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Every Light In the House
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Every Light In the House
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48 sheet music found
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1
26
The Story Of Reuben Clamzo & His Strange Daughter
The Story Of Reuben Clamzo & His Strange Daughter
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Choral TTBB
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EASY
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Arlo Guthrie
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Craig Hanson
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The Story Of Reuben Clamzo & H
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Edition Craig Hanson
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SheetMusicPlus
Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edi...
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Choral Choir (TTBB) - Level 2 - SKU: A0.1270160 By Arlo Guthrie. By Arlo Guthrie. Arranged by Craig Hanson. A Cappella,Comedy,Folk. Octavo. 6 pages. Edition Craig Hanson #862589. Published by Edition Craig Hanson (A0.1270160). For TTBB chorus a cappella and solo voice. As performed by Arlo Guthrie.Wanna hear something? You know that Indians never ate clams. They didn't have linguini! And so what happened was that clams was allowed to grow unmolested in the coastal waters of America for millions of years. And they got big, and I ain't talking about clams in general, I'm talking about each clam! Individually. I mean each one was a couple of million years old or older. So imagine they could have got bigger than this whole room. And when they get that big, God gives them little feet so that they could walk around easier. And when they get feet, they get dangerous. I'm talking about real dangerous. I ain't talking about sitting under the water waiting for you. I'm talking about coming after you.Imagine being on one of them boats coming over to discover America, like Columbus or something, standing there at night on watch, everyone else is either drunk or asleep. And you're watching for America and the boat's going up and down. And you don't like it anyhow but you gotta stand there and watch, for what? Only he knows, and he ain't watching. You hear the waves lapping against the side of the ship. The moon is going behind the clouds. You hear the pitter patter of little footprints on deck. ‘Is that you kids?’ It ain't! My god! It's this humongous, giant clam!Imagine those little feet coming on deck. A clam twice the size of the ship. Feet first. You're standing there shivering with fear, you grab one of these. This is a belaying pin. They used to have these stuck in the holes all around the ship… You probably didn't know what this is for; you probably had an idea, but you were wrong. They used to have these stuck in the holes all along the sides of the ship, everywhere. You wouldn't know what this is for unless you was that guy that night.I mean, you'd grab this out of the hole, run on over there, bam bam on them little feet! Back into the ocean would go a hurt, but not defeated, humongous, giant clam. Ready to strike again when opportunity was better.You know not even the coastal villages was safe from them big clams. You know them big clams had an inland range of about 15 miles. Think of that. I mean our early pioneers and the settlers built little houses all up and down the coast you know. A little inland and stuff like that and they didn't have houses like we got now, with bathrooms and stuff. They built little privies out back. And late at night, maybe a kid would have to go, and he'd go stomping out there in the moonlight. And all they'd hear for miles around...(loud clap/belch).... One less kid for America. One more smiling, smurking, humongous, giant clam.So Americans built forts. Them forts --you know—them pictures of them forts with the wooden points all around. You probably thought them points was for Indians but that's stupid! 'Cause Indians know about doors. But clams didn't. Even if a clam knew about a door, so what? A clam couldn't fit in a door. I mean, he'd come stomping up to a fort at night, put them feet on them points, jump back crying, tears coming out of them everywhere. But Americans couldn't live in forts forever. You couldn't just build one big fort around America. How would you go to the beach?So what they did was they formed groups of people. I mean they had groups of people all up and down the coast form these little alliances. Like up North it was call the Clamshell Alliance. And farther down South it was called the Catfish Alliance. They had these Alliances all up and down the coast defending themselves against these threatening monsters. These humongous giant clams. Andt hey'd go out there, if there was maybe fifteen of them they'd be singing songs in fifteen part harmony. And when one part disappeared, that's how they knew where the clam would be.Which is why Americans only sing in four part harmony to this very day. That proved to be too dangerous. See, what they did was they'd be singing these songs called Clam Chanties, and they'd have these big spears called clampoons. And they'd be walking up and down the beach and the method they eventually devised where they'd have this guy, the most strongest heavy duty true blue American, courageous type dude they could find and they'd have him out there walking up and down the beach by himself with other chicken dudes hiding behind the sand dunes somewhere.He'd be singing the verses. They'd be singing the chorus, and clams would hear 'em. And clams hate music. So clams would come out of the water and they'd come after this one guy. And all you'd see pretty soon was flying all over the sand flying up and down the beach manmanclamclammanmanclam manclamclamman up and down the beach going this way and that way up the hills in the water out of the water behind the trees everywhere. Finally the man would jump over a big sand dune, roll over the side, the clam would come over the dune, fall in the hole and fourteen guys would come out there and stab the shit out of him with their clampoons.That's the way it was. That was one way to deal with them. The other way was to weld two clams together. [I don't believe it. I'm losing it. Hey. What can you do. Another night shot to hell.] Hey, this was serious back then. This was very serious. I mean these songs now are just piddly folk songs. But back then these songs were controversial. These was radical, almost revolutionary songs. Because times was different and clams was a threat to America. That's right. So we want to sing this song tonight about the one last... You see what they did was there was one man, he was one of these men, his name will always be remembered, his name was Reuben Clamzo, and he was one of the last great clam men there ever was. He stuck the last clam stab. The last clampoon into the last clam that was ever seen on this continent. Knowing he would be out of work in an hour. He did it anyway so that you and me could go to the beach in relative safety. That's right. Made America safe for the likes of you and me. And so we sing this song in his memory. He went into whaling like most of them guys did and he got out of that, when he died. You know, clams was much more dangerous than whales. Clams can run in the water, on the water or on the ground, and they are so big sometimes that they can jump and they can spread their kinda shells and kinda almost fly like one of them flying squirrels.You could be standing there thinking that your perfectly safe and all of a sudden whop.... That's true... And so this is the song of this guy by the name of Reuben Clamzo and the song takes place right after he stabbed this clam and the clam was, going through this kinda death dance over on the side somewhere. The song starts there and he goes into whaling and takes you through the next...I sing the part of the guy on the beach by himself. I go like this: Poor old Reuben Clamzo and you go Clamzo Boys Clamzo. That's the part of the fourteen chicken dudes over on the other side. That's what they used to sing. They'd be calling these clams out of the water. Like taunting them making fun of them. Clams would get real mad and come out. Here we go. I want you to sing it in case you ever have an occasion to join such an alliance. You know some of these alliances are still around. Still defending America against things like them clams. If you ever wants to join one, now you have some historic background. So you know where these guys are coming from. It's not just some 60's movement or something, these things go back a long time.Notice the distinction you're going to have to make now between the first and easy Clamzo Boys Clamzo and the more complicated Clamzo Me Boys Clamzo. Stay serious! Folk songs are serious. That's what Pete Seeger told me. Arlo I only want to tell you one thing... Folk songs are serious. I said right. Let's do it in C for Clam...Iet's do it in B... For boy that's a big clam... Iet' s do it in G for Gee, I hope that big clam don't see me. Let's do it in F... For …he sees me. Let's do it back in A...for a clam is coming. Better get this song done quick. The Story of Reuben Clamzo and His Strange Daughter in the Key of A.
$3.99
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
Debussy Inconnu: Album of works for the piano by Claude Debussy completed by Robert Orledge, Vol. 1
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Piano solo
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INTERMEDIATE/ADVANCED
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Classical
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Claude Debussy/Robert Orledg
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Debussy Inconnu: Album of work
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Musik Fabrik Music Publishing
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SheetMusicPlus
Piano Solo - Advanced Intermediate - Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire, Recital. Score. 71 pages....
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Piano Solo - Advanced Intermediate - Composed by Claude Debussy/Robert Orledge. 20th Century, Impressionistic, Repertoire, Recital. Score. 71 pages. Published by Musik Fabrik Music Publishing
Contains A Night in the House of Usher Un Jour affreux avec Le Diable dans le beffroi, Les accords de septième regrettent!!!, Petite Valse,Fêtes galantes, and Prélude à ‘L’Histoire de Tristan’
From Robert Orledge's notes:
My interest in the wonderful music of Claude Debussy began in the 1980s when I researched and published a book with Cambridge University Press entitled Debussy and the Theatre. During the course of my studies in Paris, I was amazed to discover that Debussy planned over 50 theatrical works but only finished two of these entirely by himself (the opera Pelléas et Mélisande in 1893–1902 and the ballet Jeux for Diaghilev’s Ballets Russes in 1912–13). Of the rest, many were never started musically (like Siddartha and Orphée-roi with the Oriental scholar Victor Segalen, 1907); some had a few tantalising sketches (like the Edgar Allan Poe opera Le Diable dans le beffroi, 1902–03); some were half-finished (like his other Poe opera La Chute de la Maison Usher, 1908–17); while others were musically complete but had their orchestrations completed by other composers (like Khamma, by Charles Koechlin, 1912–13; or Le Martyre de Saint Sébastien and La Boîte à joujoux by his ‘angel of corrections’ [‘l’ange des Corrections’] André Caplet in 1911 and 1919 respectively).
For it has to be admitted that what some scholars call Debussy’s ‘compulsive achievement’ could equally well be viewed as laziness, especially as far as the minute detail required for calligraphing his orchestral scores was concerned. It was as if creating the music itself was of greater importance than controlling its final sound, even if Debussy was an imaginative orchestrator when he found the time and energy to do it. It also seems true that Debussy also preferred inventing ideas to turning them into complete pieces. However, despite the lack of detail in many of his sketches (missing clefs, key signatures, dynamics, phrasing, etc.) the notes themselves are surprisingly accurate, whether or not they can be compared with a later draft. Thus, a large number of sketches exist for his Chinese ballet No-ja-li ou Le Palais du Silence and it is not too difficult to see which parts of Georges de Feure’s 1913 scenario (see below) inspired which ideas. But Debussy hardly made any attempt to join them together after the first few bars.
It was usually up to his publisher, Jacques Durand, to find solutions when Debussy risked a breach of contract. Debussy was supposed to supervise the orchestrations completed by others, but this supervision was usually very light and restricted to quiet, sensitive moments in which problems were easier to spot. Far from jealously guarding every one of his created notes, as Ravel did, Debussy once even went as far as to ask Koechlin to ‘write a ballet for him that he would sign’ on 26 March 1914 when he was hard-pressed to fulfil his lucrative contract for No-ja-li with André Charlot at the Alhambra Theatre in London. In the end, Debussy (through Durand) sent Charlot the symphonic suite Printemps instead, whose orchestration had been completed by Henri Busser in the Spring of 1912.
So, when I was offered early retirement as Professor of Music at Liverpool University in 2004, I seized the opportunity it would give me to spend time trying to reconstruct some of Debussy’s lost potential masterpieces from his existing sketches and drafts—then orchestrating them in Debussy’s style when this was appropriate. I had begun this mission in 2001 with the most promising project, the missing parts of Scene 2 of La Chute de la Maison Usher and the sheer joy it gave me at every stage persuaded me to tackle other projects, especially when Debussy experts were unable to identify exactly where I took over from Debussy (and vice versa) in Usher.
$38.95
Fair Katrinelje and Pif-Paf-Poltrie (from the Brothers Grimm Song Cycle)
Fair Katrinelje and Pif-Paf-Poltrie (from the Brothers Grimm Song Cycle)
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Contemporary
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Sarah Wallin Huff
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Fair Katrinelje and Pif-Paf-Po
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Novel Soundtrax
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SheetMusicPlus
Small Ensemble Cello,Flute,High Voice,Piano - Level 5 - SKU: A0.800331 Composed by Sarah Wallin Huff. Contemporary. Score and parts. 43 pages. Novel Sou...
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Small Ensemble Cello,Flute,High Voice,Piano - Level 5 - SKU: A0.800331 Composed by Sarah Wallin Huff. Contemporary. Score and parts. 43 pages. Novel Soundtrax #11219. Published by Novel Soundtrax (A0.800331). This work by Sarah Wallin is a vocal text setting for soprano, flute, cello, and piano, completed in 2008. According to Dr. Edward David Zeliff, Fair Katrinelje... is very interesting, clever, witty, and captures the quirky little scenario of this poor fellow trying so hard to line up a bride by having to go through the firewall of her entire family and then having enough umph left over to get her attention as well. It's very Stravinskyish, and the charm and humor comes through. The story of Fair Katrinelje and Pif-Paf-Poltrie is a lesser-known fairy tale found in the Children's and Household Tales of Jacob and Wilhelm Grimm, the famous Brothers Grimm. Fair Katrinelje and Pif-Paf-Poltrie is a comedic dialogue. Our hero, Pif-Paf-Poltrie, is out to seek the hand of his beloved, the Fair Katrinelje, in marriage. Being the gentleman that he is, he approaches in turn each member of his beloved's family to ask their permission. Father Hollenthe, Mother Malcho, Brother High-and-Mighty, and Sister Käsetraut all respond in turn similarly – essentially, If it's all right with everyone else, it's all right with me. The challenge for the vocalist is to convey the essence and the hilarity of the dialogue by highlighting, with the mannerisms of the voice, the attitudes and characteristics of each character speaking. Above each character's lines, it is made clear whom it is that is speaking and the emotional context within which it is being spoken. The vocalist has complete freedom to effect these roles in whatever manner and to whatever degree is deemed appropriate, provided the musical integrity of the work is kept intact.
$15.00
They Came Here to Dance (Swing Band Arrangement)
They Came Here to Dance (Swing Band Arrangement)
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Jazz Ensemble
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INTERMEDIATE/ADVANCED
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Mike Strand, ASCAP
T
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Mike Strand
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They Came Here to Dance
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Michael M. Strand
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SheetMusicPlus
Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.970736 Composed by Mike Strand. Graduation,Jazz,Wedding. Score and parts. 22 pages. Michael M. Strand #4...
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Jazz Ensemble Jazz Ensemble - Level 4 - SKU: A0.970736 Composed by Mike Strand. Graduation,Jazz,Wedding. Score and parts. 22 pages. Michael M. Strand #4890111. Published by Michael M. Strand (A0.970736). By Mike Strand, ASCAPThis is the full score, plus scores for three groups of parts, for a full arrangement of a swing tune for piano, bass, saxophone, trumpet, trombone, and two singers. After the cover, there are 21 pages of music: Ten pages for the full score; four pages for the group of blowing instruments (alto saxophone, B flat trumpet, and trombone); four pages for the piano and bass; and three pages for the two singers. Grouping the parts in this manner is natural and advantageous for this particular swing composition. These part groupings will help players in a group coordinate with each other from their group score. This is an excellent compromise between everyone working from the full score, and each player having a score with just the player’s individual part. The audio sample plays the full score.This product solves a problem that any composer of new jazz music faces: Unlike the popular standards, there aren’t any well-known and often-heard arrangements for a band to emulate. As the composer with only a lead sheet, I would have to convince your band to develop an arrangement from scratch, starting from nothing but the lead sheet! With so many attractive standard swing tunes to perform, a busy band may hesitate to put extra effort into an unknown tune. Problem solved! With this full arrangement of They Came Here to Dance, a band can better see and hear the tune’s full potential. It will be easier for a band to make any modifications to suit its particular mix of musicians and to better fit its style. With this arrangement, with written score, part group scores and audio sample, it will be as easy as working from the recording and score of a popular standard. All that’s missing from this arrangement is the percussion, because of the individuality of drummers. The band only needs a skilled jazz drummer to join in easily with this arrangement. Here are the lyrics to They Came Here to Dance: 1.You may come here to eat and to drink.Lots of chins wag, and wine glasses clink. Well, that’s all good, but here’s what I think: They came here to dance! 2. We cats up front have to check our sound mix. Then they walk in, togged to the bricks. They have the moves to show off our licks. They came here to dance! Bridge – Instrumental section, followed by: Our band’s in the groove – here’s one reason why: The doghouse amps are turned up high. They get in there, and tear up the floor! And they don’t care if their feet get sore. 3. Bustin’ our conks, we cats are hot, She is a wren who rocks him a lot! And they don’t care if we light up or not. They came here to dance!4. Bridge again, then:Bustin’ our conks, we cats are hot, She is a wren who rocks him a lot! And they don’t care if we light up or not.They have the learning to, they have a yearning to,They came here to dance! Note Some words in these lyrics are taken from Cab Calloway Slang: Light up – smoke a stick (marijuana cigarette) Doghouse - bass Get in there - go to work, get busy, make it hot, give it all you got Bustin’ our conks – breaking our necks (applying ourselves diligently) Wren – a chick, a queen (beautiful girl) Cat – musician in swing band Togged to the bricks – dressed to kill, from head to toe Licks – hot musical phrases In the groove – perfect, down the alley .
$8.00
Ballet, “THE LITTLE MATCH GIRL”, Op.24, (1977) - (parts)
Ballet, “THE LITTLE MATCH GIRL”, Op.24, (1977) - (parts)
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Orchestra
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ADVANCED
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An-lun Huang
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Ballet, “THE LITTLE MATCH GI
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DoReMi Edition
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SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1009195 Composed by An-lun Huang. 20th Century,Christmas,Classical. Score and parts. 248 pages. DoReMi Edition #59485...
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Full Orchestra - Level 5 - SKU: A0.1009195 Composed by An-lun Huang. 20th Century,Christmas,Classical. Score and parts. 248 pages. DoReMi Edition #594857. Published by DoReMi Edition (A0.1009195). Based on the fairy tale “The Little Match Girl†by Hans Christian Anderson (1805-1875), the famous Danish writer, the Beijing Ballet School of China commissioned An-Lun Huang to compose this ballet in 1977. The play was written by Zhang Dun-yi, and the choreographers were Wu Fu-kang and Huang Buo-hong. The premiere took place in Beijing in 1977. It was performed by the school and the Central Opera House Orchestra, conducted by Zheng Xiao-ying. The music is written in Nineteen Century-Romantic style with some strong Scandinavian flavor. Margot Fonteyn, one of the most important ballet dancers of our age, claimed that “the composer has composed the very, very, very good music for this ballet ! “ She then produced a movie of it, which has been broadcasted by the PBS of U.S.A. in early of eighties. Since the great success of the premiere, this ballet and its music have been widely performed and warmly received. A tape of it was also released in China. This is the story of the ballet: In a little Danish town in the nineteenth century, Betty, a little girl who lost her mother, was selling matches along the street during Christmas time. The sound of the church bell reminded her that the time was quite late, but she was unable to go home until she completed her job. An old man came to light the street lights. He gave her some money and left. Betty tried to sell her matches to a carriage, but the carriage just ran away. Snow fell, cold and hungry, she lit a match on the wall to warm herself. A group of “Fire Fairies†appeared. They danced around her and got her warm. Since they disappeared so quickly, Betty lit another match. She saw a big dining room with a beautiful Christmas tree and a lot of food. While some bus boys were handing her a piece of roasted goose, the typical Danish Christmas food, a nobleman in a portrait hanging on the wall suddenly moved. Everything disappeared again. Betty immediately lit the third match, a “Swan Lake†with a beautiful garden appeared. She met her mother with tears because the mother had passed away for years. Mother got a pair of little red shoes for her as the Christmas gift and danced with her. The “Portrait nobleman†brought the mother out of the scene. Everything was gone but the snow storm. The church bell sounded again, with the morning dawn, the old man came to extinguish the street lights. He found the frozen body of the little girl. The attached mp3 is a performance by the Russian Philharmonic, conducted by the composer, 1998. English Text by Rebekah Wong Orchestration: Flauto Piccolo ( Flauto III), 2 Flauti, 2 Oboi (Corno- inglese), 2 Clarinetti in B flat, 2 Fagotti; 4 Corni in F, 2 Trombe in B flat, 3 Tromboni, 1 Tuba; 4 Timpani, Piatti, Tamburo, Trianglo, Companelli, Celesta, Campana, Wood Blocks ,Sonagliera; Violini I, Violini II, Viole, Violoncelli e Contrabassi.
$300.00
Ballet, “THE LITTLE MATCH GIRL”, Op.24, (1977) - (piano score)
Ballet, “THE LITTLE MATCH GIRL”, Op.24, (1977) - (piano score)
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Piano, Vocal and Guitar
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ADVANCED
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An-lun Huang
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Ballet, “THE LITTLE MATCH GI
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DoReMi Edition
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 5 - SKU: A0.1009194 Composed by An-lun Huang. 20th Century,Christmas,Classical. Score. 38 pages. DoReMi Edition #594856...
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Guitar,Piano,Vocal,Voice - Level 5 - SKU: A0.1009194 Composed by An-lun Huang. 20th Century,Christmas,Classical. Score. 38 pages. DoReMi Edition #594856. Published by DoReMi Edition (A0.1009194). Based on the fairy tale “The Little Match Girl†by Hans Christian Anderson (1805-1875), the famous Danish writer, the Beijing Ballet School of China commissioned An-Lun Huang to compose this ballet in 1977. The play was written by Zhang Dun-yi, and the choreographers were Wu Fu-kang and Huang Buo-hong. The premiere took place in Beijing in 1977. It was performed by the school and the Central Opera House Orchestra, conducted by Zheng Xiao-ying. The music is written in Nineteen Century-Romantic style with some strong Scandinavian flavor. Margot Fonteyn, one of the most important ballet dancers of our age, claimed that “the composer has composed the very, very, very good music for this ballet ! “ She then produced a movie of it, which has been broadcasted by the PBS of U.S.A. in early of eighties. Since the great success of the premiere, this ballet and its music have been widely performed and warmly received. A tape of it was also released in China. This is the story of the ballet: In a little Danish town in the nineteenth century, Betty, a little girl who lost her mother, was selling matches along the street during Christmas time. The sound of the church bell reminded her that the time was quite late, but she was unable to go home until she completed her job. An old man came to light the street lights. He gave her some money and left. Betty tried to sell her matches to a carriage, but the carriage just ran away. Snow fell, cold and hungry, she lit a match on the wall to warm herself. A group of “Fire Fairies†appeared. They danced around her and got her warm. Since they disappeared so quickly, Betty lit another match. She saw a big dining room with a beautiful Christmas tree and a lot of food. While some bus boys were handing her a piece of roasted goose, the typical Danish Christmas food, a nobleman in a portrait hanging on the wall suddenly moved. Everything disappeared again. Betty immediately lit the third match, a “Swan Lake†with a beautiful garden appeared. She met her mother with tears because the mother had passed away for years. Mother got a pair of little red shoes for her as the Christmas gift and danced with her. The “Portrait nobleman†brought the mother out of the scene. Everything was gone but the snow storm. The church bell sounded again, with the morning dawn, the old man came to extinguish the street lights. He found the frozen body of the little girl.
$19.99
In Every Corner Sing
In Every Corner Sing
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In Every Corner Sing
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SheetMusicPlus
100 or so hymns by New Zealand's and the Presbyterian Church's gift to hymnwriting - Shirley Erena Murray. Many appear here with new tunes...
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100 or so hymns by New Zealand's and the Presbyterian Church's gift to hymnwriting - Shirley Erena Murray. Many appear here with new tunes
Song List
: Because You Live, O Christ Carol Our Christmas Celebrate Each Generation Child of Christmas Story Child of Joy and Peace Christ Has Not Risen Christ Is Our Peace Christ, Let Us Come with You Christmas Day Christ, We Have Claimed You Church of the Living Christ Come and Find the Quiet Center Come, Celebrate the Women Come into the Streets with Me Come Now, Lord Jesus Come, on This Wedding Day Come, Teach Us, Spirit of Our God Come to a Wedding Come to Our Land Come to This Christmas Singing Community of Christ Every Day Faith Has Set Us on a Journey For the Bread and Wine and Blessing For the Music of Creation From the Apple in the Garden From the Waiting Comes the Sign Gentle God, When We Are Driven Give Thanks for Life Give Thanks for Life and Faith and Health God of All Time God of Freedom, God of Justice God of Our Every Day God of the Galaxies God of the World We Know God of Wonder, God of Thunder God Was in Christ Great God of Earth and Heaven Here in the Busy City Here Is the Place Here to the House of God We Come Here We Bring, Small or Great How Happy You Who Work fo Peace! How Small a Spark Has Lit a Living Fire I Am Standing Waiting In the Name of Christ We Gather Jesus, I Come Jesus, Savior, Spirit, Sun! Lift High the Cross Loving Spirit New Child of God, Come to Be Blessed Now as We Go Now the Greening of the Summer Now to Your Table Spread O Christ Who by a Cross O God, We Bear the Imprint of Your Face O Little Love Of Women and of Women's Hopes We Sing Our Life Has Its Seasons Peace Child Sing a Happy Alleluia Sing a Song for Peace and Justice Sing Green Sing to Celebrate the City Small Things Count, So Jesus Said Spirit of Love Spirit Who Broods, Spirit Who Sings Stranger God, You Come to Us Take My Gifts Teach Us, O Loving Heart of Christ The Grain Is Ripe The Spring Has Come This Thread I Weave Through All The World To Christ Whose Hands Will Bless Touch the Earth Lightly We Light a Candle for a Life We Wait for You When Human Voices Cannot Sing When We Lift Our Pack and Go Where Is the Room? Where the Good Seed Grows Who Is My Mother, Who Is My Brother? Who Is the Child that Is to Be Born?
$14.95
Paul Wehage: To You for baritone, tenor saxophone and piano
Paul Wehage: To You for baritone, tenor saxophone and piano
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Paul Wehage
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Paul Wehage: To You for barito
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Musik Fabrik Music Publishing
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SheetMusicPlus
Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - SKU: A0.534375 Composed by Paul Wehage. Concert,Contemporary,Holiday,Love,St...
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Small Ensemble Medium Voice,Piano Accompaniment,Tenor Saxophone - Level 5 - SKU: A0.534375 Composed by Paul Wehage. Concert,Contemporary,Holiday,Love,Standards. Score and parts. 41 pages. Musik Fabrik Music Publishing #3396161. Published by Musik Fabrik Music Publishing (A0.534375). To You for Baritone, Tenor Saxophone and piano is dedicated to the American Baritone Kurt Ollmann, who has done much for the promotion and performance of American music both in the United States and abroad.Whitman’s poem speaks of seeing a stranger and feeling love for this person. In contrast to Poe’s To Helen, which treats a similar subject of a chance meeting of a stranger that the poet loves, Whitman does not idealize his subject but rather pointedly and brutally describes how he sees this person and what feelings (both negative and positive) this contemplation provokes in the poet’s mind In order to reflect this musically, there is an alternation between more introspective and brooding sections which are then followed by more ecstatic outbursts. The piece ends with the poet watching the stranger leave, expressing what the composer felt to be acceptance and release.As in any chamber music with voice, it is important that the two instruments allow the voice to predominate, regardless of the dynamics marked in their parts. The saxophonist should try as much as possible to match colour with the voice,in order to allow the contrapuntal exchanges between the voice and the saxophone to blend evenly. The pianist should play the passages at rehearsal marks E, G and K in a more soloist manner, always taking care not to cover the voice..To YouWhoever you are, I fear you are walking the walks of dreams,I fear these supposed realities are to melt from under your feet and hands,Even now your features, joys, speech, house, trade, manners,troubles, follies, costume, crimes, dissipate away from you,Your true soul and body appear before me.They stand forth out of affairs, out of commerce, shops, work,farms, clothes, the house, buying, selling, eating, drinking,suffering, dying.Whoever you are, now I place my hand upon you, that you be my poem,I whisper with my lips close to your ear.I have loved many women and men, but I love none better than you.O I have been dilatory and dumb,I should have made my way straight to you long ago,I should have blabb'd nothing but you, I should have chanted nothingbut you.I will leave all and come and make the hymns of you,None has understood you, but I understand you,None has done justice to you, you have not done justice to yourself,None but has found you imperfect, I only find no imperfection in you,None but would subordinate you, I only am he who will never consentto subordinate you,I only am he who places over you no master, owner, better, God,beyond what waits intrinsically in yourself.Painters have painted their swarming groups and the centre-figure of all,From the head of the centre-figure spreading a nimbus of gold-color'd light,But I paint myriads of heads, but paint no head without its nimbusof gold-color'd light,From my hand from the brain of every man and woman it streams,effulgently flowing forever.O I could sing such grandeurs and glories about you!You have not known what you are, you have slumber'd upon yourselfall your life,Your eyelids have been the same as closed most of the time,What you have done returns already in mockeries,(Your thrift, knowledge, prayers, if they do not return inmockeries, what is their return?)The mockeries are not you,Underneath them and within them I see you lurk,I pursue you where none else has pursued you,Silence, the desk, the flippant expression, the night, theaccustom'd routine, if these conceal you from others or fromyourself, they do not conceal you from me,The shaved face, the unsteady eye, the impure complexion, if thesebalk others they do not balk me,The pert apparel, the deform'd attitude, drunkenness, greed,premature death, all these I part aside.There is no endowment in man or woman that is not tallied in you,There is no virtue,.
$29.95
The Middle
The Middle
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Violin
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INTERMEDIATE
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Jimmy Eat World
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Sarah Cellobat Chaffee
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The Middle
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Sarah Cellobat Chaffee
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SheetMusicPlus
Violin Solo - Level 3 - SKU: A0.526268 By Jimmy Eat World. By James Adkins, Richard Burch, Thomas Linton, and Zachary Lind. Arranged by Sarah Cellobat C...
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Violin Solo - Level 3 - SKU: A0.526268 By Jimmy Eat World. By James Adkins, Richard Burch, Thomas Linton, and Zachary Lind. Arranged by Sarah Cellobat Chaffee. Contemporary,Pop,Rock,Wedding. 3 pages. Sarah Cellobat Chaffee #6327135. Published by Sarah Cellobat Chaffee (A0.526268). One of the biggest and most ubiquitous hits of the early 2000's, The Middle was a breakout hit for Jimmy Eat World that placed them among the ranks of other big names of the day like Weezer, Blink-182 and Green Day. It was impossible not to know this song back then, and it has since become a classic throwback song for the millennial generation! This arrangement for solo violin maintains the fun upbeat tempo and dynamic contrasts of the original, and it's pretty much guaranteed to get everybody singing along! This chart was originally written for a wedding, but it will also be perfect for pop concerts, solo & ensemble contests, parties, corporate events, or any occasion when you need some throwback rock. No accompaniment part -- it stands alone, or can be played with a backing track for solo gigs. This chart stays entirely in first position and will be sightreadable for professionals and learnable for intermediate students -- the only slightly tricky part is the fun guitar solo in the middle! Sarah “Cellobat†Chaffee is an in-demand acoustic & electric cellist and string arranger. Currently, she performs with legendary rock band Aerosmith in their “Deuces Are Wild†residency show, and she is the principal cellist for the Raiders House Band, playing for a crowd of 60,000 at all of the team's home games. She also plays with many other groups including Premiere Wedding Music, Bella Electric Strings, the Femmes Of Rock, and David Perrico’s Pop Strings Orchestra. Sarah has performed and recorded with numerous other artists including Disturbed, Mötley Crüe, Celine Dion, Halsey, Michael Bublé, Sarah Brightman, and Lady A. She is the exclusive arranger for a number of award-winning wedding and event companies all across the United States, including Premiere Wedding Music, Las Vegas Music Oasis, and Impulse Strings, and she has created custom arrangements for many other ensembles all over the world. You can find her at:http://www.cellobat.comhttp://www.instagram.com/cellobathttps://www.youtube.com/@Cellobat
$7.99
The Children of the World (July 1969)
The Children of the World (July 1969)
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Choral 2-part
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EASY
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Glyn Lehmann
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The Children of the World
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Glyn Lehmann
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SheetMusicPlus
Choral Choir (SA) - Level 2 - SKU: A0.510156 Composed by Glyn Lehmann (music), Phil Cummings (lyrics). 20th Century,Latin,Pop. Octavo. 11 pages. Glyn Le...
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Choral Choir (SA) - Level 2 - SKU: A0.510156 Composed by Glyn Lehmann (music), Phil Cummings (lyrics). 20th Century,Latin,Pop. Octavo. 11 pages. Glyn Lehmann #3507405. Published by Glyn Lehmann (A0.510156). The third song from the SPACE RACE song cycle, celebrating the 50th anniversary of the Apollo 11 moon landing, July 1969. The other songs are Gagarin (Beyond Blue Sky), Space Race (To Every Question) and Apollo 11 (Homecoming).Captures the sense of wonder and excitement children felt as they watched Neil Armstrong walk on the moon in 1969. Gentle melodic verses and a lively, upbeat chorus. More information at songlibrary.net/Space-Racehttps://youtu.be/BH97dn2_fSIMore SPACE RACE song-cycle songs on SheetMusicPlus1. Gagarin https://www.sheetmusicplus.com/title/gagarin-beyond-blue-sky-digital-sheet-music/20728438?ac=12. Space Race https://www.sheetmusicplus.com/title/space-race-to-every-question-digital-sheet-music/20728434?ac=13. The Children of the World https://www.sheetmusicplus.com/title/the-children-of-the-world-july-1969-digital-sheet-music/2072843.......4. Apollo 11 (Homecoming) https://www.sheetmusicplus.com/title/apollo-11-homecoming-digital-sheet-music/20728440?ac=1The Children of the World (July 1969)Words by Phil Cummings, music by Glyn LehmannFor children in nineteen sixty nineThere were new games to playTo the children of that far off time There was wonder in that July DayA rocket flew with fire and flameAcross a wide open sky On TV screens around the worldChildren saw that rocket flyYoung hearts beat a rhythmGreat minds played their part The children of the world held their breath As Armstrong placed a print upon their heartsAt night the children gazed at the starsTheir faces lit by silver moonlightAnd tried to imagine the the viewOf those on that Apollo flightKids flew in missions to save the worldCreated games and stories and schemesTheir bikes flew like asteroids Treehouses were rockets in dreamsThe children of the world in streets everydaySaw flickering screens in shop window displaysPhotos without colour on newspaper spreadsBooks about space strewn across bedsLyrics © 2018 Phil Cummings
$2.50
The Children of the World (July 1969)
The Children of the World (July 1969)
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Choral SATB
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INTERMEDIATE
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Glyn Lehmann
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The Children of the World
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Glyn Lehmann
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SheetMusicPlus
Choral Choir (SATB) - Level 3 - SKU: A0.510171 Composed by Glyn Lehmann (music), Phil Cummings (lyrics). 20th Century,Latin,Pop,World. Octavo. 16 pages....
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Choral Choir (SATB) - Level 3 - SKU: A0.510171 Composed by Glyn Lehmann (music), Phil Cummings (lyrics). 20th Century,Latin,Pop,World. Octavo. 16 pages. Glyn Lehmann #3542457. Published by Glyn Lehmann (A0.510171). The third song from the SPACE RACE song cycle, celebrating the 50th anniversary of the Apollo 11 moon landing, July 1969. The other songs are Gagarin (Beyond Blue Sky), Space Race (To Every Question) and Apollo 11 (Homecoming).Captures the sense of wonder and excitement children felt as they watched Neil Armstrong walk on the moon in 1969. Gentle melodic verses and a lively, upbeat chorus. More information at https://glynlehmann.com/Space-Racehttps://youtu.be/BH97dn2_fSIThe Children of the World (July 1969)Words by Phil Cummings, music by Glyn LehmannFor children in nineteen sixty nineThere were new games to playTo the children of that far off time There was wonder in that July DayA rocket flew with fire and flameAcross a wide open sky On TV screens around the worldChildren saw that rocket flyYoung hearts beat a rhythmGreat minds played their part The children of the world held their breath As Armstrong placed a print upon their heartsAt night the children gazed at the starsTheir faces lit by silver moonlightAnd tried to imagine the the viewOf those on that Apollo flightKids flew in missions to save the worldCreated games and stories and schemesTheir bikes flew like asteroids Treehouses were rockets in dreamsThe children of the world in streets everydaySaw flickering screens in shop window displaysPhotos without colour on newspaper spreadsBooks about space strewn across bedsLyrics © 2018 Phil Cummings
$2.50
Holiday Delights (Horn in F)
Holiday Delights (Horn in F)
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Brass Quartet: 4 horns
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INTERMEDIATE
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Camille Saint-Saens, Hector Be
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Josh Trentadue
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Holiday Delights
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T.U.X. People's Music
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SheetMusicPlus
French Horn Quartet - Level 3 - SKU: A0.1405479 Composed by Camille Saint-Saens, Hector Berlioz, Josh Trentadue, Mikhi Gelbert, and Samuel Goldfarb. Arr...
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French Horn Quartet - Level 3 - SKU: A0.1405479 Composed by Camille Saint-Saens, Hector Berlioz, Josh Trentadue, Mikhi Gelbert, and Samuel Goldfarb. Arranged by Josh Trentadue. Christmas,Contemporary,Contest,Festival,Halloween,Holiday. 21 pages. T.U.X. People's Music #988534. Published by T.U.X. People's Music (A0.1405479). Bring to life the joy and spirit of the holiday season with this wonderful collection of carols, classics, and original works suitable for celebrating Halloween, Christmas, and Hanukkah!Table of Contents:Fossils, Saint-Saëns (ME)Pumpkin Spice & Everything Nice, Trentadue (M)Hymn for Tricks and Treats, Trentadue (M)The Witches’ Sabbath, Berlioz (MA)I Heard the Bells on Christmas Day, Traditional (ME)Jolly Old St. Nicholas, Up on the Housetop, Traditional (M)Silent Night, Traditional (ME)I Have a Little Dreidel, Goldfarb & Gelbert (M)Rock of Ages, Traditional (M)​Our Flexible Quartet series brings together new and old works in a joyous, fun experience suitably accessible for any combination of wind and percussion instruments! Whether reimagining some of the most traditionally popular works today, or introducing brand-new works specially written for this series, your students will love the ingenuity and spirit of these carefully compiled selections.
$17.99
Holiday Delights (Flute/Oboe)
Holiday Delights (Flute/Oboe)
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Camille Saint-Saens, Hector Be
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Josh Trentadue
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Holiday Delights
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T.U.X. People's Music
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SheetMusicPlus
Woodwind Ensemble,Woodwind Quartet Flute,Oboe - Level 3 - SKU: A0.1405465 Composed by Camille Saint-Saens, Hector Berlioz, Josh Trentadue, Mikhi Gelbert...
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Woodwind Ensemble,Woodwind Quartet Flute,Oboe - Level 3 - SKU: A0.1405465 Composed by Camille Saint-Saens, Hector Berlioz, Josh Trentadue, Mikhi Gelbert, and Samuel Goldfarb. Arranged by Josh Trentadue. Christmas,Contest,Festival,Halloween,Holiday,Traditional. 21 pages. T.U.X. People's Music #988521. Published by T.U.X. People's Music (A0.1405465). Bring to life the joy and spirit of the holiday season with this wonderful collection of carols, classics, and original works suitable for celebrating Halloween, Christmas, and Hanukkah!Table of Contents:Fossils, Saint-Saëns (ME)Pumpkin Spice & Everything Nice, Trentadue (M)Hymn for Tricks and Treats, Trentadue (M)The Witches’ Sabbath, Berlioz (MA)I Heard the Bells on Christmas Day, Traditional (ME)Jolly Old St. Nicholas, Up on the Housetop, Traditional (M)Silent Night, Traditional (ME)I Have a Little Dreidel, Goldfarb & Gelbert (M)Rock of Ages, Traditional (M)Our Flexible Quartet series brings together new and old works in a joyous, fun experience suitably accessible for any combination of wind and percussion instruments! Whether reimagining some of the most traditionally popular works today, or introducing brand-new works specially written for this series, your students will love the ingenuity and spirit of these carefully compiled selections.
$17.99
Holiday Delights (Tuba)
Holiday Delights (Tuba)
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4 Tubas
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INTERMEDIATE
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Camille Saint-Saens, Hector Be
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Josh Trentadue
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Holiday Delights
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T.U.X. People's Music
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SheetMusicPlus
Tuba Quartet - Level 3 - SKU: A0.1405481 Composed by Camille Saint-Saens, Hector Berlioz, Josh Trentadue, Mikhi Gelbert, and Samuel Goldfarb. Arranged b...
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Tuba Quartet - Level 3 - SKU: A0.1405481 Composed by Camille Saint-Saens, Hector Berlioz, Josh Trentadue, Mikhi Gelbert, and Samuel Goldfarb. Arranged by Josh Trentadue. Christmas,Contemporary,Contest,Festival,Halloween,Holiday. 21 pages. T.U.X. People's Music #988536. Published by T.U.X. People's Music (A0.1405481). Bring to life the joy and spirit of the holiday season with this wonderful collection of carols, classics, and original works suitable for celebrating Halloween, Christmas, and Hanukkah!Table of Contents:Fossils, Saint-Saëns (ME)Pumpkin Spice & Everything Nice, Trentadue (M)Hymn for Tricks and Treats, Trentadue (M)The Witches’ Sabbath, Berlioz (MA)I Heard the Bells on Christmas Day, Traditional (ME)Jolly Old St. Nicholas, Up on the Housetop, Traditional (M)Silent Night, Traditional (ME)I Have a Little Dreidel, Goldfarb & Gelbert (M)Rock of Ages, Traditional (M)Our Flexible Quartet series brings together new and old works in a joyous, fun experience suitably accessible for any combination of wind and percussion instruments! Whether reimagining some of the most traditionally popular works today, or introducing brand-new works specially written for this series, your students will love the ingenuity and spirit of these carefully compiled selections.
$17.99
Holiday Delights (Bass Clef Instruments)
Holiday Delights (Bass Clef Instruments)
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Camille Saint-Saens, Hector Be
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Josh Trentadue
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Holiday Delights
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T.U.X. People's Music
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SheetMusicPlus
Bass Clef Instrument - Level 3 - SKU: A0.1405480 Composed by Camille Saint-Saens, Hector Berlioz, Josh Trentadue, and Samuel Goldfarb. Arranged by Josh ...
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Bass Clef Instrument - Level 3 - SKU: A0.1405480 Composed by Camille Saint-Saens, Hector Berlioz, Josh Trentadue, and Samuel Goldfarb. Arranged by Josh Trentadue. Christmas,Contemporary,Contest,Festival,Halloween,Holiday. 21 pages. T.U.X. People's Music #988535. Published by T.U.X. People's Music (A0.1405480). Bring to life the joy and spirit of the holiday season with this wonderful collection of carols, classics, and original works suitable for celebrating Halloween, Christmas, and Hanukkah!Table of Contents:Fossils, Saint-Saëns (ME)Pumpkin Spice & Everything Nice, Trentadue (M)Hymn for Tricks and Treats, Trentadue (M)The Witches’ Sabbath, Berlioz (MA)I Heard the Bells on Christmas Day, Traditional (ME)Jolly Old St. Nicholas, Up on the Housetop, Traditional (M)Silent Night, Traditional (ME)I Have a Little Dreidel, Goldfarb & Gelbert (M)Rock of Ages, Traditional (M)Our Flexible Quartet series brings together new and old works in a joyous, fun experience suitably accessible for any combination of wind and percussion instruments! Whether reimagining some of the most traditionally popular works today, or introducing brand-new works specially written for this series, your students will love the ingenuity and spirit of these carefully compiled selections.
$17.99
Holiday Delights (Eb Instruments)
Holiday Delights (Eb Instruments)
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Camille Saint-Saens, Hector Be
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Josh Trentadue
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Holiday Delights
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T.U.X. People's Music
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SheetMusicPlus
E-Flat Instrument - Level 4 - SKU: A0.1405475 Composed by Camille Saint-Saens, Hector Berlioz, Josh Trentadue, Mikhi Gelbert, and Samuel Goldfarb. Arran...
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E-Flat Instrument - Level 4 - SKU: A0.1405475 Composed by Camille Saint-Saens, Hector Berlioz, Josh Trentadue, Mikhi Gelbert, and Samuel Goldfarb. Arranged by Josh Trentadue. Christmas,Contemporary,Contest,Festival,Halloween,Holiday. 21 pages. T.U.X. People's Music #988529. Published by T.U.X. People's Music (A0.1405475). Bring to life the joy and spirit of the holiday season with this wonderful collection of carols, classics, and original works suitable for celebrating Halloween, Christmas, and Hanukkah!Table of Contents:Fossils, Saint-Saëns (ME)Pumpkin Spice & Everything Nice, Trentadue (M)Hymn for Tricks and Treats, Trentadue (M)The Witches’ Sabbath, Berlioz (MA)I Heard the Bells on Christmas Day, Traditional (ME)Jolly Old St. Nicholas, Up on the Housetop, Traditional (M)Silent Night, Traditional (ME)I Have a Little Dreidel, Goldfarb & Gelbert (M)Rock of Ages, Traditional (M)Our Flexible Quartet series brings together new and old works in a joyous, fun experience suitably accessible for any combination of wind and percussion instruments! Whether reimagining some of the most traditionally popular works today, or introducing brand-new works specially written for this series, your students will love the ingenuity and spirit of these carefully compiled selections.
$17.99
Holiday Delights (Contrabass Quartet)
Holiday Delights (Contrabass Quartet)
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String Quartet: 2 violins, viola, cello
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INTERMEDIATE
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Camille Saint-Saens, Hector Be
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Josh Trentadue
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Holiday Delights
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T.U.X. People's Music
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SheetMusicPlus
String Quartet Double Bass,String Quartet - Level 3 - SKU: A0.1405494 Composed by Camille Saint-Saens, Hector Berlioz, Josh Trentadue, Mikhi Gelbert, an...
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String Quartet Double Bass,String Quartet - Level 3 - SKU: A0.1405494 Composed by Camille Saint-Saens, Hector Berlioz, Josh Trentadue, Mikhi Gelbert, and Samuel Goldfarb. Arranged by Josh Trentadue. Christmas,Contest,Festival,Halloween,Holiday,Instructional. 21 pages. T.U.X. People's Music #988549. Published by T.U.X. People's Music (A0.1405494). Bring to life the joy and spirit of the holiday season with this wonderful collection of carols, classics, and original works suitable for celebrating Halloween, Christmas, and Hanukkah!Table of Contents:Fossils, Saint-Saëns (ME)Pumpkin Spice & Everything Nice, Trentadue (M)Hymn for Tricks and Treats, Trentadue (M)The Witches’ Sabbath, Berlioz (MA)I Heard the Bells on Christmas Day, Traditional (ME)Jolly Old St. Nicholas, Up on the Housetop, Traditional (M)Silent Night, Traditional (ME)I Have a Little Dreidel, Goldfarb & Gelbert (M)Rock of Ages, Traditional (M)Our Flexible Quartet series brings together new and old works in a joyous, fun experience suitably accessible for any combination of string instruments! Whether reimagining some of the most traditionally popular works today, or introducing brand-new works specially written for this series, your students will love the ingenuity and spirit of these carefully compiled selections.
$17.99
Holiday Delights (Violin Quartet)
Holiday Delights (Violin Quartet)
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String Quartet: 2 violins, viola, cello
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INTERMEDIATE
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Camille Saint-Saens, Hector Be
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Josh Trentadue
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Holiday Delights
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T.U.X. People's Music
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SheetMusicPlus
String Quartet String Quartet,Violin - Level 3 - SKU: A0.1405490 Composed by Camille Saint-Saens, Hector Berlioz, Josh Trentadue, Mikhi Gelbert, and Sam...
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String Quartet String Quartet,Violin - Level 3 - SKU: A0.1405490 Composed by Camille Saint-Saens, Hector Berlioz, Josh Trentadue, Mikhi Gelbert, and Samuel Goldfarb. Arranged by Josh Trentadue. Christmas,Contest,Festival,Halloween,Holiday,Instructional. 21 pages. T.U.X. People's Music #988545. Published by T.U.X. People's Music (A0.1405490). Bring to life the joy and spirit of the holiday season with this wonderful collection of carols, classics, and original works suitable for celebrating Halloween, Christmas, and Hanukkah!Table of Contents:Fossils, Saint-Saëns (ME)Pumpkin Spice & Everything Nice, Trentadue (M)Hymn for Tricks and Treats, Trentadue (M)The Witches’ Sabbath, Berlioz (MA)I Heard the Bells on Christmas Day, Traditional (ME)Jolly Old St. Nicholas, Up on the Housetop, Traditional (M)Silent Night, Traditional (ME)I Have a Little Dreidel, Goldfarb & Gelbert (M)Rock of Ages, Traditional (M)Our Flexible Quartet series brings together new and old works in a joyous, fun experience suitably accessible for any combination of string instruments! Whether reimagining some of the most traditionally popular works today, or introducing brand-new works specially written for this series, your students will love the ingenuity and spirit of these carefully compiled selections.
$17.99
Holiday Delights (Bb Instruments)
Holiday Delights (Bb Instruments)
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Camille Saint-Saens, Hector Be
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Josh Trentadue
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Holiday Delights
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T.U.X. People's Music
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SheetMusicPlus
B-Flat instrument - Level 3 - SKU: A0.1405467 Composed by Camille Saint-Saens, Hector Berlioz, Josh Trentadue, Mikhi Gelbert, and Samuel Goldfarb. Arran...
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B-Flat instrument - Level 3 - SKU: A0.1405467 Composed by Camille Saint-Saens, Hector Berlioz, Josh Trentadue, Mikhi Gelbert, and Samuel Goldfarb. Arranged by Josh Trentadue. Christmas,Contemporary,Contest,Festival,Halloween,Holiday. 21 pages. T.U.X. People's Music #988524. Published by T.U.X. People's Music (A0.1405467). Bring to life the joy and spirit of the holiday season with this wonderful collection of carols, classics, and original works suitable for celebrating Halloween, Christmas, and Hanukkah!Table of Contents:Fossils, Saint-Saëns (ME)Pumpkin Spice & Everything Nice, Trentadue (M)Hymn for Tricks and Treats, Trentadue (M)The Witches’ Sabbath, Berlioz (MA)I Heard the Bells on Christmas Day, Traditional (ME)Jolly Old St. Nicholas, Up on the Housetop, Traditional (M)Silent Night, Traditional (ME)I Have a Little Dreidel, Goldfarb & Gelbert (M)Rock of Ages, Traditional (M)Our Flexible Quartet series brings together new and old works in a joyous, fun experience suitably accessible for any combination of wind and percussion instruments! Whether reimagining some of the most traditionally popular works today, or introducing brand-new works specially written for this series, your students will love the ingenuity and spirit of these carefully compiled selections.
$17.99
Holiday Delights (Viola Quartet)
Holiday Delights (Viola Quartet)
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String Quartet: 2 violins, viola, cello
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INTERMEDIATE
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Camille Saint-Saens, Hector Be
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Josh Trentadue
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Holiday Delights
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T.U.X. People's Music
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SheetMusicPlus
String Quartet String Quartet,Viola - Level 3 - SKU: A0.1405491 Composed by Camille Saint-Saens, Hector Berlioz, Josh Trentadue, Mikhi Gelbert, and Samu...
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String Quartet String Quartet,Viola - Level 3 - SKU: A0.1405491 Composed by Camille Saint-Saens, Hector Berlioz, Josh Trentadue, Mikhi Gelbert, and Samuel Goldfarb. Arranged by Josh Trentadue. Christmas,Contemporary,Contest,Festival,Halloween,Holiday. 21 pages. T.U.X. People's Music #988546. Published by T.U.X. People's Music (A0.1405491). Bring to life the joy and spirit of the holiday season with this wonderful collection of carols, classics, and original works suitable for celebrating Halloween, Christmas, and Hanukkah!Table of Contents:Fossils, Saint-Saëns (ME)Pumpkin Spice & Everything Nice, Trentadue (M)Hymn for Tricks and Treats, Trentadue (M)The Witches’ Sabbath, Berlioz (MA)I Heard the Bells on Christmas Day, Traditional (ME)Jolly Old St. Nicholas, Up on the Housetop, Traditional (M)Silent Night, Traditional (ME)I Have a Little Dreidel, Goldfarb & Gelbert (M)Rock of Ages, Traditional (M)Our Flexible Quartet series brings together new and old works in a joyous, fun experience suitably accessible for any combination of string instruments! Whether reimagining some of the most traditionally popular works today, or introducing brand-new works specially written for this series, your students will love the ingenuity and spirit of these carefully compiled selections.
$17.99
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