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485 sheet music found He Won't Hold You (Jacob Collier) Trombone Ensemble
He Won't Hold You (Jacob Collier) Trombone Ensemble # Trombone ensemble # Contemporary # Jacob Collier # Michael Pilley # He Won't Hold You # Michael Pilley Musi # SheetMusicPlus
Trombone, Brass Choir or
Ensemble, Trombone Ensemble -
Advanced -
By Jacob Collier. Arranged by
Michael Pilley. Score, Set of
Parts. 55 pages. Publish...(+)
Trombone, Brass Choir or
Ensemble, Trombone Ensemble -
Advanced -
By Jacob Collier. Arranged by
Michael Pilley. Score, Set of
Parts. 55 pages. Published by
Michael Pilley Musi From his acclaimed album Djesse Vol. 3, this is Jacob's favourite track and lends itself beautifully to a trombone ensemble. With a hymn-like chorale and a bluesy solo, along with half the ensemble being bass trombones, this is a great showcase of your ensembles warmth and sensitive playing.
This is an advanced work scored for soloist, six tenor trombones, four bass trombones and a contrabass trombone (playable by a bass trombonist with extreme range). If you are lacking extra bass trombonists, you can substitute tenor trombonists for the top three bass trombone parts.
The soloist part is mostly improvisational and would suit a jazz player. Top two tenor trombones carry more of the melody, with the 2nd playing a higher range. The next four tenor trombones add a lot of colour to the mix with different mutes, and the background effects you can hear on the track, and require agile trombonists.
As played by Super Bone on YouTube.
Beautifully laid out in A4 size, the score and parts are easy to read and available NOW for digital download. We suggest you print on 80gsm paper, to ensure that the copies last longer in your bands library. If you're printing on letter size paper, please fit to page when sending to the printer. Two Sacred Pieces for Trombone Ensemble Choir
Two Sacred Pieces for Trombone Ensemble Choir # Trombone ensemble # INTERMEDIATE/ADVANCED # Classical # Heinrich Schutz
# Kenneth Biggs # Two Sacred Pieces for Trombone # Cherry Classics Music # SheetMusicPlus
Trombone Ensemble Choir -
Advanced Intermediate -
Composed by Heinrich Schutz
(1585-1672). Arranged by
Kenneth Biggs. Baroque
Period, Renaissance, E...(+)
Trombone Ensemble Choir -
Advanced Intermediate -
Composed by Heinrich Schutz
(1585-1672). Arranged by
Kenneth Biggs. Baroque
Period, Renaissance, Early
Music, Sacred. Score, Set of
Parts. 32 pages. Published by
Cherry Classics Music Heinrich Schütz (1585-1672) wrote the Musikalische Exequien, opus 7 (SWV 279-281) for the funeral of Prince Heinrich Posthumus von Reuss (1572-1635). Prince Heinrich?s widow and sons commissioned the work upon his death and provided Schütz with Bible verses as the text, which were also inscribed on the prince?s coffin.
Two of the three parts of the Musikalische Exequien have been arranged for 8-part Trombone Ensemble in two different choirs. The first piece, Motet is reminiscent of Gabrieli's Sonatas. The second piece, Canticum Sineonis is dense, rich, and evokes deep spiritual suffering and loss.
Two Sacred Pieces have been exquisitely edited and arranged by Kenneth Biggs for moderately advanced performers and work very well with 2 Alto Trombones, 4 Tenor Trombones, and 2 Bass Trombones. "Us" for Jazz Trombone Quintet & Rhythm Section
"Us" for Jazz Trombone Quintet & Rhythm Section # Trombone ensemble # ADVANCED # Jazz # Thad Jones # Fletcher, David # "Us" for Jazz Trombone Quintet # Cherry
Classics Music # SheetMusicPlus
Trombone Quintet and Rhythm
Section Jazz - Advanced -
Composed by Thad Jones.
Arranged by Fletcher, David.
Jazz, Blues, Big Band, Rock.
Score, Set o...(+)
Trombone Quintet and Rhythm
Section Jazz - Advanced -
Composed by Thad Jones.
Arranged by Fletcher, David.
Jazz, Blues, Big Band, Rock.
Score, Set of Parts. 45
pages. Published by Cherry
Classics Music Us, composed by Thad Jones in 1970 and originally recorded that same year, is one of the pieces which defined the new sound of the Thad Jones/Mel Lewis Jazz Orchestra. While being one of the most successful, early melding of big band instrumentation with rock rhythms and rhythm section instruments, it also includes an a cappella chorus for the ?band? (for this version, read: ?trombones?) and intricate saxophone lines which are challenging but very rewardingly playable.
David Fletcher has done a magnificent job of translating the richness of Thad?s voicings and the exuberance and spirit of this piece to the Trombone quintet plus rhythm section instrumentation of the University of Illinois Jazz Trombone Ensemble, who have performed it at both American Trombone Workshops and International Trombone Festivals.
David Fletcher, a member of the award winning University of Illinois Jazz Trombone Ensemble under the direction of Jim Pugh arranged this great chart for Trombone Quintet and rhythm section. It is about 4 minutes in length and includes improvised jazz solos for Trombone 2 and Electric Guitar. O'Neil - Machinery, Four Pieces for 6-part Trombone Ensemble & Percussion
O'Neil - Machinery, Four Pieces for 6-part Trombone Ensemble & Percussion # Trombone ensemble # ADVANCED # Contemporary # Stuart P # O'Neil - Machinery, Four Piece # SheetMusicPlus
Trombone Ensemble and
Percussion - Advanced -
Composed by Stuart P. O'Neil.
21st Century. Score, Set of
Parts. 122 pages. Published
by Cherry C...(+)
Trombone Ensemble and
Percussion - Advanced -
Composed by Stuart P. O'Neil.
21st Century. Score, Set of
Parts. 122 pages. Published
by Cherry Classics Music Stuart O'Neil has written a new work entitled "Machinery" in 4 movements for 6-part Trombone ensemble and Percussion. Below is the composer's explanation of his exciting and dramatic work."The four pieces in this collection are written for 6-part trombone ensemble and accompanying percussion; they may be performed together or individually. Each piece is a study in the trombone?s distinct glissando capability and should be approached in a relatively aggressive, but not overly serious, manner: concert music, but with considerable jazz-rock influence, especially in regards to rhythm and dynamics. The pieces are similar, but each has its own character."1. Machine is a well-oiled, highly-functioning machine, with all parts efficiently working together.2. Rush Hour is a hectic, busy traffic scene, but somewhat cartoon-like.3. Suspension Bridge is strong metal under extreme stress, straining but not breaking.4. Assembly Line is a factory conveyor belt: loud, busy, with lots of heavy machinery.This 10 minute work is appropriate for advanced performers. The Alcotts - from Sonata No. 2, The Concord - for 10-part Trombone Choir
The Alcotts - from Sonata No. 2, The Concord - for 10-part Trombone Choir # Trombone ensemble # ADVANCED # Contemporary # Charles Ives
# Ross
Holcombe # The Alcotts - from Sonata No. # Cherry Classics Music # SheetMusicPlus
Trombone Choir Ensemble -
Advanced -
Composed by Charles Ives
(1874-1954). Arranged by Ross
Holcombe. 20th Century,
Americana. Score, Set of
Parts. ...(+)
Trombone Choir Ensemble -
Advanced -
Composed by Charles Ives
(1874-1954). Arranged by Ross
Holcombe. 20th Century,
Americana. Score, Set of
Parts. 44 pages. Published by
Cherry Classics Music Here is what the arranger, Ross Holcombe says about his great scoring of this wonderful and unique work by Ives.
Ives finished the majority of his Concord Sonata, from which this movement is excerpted, in 1915. According to Ives, the piece reflects on the old Alcott house in Concord, MA, but I feel a greater struggle in this work than a mere journal about a piece of architecture. The fact that Ives quotes Beethoven?s 5th Symphony so extensively makes me wonder about his views on destiny, fate, the future, and the creative process.
The piece starts serenely but quickly devolves into uncertainty, doubt, and anger. A floating interlude brings us back to distant memories where we remember that we are shaped by our past, but have control of the direction of our future. Building on that realization and quickly gaining steam, the piece ends with a powerful and joyful climax. The angry Beethoven theme is transformed into one of power, hope, and light. A feeling of calm and contentment ends the piece, finally coming to rest on one simple C major chord.
This work is scored for 10 trombones: 1 alto, 7 tenor, and 2 bass trombones and is appropriate for advanced performers. Hill Country Miniatures for 8-part Trombone Ensemble
Hill Country Miniatures for 8-part Trombone Ensemble # Trombone ensemble # ADVANCED # Contemporary # Lawn, Richard # Hill Country Miniatures for 8- # Cherry Classics Music # SheetMusicPlus
Trombone Ensemble - Advanced
-
Composed by Lawn, Richard.
21st Century, Jazz, Blues,
Swing. Score, Set of Parts.
143 pages. Published by
Cherry Clas...(+)
Trombone Ensemble - Advanced
-
Composed by Lawn, Richard.
21st Century, Jazz, Blues,
Swing. Score, Set of Parts.
143 pages. Published by
Cherry Classics Music Hill Country Miniatures for 8-part Trombone Ensemble was written by Richard J. Lawn in 2002 for the Trombone Choir at the University of Texas and its director Nathaniel Brickens. The work is dedicated to Donald Knaub its former director. It has become a staple in the American Trombone Ensemble repertoire since its original release. Mr. Lawn explains in the notes, his deep emotional connection to the Hill Country land and to his days at the Eastman School of Music, hearing the legendary Trombone Choir led by Emory Remington and following through to his days at the University of Texas with Knaub and Brickens, all of which inspired him to compose this work.
This music is about 15 minutes in length and is for advanced performers.
The four movements of the work are:
Hickory Cove - September 2001 - a lyrical, somber and solemn introductory movement.
Smithwick - a jaunty piece reflecting the Scottish and English heritage of this tiny Texas spot.
The Narrows - As part of the Colorado River narrows, it twists and turns its way through the Texas Hill Country. You can hear the gentle waters winding through the cliffs and slopes.
Blue Bonnet Boogie - The springtime brings a profusion of the Blue Bonnet, the Texas state flower. A sea of these swaying in the breeze brings out the good old down-home boogie-woogie! A jazz solo featuring Bass Trombone (written for Bill Reichenbach in mind) with solo written out or improvised using chord symbols adds a festive finish.
Cherry Classics is proud to be the new distributor of this great work. Dimensión [trombone octet]
Dimensión [trombone octet] # Trombone ensemble # INTERMEDIATE/ADVANCED # Contemporary # Juan María
Solare # Dimensión [trombone octet] # Juan
Maria Solare # SheetMusicPlus
Trombone, trombone octet -
Advanced Intermediate -
Composed by Juan María
Solare. Contemporary
Classical, Neo-Classical,
Latin Jazz, Repertoi...(+)
Trombone, trombone octet -
Advanced Intermediate -
Composed by Juan María
Solare. Contemporary
Classical, Neo-Classical,
Latin Jazz, Repertoire,
Latin. Score, Set of Parts.
32 pages. Published by Juan
Maria Solare Dimensión is a tango that wascomposed based on two simple piano pieces destined to young pianists: the firsttheme is "Langostango" andthe second one "Continuando".When joining to build up "Dimensión",additional elements came into the game, such as an important secondary melodyand a few transitions.
Dimensión is therefore a clearexample of a successful composition: a couple of good ideas and a lot of workto achieve that nobody notices how much work lies behind it.
About the title, it obeys to my (slightly excessive) concerntowards finding names that can be understood in any language of the places Iusually am related to (i.e. in Spanish, English and German). In the case of "dimensión"it is a transparent word, understandingas such the words that are practically identical in any language while keepingtheir meaning (there exist words that are quite similar in different languages,but mean different things, in Linguistics these are called false friends.) Among my titles one finds several of such transparent words.
In September 2002 I began to conductthe Orquesta No Típica at theUniversity of Bremen, Germany, a chamber group of variable instrumentationdevoted to tango music. Dimensión wasthe first piece that I composed especially for this group, in January /February 2003. The original version of Dimensiónis therefore for Sextet: flute, clarinet, violin, guitar, bass,piano.
Sincethat first version (performed several times in Germany and Argentina) I wrote along dozen of arrangements for different instrumental groups.
Dimensión for trombone octet: https://www.youtube.com/watch?v=Q8Uq4_PSlPI Verbum caro factum est for 6-part Trombone Ensemble
Verbum caro factum est for 6-part Trombone Ensemble # Trombone ensemble # INTERMEDIATE # Renaissance # Hans Leo Hassler
# Palmer, Bradley # Verbum caro factum est for 6-p # SheetMusicPlus
6-part Trombone Ensemble -
Intermediate -
Composed by Hans Leo Hassler
(1564-1612). Arranged by
Palmer, Bradley. Renaissance,
Sacred, Christmas. Score...(+)
6-part Trombone Ensemble -
Intermediate -
Composed by Hans Leo Hassler
(1564-1612). Arranged by
Palmer, Bradley. Renaissance,
Sacred, Christmas. Score, Set
of Parts. 14 pages. Published
by Cherry Classics Music Hans Leo Hassler (1564-1612), son of an organist, was born in Nuremberg and received his initial training in music from his father. As a young man he studied in Venice and became close friends with Giovanni Gabrieli, both eventually studying composition with Giovanni's Uncle Andrea. Hassler gained a reputation as an innovative composer and also traveled throughout Germany as a consultant in the construction of pipe organs.
Dr. Palmer has transcribed this exciting 3 minute work for 6-part Trombone Ensemble. It will work well for intermediate performers.
Verbum caro factum est is a beautiful choral work written in antiphonal style. The text has been taken by Hassler from the first chapter of the St. John Gospel and is considered an ancient carol of Christmas based on the text.
And the Word became flesh and dwelt among us. (John 1:14)
And we have beheld His glory, glory as of the only Son from the Father, full of grace and truth. (John 1:14)
In the beginning was the Word, and the Word was with God, and the Word was God. (John 1:1)
And we have beheld His glory, glory as of the only Son from the Father, full of grace and truth. (John 1:14)
Glory be to the Father and to the Son and to the Holy Spirit.
And we have beheld His glory,
glory as of the only Son from the Father,
full of grace and truth. (John 1:14)
Hear a choral rendition of this work on YouTube: http://www.youtube.com/watch?v=80lkSRHhDyQ