Mind unitedIn a single perfect sphere
$5.99 ≈
5.61€
String Quartet - William and Mary
String Quartet - William and Mary
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String Quartet: 2 violins, viola, cello
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ADVANCED
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Mike Strand, ASCAP <
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Mike Strand
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String Quartet - William and M
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Michael M. Strand
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SheetMusicPlus
String Quartet String Quartet - Level 5 - Digital Download SKU: A0.970731 Composed by Mike Strand. Contemporary,Jazz,World. Score and parts. 36 pages. Mi...
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String Quartet String Quartet - Level 5 - Digital Download SKU: A0.970731 Composed by Mike Strand. Contemporary,Jazz,World. Score and parts. 36 pages. Michael M. Strand #4837117. Published by Michael M. Strand (A0.970731). By Mike Strand, ASCAP I wrote this String Quartet in a composition class at the College of William and Mary in 2010. It is brief and rich with variety, and it involves a technique of mine called fracturing (see note* below). This causes the dissonance you'll hear in parts of this work.On one occasion, when I felt stressed, I enjoyed listening to Morton Feldman's String Quartet II (1983), which lasts about 6 hours. This quiet but lovely music soothed and pacified me. On the other hand, if you want something to energize and alert you in less than 11 minutes, this quartet may be for you -- whenever you acquire a recording of it by some lucky quartet ensemble. Have a cup of coffee with it, for insurance!In the meantime, enjoy the audio sample, Movement I of my quartet. This alone may suffice to get you going, in only two and a half minutes. String Quartet - William and Mary: Four movements, total time 10:45: I. Allegro moderato (2:32) A tango-like dance movement: Preface, Introduction, A, B, A’, C, Coda (two variations). II. Lento (2:44) Counting to twenty in 5-4, 4-4, and 12-8 time. 5-4 time predominates (five groups of four measures each), then 4-4 (two groups of five measures each) and 12-8 (one group of five measures). Throughout there are 72 counts per minute, with quarter notes counted in the 5-4 and 4-4 time signatures, and with dotted quarter notes counted in the 12-8 time signature. The five measures of 12-8 also introduce the theme for movement III.Fun with three different time signatures! III. Allegro (2:11) Variations on a Scottish-like folk tune and fragments of it. One variation is an example of tonal pointillism. The closing measures are an extended coda based on a transformed version of the original tune. IV. Swing (3:18) West Coast swing tempo for the Introduction and Part A; triple swing tempo for Part B. Note* on the fracturing technique This is my method to produce systematically new types of dissonance and corresponding modifications and resolutions. Fracturing consists of changing pitches in a melody or chord as follows: (a) Decide on the root note position within the staff or line of music. (b) Represent the applicable chord in half-step notation, with the root given the value 0. (c) Alternatively subtract and add a prescribed number of half steps from, and to, each successive number in the annotated chord (except for the root). (d) Use the new fractured annotation to define the new pitches. The actual or implied root of the chord (tonal center) remains unchanged. The resulting new chord or melody is thus related or resolvable to the parent tonal harmony or chord. Fracturing appears mainly in the first and third movements, with spare use in the second and fourth movements.
$7.00 ≈
6.55€
Bring His Love
Bring His Love
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Choral SATB
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INTERMEDIATE
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Sacred music
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the first of the year I had th
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Kevin Longley
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Bring His Love
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Kevin Longley
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1019370 Composed by Kevin Longley. Christian,Praise & Worship,Sacred. Octavo. 12 pages. Kevin Lo...
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Choral Choir (SATB) - Level 3 - Digital Download SKU: A0.1019370 Composed by Kevin Longley. Christian,Praise & Worship,Sacred. Octavo. 12 pages. Kevin Longley #6532899. Published by Kevin Longley (A0.1019370). Bring His LoveInspiration (below is a note I sent to my sister) Hi Karen! In the fall of last year I started working on a new church anthem for FUMC. Over the years your choir has sung several pieces of mine; so I felt I should do something in return. I quickly got an idea for the music only (sometimes I will get some lyric ideas also, but didn't this time.) By the first of the year I had the basic structure sketched out on paper but then put it aside for Easter Rehearsals. When the pandemic stopped all church choirs I returned to the music and by early May had the score in the computer, close to completion. At that point I still didn't have any lyrics but began feeling that it should be about God's creation. All I could envision was a singer with his arms stretched out to the sun, the ocean, the moon, etc. while singing this piece. So I started searching for a possible prayer that might fit and came upon Canticle of the Son. As I read it through I liked the structure and began sketching out the lyrics. I couldn't help but wonder what our response should be to God's creation. How should we thank him or praise him or take care of it? I then turned my thoughts to FUMC and considered this - what phrase would sum up this churches mission? I almost immediately got Bring His Love. From there the balance of the lyrics fell into place. So attached is the recording and the music. I have no expectations but hope you and the choir enjoy the music. The Music The piece starts with 16th note broken chords in the upper register of the piano which lead to the opening theme. A tenor soloist begins by singing God's praises for all he has given us; ending with the thought How can we thank such kindness?; The answer Bring His Love the B section. At its conclusion we are returned to the opening theme, this time sung by the choir which again leads us to the same questionHow can we thank such kindness?, The answer Bring His Love the B section. A C section is then introduced with a change to a more beat driven accompaniment with the vocals alternating between the upper and lower voices. A return to the opening theme, with minimal chordal accompaniment, features the original soloist but then adds a second voice leading to a duet and a return to the broken chord accompaniment.. Finally the B section,Bring His Love is repeated and concludes in a rousing fashion.. Program Notes The piece could work very well for Earth Day celebrations.
$1.99 ≈
1.86€
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The Last Time I Felt Like This
