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You've selected:
Creed
Orchestra
Sheetmusic to print
9 sheet music found
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1
The Greatest Love Of All
The Greatest Love Of All
#
Orchestra
#
INTERMEDIATE/ADVANCED
#
Rock
#
Whitney Houston
#
Matt Amy
#
The Greatest Love Of All
#
Matt Amy Music
#
SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.1414254 By Whitney Houston. By Linda Creed and Michael Masser. Arranged by Matt Amy. Contemporary,Film/TV,Pop. 69 pag...
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Full Orchestra - Level 4 - SKU: A0.1414254 By Whitney Houston. By Linda Creed and Michael Masser. Arranged by Matt Amy. Contemporary,Film/TV,Pop. 69 pages. Matt Amy Music #996028. Published by Matt Amy Music (A0.1414254). Key: A majorBPM: 66Style: BalladDuration: 4:41â?? Ensemble type: Pops Orchestra (reduced)Full Recording (MIDI): Greatest Love of All (MIDI)Instrumentation- Horn 1, 2- Trombone- Voice- Piano- Guitar- Electric Bass (Rhythm Section)- Drums- Percussion- Harp- Violin 1- Violin 2- Viola- Cello- ContrabassClick the following link for more arrangements by Matt AmyContact Matt here
$75.00 ≈
70.00€
Divinum Mysterium
Divinum Mysterium
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Orchestra
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INTERMEDIATE/ADVANCED
#
12th Century Plainchant
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Robert Myers
#
Oboe 1,2
#
Divinum Mysterium
#
WheatMyer Music
#
SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.976721 Composed by 12th Century Plainchant. Arranged by Robert Myers. Christian,Christmas,Contemporary,Sacred. Score ...
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Full Orchestra - Level 4 - SKU: A0.976721 Composed by 12th Century Plainchant. Arranged by Robert Myers. Christian,Christmas,Contemporary,Sacred. Score and parts. 76 pages. WheatMyer Music #4798079. Published by WheatMyer Music (A0.976721). DIVINUM MYSTERIUM is a chant tune dating to the 12th century which is associated with the hymn, Of the Father's Love Begotten, based on the Latin hymn, Corde natus ex parentis, written by Prudentius in the late 4th / early 5th century. This is thus one of the very oldest texts and tunes still sung in our churches today. The shape and flow of this arrangement, which includes quotations from CANTIQUE de NOEL (O Holy Night) – Adolphe Adam (1844), was strongly influenced by what one writer described as the strong wave shapes of the tune. I’ve attempted to make these waves a significant feature of the piece, featured in both the constant crescendo/decrescendos and the interweaving of the two tunes. And, just as ocean waves don’t arrive in steady rhythms, these musical waves are variable – sometimes closely spaced, sometimes not, and sometimes overlapping. The unique character of each of the three major sections is implied in their headings: (1) with mystery and wonder, (2) Joyfully – a child is born, and (3) contemplative – God is with us. The opening section portrays the mystery of the trinity (the hymn text was written as an apology for the Nicene Creed) mixed with the wonder of the Creator God lying in a manger. Since the tune is derived from medieval chant, I wanted this section to reflect the loose metrical nature of that genre, so the melodic phrasing should predominate over any sense of meter up to letter C. The initial tonal and metrical ambiguity and the fractured melodic lines gradually meld into conventional tonality and clear statements of the two main themes. Don’t let the poco rit. just before C be too poco. Build a definite sense of tension in anticipation of the Presto section. The Presto section presents the first complete statement of the main theme. I felt a strong, rhythmic treatment should follow the ambiguity of the opening to reflect the joy of the Messiah’s incarnation realized. However, the gravity of the text demands avoidance of frivolity and banality. Thus, I used a combination of the long, flowing lines with a syncopated pulse and echoing rhythms to produce what I hope is a fresh but still reverent treatment of this ancient hymn – one that produces a kaleidoscope of tonal color. Arriving at the third section at letter F, the asymmetrical pulse gradually shifts into a straight 3 pattern. The slower tempo and return of the secondary theme call us to reflect on the import of God now with us. The marking of Let off the gas and coast to the end is a word picture of how the tempo should draw to a close, as would an expert helmsman allow the ship’s momentum to stop just as it taps the dock. One parting moment is provided to savor the woodwinds closing phrase from CANTIQUE de NOEL. Robert Myers S.D.G. INSTRUMENTATION Fl 1,2; Oboe 1,2; Bb Cl 1,2 ; Bsn 1,2 Hn in F 1/2, 3/4; C Tpt 1,2 (Opt Bb Tpt 1,2); Tbn 1, 2; Tuba Timpani Perc. 1 (cymbals, tam-tam, vibraphone) Perc. 2 (chimes, snare) Perc. 3 (concert toms (4), bass drum) Vln 1,2; Vla 1,2; VC; DB
$75.00 ≈
70.00€
Assassin's Creed Revelations
Assassin's Creed Revelations
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Orchestra
#
ADVANCED
#
Jesper Kyd Jacobsen
#
Aliyah Danielle
#
Assassin's Creed Revelations
#
Aliyah Danielle
#
SheetMusicPlus
Full Orchestra - Level 5 - SKU: A0.1149502 Composed by Jesper Kyd Jacobsen. Arranged by Aliyah Danielle. Video Game. Score and parts. 42 pages. Aliyah D...
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Full Orchestra - Level 5 - SKU: A0.1149502 Composed by Jesper Kyd Jacobsen. Arranged by Aliyah Danielle. Video Game. Score and parts. 42 pages. Aliyah Danielle #749647. Published by Aliyah Danielle (A0.1149502). Brass, strings, percussion, and SATB chorus.
$69.99 ≈
65.33€
Legacy
Legacy
#
Orchestra
#
INTERMEDIATE/ADVANCED
#
Contemporary
#
Sy Brandon
#
Legacy
#
Sy Brandon
#
SheetMusicPlus
Full Orchestra - Level 4 - SKU: A0.755203 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 253 pages. Sy Brandon #3415579. Published ...
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Full Orchestra - Level 4 - SKU: A0.755203 Composed by Sy Brandon. 20th Century,Contemporary. Score and parts. 253 pages. Sy Brandon #3415579. Published by Sy Brandon (A0.755203). Legacy is a three movement composition for chamber orchestra that makes social commentary on the issue of global warming. It was commission and premiered by the Washington Sinfonietta, Rufus Jones, conductor. I. Conflicts - This movement begins with a cry from native cultures admonishing our neglect of the environment. The cry is interspersed with debate regarding the seriousness of global warming (woodwinds). The debate grows stronger as the cries grow weaker. The debate is quieted by a measure of repeated chords that could be the words, stop it! stop it now!. A weak cry in the English Horn brings the introduction to a close. An Allegro section follows with a rhythmic and primitive sounding section representing the underdeveloped nations that are destroying the rain forests for economic gain. This material evolves into a more harmonic and contrapuntal section representing industrialized nations reluctant to change, also for economic reasons. Things quiet down as the music takes the listener to another part of the globe, East Asia. Conflict is again present in this section. The music returns to a varied restatement of the industrialized nations music before traveling to India for a section influenced by Raga. This section builds in dissonance until we hear the repeated stop it now chords from the introduction. A brief reprise of the cries bring the movement to a close. II. Consequences - This movement evokes a somber mood that is reflective of living in a climate of extremes. The movement is in arch form as it begins and ends with open harmony reflective of barren lands that once were fertile. The middle section serves as a climax expressive the harshness of the climate. Colleen McCollough’s book, A Creed for the Third Millennium was a source of inspiration for this movement. III. Sacrifice and Compromise - The movement begins with a strong section that suggests progress. It is followed by a quieter and intense section that alternates lyrical lines over a staccato ostinato that creates a sense of urgency. The opening section returns and is followed by a development of the ostinato section. This section is symbolic of how ideas need to be adapted in order for progress to be made. The opening section returns once more before leading into the concluding section where there is coming together of the instruments on a long lyrical line representing more and more people working together for change. The movement ends with a sense of triumph over adversity.The score prints on legal size paper and the parts on letter.
$49.95 ≈
46.62€
Nicene Creed (Credo)
Nicene Creed (Credo)
#
Orchestra
#
INTERMEDIATE
#
Sacred music
#
James Gilbert
#
Nicene Creed
#
James Gilbert Music
#
SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.728214 Composed by James Gilbert. Contemporary,Praise & Worship,Sacred. Score and parts. 40 pages. James Gilbert Musi...
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Full Orchestra - Level 3 - SKU: A0.728214 Composed by James Gilbert. Contemporary,Praise & Worship,Sacred. Score and parts. 40 pages. James Gilbert Music #9873. Published by James Gilbert Music (A0.728214). For Orchestra.
$9.99 ≈
9.32€
Be Thou My Vision - Orchestra
Be Thou My Vision - Orchestra
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Orchestra
#
INTERMEDIATE
#
Sacred music
#
Traditional Irish Melody: Slan
#
Brendan Elliget MAGA 537
#
Be Thou My Vision - Orchestra
#
BJE Music
#
SheetMusicPlus
Full Orchestra - Level 3 - SKU: A0.750756 Composed by Traditional Irish Melody: Slane. Arranged by Brendan Elliget MAGA 537. Christian,Praise & Worship,...
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Full Orchestra - Level 3 - SKU: A0.750756 Composed by Traditional Irish Melody: Slane. Arranged by Brendan Elliget MAGA 537. Christian,Praise & Worship,Sacred. Score and parts. 35 pages. BJE Music #3543435. Published by BJE Music (A0.750756). Be Thou my Vision, O Lord of my heart; Naught be all else to me, save that Thou art. Thou my best Thought, by day or by night, Waking or sleeping, Thy presence my lightBe Thou My Vision is a traditional Christian hymn, which can be traced to Ireland but is now sung in English-speaking churches around the world and is often sung around St. Patrick’s Day.​The music is the Irish folk song, Slane referring to Slane Hill. Slane Hill is about ten miles from Tara in County Meath. It was on Slane Hill around 433 AD that St. Patrick defied a royal edict by lighting candles on Easter Eve. High King Logaire of Tara had decreed that no one could light a fire before Logaire began the pagan spring festival by lighting a fire on Tara Hill. Logaire was so impressed by Patrick’s devotion that, despite his defiance (or perhaps because of it), he let him continue his missionary work. The rest is history.​This arrangement is for full orchestra with two changes of key. Also available for Concert Band as well.The MP3 was recorded with NotePerformerGrade = 3 Duration = 2:22 mins.
$20.00 ≈
18.67€
I Put A Spell On You
I Put A Spell On You
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Orchestra
#
INTERMEDIATE/ADVANCED
#
Rock
#
Creedence Clearwater Revival
#
Daryl McKenzie
#
I Put A Spell On You
#
Daryl McKenzie
#
SheetMusicPlus
Full Orchestra - Level 4 - By Creedence Clearwater Revival. By Jay Hawkins. Arranged by Daryl McKenzie. Soul. 55 pages. Daryl McKenzie #828607. Publ...
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Full Orchestra - Level 4 - By Creedence Clearwater Revival. By Jay Hawkins. Arranged by Daryl McKenzie. Soul. 55 pages. Daryl McKenzie #828607. Published by Daryl McKenzie
$99.99 ≈
93.33€
Have You Ever Seen The Rain?
Have You Ever Seen The Rain?
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Orchestra
#
INTERMEDIATE/ADVANCED
#
Rock
#
Creedence Clearwater Revival
#
Daryl McKenzie
#
Have You Ever Seen The Rain?
#
Daryl McKenzie
#
SheetMusicPlus
By Creedence Clearwater Revival. By John Fogerty. Arranged by Daryl McKenzie. Contemporary, Pop, Rock. Score and parts. 85 pages. Daryl McKenzie #7895...
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By Creedence Clearwater Revival. By John Fogerty. Arranged by Daryl McKenzie. Contemporary, Pop, Rock. Score and parts. 85 pages. Daryl McKenzie #789545. Published by Daryl McKenzie
$99.99 ≈
93.33€
Have You Ever Seen The Rain?
Have You Ever Seen The Rain?
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Orchestra
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INTERMEDIATE/ADVANCED
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Contemporary
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Creedence Clearwater Revival
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Daryl McKenzie
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Have You Ever Seen The Rain?
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Daryl McKenzie
#
SheetMusicPlus
By Creedence Clearwater Revival. By John Fogerty. Arranged by Daryl McKenzie. Contemporary, Pop, Rock. Score and parts. 84 pages. Daryl McKenzie #7895...
(+)
By Creedence Clearwater Revival. By John Fogerty. Arranged by Daryl McKenzie. Contemporary, Pop, Rock. Score and parts. 84 pages. Daryl McKenzie #789541. Published by Daryl McKenzie
$99.99 ≈
93.33€
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