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30 sheet music found Retrato (Mvt. 1 from Álbum de viaje, Op.15) by Juaquín Turina (Clarinet Nonet + Fl,Picc,Cbn.)
Retrato (Mvt. 1 from Ãlbum de viaje, Op.15) by JuaquÃn Turina (Clarinet Nonet + Fl,Picc,Cbn.) # Clarinet Ensemble # Contemporary # JuaquÃn Turina # Richard Byrnes # Retrato # Richard Byrnes # SheetMusicPlus
Woodwind Ensemble Clarinet - SKU: A0.830733 Composed by Juaquín Turina. Arranged by Richard Byrnes. 20th Century. 31 pages. Richard Byrnes #3536853. Pu...(+)
Woodwind Ensemble Clarinet - SKU: A0.830733 Composed by Juaquín Turina. Arranged by Richard Byrnes. 20th Century. 31 pages. Richard Byrnes #3536853. Published by Richard Byrnes (A0.830733). Juaquín Turina, a Spanish composer, was contemporary with the impressionistic movement. He became acquainted with Claude Debussy and Maurice Ravel, and his harmonic palette reflects that influence. Retrato means portrait. It is dedicated to Maria Martinez Sierra. Whether this movement offers a portrait of the lady is not established. Regardless, it is a delightful work. This arrangement is scored for (Picc,Fl,E-flatCl,6Cl,BCl,CalCl,Cbn). Please peruse the pages and listen to the recording of the score that is offered to determine whether this arrangement can work for your ensemble.In addition to works by Turina, we offer works by J.S. Bach, Debussy, Fauré, Glinka, Gottschalk, Granados, Lotti, Mozart, Ravel, and Richard Strauss. Saint-Saëns: The Swan for Bass Clarinet & Piano
Saint-Saëns: The Swan for Bass Clarinet & Piano # Bass Clarinet # INTERMEDIATE # Classical # Camille Saint-Saens # James M # Saint-Saëns: The Swan for B # jmsgu3 # SheetMusicPlus
Bass Clarinet,Instrumental Solo - Level 3 - SKU: A0.1314265 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,...(+)
Bass Clarinet,Instrumental Solo - Level 3 - SKU: A0.1314265 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Wedding. Individual part. 11 pages. Jmsgu3 #903006. Published by jmsgu3 (A0.1314265). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind. Saint-Saëns: The Swan for Clarinet & Piano
Saint-Saëns: The Swan for Clarinet & Piano # Clarinet and Piano # INTERMEDIATE # Classical # Camille Saint-Saens # James M # Saint-Saëns: The Swan for C # jmsgu3 # SheetMusicPlus
B-Flat Clarinet,Piano - Level 3 - SKU: A0.1314273 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,H...(+)
B-Flat Clarinet,Piano - Level 3 - SKU: A0.1314273 Composed by Camille Saint-Saens. Arranged by James M. Guthrie. 19th Century,Chamber,Contest,Festival,Historic,Romantic Period. Score and part. 11 pages. Jmsgu3 #903015. Published by jmsgu3 (A0.1314273). Saint-Saëns: The Swan (Le Cygne) movement 13 from the Carnival of the Animals Suite. One of his most popular and widely recognized works, it is the only movement from the Carnival Suite that Saint-Saëns permitted to be performed publicly during his lifetime. This is an excellent recital encore to demonstrate melodic playing and strategic phrasing.The Carnival of the AnimalsThe Carnival of the Animals is an entertaining musical suite of fourteen movements by Camille Saint-Saëns. The work was composed for private performance by an ensemble of two pianos and solo instruments. The Swan (No. 13) is among the fourteen most famous movements. In its entirety, it lasts about 25 minutes.Saint-Saëns BackgroundCharles-Camille Saint-Saëns 1835 – 1921) was, by all means, in particular, a famous French composer, brilliant organist, and significant musical mastermind of the Romantic era. Indeed, his most famous compositions, in the long run, include his Piano Concerto No. 2 (1868), Cello Concerto No. 1 (1872), and the Danse macabre (1874). Notwithstanding, we must also add Violin Concerto No. 3 (1880), Symphony No. 3 (the Organ Symphony, 1886), and, it must be remembered, Carnival of the Animals (1886) to the list.ChildhoodIt is essential to realize that Saint-Saëns was undoubtedly, in fact, a child musical prodigy. Consequently, with this in mind, he made his concert debut, albeit at ten years old. Another critical point to remember is that he expressly studied at the Paris Conservatoire, then, despite reality, conversely followed a traditional career path as a church organist. Nevertheless, twenty years later, on the other hand, he left to become a successful freelance pianist and composer despite, as has been noted, his former employment situation. Furthermore, his performances were, after all, markedly in demand - not only in Europe but, above all, in the Americas all in all as well.YouthA point often overlooked is that in his youth, Saint-Saëns was undoubtedly excited about the modern music of the day. He was, in essence, fond of the music of his contemporaries, particularly Schumann, Liszt, and, for the most part, Wagner. In contrast, however, his compositions seemed, in fact, primarily confined within the conservative classical tradition. Be that as it may, he was, at the same time, nevertheless, a scholar of musical history.CriticismOn the whole, his conservatism, in fact, ultimately brought him into frequent conflict in his later years with composers of the impressionist and, in particular, the dodecaphonic schools of musical thought. A point often overlooked is that he included neoclassical elements in his music, contrary to some critics. Furthermore, in so doing, he provided the most compelling evidence that he predicted the techniques and works by Stravinsky and Les Six. To put it another way, given these points, he was regarded, perhaps for the most part unfairly, as a non-progressive reactionary henceforth around the time of his passing.LegacySaint-Saëns taught briefly in Paris, where his students included Gabriel Fauré. Maurice Ravel later studied with Fauré. In conclusion, both Ravel and Fauré were powerfully influenced by Saint-Saëns, whom they respected as a musical mastermind. On the Wallaby (or Auf der Walz) for Violin and Alto Clarinet
On the Wallaby (or Auf der Walz) for Violin and Alto Clarinet # Clarinet, Violin (duet) # INTERMEDIATE # Traditional # David Warin Solomons # On the Wallaby # David Warin Solomons # SheetMusicPlus
Instrumental Duet Clarinet,Instrumental Duet,Violin - Level 3 - SKU: A0.578646 Composed by Traditional. Arranged by David Warin Solomons. 20th Century,C...(+)
Instrumental Duet Clarinet,Instrumental Duet,Violin - Level 3 - SKU: A0.578646 Composed by Traditional. Arranged by David Warin Solomons. 20th Century,Contemporary,Folk,World. Score and parts. 8 pages. David Warin Solomons #2059781. Published by David Warin Solomons (A0.578646). A combination of German and Australian wandering folk songs (Es es es und es and Waltzing Matilda) Journeymen (young craftsmen) in Germany used to be required by law to go from town to town to practise their skills rather than stay in one town, which gave rise to many songs, of which Es es es und es is the best known - (the words of that song mean it is a hard conclusion but I have to leave this town). These journeys were referred to as Walz so these workers went auf der Walz. The idea of travelling auf der Walz was also taken up in Australia (where they called it on the Waltz or on the Wallaby) and it gave rise to the famous song Waltzing Matilda, although, in the Ozzie song, the traveller was a swagman rather than a craftsman. So I have called this arrangement On the Wallaby. On the Wallaby (or Auf der Walz) for Violin and Clarinet
On the Wallaby (or Auf der Walz) for Violin and Clarinet # Clarinet, Violin (duet) # INTERMEDIATE # Traditional # David Warin Solomons # On the Wallaby # David Warin Solomons # SheetMusicPlus
Instrumental Duet Clarinet,Instrumental Duet,Violin - Level 3 - SKU: A0.578645 Composed by Traditional. Arranged by David Warin Solomons. 20th Century,C...(+)
Instrumental Duet Clarinet,Instrumental Duet,Violin - Level 3 - SKU: A0.578645 Composed by Traditional. Arranged by David Warin Solomons. 20th Century,Contemporary,Folk,Multicultural,World. Score and parts. 8 pages. David Warin Solomons #2059779. Published by David Warin Solomons (A0.578645). A combination of German and Australian wandering folk songs (Es es es und es and Waltzing Matilda) Journeymen (young craftsmen) in Germany used to be required by law to go from town to town to practise their skills rather than stay in one town, which gave rise to many songs, of which Es es es und es is the best known - (the words of that song mean it is a hard conclusion but I have to leave this town). These journeys were referred to as Walz so these workers went auf der Walz. The idea of travelling auf der Walz was also taken up in Australia (where they called it on the Waltz or on the Wallaby) and it gave rise to the famous song Waltzing Matilda, although, in the Ozzie song, the traveller was a swagman rather than a craftsman. So I have called this arrangement On the Wallaby. Cabaletta, Op. 83 (arr. for Clarinet Choir)
Cabaletta, Op. 83 (arr. for Clarinet Choir) # Clarinet Quintet: 5 clarinets # INTERMEDIATE # Andrew Lamb # Andrew Lamb # Cabaletta, Op. 83 # Andrew Lamb # SheetMusicPlus
Clarinet Quintet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.1219637 By Andrew Lamb. By Théodore Lack (1846-1921). Arranged by ...(+)
Clarinet Quintet,Woodwind Ensemble Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.1219637 By Andrew Lamb. By Théodore Lack (1846-1921). Arranged by Andrew Lamb. 19th Century,Classical. 28 pages. Andrew Lamb #816001. Published by Andrew Lamb (A0.1219637). DescriptionDescription: Dive into the enchanting world of classical music with our Clarinet Choir Sheet Music Arrangement of Théodore Lack’s Cabaletta, Op. 83. This captivating piece, originally composed for piano, has been meticulously arranged for a clarinet choir, showcasing the rich and expressive tones of the clarinet family.Immerse yourself in the melodic beauty of this timeless composition. This arrangement is sure to elevate your ensemble’s performance and captivate your audience. Download the sheet music now and embark on a musical journey with Théodore Lack’s Cabaletta, Op. 83!Théodore Lack was a French pianist and composer who was born on June 22, 1846, in Nantes, France, and died on December 19, 1921, in Paris, France.Lack studied music at the Paris Conservatory under the tutelage of Antoine François Marmontel and François Bazin. He began his career as a concert pianist, but later turned to composition and became known for his elegant and refined style.Lack’s works include piano pieces, chamber music, and orchestral compositions. He was particularly known for his piano music, which was characterized by its clarity and precision. His works were widely performed and admired during his lifetime but have since fallen into relative obscurity.Lack was also a dedicated teacher, and he taught piano and music theory at the École Normale de Musique de Paris. He was highly regarded by his students, who included the pianists Marguerite Long and Alfred Cortot.Despite his contributions to French music, Lack’s legacy has largely been overshadowed by his more famous contemporaries such as Debussy and Ravel. Nevertheless, his music remains an important part of the French piano repertoire and is still performed and recorded today. Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Clarinet 1 in Bb
Icarus Also Flew: A Pairing with Beethoven's Symphony #5 - Clarinet 1 in Bb # Clarinet # ADVANCED # Contemporary # Benjamin Harry Sajo # Icarus Also Flew: A Pairing wi # Benjamin Sajo # SheetMusicPlus
Clarinet Solo - Level 5 - SKU: A0.1018879 Composed by Benjamin Harry Sajo. Contemporary. Individual part. 3 pages. Benjamin Sajo #6056077. Published by ...(+)
Clarinet Solo - Level 5 - SKU: A0.1018879 Composed by Benjamin Harry Sajo. Contemporary. Individual part. 3 pages. Benjamin Sajo #6056077. Published by Benjamin Sajo (A0.1018879). Programme Notes: Icarus Also Flew takes its title from the first line of the poem Failing and Flying by Jack Gilbert. He is referring to the classical myth of Daedalus and Icarus, an inventive father and son who bravely escape from their imprisonment in a tower by collecting the disposed feathers of seabirds, then fashion wings out of them and fly away. While the story is often treated as a morality tale--listen to your elders, don’t get cocky like the young man, Icarus, who, in such an understandable state of elation, ascended too close to the sun thus causing the wings to melt and his tumbling to his Mediterranean death--what Jack Gilbert reminds us is how regardless of one’s failure, the sheer transcendental experience of mortal flight remains glorious and unforgettable. Icarus’s fall was not into a legacy of disdain and oblivion, but in truth, he had come to the end of his triumph. This piece was the first of a series I composed during the Covid-19 quarantine conditions of 2020, to serve as potential contemporary preludes for each of Ludwig van Beethoven’s nine symphonies--his two hundred and fiftieth anniversary was this year!--though they can all stand on their own on any program. The connection, in this case, is with his celebrated fifth symphony in C minor--the Fate symphony, as it is commonly known. I’ll let the listener find their own connections.About the Composer:Benjamin Sajo (b. 1988) is a Canadian composer of contemporary classical music, as well as an educator. Since developing a fiercely independent creative voice upon the completion of his studies at Western (2010) and McGill Universities (2013), he continues to find inspiration from the intersection of mythology, art, and nature upon the contemporary human experience. In 2019, he released his premiere album of original music, The Great War Sextet: Canadian War Poetry with Trombone & Strings, with support from the Ontario Arts Council. He is a member of SOCAN and the League of Canadian Composers.