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175 sheet music found Rameau: Les Borades: "The Arts and the Hours" for Piano (as played by Vkingur lafsson) Db MAJOR R*E*CORD VERSION
Rameau: Les Boréades: "The Arts and the Hours" for Piano (as played by Víkingur Ólafsson) Db MAJOR R*E*CORD VERSION # Piano solo # INTERMEDIATE # Classical # Jean-Philippe
Rameau # Rameau: Les Boréades: "The Ar # Flavio
Regis Cunha # SheetMusicPlus
Piano Solo - Intermediate -
Composed by Jean-Philippe
Rameau (1683-1764). Arranged
by Transcribed by Flavio
Regis Cunha. Baroque Period,
Early Music...(+)
Piano Solo - Intermediate -
Composed by Jean-Philippe
Rameau (1683-1764). Arranged
by Transcribed by Flavio
Regis Cunha. Baroque Period,
Early Music, Funeral,
Graduation, Recital. Score.
12 pages. Published by Flavio
Regis Cunha Les Borades is a tragdie lyrique mise en musique, or a lyric tragedy put into music, a type of opera, in five acts by Jean-Philippe Rameau (1683-1764). It is the last of his five such works. The libretto, attributed to Louis de Cahusac (1706?1759), is loosely based on the Greek legend of Abaris the Hyperborean and includes Masonic elements; the Borades are the descendants of Boras.
'The Arts and The Hours' interlude from Rameau?s final opera, ?Les Borades?, written in 1763 when Rameau was 80. lafsson transcribed it for the modern piano because its colourful resonance allows for new and interesting textural possibilities in a piece that seems so ahead of its time: its rich harmonies of suspended 9ths and 11ths one could almost imagine Mahler writing in the late 19th century. In the original opera, based on a Greek legend, the interlude bears a somewhat lengthy title: ?The Arrival of the Muses, Zephyrs, Seasons, Hours and the Arts.? As all these mythical beings summoned to the stage have something to do with the arts and with time?s passing, lafsson allowed himself to call my transcription simply ?The Arts and the Hours?, with a nod to the Greek aphorism best known in its Latin version as ?Ars longa, vita brevis?. Almost three centuries after his death, the legacy of his art is still growing, with works still being discovered, premiered and brought back from obscurity.
https://youtu.be/qTwqBVt2Clw Rameau: Les Borades: "The Arts and the Hours" for Piano (as played by Vkingur lafsson) C# MAJOR VERSION
Rameau: Les Boréades: "The Arts and the Hours" for Piano (as played by Víkingur Ólafsson) C# MAJOR VERSION # Piano solo # INTERMEDIATE # Classical # Jean-Philippe
Rameau # Rameau: Les Boréades: "The Ar # Flavio Regis Cunha # SheetMusicPlus
Piano Solo - Intermediate -
Composed by Jean-Philippe
Rameau (1683-1764). Arranged
by Transcribed and arranged
by Flavio Regis Cunha.
Baroque Period...(+)
Piano Solo - Intermediate -
Composed by Jean-Philippe
Rameau (1683-1764). Arranged
by Transcribed and arranged
by Flavio Regis Cunha.
Baroque Period, Renaissance,
Wedding, Graduation, Recital.
Score. 12 pages. Published by
Flavio Regis Cunha Les Borades is a tragdie lyrique mise en musique, or a lyric tragedy put into music, a type of opera, in five acts by Jean-Philippe Rameau (1683-1764). It is the last of his five such works. The libretto, attributed to Louis de Cahusac (1706?1759), is loosely based on the Greek legend of Abaris the Hyperborean and includes Masonic elements; the Borades are the descendants of Boras.
'The Arts and The Hours' interlude from Rameau?s final opera, ?Les Borades?, written in 1763 when Rameau was 80. lafsson transcribed it for the modern piano because its colourful resonance allows for new and interesting textural possibilities in a piece that seems so ahead of its time: its rich harmonies of suspended 9ths and 11ths one could almost imagine Mahler writing in the late 19th century. In the original opera, based on a Greek legend, the interlude bears a somewhat lengthy title: ?The Arrival of the Muses, Zephyrs, Seasons, Hours and the Arts.? As all these mythical beings summoned to the stage have something to do with the arts and with time?s passing, lafsson allowed himself to call my transcription simply ?The Arts and the Hours?, with a nod to the Greek aphorism best known in its Latin version as ?Ars longa, vita brevis?. Almost three centuries after his death, the legacy of his art is still growing, with works still being discovered, premiered and brought back from obscurity. Rameau: Les Borades: "The Arts and the Hours" for Piano (as played by Vkingur lafsson) C MAJOR VERSION
Rameau: Les Boréades: "The Arts and the Hours" for Piano (as played by Víkingur Ólafsson) C MAJOR VERSION # Piano solo # INTERMEDIATE # Classical # Jean-Philippe
Rameau # Rameau: Les Boréades: "The Ar # Flavio Regis Cunha # SheetMusicPlus
Piano Solo - Intermediate -
Composed by Jean-Philippe
Rameau (1683-1764). Arranged
by Transcribed and arranged
by Flavio Regis Cunha.
Baroque Period...(+)
Piano Solo - Intermediate -
Composed by Jean-Philippe
Rameau (1683-1764). Arranged
by Transcribed and arranged
by Flavio Regis Cunha.
Baroque Period, Early Music,
Funeral, Graduation, Recital.
Score. 9 pages. Published by
Flavio Regis Cunha Les Borades is a tragdie lyrique mise en musique, or a lyric tragedy put into music, a type of opera, in five acts by Jean-Philippe Rameau (1683-1764). It is the last of his five such works. The libretto, attributed to Louis de Cahusac (1706?1759), is loosely based on the Greek legend of Abaris the Hyperborean and includes Masonic elements; the Borades are the descendants of Boras.
'The Arts and The Hours' interlude from Rameau?s final opera, ?Les Borades?, written in 1763 when Rameau was 80. lafsson transcribed it for the modern piano because its colourful resonance allows for new and interesting textural possibilities in a piece that seems so ahead of its time: its rich harmonies of suspended 9ths and 11ths one could almost imagine Mahler writing in the late 19th century. In the original opera, based on a Greek legend, the interlude bears a somewhat lengthy title: ?The Arrival of the Muses, Zephyrs, Seasons, Hours and the Arts.? As all these mythical beings summoned to the stage have something to do with the arts and with time?s passing, lafsson allowed himself to call my transcription simply ?The Arts and the Hours?, with a nod to the Greek aphorism best known in its Latin version as ?Ars longa, vita brevis?. Almost three centuries after his death, the legacy of his art is still growing, with works still being discovered, premiered and brought back from obscurity. Rameau: Les Borades: "The Arts and the Hours" for Piano (as played by Vkingur lafsson) - D MAJOR VERSION
Rameau: Les Boréades: "The Arts and the Hours" for Piano (as played by Víkingur Ólafsson) - D MAJOR VERSION # Piano solo # INTERMEDIATE # Classical # Jean-Philippe
Rameau # Rameau: Les Boréades: "The Ar # Flavio Regis Cunha # SheetMusicPlus
Piano Solo - Intermediate -
Composed by Jean-Philippe
Rameau (1683-1764). Arranged
by Trancribed by Flavio
Regis Cunha. Baroque Period,
Early Music, Weddi...(+)
Piano Solo - Intermediate -
Composed by Jean-Philippe
Rameau (1683-1764). Arranged
by Trancribed by Flavio
Regis Cunha. Baroque Period,
Early Music, Wedding,
Graduation, Recital. Score.
12 pages. Published by
Flavio Regis Cunha Les Bor?ades is a trag?die lyrique mise en musique, or a lyric tragedy put into music, a type of opera, in five acts by Jean-Philippe Rameau (1683-1764). It is the last of his five such works. The libretto, attributed to Louis de Cahusac (1706?1759), is loosely based on the Greek legend of Abaris the Hyperborean and includes Masonic elements; the Bor?ades are the descendants of Bor?as.
'The Arts and The Hours' interlude from Rameau?s final opera, ?Les Bor?ades?, written in 1763 when Rameau was 80. ?lafsson transcribed it for the modern piano because its colourful resonance allows for new and interesting textural possibilities in a piece that seems so ahead of its time: its rich harmonies of suspended 9ths and 11ths one could almost imagine Mahler writing in the late 19th century. In the original opera, based on a Greek legend, the interlude bears a somewhat lengthy title: ?The Arrival of the Muses, Zephyrs, Seasons, Hours and the Arts.? As all these mythical beings summoned to the stage have something to do with the arts and with time?s passing, ?lafsson allowed himself to call my transcription simply ?The Arts and the Hours?, with a nod to the Greek aphorism best known in its Latin version as ?Ars longa, vita brevis?. Almost three centuries after his death, the legacy of his art is still growing, with works still being discovered, premiered and brought back from obscurity. Rameau: Musette en Rondeau (for piano) as played by Víkingur Ólafsson
Rameau: Musette en Rondeau (for piano) as played by VÃkingur Ãlafsson # Piano solo # INTERMEDIATE # Jean-Philippe Rameau and VÃ # Flavio Regis Cunha # Rameau: Musette en Rondeau # Flavio Regis Cunha # SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1354241 By Jean-Philippe Rameau and Víkingur Ólafsson. By Jean-Philippe Rameau. Arranged by Flavio Regis Cunha. Baroque...(+)
Piano Solo - Level 3 - SKU: A0.1354241 By Jean-Philippe Rameau and Víkingur Ólafsson. By Jean-Philippe Rameau. Arranged by Flavio Regis Cunha. Baroque,Classical,Contest,Early Music,Festival,Instructional. Score. 8 pages. Flavio Regis Cunha #938930. Published by Flavio Regis Cunha (A0.1354241). Rameau: Musette en Rondeau (for piano) as played by Víkingur Ólafsson.IntermediateFormat: Concert, 9 x 12 inches6 pagesContent: Full ScorePLUS!!! Engraved with Urtext Kapellmeister Music FontUnlock the Magic of Rameau's Musette en Rondeau Calling all pianists, from beginners to maestros! Elevate your musical journey with the exquisite sheet music of Musette en Rondeau for piano, composed by the legendary Jean-Philippe Rameau and brilliantly played by the sensational Icelandic pianist, Víkingur Ólafsson. Why Choose Our Sheet Music?1. Authenticity:Immerse yourself in the true essence of Rameau's masterpiece with meticulously transcribed sheet music that captures every nuance of Víkingur Ólafsson's mesmerizing interpretation.2. **Precision:** Crafted with precision and care, our sheet music ensures an accurate representation of the intricate notes and dynamics, providing you with a faithful guide to recreate the magic in your own performance.3. **Emotional Connection:** Feel the emotional resonance of Musette en Rondeau with sheet music that reflects the passion and artistry of Víkingur Ólafsson, allowing you to express yourself through every enchanting phrase.4. **Suitable for All Levels:** Whether you're a professional pianist seeking a challenging masterpiece or an amateur pianist aspiring to grow, this sheet music accommodates all skill levels, making the beauty of Rameau's composition accessible to everyone. Let Your Fingers Dance to the Melody!Order now and embark on a musical journey that transcends time and space. Unleash the power of Musette en Rondeau and let your piano sing with the soul-stirring emotions inspired by Víkingur Ólafsson's extraordinary rendition.Elevate Your Performance, Elevate Your Artistry! Don't miss this opportunity to own a piece of musical history. Order your sheet music today and bring the timeless brilliance of Rameau to life at your fingertips! Rameau - Menuet No. 2 in G minor - Intermediate
Rameau - Menuet No. 2 in G minor - Intermediate # Piano solo # INTERMEDIATE # Jean-Philippe Rameau # Piacere Music Sheets # Rameau - Menuet No. 2 in G min # Piacere Music Sheets # SheetMusicPlus
Piano Solo - Level 3 - SKU: A0.1162428 Composed by Jean-Philippe Rameau. Arranged by Piacere Music Sheets. Baroque,Chamber,Instructional,Standards. Scor...(+)
Piano Solo - Level 3 - SKU: A0.1162428 Composed by Jean-Philippe Rameau. Arranged by Piacere Music Sheets. Baroque,Chamber,Instructional,Standards. Score. 3 pages. Piacere Music Sheets #762788. Published by Piacere Music Sheets (A0.1162428). Opus/Catalog Number: RCT 6, No. 4Key/Tone: G minorMovements/Sections: MinuetYear/Date of Composition: c.1727Difficulty: Grade 4/12 (Intermediate)Obs.: This piece is part of Rameau's Nouvelles Suites de pièces pour le clavecin, first published around 1727, consisting of two suites of harpsichord pieces.The present Menuet is the fourth of nine pieces in the Suite in G Major.This score contains suggestions for performing the ornaments (pincés (mordents) and cadences (trills)) in accordance with the performance practice of the French Baroque period.For this purpose, Rameau's own Table des agréments, taken from his Pièces de clavecin, first published in 1724, was used. Menuet en rondeau - J.P. Rameau
Menuet en rondeau - J.P. Rameau # Piano solo # EASY # Various # Piano # Menuet en rondeau - J.P. Ramea # Sérgio Matias da Cunha # SheetMusicPlus
Piano Solo - Level 2 - SKU: A0.1292714 By Various. By Jean-Philippe Rameau. Arranged by Piano. Baroque,Children,Christmas,Instructional,Wedding. Score. ...(+)
Piano Solo - Level 2 - SKU: A0.1292714 By Various. By Jean-Philippe Rameau. Arranged by Piano. Baroque,Children,Christmas,Instructional,Wedding. Score. 1 pages. Sérgio Matias da Cunha #883277. Published by Sérgio Matias da Cunha (A0.1292714). Partitura clara, objetiva e concisa apresentando marcações de cifra, dedilhado, sinais de repetição e figuras rítmicas maiores que a semicolcheia, distribuindo toda a música em uma única página, oferecendo as devidas informações, cuidadosamente diagramada e organizada para melhor visualização, entendimento e execução. Encontre mais partituras como essa, colando o nome do arranjador (Sérgio Matias da Cunha) na barra de pesquisa. ATENÇÃO: Compre os quatro volumes do “Curso de Teclado Primeiros Toques” no site https://www.sheetmusicplus.com/ colando o código na barra de pesquisa. Volume1 (A0.1314018) Volume2 (A0.1314021) Volume3 (A0.1314023) Volume4 (A0.1314028). Les tendres plaintes (for Piano Solo) as played by Vkingur lafsson
Les tendres plaintes (for Piano Solo) as played by Víkingur Ólafsson # Piano solo # INTERMEDIATE # Classical # Jean-Philippe
Rameau # Les tendres plaintes # Flavio Regis
Cunha # SheetMusicPlus
Piano Solo - Intermediate -
Composed by Jean-Philippe
Rameau (1683-1764). Arranged
by Flavio Regis Cunha.
Baroque Period, Repertoire,
Recital. Score...(+)
Piano Solo - Intermediate -
Composed by Jean-Philippe
Rameau (1683-1764). Arranged
by Flavio Regis Cunha.
Baroque Period, Repertoire,
Recital. Score. 8 pages.
Published by Flavio Regis
Cunha Les tendres plaintes (for Piano Solo) as played by Vkingur lafsson
?For me, Rameau is up there with Handel, Scarlatti, and second only to Bach,? says lafsson. ?It is simply genius keyboard writing.? His new album ?Debussy Rameau? juxtaposes Rameau?s music with that of Debussy, describing it as a ?dialogue? between the two composers. He said that together they ?defeat time and space with music?. What follows Debussy?s tender apologies on the album are Rameau?s tender complaints in ?Les Tendres Plaintes? from his Suite in D. In fact, tenderness was also the word evoked by Debussy to describe what he admired so deeply in Rameau ? ?Delicate and charming tenderness?, to be exact. Watch Vkingur lafsson performing Jean-Philippe Rameau?s ?Les tendres plaintes?.?lafsson?s interpretations inhabit a unique, distinct and extraordinary world all their own.? ? Gramophone