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Quiet
Not classified 644

Piano & keyboards
Piano solo 1,312
Organ 303
Piano, Vocal and Guitar 218
Piano, Voice 124
Easy Piano 86

1 Piano, 4 hands 15
C Instruments 14
Piano Trio: piano, violin, cello 12
Big Note Piano 10
Piano Accompaniment 5
Organ, Piano (duet) 5
Piano Quartet: piano, violin, viola, cello 4
2 Pianos, 4 hands 3
Piano Quintet: piano, 2 violins, viola, cello 3
Accordion 1
Piano Quartet: piano, 2 violins, cello 1
Accordion, Voice 1

+ 12 instrumentations

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Guitars
Guitar notes and tablatures 102
Melody line, (Lyrics) and Chords 58
Guitar 48
Ukulele 23
Lyrics and Chords 15

Bass guitar 11
Mandolin 7
Piano, Guitar (duet) 4
Electric Bass (band part) 3
Guitar Ensemble 2
2 Guitars (duet) 1
Dulcimer 1
3 Guitars (trio) 1

+ 8 instrumentations

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Voice
Choral SATB 457
Choral 3-part 119
Choral 2-part 48
Choral TTBB 29
Choral Unison 28

Choral SSAA 16
Voice solo 10
Vocal duet, Piano 8
Choral 4
Soprano voice, Piano 3
Vocal duet 3
Choral SSATB 2
Baritone voice 1
Tenor voice 1
Tenor voice, Piano 1
High voice 1

Medium voice, Piano 1
Low voice, Piano 1

+ 13 instrumentations

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Woodwind
Flute and Piano 150
Oboe, Piano (duet) 97
Clarinet and Piano 57
Saxophone (band part) 39
Flute 32

Alto Saxophone and Piano 30
Clarinet 28
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 25
Saxophone Quartet: 4 saxophones 22
Alto Saxophone 19
Tenor Saxophone and Piano 19
Clarinet Quartet: 4 clarinets 17
English horn, Piano 16
Saxophone 13
Soprano Saxophone and Piano 13
Harmonica 10
Clarinet Ensemble 10
Flute, Oboe, Clarinet, Bassoon 10
Tenor Saxophone 10
Clarinet (band part) 9
Descant (Soprano) Recorder 8
Oboe (band part) 7
Saxophone ensemble 6
Flute, Cello, Piano (trio) 6
3 Saxophones (trio) 6
Treble (Alto) Recorder 6
Flute ensemble 6
Flute, Clarinet, Piano (trio) 6
3 Clarinets (trio) 6
Eb Instruments 6
Clarinet, Harp (duet) 6
2 Flutes, Piano 5
2 Clarinets (duet) 5
Flute (band part) 5
2 Clarinets, Piano 5
Flute, Oboe, Piano (trio) 4
Baritone Saxophone, Piano 4
Flute Quartet: 4 flutes 3
Oboe 3
2 Saxophones (duet) 3
Flute, Violin and Violoncello 3
2 Flutes (duet) 3
Saxophone Quintet: 5 Saxophones 3
Flute, Violin, Piano 3
Flute, Viola and Piano 2
Flute and Guitar 2
Clarinet, Cello, Piano (trio) 2
Flute, Harp and Cello 2
Bass Clarinet, Piano 2
Clarinet Quintet: 5 clarinets 2
Flute Trio: 3 flutes 2
Clarinet, Violin (duet) 2
Pennywhistle 1
Clarinet, trumpet and piano 1
Recorder Ensemble 1
Flute, Clarinet and Bassoon. 1
Flute, Violin, Violoncello and Piano 1
Soprano Saxophone 1
Flute, Bassoon, and Piano 1
Flute, trombone and piano 1
Tenor Recorder 1

+ 56 instrumentations

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Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba 46
Trumpet 26
Trombone (band part) 24
Trombone 19
Trumpet, Piano 19

Trumpet (band part) 18
Trombone and Piano 18
French horn 16
English horn, Piano 16
French Horn and Piano 14
Brass quartet : 2 trumpets, trombone, tuba 12
Bass Clef Instruments 10
Tuba 6
Tuba (band part) 6
French horn (band part) 5
Euphonium, Piano (duet) 4
Tuba and Piano 3
Brass Quartet: 4 horns 2
Trombone ensemble 2
Brass Quartet: 2 trumpets, horn, trombone 2
Brass Quartet: 4 trombones 2
2 Trumpets (duet) 2
Bb Instruments 2
Tuba and Organ 1
2 Trombones (duet) 1
2 Euphoniums and 2 Tubas 1
Brass Quartet: 4 trumpets 1
4 Tubas 1
2 French horns (duet) 1

+ 24 instrumentations

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Strings
Violin and Piano 159
String Quartet: 2 violins, viola, cello 59
Cello, Piano 51
Viola, Piano 49
Harp 35

Violin 24
Cello (band part) 19
Harp, Flute (duet) 17
Viola 16
String Trio: violin, viola, cello 13
Cello 13
Violin (band part) 12
2 Harps (duet) 12
Double Bass 7
2 Violins (duet) 7
Violin, Cello (duet) 6
Doublebass (band part) 6
Harp, Violin (duet) 4
String Trio: 2 violins, cello 3
2 Cellos (duet) 3
Double bass, Piano (duet) 3
String Quintet: 2 violins, viola, cello, bass 2
String quartet: 4 violins 2
4 Cellos 2
Harp, Voice 2
Viola (band part) 2
2 Violas (duet) 1
Violin, Clarinet, Piano (trio) 1
Viola and Bassoon 1
Harp, Cello (duet) 1
String Trio: 3 violins 1
Violin, Guitar (duet) 1
Viola and Harp 1
String Trio: 2 violins, viola 1

+ 29 instrumentations

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Percussion & orchestra
Concert band 333
Handbells 100
Orchestra 60
String Orchestra 52
Jazz Ensemble 32

Brass ensemble 19
Drum (band part) 17
Chamber Orchestra 17
Percussion (band part) 7
Marimba 5
Jazz combo 4
Marching band 4
Percussion Ensemble 3
Percussion 3
Drums 1
Woodwind Quartet: any 4 woodwinds 1
Piano and Orchestra 1
Xylophone, Piano 1
Vibraphone 1
Timpani (band part) 1

+ 15 instrumentations

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The Unquiet Grave from American Death Ballads (Downloadable)

The Unquiet Grave from American Death Ballads (Downloadable) #High voice #David Conte #The Unquiet Grave from America #E. C. Schirmer Music Company - Digital #SheetMusicPlus

High voice and piano - Moderately Difficult - SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer M...(+)

High voice and piano - Moderately Difficult - SKU: MQ.8454-2E Composed by David Conte. Secular, 21st century. Instrument part. 6 pages. E. C. Schirmer Music Company - Digital #8454-2E. Published by E. C. Schirmer Music Company - Digital (MQ.8454-2E). English.American Death Ballads was composed especially for tenor Brian Thorsett. We have been frequent collaborators since 2011, when he premiered the complete set of my Three Settings of W. B. Yeats for string quartet and tenor. At his urging, I transcribed and published my Three Poems of Christina Rossetti (originally for medium voice) for high voice, which he premiered at the San Francisco Conservatory in 2014. American Death Ballads was premiered by him at the San Francisco Conservatory, November 1, 2015, with pianist John Churchwell, and at the National Association of Teachers of Singing (NATS) Conference in Chicago, July 10, 2016, with pianist Warren Jones.The choice of texts for my American Death Ballads was inspired partly by Copland’s Old American Songs, which I deeply admire, but more by my dear friend and colleague the late Conrad Susa’s Two Murder Ballads. The ingenuity of Susa’s accompaniments for his ballads in imagining anew the original source material owes a great deal to Copland’s accompaniment for his songs. Though the content of my songs is completely original and not based on preexisting melodies, I have tried to expand on this further, as the texts are much longer, and go through many different moods and characters. The four texts I chose include stories about murder, death, and dying. Though two of the texts were written in England, they traveled to the colonies almost immediately. The subjects of the texts had spent time in America, and their stories were well known to Americans.Wicked Polly is a cautionary tale. Polly has lived a dissolute and immoral life, saying, 'I'll turn to God when I grow old.' Suddenly taken ill, she realizes that it is too late to repent. She dies in agony and is presumably sent to hell; young people are advised to heed. My musical setting is stately and preacherly in character for the narrator; for Polly it becomes pleading and remorseful. The Unquiet Grave was brought to the attention of Alan Lomax, the great American field collector of folk music, by English folk singer Shirley Collins. The text is taken from an English folk song dating from 1400. In The Unquiet Grave, a young man mourns his dead lover too fervently and prevents her from obtaining peace. The dead woman complains that his weeping is keeping her from peaceful rest. He begs a kiss; she tells him it would kill him. When he persists, wanting to join her in death, she explains that once they were both dead their hearts would simply decay, and that he should enjoy life while he has it. My setting is in a flowing Andante with a rocking accompaniment. Three voices are delineated here: the narrator, the mournful lover, and the dead lover speaking from the grave. The Dying Californian first appeared in the New England Diadem in 1854. Its lyrics are based on a letter from a New Englander’s sailor to his brother who is dying at sea while on the way to California to seek his fortune in the California gold fields. He implores his brother to impart his message to his father, mother, wife, and children. My setting opens with the singer alone in a moderate dirge tempo, then, joined by the piano, moves through many tonalities and moods before ending with supreme confidence as the speaker 'gained a port called Heaven/Where the gold will never rust.'Captain Kidd was a Scottish sailor who was tried and executed for piracy and murder in 1701. The American connection to this ballad is that Kidd escaped to America and for a time lived in New York and Boston, though he was a wanted criminal by the British authorities and was extradited to Britain, where he was hung at 'Executioner’s Dock.' The lyric was printed in Britain in 1701, traveling to the colonies almost immediately. Though the didactic tone of the text is similar to Wicked Polly, it expresses no regret until the final lines: 'Take warning now by me, and shun bad company, / Lest you come to hell with me, for I must die.' My setting is fast and spirited, expressing the confidence of a man who lived life as he wanted. -David Conte.

$3.50 ≈ 3.27€