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You've selected:
Father, Son, and Holy Spirit
expert
Choral SATB
Sheetmusic to print
2 sheet music found
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1
Dia
Dia
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Choral SATB
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ADVANCED
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Candace R
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Dia
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Candace R. Lambert
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SheetMusicPlus
Choral Choir (Mixed) - Level 5 - SKU: A0.1028226 Composed by Candace R. Lambert. Christian. Octavo. 19 pages. Candace R. Lambert #3452119. Published by ...
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Choral Choir (Mixed) - Level 5 - SKU: A0.1028226 Composed by Candace R. Lambert. Christian. Octavo. 19 pages. Candace R. Lambert #3452119. Published by Candace R. Lambert (A0.1028226). Appropriate for church services, college, or professional groups.Context: The piece receives its title from my little sister's nickname. Dia was born 10 weeks early and weighed less than 3 pounds. The doctors told us that she would not live. My father began to pray and certain scriptures came to his mind. Soon, he and my mother began to remind each other of these scriptures. Dia ended up making it. I tell her God must have something planned for her if she survived such a rough start.Performance: The piece opens with a joyful piano solo followed by the higher voices' entrance. These are the mothers exclaiming their joy for the new coming baby. The lower voices then make their statement in their own melody. They are the fathers expressing the excitement of the chlid's birth. The piano takes a turn into the minor key. A soloist represents the doctor delivering the bad news as the rest of the choir makes waiting room sounds. Have people texting or talking on the phone, flipping through magazines, or rustling papers. The alto soloist then repeats the doctor's message. The higher voices began to weep and cry as the father begins to pray. The 3 basses (Father, Son, and Holy Spirit) answer in scripture. The father begins to recite the scripture with God and soon the rest of the choir joins. The key modulates to the Major 3rd as the piano solo returns to represent the child living.
$15.00 ≈
14.00€
Missa Solemnis, op. 27 (vocal score)
Missa Solemnis, op. 27 (vocal score)
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Choral SATB
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ADVANCED
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Adrian Gagiu
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Missa Solemnis, op. 27
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Adrian Gagiu
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SheetMusicPlus
Choral Choir (SATB) - Level 5 - SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #86844...
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Choral Choir (SATB) - Level 5 - SKU: A0.1277132 Composed by Adrian Gagiu. 21st Century,Christian,Classical,Latin. Octavo. 128 pages. Adrian Gagiu #868444. Published by Adrian Gagiu (A0.1277132). Missa Solemnis in B major, op. 27, vocal score and piano part (for rehearsal purposes only). Based on its Neo-classical style, this setting of the Roman Catholic mass text could possibly work as a festive mass (missa solemnis) with trumpets and timpani, and its duration would fit such a solemn service. However, its intense and sometimes dramatic treatment and universal addressability due to its well-known and rather concentrated text, yet also due to eliminating the „Filioque” (which would still fit the rhythm of the repeated „qui ex Patre”, should any Catholics ever wish to perform this as a mass) make it rather a „liturgical oratorio for all nations”, more appropriate in the concert hall. The work has had a long gestation: imagined in 1984 after the composer’s first contact with Beethoven’s masterpiece, then sketched first in 1987-1989, and many of its themes date back from those years. Its working out is quite polyphonic, discretely modal and cyclical, and also full of centuries-old musical symbols traditionally associated with the setting of the mass text: e.g. unisons for the more dogmatical parts, Baroque dotted rhythms at the Nativity (the first coming of the King of Kings), „rex caelestis” and also at his Passion (whose setting is discretely inspired by folkloric Romanian laments), the „anabasis” gesture at „Gloria in excelsis Deo”, „et ascendit in caelis”, „in remissionem peccatorum” and the resurrection, a flute trill standing for the Holy Spirit who has come ’like a dove’ at „et incarnatus est”, a cross-shaped texture at „crucifixus”, and some word-painting (hushed sonorities at „et invisibilium”, anticipations between orchestra and chorus at „et exspecto” etc.). Moreover, certain symbolic roles are assigned to the instrumental groups when alone (the organ represents God the Father and transcendence, the winds and/or solo voices represent God the Son and humanity, and the strings represent the Holy Spirit). „Kyrie” is restrained and soft, besides the powerful chords opening the respective sections of its tripartite, simple structure, and it leans towards Palestrina’s serene modality and counterpoint. „Gloria” begins with a colorful orchestral introduction depicting discretely the shepherds who kept watch over their flocks right before the Nativity, and then gradually the bright revelation. „Credo” has an orchestral introduction as well, but powerful, recurring and based on the beginning of the plainchant hymn „Pange lingua”, made famous by Mozart’s last symphony and by other Classical composers. Both „Gloria” and „Credo” end with extended, powerful and elaborate fugues („in gloria Dei Patris” and „et vitam venturi saeculi”, respectively) with dramatic modulations and sometimes with enthusiastic syncopations at odds with the words’ accents, a la Stravinsky. The same sections plus „Agnus Dei” end with soft quartal harmonies suggesting transcendent appeasement (similar harmonies appear powerfully at the beginning of „Sanctus”). „Judicare” quotes the beginning of the well-known „Dies irae” plainchant tune, and the Consecration between the „Sanctus” and „Benedictus” sections is represented by a contemplative prelude for solo organ, quoting Lutheran chorales, too. Another long orchestral introduction, suggesting the Last Judgment and based on traditional Byzantine hymns, opens „Agnus Dei”, which includes another quotation (the famous ’Dresden Amen’ at „qui tollis peccata mundi” and „dona nobis pacem”). In the final section, with its refined simplicity, the choral voices enter in descending order, and the „Kyrie eleison” theme is briefly remembered, then it ends softly and peacefully. Total duration: 50 min. Performing Rights Organization: SOCAN. The mp3 audio clip is Kyrie.
$87.99 ≈
82.13€
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