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You've selected:
Mnemosyne
Sheetmusic to print
4 sheet music found
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1
Mnemosyne
Mnemosyne
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Choral SATB
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INTERMEDIATE/ADVANCED
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Contemporary
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Kyle Vanderburg
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Mnemosyne
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NoteForge
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SheetMusicPlus
Choral Choir (SATB) - Level 4 - SKU: A0.1002837 Composed by Kyle Vanderburg. Contemporary. Octavo. 14 pages. NoteForge #5319529. Published by NoteForge ...
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Choral Choir (SATB) - Level 4 - SKU: A0.1002837 Composed by Kyle Vanderburg. Contemporary. Octavo. 14 pages. NoteForge #5319529. Published by NoteForge (A0.1002837). The more I compose, and the more I teach composition, the more I think about memory. After all, to write engaging music, the composer has to rely on the memory of their audience. Whether it is the memory of an earlier theme, an expectation that is met in an unexpected way, or writing in a style reminiscent of times past, we rely on the audience to cover the rift. Fittingly, Mnemosyne, by the American poet Trumbull Stickney (1874-1904), is named after the Greek goddess of memory and the mother of the nine Muses. Stickney tells a story of remembrance and nostalgia, relying on our own memories and supplying us with more, with the refrain of the country we remember.
$1.99 ≈
1.86€
Quatro Cânticos Sem Palavras (for left hand): Hestia Mnemosyne Kleio Khronos
Quatro Cânticos Sem Palavras (for left hand): Hestia Mnemosyne Kleio Khronos
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Piano solo
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INTERMEDIATE/ADVANCED
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Classical
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Filipe Bernardo
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Quatro Cânticos Sem Palavra
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Filipe Bernardo
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SheetMusicPlus
Piano Solo - Level 4 - SKU: A0.1141519 By Filipe Bernardo. By Filipe Bernardo. Classical. Score. 11 pages. Filipe Bernardo #741850. Published by Filipe ...
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Piano Solo - Level 4 - SKU: A0.1141519 By Filipe Bernardo. By Filipe Bernardo. Classical. Score. 11 pages. Filipe Bernardo #741850. Published by Filipe Bernardo (A0.1141519). These Four Canticles without Words are part of the NUMES collection, consisting of 7 works about 15 Hellenic deities. The four canticles were written for the left hand: 1. Hestia 2. Mnemosyne 3. Kleio 4. Khronos. The NUMES collection contains: * Sonatina * Sonata * Toccata * Intermezzo * Postlude * Four Canticles without Words * Fantasia. Scores are typed elegantly and accurately. The notation, from the positioning of the notes, passing through the direction of the stems, and arriving at legatos that do not cross staves and measures, seeks to be clear and intuitive. The form is evidenced by the bar numbering placed at the beginning of the main phrases. And the use of double bars is restricted to section changes, not tonal changes as in older notations. Dynamics are not structuring and therefore are not prefixed. And each score is preceded by an epigraph that situates the general character of the music, whose tempo is indicated by the name of the Divinity.
$5.00 ≈
4.67€
Two Rivers for mezzo-soprano, flute, clarinet, violin, cello and piano
Two Rivers for mezzo-soprano, flute, clarinet, violin, cello and piano
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Panagiotis Theodossiou
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Two Rivers for mezzo-soprano,
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Panagiotis Theodossiou
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SheetMusicPlus
Small Ensemble Cello,Clarinet,Flute,Low Voice,Piano Accompaniment,Violin - Level 5 - SKU: A0.886683 Composed by Panagiotis Theodossiou. Concert,Contempo...
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Small Ensemble Cello,Clarinet,Flute,Low Voice,Piano Accompaniment,Violin - Level 5 - SKU: A0.886683 Composed by Panagiotis Theodossiou. Concert,Contemporary,Standards. Score and parts. 52 pages. Panagiotis Theodossiou #3213757. Published by Panagiotis Theodossiou (A0.886683). Two Rivers (from Lethe to Mnemosyne) for mezzo soprano, flute, clarinet, violin, cello and piano (2008)I. Lethe, the Water of Obliviona. The Guardiansb. Night Procession and LamentII. Mnemosyne, the Water of Remembrancea. Invocationb. IncantationThe work is written between September and December 2008 for mezzo soprano Angelica Cathariou and the Greek Ensemble of Contemporary Music under Valery Oreshkin. It is based on an excerpt of an ancient greek funerary inscription of 4th century B.C. found at the Trofonius Oracle in Petilia, South Italy.Γης παις ειμί και ουρανού, αστερόεντος. Αυτάρ εμοί γένος ουράνιον, τόδε ίστε και αυτοί. Δίψηι δ’ειμί αύη και απόλλυμαι, αλλά δότ’ αίψα ψυχρόν ύδωρ προρρέον της Μνημοσύνης από λίμνης.(I am a child of earth and starry sky. My origin is celestial, and you know it very well. I am burning thurst and I loose myself. But give me soon cool water, springs from Lake Mnemosyne.)The text, which is being set at the 2nd part of the work, is an invocation of the soul descending to Hades to the guardians of lake Mnemosyne, to allow keeping its memory alive to the next life. Privilege, under tradition, of the initiate souls, counter to that of lake Lethe which led them to eternal oblivion.The two parts of the composition are the equivalent to the watery - metaphysical element of the two lakes - rivers running across Hades. The work is dedicated to the memory of composer's father Ioannis Theodossiou (1917 - 2008) and has been performed by Angelica Kathariou and the Greek Ensemble of Contemporary Music under Valery Oreshkin at Ph. Nakas Concert Hall, Athens, in 2009.
$25.00 ≈
23.33€
Brass Quartet - Titans
Brass Quartet - Titans
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Brass ensemble
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ADVANCED
#
Mike Lyons
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Brass Quartet - Titans
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Lyons Music Services
#
SheetMusicPlus
Brass Ensemble - Level 5 - SKU: A0.767421 Composed by Mike Lyons. Concert,Contemporary,Standards. Score and parts. 73 pages. Lyons Music Services #38601...
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Brass Ensemble - Level 5 - SKU: A0.767421 Composed by Mike Lyons. Concert,Contemporary,Standards. Score and parts. 73 pages. Lyons Music Services #3860115. Published by Lyons Music Services (A0.767421). Titans: This is a piece inspired by the mythological Titans, who were deposed by the Greek God Zeus, who exiled them and founded the Olympian tradition. The titans were created by the mating of Uranus (Heaven) and Gaea (the Earth). Gaea and Uranus were themselves created from Chaos (the Void). There were many Titans. Cronus, often mistaken for the god of time, was their leader, their brother and the father of their children. Cronus mated with his sister Rhea to produce the gods Zeus, Hades and Poseidon. Cronus was given a prophecy that he would be deposed by his children, so he forced Rhea to give her children to him when they were born whereupon he ate them. She managed to deceive him and hid Zeus, the youngest male child, away. Zeus eventually freed his siblings, by making Cronus vomit to bring them back to the world and thus he became the oldest. The other gods were persuaded to make Zeus their leader and together they deposed Cronus and defeated the Titans in a war (the Titanomachy) that lasted for many years. Zeus and the other gods were not able to kill Cronus, so he exiled him and all of the other Titans in a place called Tartarus, which was part of the underworld, where Cronus would have no access to power of any kind. The music is based mostly on the opening chords, which recur again and again, representing Tartarus and also Cronus and all of his children in one form or another. Melodic material throughout is shaped by the chords and their progressions and I have applied simple transformations – for example, in the last section I have shaped the motifs by applying a snippet of a Fibonacci sequence and overlaying the result in different parts like a canon. I decided to use this because the Fibonacci sequence is representative of nature and the growth of life so it links to Gaea, who represents the creative force. Obviously, Cronus, Gaea, Chaos, Zeus, Hades, Poseidon and Tartarus are all represented here, but so too are Oceanus, Phoebe, Mnemosyne and The Titanomachy (The war of the Olympians against the Titans). The piece finishes with a reprise of the opening chords, which have transformed into a less bleak soundscape, with Cronus and the other Titans safely locked away in Tartarus.This is a difficult and challenging piece demanding a high level of skill from all players. it uses a number of dramatic effects and will stretch any ensemble.I am looking into making a version of this piece for Brass Quintet.Watch te score playing here https://www.youtube.com/watch?v=2w7dUmJh5k4
$20.00 ≈
18.67€
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1
Mnemosyne
