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You've selected:
Dialogues
Sheetmusic to print
172 sheet music found
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151
Dialogues
Dialogues
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Barbara Heller
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Dialogues
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Schott Music - Digital
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SheetMusicPlus
2 clarinets in Bb - SKU: S9.Q22488 9 Duets. Composed by Barbara Heller. This edition: performance score. Clarinet Library. Downloadable, Performa...
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2 clarinets in Bb - SKU: S9.Q22488 9 Duets. Composed by Barbara Heller. This edition: performance score. Clarinet Library. Downloadable, Performance score. Schott Music - Digital #Q22488. Published by Schott Music - Digital (S9.Q22488). The clarinettist Irith Gabriely was inspired by her love of Barbara Heller’s Dialogues (for violin and viola) to arrange these duets for two Bb clarinets. The result is a set of varied concertante dialogues that present clarinettists with a few challenges, requiring stamina, breath control, intense and contrasting dynamics, chromatic passages, whole tone passages, sensitive tone production, leaps across wide intervals, fast playing, disciplined rhythmic control and listening to one another closely. In this edition all tempo indications and dynamic markings are intended for guidance: these duets may equally well be interpreted in other ways. This edition therefore also includes a second section where all the pieces are reproduced without such markings, ready for individual interpretation. The Dialogues lend themselves very well to chamber performances; they are also short enough to serve as brief interludes at readings or exhibitions. Their expressive qualities, brevity and range of musical and technical demands make them highly suitable material for youth music competitions. A flute or oboe might well be played with the clarinet as alternative instrumentation for these duets (ED 22017).
$16.99 ≈
15.76€
"Dialogues" - for Soprano and Percussion [Performance Score]
"Dialogues" - for Soprano and Percussion [Performance Score]
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Contemporary
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Lior Navok
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"Dialogues" - for Soprano and
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Lior Navok Music
#
SheetMusicPlus
Small Ensemble High Voice,Multi-Percussion - Level 5 - SKU: A0.976035 Composed by Lior Navok. 20th Century,Contemporary. Score and parts. 18 pages. Lior...
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Small Ensemble High Voice,Multi-Percussion - Level 5 - SKU: A0.976035 Composed by Lior Navok. 20th Century,Contemporary. Score and parts. 18 pages. Lior Navok Music #4719301. Published by Lior Navok Music (A0.976035). DIALOGUES - for Soprano and Percussion (1999) DURATION: 11 Minutes TEXT BY: Lior Navok / Vocalize MOVEMENTS: 1. Talking Doll 2. Sargam 3. Twinkles 4. Shadowphobia LANGUAGE: English PROGRAM NOTES: The composer writes about his work: Dialogues for soprano and percussion was composed as a semi-theatrical composition, not to be acted. Talking Doll is a short satire about humans who act like machines for the sake of formality. The word Sargam in Indian means Solfège. The syllables sa, re, ma, ga, pa, dha (not used here) and ni are equal to our do, re, mi. Shadowphobia, as the name implies, deals with the relationship between a person and his/her shadow. INFO: Item: Full Score Edition: 2nd Edition Copyright: Lior Navok Publisher: Lior Navok Music Pages: 18 Ink: Black & White Paper Size: DIN B4 / Ledger.
$21.00 ≈
19.48€
PHLEGMATIC _ 1st part of Dialogues for cello duo
PHLEGMATIC _ 1st part of Dialogues for cello duo
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Cello (band part)
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Contemporary
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Pavel Kopecky
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PHLEGMATIC _ 1st part of Dialo
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Pavel Kopecky
#
SheetMusicPlus
Cello Solo - SKU: A0.1022650 Composed by Pavel Kopecky. 20th Century,Contemporary. Individual part. 2 pages. Pavel Kopecky #1910359. Published by Pavel ...
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Cello Solo - SKU: A0.1022650 Composed by Pavel Kopecky. 20th Century,Contemporary. Individual part. 2 pages. Pavel Kopecky #1910359. Published by Pavel Kopecky (A0.1022650). PHLEGMATIC _ 1st part of Dialogues for cello duo____https://youtu.be/mepPzhqvpcQ.
$2.50 ≈
2.32€
Dialogues with Shostakovich
Dialogues with Shostakovich
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Orchestra
#
Rodion Shchedrin
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Dialogues with Shostakovich
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Schott Music - Digital
#
SheetMusicPlus
Orchestra - SKU: S9.Q6198 Symphonic Etudes. Composed by Rodion Shchedrin. This edition: study score. Music Of Our Time. Downloadable, Study score...
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Orchestra - SKU: S9.Q6198 Symphonic Etudes. Composed by Rodion Shchedrin. This edition: study score. Music Of Our Time. Downloadable, Study score. Duration 17 minutes. Schott Music - Digital #Q6198. Published by Schott Music - Digital (S9.Q6198). Many of Rodion Shchedrin’s compositions are distinguished by deeply Slavonic feeling and thrilling virtuoso displays. Even though Shchedrin has won recognition all over the world for his work, he remains an essentially Russian composer who has not broken off his ties to Russian musical folk traditions and poetry. It is thus not surprising to learn of his profound admiration for his compatriot Shostakovich (Shchedrin writes: “He is like a God to me.â€) The “dialogues†in this one-movement orchestral piece give expression to this admiration; they describe and offer a musical commentary on the character of Shostakovich’s music and of the man himself.2 Picc. · 2 · 2 · 1 Engl. Hr. · Es-Klar. · 2 · 2 · Kfg. - 4 · 3 · 3 · 1 - P. S. (I: hg. Crot. Mil.-Tr. [hoch], Choclo; II: Tamt., Mil.-Tr. [mittel], Troika-Schellen, Pfeife; III: 2 Tomt. [mittel/mitteltief]; IV: Beckenpaar, Gr. Tr.) (4 Spieler) - Str. (18 · 16 · 14 · 12 · 10).
$27.99 ≈
25.97€
Dialogues and Fancies
Dialogues and Fancies
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Harp, Flute (duet)
#
INTERMEDIATE
#
Contemporary
#
Philip Orem
#
Dialogues and Fancies
#
Philip Orem
#
SheetMusicPlus
Instrumental Duet Flute,Harp,Instrumental Duet - Level 3 - SKU: A0.872663 Composed by Philip Orem. Contemporary. Score and parts. 39 pages. Philip Orem ...
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Instrumental Duet Flute,Harp,Instrumental Duet - Level 3 - SKU: A0.872663 Composed by Philip Orem. Contemporary. Score and parts. 39 pages. Philip Orem #3626199. Published by Philip Orem (A0.872663). There are three dialogues in this set, which are conversations between the flute and harp. Each is followed by a fancy, a pretty lyrical piece. Written for my friends Ed and Marcia to play at nursing homes. The recording is of the first fancy, The Bird Outside My Window.For further information contact me at po4musik@aol.com orhttps://po4musik.wixsite.com/website
$20.00 ≈
18.55€
SANGUINIC - 2nd part of Dialogues for cello duo
SANGUINIC - 2nd part of Dialogues for cello duo
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Cello (band part)
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Contemporary
#
Pavel Kopecky
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SANGUINIC - 2nd part of Dialog
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Pavel Kopecky
#
SheetMusicPlus
Cello Solo - SKU: A0.1022651 Composed by Pavel Kopecky. Contemporary. Individual part. 4 pages. Pavel Kopecky #1910343. Published by Pavel Kopecky (A0.1...
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Cello Solo - SKU: A0.1022651 Composed by Pavel Kopecky. Contemporary. Individual part. 4 pages. Pavel Kopecky #1910343. Published by Pavel Kopecky (A0.1022651). SANGUINIC - 2nd part of Dialogues for cello duo ____https://youtu.be/J3A6gQYNZzw.
$2.50 ≈
2.32€
MELANCHOLIC _ 3rd part of Dialogues for cello duo
MELANCHOLIC _ 3rd part of Dialogues for cello duo
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Cello (band part)
#
Contemporary
#
Pavel Kopecky
#
MELANCHOLIC _ 3rd part of Dial
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Pavel Kopecky
#
SheetMusicPlus
Cello Solo - SKU: A0.1022652 Composed by Pavel Kopecky. Contemporary. Individual part. 3 pages. Pavel Kopecky #1910349. Published by Pavel Kopecky (A0.1...
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Cello Solo - SKU: A0.1022652 Composed by Pavel Kopecky. Contemporary. Individual part. 3 pages. Pavel Kopecky #1910349. Published by Pavel Kopecky (A0.1022652). MELANCHOLIC _ 3rd part of Dialogues for cello duo ___ https://youtu.be/w6wkROps9FQ.
$2.50 ≈
2.32€
CHOLERIC _ fourth part of Dialogues for cello duo
CHOLERIC _ fourth part of Dialogues for cello duo
#
Cello (band part)
#
INTERMEDIATE
#
Contemporary
#
Pavel Kopecky
#
CHOLERIC _ fourth part of Dial
#
Pavel Kopecky
#
SheetMusicPlus
Cello Solo - Level 3 - SKU: A0.1022653 Composed by Pavel Kopecky. Contemporary. Individual part. 5 pages. Pavel Kopecky #1910351. Published by Pavel Kop...
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Cello Solo - Level 3 - SKU: A0.1022653 Composed by Pavel Kopecky. Contemporary. Individual part. 5 pages. Pavel Kopecky #1910351. Published by Pavel Kopecky (A0.1022653). CHOLERIC _ fourth part of Dialogues for cello duo ___.
$2.50 ≈
2.32€
"Temptations" Dialogues for clarinet and viola
"Temptations" Dialogues for clarinet and viola
#
Clarinet and Viola
#
ADVANCED
#
Panagiotis Theodossiou
#
"Temptations" Dialogues for cl
#
Panagiotis Theodossiou
#
SheetMusicPlus
Instrumental Duet Clarinet,Instrumental Duet,Viola - Level 5 - SKU: A0.886702 Composed by Panagiotis Theodossiou. Concert,Contemporary,Standards. Score ...
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Instrumental Duet Clarinet,Instrumental Duet,Viola - Level 5 - SKU: A0.886702 Composed by Panagiotis Theodossiou. Concert,Contemporary,Standards. Score and parts. 27 pages. Panagiotis Theodossiou #3582629. Published by Panagiotis Theodossiou (A0.886702). Temptations, Dialogues for clarinet and viola (2004)The work written for the duo: Giannis Sabrovalakis-Andreas Georgotas in a programmatic character, is a series of variations in a concertante style. The exposition of intervallic and motivic elements in the introduction (In the Desert), leads suddenly and unexpectedly (as it fits to a temptation) to 9 short appearances - disguises (Apparitions) - the 5th is a prayer and the 8th a Devil’s Dance. Finale (Flames) is in the peak of technical and expressional demands. Large intervals growing high like a cry to the listener between the two instruments and the strict contrapuntal writing suggest an interchange of roles between the tempting one and the other being tempted. Devil’s Dance and Finale rearranged later as parts of the String Quartet (2006). .
$15.00 ≈
13.92€
Interior Dialogues
Interior Dialogues
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Easy Piano
#
EASY
#
Contemporary
#
Max Richter
#
Musikeo
#
Interior Dialogues
#
Musikeo
#
SheetMusicPlus
Piano Solo - Early Intermediate - By Max Richter. Arranged by Musikeo. Score. 2 pages. Published by Musikeo...
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Piano Solo - Early Intermediate - By Max Richter. Arranged by Musikeo. Score. 2 pages. Published by Musikeo
This is the piano score with full detail of the song "Interior Dialogues" , included in the OST of the TV Series "My Brilliant Friend", by the well-known film and TV series composer Max Richter. Enjoy playing it on your piano!
$4.99 ≈
4.63€
Conflusion - Suite - Woodwind Ensemble - Score Only
Conflusion - Suite - Woodwind Ensemble - Score Only
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Thomas Graf
#
Thomas Graf
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Conflusion - Suite - Woodwind
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Thomas Graf - the-hit-factory.com
#
SheetMusicPlus
Woodwind Ensemble - Level 4 - SKU: A0.1115994 By Thomas Graf. By Thomas Graf. Arranged by Thomas Graf. 20th Century,Classical,Jazz. 27 pages. Thomas Gra...
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Woodwind Ensemble - Level 4 - SKU: A0.1115994 By Thomas Graf. By Thomas Graf. Arranged by Thomas Graf. 20th Century,Classical,Jazz. 27 pages. Thomas Graf - the-hit-factory.com #717714. Published by Thomas Graf - the-hit-factory.com (A0.1115994). Fantasy in 3 movements for large wind ensemble, double bass and percussion 1. Deux Caracteres 2. Dialogues 3. Dance de Confusion Confluence is the name of a place in Lyon where 2 rivers flow together: The Saône flows into the - at least in German - female Rhone. In French, however, it flows into DEN Rhone - Le Rhône. This confuses the composer: How do rivers get their gender, are they sometimes male, sometimes female? Is it because of their character, because of the landscape that they flow through? By their water, even by their fish? On the people on their shores? A real confusion ensues. In the subsequent thoughts about music, the composer discovers certain analogies and asks himself the question: does gender-typical music actually exist? Or instruments? Typically male harmonies or rhythms? Or clearly female melodies and the way to interpret? The 3-movement composition is dedicated to this question and meanders like a dance in the bed of the converging streams. Colorful modal harmonies form the bed for wide arcs of melody. A varied, recurring theme sets the direction and creates a bubbling, dancing pull in the direction of the mouth: dancing finale! 1st movement: Deux Characters In the first movement (Andante) the roles are distributed - the Sâone and the Rhône get their performers. A first glance at the ensemble reveals a tendency: woodwinds take on the female lead, the male brass the counterpart. The two drummers each support one of the two poles in solidarity. The assignment may be obvious, but strong doubts remain in the final chord of the first movement. 2. Dialogues: In smaller and larger dialogues, there is a lively exchange and the properties are worked out and further developed. But it is also increasingly being copied and imitated, even maliciously agitated and aped. You try to convince each other, interrupt each other, both sides increasingly flare up, it gets louder and more hectic, louder and louder, too loud, until communication stops: in the end, you just yell at each other! 3. Dance de Confusion The resulting confusion finds a conciliatory end in the third movement of the composition: Let's dance! In the end, the initial confusion turns into a confusion: what belongs together flows and dances together. Composed by: Thomas H. Graf Arranged by: Thomas H. Graf for Woodwind Ensemble Instrumentation: Full Score Piccolo Flute 1 Flute 2 Oboe 1 Oboe 2 English Horn Clarinet 1 in Bb Clarinet 2 in Bb Bass Clarinet in Bb Bassoon 1 Bassoon 2 Contrabassoon Trumpet 1 in Bb Trumpet 2 in Bb Trumpet 3 in Bb Trombone 1 Trombone 2 Trombone 3 Tuba Contrabass Perc 1 (Snare Drum, Chimes) Perc 2 (Triangle, Cymbals) Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987  E-Mail: info@the-hit-factory.com.  www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic
$10.00 ≈
9.28€
Sonata No. 6 "Kharkiv", Op. 48
Sonata No. 6 "Kharkiv", Op. 48
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Guitar
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Classical
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Konstantin Bliokh
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Sonata No. 6 "Kharkiv", Op. 48
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Les Productions d'OZ - Digital
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SheetMusicPlus
Guitar - Advanced - SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4244. Published by Les Production...
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Guitar - Advanced - SKU: ZZ.DZ-4244 Composed by Konstantin Bliokh. Score. 13 pages. Les Productions d'OZ - Digital #DZ 4244. Published by Les Productions d'OZ - Digital (ZZ.DZ-4244). La Sonate n° 6 Kharkiv pour guitare solo a été composée en 2021, à la fin du confinement lié au COVID-19. Ã? ce moment-là , ma famille et moi étions restés dans notre ville natale de Kharkiv (également connue sous le nom de Kharkov), en Ukraine, pendant près de deux ans. Nous considérions cette période de pandémie comme un désastre, mais nous avons réalisé plus tard que c'était en fait un moment plutôt heureux, car la guerre est arrivée dans notre pays quelques mois plus tard. Depuis 2022, une fraction considérable des 1,5 million de citoyens de Kharkiv ont quitté leur foyer, ceux qui sont restés vivent sous des attaques incessantes de missiles, et beaucoup ont été tués. Je voudrais dédier cette Sonate à la ville frontalière de Kharkiv et, surtout, à ses citoyens souffrant de la guerre.Pourtant, la musique de la Sonate n'a aucun programme spécifique. Ici, je donnerai un bref aperçu de ses principaux éléments de composition pour faciliter les interprétations futures.Les premier et quatrième mouvements de cette Sonate sont basés sur l'interaction entre le principe dodécaphonique et le centre tonal de sol majeur, naturel pour la guitare. En particulier, le premier mouvement est basé sur l'interaction de la triade de sol majeur Solâ??Siâ??Ré des cordes de guitare à vide 2â??3â??4, le motif ascendant 1 impliquant les notes Miâ??Fa#â??Laâ??Do# (à l'origine sur la première corde), et le motif descendant 2 utilisant les notes Miâ??Doâ??Sibâ??La (à l'origine sur la corde de basse 6). Ces éléments se complètent presque pour former douze tons (à l'exception du Fa manquant), et les motifs alternent avec des fragments ostinato où chaque note de la triade de sol majeur est déplacée pas à pas d'un demi-ton vers le haut ou vers le bas.Le deuxième mouvement est un Scherzo impliquant de nombreux demi-tons dans des accords accentués et des passages rapides, ainsi qu'un mouvement mélodique chromatique dans la voix de basse. Il est presque atonal dans certains fragments, mais a un centre tonal global de la mineur.Le troisième mouvement est un Adagio méditatif basé sur un thème composé dans l'échelle hexatonique Réâ??Miâ??Faâ??Sol#â??Laâ??Si et des accords ostinato impliquant les cordes de basse à vide Miâ??Laâ??Ré et le demi-ton Siâ??Do.Enfin, le quatrième mouvement est basé sur le thème dodécaphonique complet composé de deux phrases comprenant les motifs 1 et 2 du premier mouvement : Solâ??Faâ??Sibâ??Labâ??Doâ??Mibâ??Ré et Miâ??Siâ??Do#â??Laâ??Fa#. Ce thème est présenté dans ses formes prime et rétrograde. Il y a des dialogues entre la première corde, les basses et les cordes médianes à vide, similaires au premier mouvement. Ã? son apogée, le thème dodécaphonique est interprété en utilisant le mouvement parallèle de l'accord de sol majeur standard de la guitare avec les cordes médianes à vide sur douze positions.La Sonate a été créée en première et enregistrée (CD Naxos No. 8.574630) par le célèbre guitariste ukrainien Marko Topchii, qui a également vécu et étudié à Kharkiv. Je lui suis extrêmement reconnaissant pour l'interprétation brillante de cette pièce.Je suis très redevable envers Productions d'Oz d'avoir conservé mes notations originales là où celles-ci ne correspondent pas au style de l'éditeur.Sonata No. 6 Kharkiv for guitar solo was composed in 2021, in the end of the COVID-19 lockdown. At that time my family and I were staying in our home city of Kharkiv (also known as Kharkov), Ukraine for almost two years. We considered that pandemic period as a disaster, but later have realized that it actually was a rather happy time, because a war came to our homeland just a few months later. Since 2022 a considerable fraction of the 1.5 millions of Kharkiv citizens have left their homes, those who stayed have been living under ceaseless missile attacks, and many have been killed. I would like to dedicate this Sonata to the frontier city of Kharkiv and, most of all, to its citizens suffering from the war.Yet, the music of the Sonata does not have any specific program. Here I will give a brief overview of its main composition elements to facilitate future interpretations.The first and fourth movements of this Sonata are based on the interplay between the twelve-tone principle and the G-major tonal center, natural for the guitar. Namely, the first movement is based on the interaction of the G-major triad Gâ??Bâ??D of the open guitar strings 2â??3â??4, ascending motif 1 involving the notes Eâ??F#â??Aâ??C# (originally on the first string), and descending motif 2 using the notes E-â??Câ??Bbâ??A- (originally, on the bass string 6). These elements supplement each other to almost make up twelve tones (apart from the missing F), and the motifs alternate with ostinato fragments where each note in the G major triad is step-by-step moved by a semitone up or down.The second movement is a Scherzo involving numerous semitones in accented chords and fast passages, as well as chromatic melodic motion in the bass voice. It is almost atonal in some fragments, but has an overall tonal center of A-minor.The third movement is a meditative Adagio based on a theme composed within hexatonic scale Dâ??Eâ??Fâ??G#â??Aâ??B and ostinato chords involving open bass strings Eâ??Aâ??D and semitone Bâ??C.Finally, the fourth movement is based on the complete twelve-tone theme consisting of two phrases including motifs 1 and 2 from the first movement: Gâ??Fâ??Bbâ??Abâ??Câ??Ebâ??D and Eâ??Bâ??C#â??Aâ??F#. This theme is presented in its prime and retrograde forms. There are dialogues between the first string, basses and open middle strings, similar to the first movement. In the culmination, the twelve-tone theme is performed using the parallel motion of the standard guitar G-major chord with open middle strings across twelve positions.The Sonata was premiered and recorded (CD Naxos No. 8.574630) by the prominent Ukrainian guitarist Marko Topchii who has also lived and studied in Kharkiv. I am extremely grateful to him for the brilliant performance of this piece.I am greatly indebted to Productions dâ??Oz for keeping my original notations in places where these do not conform to the publisherâ??s style.
$7.95 ≈
7.38€
Conflusion - Suite - Wind Ensemble
Conflusion - Suite - Wind Ensemble
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Chamber Orchestra
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INTERMEDIATE
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Thomas Graf
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Thomas Graf
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Conflusion - Suite - Wind Ense
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Chamber Orchestra - Level 3 - SKU: A0.567766 Composed by Thomas Graf. Arranged by Thomas Graf. 20th Century,Classical,Contemporary,Jazz. Score and parts...
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Chamber Orchestra - Level 3 - SKU: A0.567766 Composed by Thomas Graf. Arranged by Thomas Graf. 20th Century,Classical,Contemporary,Jazz. Score and parts. 216 pages. Thomas Graf - the-hit-factory.com #546297. Published by Thomas Graf - the-hit-factory.com (A0.567766). Phantasie in 3 Sätzen für Großes Bläserensemble, Kontrabass und Schlagwerk 1. Deux Caractères 2. Dialogues 3. Dance de Conflusion Confluence heißt ein Ort in Lyon an dem 2 Flüsse zusammen fließen: Die Saône mündet in die - zumindest im Deutschen - weibliche Rhone. Im Französischen mündet sie aber in DEN Rhone – Le Rhône. Das verwirrt den Komponisten: Wie erhalten Flüsse ihr Geschlecht, sind sie mal männlich, mal weiblich? Liegt es an ihrem Charakter, an der Landschaft, die sie durchfließen? An ihrem Wasser, ihren Fischen gar? An den Menschen an ihren Ufern? Es entsteht eine veritable Konfusion. Bei darauf folgenden Gedanken über Musik entdeckt der Komponist gewisse Analogien und stellt sich die Frage: Gibt es eigentlich geschlechtertypische Musik? Oder Instrumente? Typisch männliche Harmonien oder Rhythmen? Oder eindeutig weibliche Melodien und die Art, zu interpretieren? Dieser Frage widmet sich die 3-sätzige Komposition und mäandriert dabei tänzerisch im Bett der zusammenfließenden Ströme. Farbenreiche modale Harmonien bilden das Bett für weite Melodiebögen. Ein variiert wiederkehrendes Thema gibt die Richtung vor und erzeugt einen sprudelnd tänzelnden Sog in Richtung der Mündung: Tanzendes Finale! 1. Satz: Deux Charactères Im ersten Satz (Andante) werden die Rollen verteilt - die Sâone und der Rhône erhalten ihre Darsteller. Ein erster Blick auf das Ensemble lässt schon eine Tendenz erkennen: Holzbläser(inne)n übernehmen die weibliche Hauptrolle, das männliche Blech den Gegenpart. Die beiden Schlagwerker unterstützen solidarisch je einen der beiden Pole. Mag die Zuordnung auf der Hand liegen, so bleiben doch starke Zweifel im Schlussakkord des ersten Satzes. 2. Dialogues In kleineren und größeren Dialogen wird sich munter ausgetauscht und werden die Eigenschaften herausgearbeitet und weiter entwickelt. Aber es wird zunehmend auch kopiert und imitiert, gar boshaft agitiert und nachgeäfft. Man versucht sich gegenseitig zu überzeugen, fällt sich ins Wort, braust beiderseits zunehmend auf, es wird lauter und hektischer, immer lauter, zu laut, bis die Kommunikation erlischt: Man schreit sich schließlich nur noch an! 3. Dance de Conflusion Die entstandene Konfusion findet im dritten Satz der Komposition ein versöhnliches Ende: Lasst uns tanzen! So wird schlussendlich aus der anfänglichen Confusion eine Conflusion: Es fließt und tanzt zusammen, was zusammen gehört. About this arrangement: Instrumentation: Full Score Piccolo Flute 1 Flute 2 Oboe 1 Oboe 2 English Horn Clarinet 1 in Bb Clarinet 2 in Bb Bass Clarinet in Bb Bassoon 1 Bassoon 2 Contrabassoon Trumpet 1 in Bb Trumpet 2 in Bb Trumpet 3 in Bb Trombone 1 Trombone 2 Trombone 3 Tuba Contrabass Perc 1 (Snare Drum Chimes) Perc 2 (Triangle Cymbals) Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic.
$80.00 ≈
74.22€
Conflusion - Suite - Woodwind Ensemble - Score Only
Conflusion - Suite - Woodwind Ensemble - Score Only
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Chamber Orchestra
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INTERMEDIATE/ADVANCED
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Thomas Graf
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Thomas Graf
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Conflusion - Suite - Woodwind
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Chamber Orchestra - Level 4 - SKU: A0.1115988 Composed by Thomas Graf. Arranged by Thomas Graf. 20th Century,Classical,Jazz. Score and parts. 27 pages. ...
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Chamber Orchestra - Level 4 - SKU: A0.1115988 Composed by Thomas Graf. Arranged by Thomas Graf. 20th Century,Classical,Jazz. Score and parts. 27 pages. Thomas Graf - the-hit-factory.com #717713. Published by Thomas Graf - the-hit-factory.com (A0.1115988). Phantasie in 3 Sätzen für Großes Bläserensemble, Kontrabass und Schlagwerk 1. Deux Caractères 2. Dialogues 3. Dance de Conflusion Confluence heißt ein Ort in Lyon an dem 2 Flüsse zusammen fließen: Die Saône mündet in die - zumindest im Deutschen - weibliche Rhone. Im Französischen mündet sie aber in DEN Rhone – Le Rhône. Das verwirrt den Komponisten: Wie erhalten Flüsse ihr Geschlecht, sind sie mal männlich, mal weiblich? Liegt es an ihrem Charakter, an der Landschaft, die sie durchfließen? An ihrem Wasser, ihren Fischen gar? An den Menschen an ihren Ufern? Es entsteht eine veritable Konfusion. Bei darauf folgenden Gedanken über Musik entdeckt der Komponist gewisse Analogien und stellt sich die Frage: Gibt es eigentlich geschlechtertypische Musik? Oder Instrumente? Typisch männliche Harmonien oder Rhythmen? Oder eindeutig weibliche Melodien und die Art, zu interpretieren? Dieser Frage widmet sich die 3-sätzige Komposition und mäandriert dabei tänzerisch im Bett der zusammenfließenden Ströme. Farbenreiche modale Harmonien bilden das Bett für weite Melodiebögen. Ein variiert wiederkehrendes Thema gibt die Richtung vor und erzeugt einen sprudelnd tänzelnden Sog in Richtung der Mündung: Tanzendes Finale! 1. Satz: Deux Charactères Im ersten Satz (Andante) werden die Rollen verteilt - die Sâone und der Rhône erhalten ihre Darsteller. Ein erster Blick auf das Ensemble lässt schon eine Tendenz erkennen: Holzbläser(inne)n übernehmen die weibliche Hauptrolle, das männliche Blech den Gegenpart. Die beiden Schlagwerker unterstützen solidarisch je einen der beiden Pole. Mag die Zuordnung auf der Hand liegen, so bleiben doch starke Zweifel im Schlussakkord des ersten Satzes. 2. Dialogues In kleineren und größeren Dialogen wird sich munter ausgetauscht und werden die Eigenschaften herausgearbeitet und weiter entwickelt. Aber es wird zunehmend auch kopiert und imitiert, gar boshaft agitiert und nachgeäfft. Man versucht sich gegenseitig zu überzeugen, fällt sich ins Wort, braust beiderseits zunehmend auf, es wird lauter und hektischer, immer lauter, zu laut, bis die Kommunikation erlischt: Man schreit sich schließlich nur noch an! 3. Dance de Conflusion Die entstandene Konfusion findet im dritten Satz der Komposition ein versöhnliches Ende: Lasst uns tanzen! So wird schlussendlich aus der anfänglichen Confusion eine Conflusion: Es fließt und tanzt zusammen, was zusammen gehört. About this arrangement: Instrumentation: Full Score Piccolo Flute 1 Flute 2 Oboe 1 Oboe 2 English Horn Clarinet 1 in Bb Clarinet 2 in Bb Bass Clarinet in Bb Bassoon 1 Bassoon 2 Contrabassoon Trumpet 1 in Bb Trumpet 2 in Bb Trumpet 3 in Bb Trombone 1 Trombone 2 Trombone 3 Tuba Contrabass Perc 1 (Snare Drum Chimes) Perc 2 (Triangle Cymbals) Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic.
$10.00 ≈
9.28€
Music for Multiple Violas or Viola Quartet: Book 2
Music for Multiple Violas or Viola Quartet: Book 2
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String Quartet : 4 violas
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INTERMEDIATE/ADVANCED
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Scott Slapin
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Music for Multiple Violas or V
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Violacentric Publications
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SheetMusicPlus
String Ensemble Viola - Level 4 - SKU: A0.1153215 Composed by Scott Slapin. 19th Century,20th Century,Chamber,Classical,Religious. 135 pages. Violacentr...
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String Ensemble Viola - Level 4 - SKU: A0.1153215 Composed by Scott Slapin. 19th Century,20th Century,Chamber,Classical,Religious. 135 pages. Violacentric Publications #753454. Published by Violacentric Publications (A0.1153215). Music for viola ensemble (4-part) or viola quartet. Includes 4 pieces: Fanfare for Cremonus, Cremonus in Italy (4 mvts), Dialogues, and A Viola Audition). Intermediate/Advanced. Parts and scores included. For more info on specific pieces, visit http://www.scottslapin.com VIDEOS: Cremonus in Italy: https://youtu.be/993TZHPTvFY Fanfare for Cremonus: https://youtu.be/I5rBnOOn-yw A Viola Audition: https://youtu.be/0SonshOoD0I Dialogues: https://youtu.be/7L3nc9oDIK0.
$40.00 ≈
37.11€
Conflusion - Suite - Woodwind Ensemble
Conflusion - Suite - Woodwind Ensemble
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Classical
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Thomas Graf
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Thomas Graf
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Conflusion - Suite - Woodwind
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Thomas Graf - the-hit-factory.com
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SheetMusicPlus
Woodwind Ensemble Bass Clarinet,Contrabassoon,Flute,Oboe,Piccolo - Level 4 - SKU: A0.1115986 Composed by Thomas Graf. Arranged by Thomas Graf. Classical...
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Woodwind Ensemble Bass Clarinet,Contrabassoon,Flute,Oboe,Piccolo - Level 4 - SKU: A0.1115986 Composed by Thomas Graf. Arranged by Thomas Graf. Classical. 212 pages. Thomas Graf - the-hit-factory.com #717711. Published by Thomas Graf - the-hit-factory.com (A0.1115986). Phantasie in 3 Sätzen für Großes Bläserensemble, Kontrabass und Schlagwerk 1. Deux Caractères 2. Dialogues 3. Dance de Conflusion Confluence heißt ein Ort in Lyon an dem 2 Flüsse zusammen fließen: Die Saône mündet in die - zumindest im Deutschen - weibliche Rhone. Im Französischen mündet sie aber in DEN Rhone – Le Rhône. Das verwirrt den Komponisten: Wie erhalten Flüsse ihr Geschlecht, sind sie mal männlich, mal weiblich? Liegt es an ihrem Charakter, an der Landschaft, die sie durchfließen? An ihrem Wasser, ihren Fischen gar? An den Menschen an ihren Ufern? Es entsteht eine veritable Konfusion. Bei darauf folgenden Gedanken über Musik entdeckt der Komponist gewisse Analogien und stellt sich die Frage: Gibt es eigentlich geschlechtertypische Musik? Oder Instrumente? Typisch männliche Harmonien oder Rhythmen? Oder eindeutig weibliche Melodien und die Art, zu interpretieren? Dieser Frage widmet sich die 3-sätzige Komposition und mäandriert dabei tänzerisch im Bett der zusammenfließenden Ströme. Farbenreiche modale Harmonien bilden das Bett für weite Melodiebögen. Ein variiert wiederkehrendes Thema gibt die Richtung vor und erzeugt einen sprudelnd tänzelnden Sog in Richtung der Mündung: Tanzendes Finale! 1. Satz: Deux Charactères Im ersten Satz (Andante) werden die Rollen verteilt - die Sâone und der Rhône erhalten ihre Darsteller. Ein erster Blick auf das Ensemble lässt schon eine Tendenz erkennen: Holzbläser(inne)n übernehmen die weibliche Hauptrolle, das männliche Blech den Gegenpart. Die beiden Schlagwerker unterstützen solidarisch je einen der beiden Pole. Mag die Zuordnung auf der Hand liegen, so bleiben doch starke Zweifel im Schlussakkord des ersten Satzes. 2. Dialogues In kleineren und größeren Dialogen wird sich munter ausgetauscht und werden die Eigenschaften herausgearbeitet und weiter entwickelt. Aber es wird zunehmend auch kopiert und imitiert, gar boshaft agitiert und nachgeäfft. Man versucht sich gegenseitig zu überzeugen, fällt sich ins Wort, braust beiderseits zunehmend auf, es wird lauter und hektischer, immer lauter, zu laut, bis die Kommunikation erlischt: Man schreit sich schließlich nur noch an! 3. Dance de Conflusion Die entstandene Konfusion findet im dritten Satz der Komposition ein versöhnliches Ende: Lasst uns tanzen! So wird schlussendlich aus der anfänglichen Confusion eine Conflusion: Es fließt und tanzt zusammen, was zusammen gehört. About this arrangement: Instrumentation: Full Score Piccolo Flute 1 Flute 2 Oboe 1 Oboe 2 English Horn Clarinet 1 in Bb Clarinet 2 in Bb Bass Clarinet in Bb Bassoon 1 Bassoon 2 Contrabassoon Trumpet 1 in Bb Trumpet 2 in Bb Trumpet 3 in Bb Trombone 1 Trombone 2 Trombone 3 Tuba Contrabass Perc 1 (Snare Drum Chimes) Perc 2 (Triangle Cymbals) Any individual arrangement and substitute parts are available on request. Call +49 (0) 172 2515987 E-Mail: info@the-hit-factory.com. www.the-hit-factory.com facebook: https://www.facebook.com/hitfactorymusic.
$80.00 ≈
74.22€
Dialogues
Dialogues
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Harp
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Contemporary
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Traditional
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Cynthia A
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Dialogues
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Cynthia Boener
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SheetMusicPlus
Harp - Composed by Traditional. Arranged by Cynthia A. Boener. Early Music, Sacred, Repertoire, Funeral, Recital. Score. 4 pages. Published by Cynthia Boe...
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Harp - Composed by Traditional. Arranged by Cynthia A. Boener. Early Music, Sacred, Repertoire, Funeral, Recital. Score. 4 pages. Published by Cynthia Boener
I fell in love with a tune I heard on the radio, searched and searched, finally found it (a traditional tune called "Dialogue between Death and a Sinner"), and did a harp arrangement of it! (with just a hint of New Britain {Amazing Grace}.
$5.95 ≈
5.52€
As freezing fountains
As freezing fountains
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Pelham Humphrey
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Early Music Scores
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As freezing fountains
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Early Music Scores
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SheetMusicPlus
Vocal Solo,Voice - SKU: A0.1040572 Composed by Pelham Humphrey. Arranged by Early Music Scores. Baroque. 1 pages. Early Music Scores #645368. Published ...
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Vocal Solo,Voice - SKU: A0.1040572 Composed by Pelham Humphrey. Arranged by Early Music Scores. Baroque. 1 pages. Early Music Scores #645368. Published by Early Music Scores (A0.1040572). Voice and continuo: Pelham Humphrey (1647-1674). From Choice Ayres, Songs & Dialogues, Third Book, London, 1681. Edited by Felipe Dias. 1 page.
$5.99 ≈
5.56€
The appointed hour of promis'd bliss
The appointed hour of promis'd bliss
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Classical
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John Weldon
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Early Music Scores
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dialogues, No
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The appointed hour of promis'd
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Early Music Scores
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SheetMusicPlus
Vocal Solo,Voice - SKU: A0.791757 Composed by John Weldon. Arranged by Early Music Scores. Baroque,Classical. 1 pages. Early Music Scores #6363075. Publ...
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Vocal Solo,Voice - SKU: A0.791757 Composed by John Weldon. Arranged by Early Music Scores. Baroque,Classical. 1 pages. Early Music Scores #6363075. Published by Early Music Scores (A0.791757). Voice and continuoComposed by John Weldon (1676-1736). From A collection of the choicest songs & dialogues, No. 145. Baroque Period. Edited by Felipe Dias. 1 page.
$5.99 ≈
5.56€
Adieu to the Pleasures and Follies of Love
Adieu to the Pleasures and Follies of Love
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Classical
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James Hart
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Early Music Scores
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Dialogues, London, 1676
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Adieu to the Pleasures and Fol
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Early Music Scores
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SheetMusicPlus
Vocal Solo,Voice - SKU: A0.791752 Composed by James Hart. Arranged by Early Music Scores. Baroque,Classical. 2 pages. Early Music Scores #6350389. Publi...
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Vocal Solo,Voice - SKU: A0.791752 Composed by James Hart. Arranged by Early Music Scores. Baroque,Classical. 2 pages. Early Music Scores #6350389. Published by Early Music Scores (A0.791752). Voice and continuoComposed by James Hart (1647-1718). From Choice Ayres, Songs & Dialogues, London, 1676. Baroque period. Edited by Felipe Dias. 2 pages.
$6.99 ≈
6.48€
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