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Chicago
Not classified 524

Piano & keyboards
Piano solo 346
Piano, Voice 259
Piano, Vocal and Guitar 243
Easy Piano 103
C Instruments 31

Big Note Piano 13
Organ 11
Accordion 6
1 Piano, 4 hands 5
Piano (band part) 3
Piano Accompaniment 3
Piano Quartet: piano, violin, viola, cello 2
2 Pianos, 4 hands 1

Piano Trio: piano, violin, cello 1
Melody line, Piano 1

+ 10 instrumentations

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Guitars
Melody line, (Lyrics) and Chords 290
Guitar notes and tablatures 94
Lyrics and Chords 25
Bass guitar 23
Guitar 22

Ukulele 16
Guitar (band part) 9
Electric Bass (band part) 3
2 Dulcimers (duet) 2
Banjo 1
Mandolin, Guitar (duet) 1
Dulcimer 1
Piano, Guitar (duet) 1
Guitar Ensemble 1

+ 9 instrumentations

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Voice
Choral SATB 102
Choral 3-part 32
Choral TTBB 25
Voice solo 10
Choral 7

Choral 2-part 6
Choral SSAA 5
High voice 3
Alto voice, Piano 1
Tenor voice 1
Tenor voice, Piano 1
Low voice 1

+ 7 instrumentations

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Woodwind
Saxophone (band part) 73
Saxophone 63
Flute 48
Clarinet 41
Clarinet (band part) 30

Saxophone Quartet: 4 saxophones 21
Alto Saxophone 20
Flute, Oboe, Clarinet, Bassoon 16
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 13
Clarinet Quartet: 4 clarinets 12
Alto Saxophone and Piano 12
Saxophone Quintet: 5 Saxophones 11
Flute and Piano 10
Flute (band part) 10
Clarinet Quintet: 5 clarinets 8
Oboe, Piano (duet) 8
Tenor Saxophone 8
2 Saxophones (duet) 7
Oboe (band part) 6
Clarinet and Piano 6
2 Clarinets (duet) 5
2 Flutes (duet) 5
Baritone Saxophone, Piano 5
Tenor Saxophone and Piano 5
Clarinet Ensemble 3
Soprano Saxophone and Piano 3
Saxophone ensemble 3
Harmonica 3
Bass Clarinet, Piano 3
Flute Quintet : 5 flutes 2
Recorder 2
Recorder, Piano 2
Piccolo, Piano 2
Eb Instruments 2
3 Clarinets (trio) 2
Treble (Alto) Recorder, Piano 2
Flute Quartet: 4 flutes 2
Flute ensemble 2
Descent (Soprano) Recorder, Piano 2
Treble (Alto) Recorder 1
3 Saxophones (trio) 1
2 Recorders (duet) 1
Oboe 1
2 Oboes (duet) 1
Soprano Saxophone 1
Oboe, Clarinet, Bassoon (trio) 1
Recorder Ensemble 1
English horn, Piano 1

+ 43 instrumentations

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Woodbrass
Trumpet (band part) 61
Trombone (band part) 53
Trumpet 38
Trombone 36
Brass Quintet: 2 trumpets, horn, trombone, tuba 33

Brass quartet : 2 trumpets, trombone, tuba 29
French horn (band part) 19
Trombone and Piano 11
French horn 9
2 Trombones (duet) 8
Tuba (band part) 8
French Horn and Piano 6
2 Trumpets (duet) 5
Trumpet, Piano 5
Euphonium, Piano (duet) 4
Cornet 3
Tuba and Piano 3
2 Euphoniums and 2 Tubas 2
Trombone ensemble 2
Bb Instruments 2
Trumpet, Trombone (duet) 2
3 Trombones (trio) 2
Brass Trio 1
2 French horns (duet) 1
Brass Quartet: 4 trombones 1
Brass Quartet 1
F Instruments 1
Brass Quartet: 2 trumpets, 2 trombones 1
4 Tubas 1
Bass Clef Instruments 1
Tuba ensemble 1
English horn, Piano 1
Brass Quartet: 2 trumpets, horn, trombone 1
Brass Quartet: 4 horns 1

+ 29 instrumentations

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Strings
String Quartet: 2 violins, viola, cello 25
Violin 20
Doublebass (band part) 11
Violin and Piano 11
Cello 9

Viola 9
Viola, Piano 7
Cello, Piano 6
Violin (band part) 5
2 Violins (duet) 4
2 Cellos (duet) 4
Double bass, Piano (duet) 3
Cello (band part) 3
Viola (band part) 3
String Trio: violin, viola, cello 3
Violin, Cello (duet) 2
String Quintet: 2 violins, viola, cello, bass 1
2 Violas (duet) 1
String Quintet: 2 violins, 2 violas, cello 1
Harp 1

+ 15 instrumentations

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Percussion & orchestra
Concert band 106
Jazz Ensemble 88
Brass ensemble 40
Orchestra 27
Percussion (band part) 17

Drum (band part) 17
Drums 11
Jazz combo 9
Big band 8
Marching band 8
String Orchestra 7
Handbells 4
Timpani (band part) 3
Percussion 2
Chamber Orchestra 2
Flexible Instrumentation 1

+ 11 instrumentations

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Chicago

2 Pianos, 4 hands

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Sonata Hymnica No. 6

Sonata Hymnica No. 6 #2 Pianos, 4 hands #INTERMEDIATE/ADVANCED #James Siddons #Sonata Hymnica No. 6 #James Siddons Music and Writings #SheetMusicPlus

2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.972673 Composed by James Siddons. Contemporary,Folk,Jazz,Spiritual. Score. 25 pages. James Siddons Music...(+)

2 Pianos,4 Hands,Piano Duet - Level 4 - SKU: A0.972673 Composed by James Siddons. Contemporary,Folk,Jazz,Spiritual. Score. 25 pages. James Siddons Music and Writings #6698569. Published by James Siddons Music and Writings (A0.972673). Performance NoteSonata Hymnica No. 6 is scored for two pianos and three performers. One performer (or player) sits at Piano I and may also serve as the conductor. At Piano II, Performer 1 plays from the treble staff and Performer 2 plays from the bass staff. There are possible variations in this, such as having four pianos (two pianos doubling the other two), or having two performers at Piano I, with Performer 2 playing only the bass-staff rhythmic pattern that begins in measure 37. A standing conductor (not playing piano) may be desired. Although repetitive, the music in this sonata rarely repeats itself exactly; hence, further minor improvisations by the performers are appropriate, keeping with the improvisatory nature of oral tradition. Program Note (for use in concert programs) by James Siddons The Sonata Hymnica series by James Siddons consists of piano solos that explore the world of American hymns and vernacular religious songs in the 1880-1920 era, when rural and small-town churches relied on pianos for music, and, in an age before microphones and amplification, the acoustics of wooden floors, walls, and high ceilings. These sonatas are not hymn arrangements but explorations of the sounds that can be created by a piano in a reverberant environment, all the while keeping in mind the essential message of the familiar words sung to the various hymn tunes. Sonata Hymnica No. 6 is the first in the series to be for piano ensemble, and the second (after No. 3) to be based on the worship music of the 19th-century African American church. This sixth sonata also explores the singing world of the black congregation and choir as well as the piano. Their singing was shaped by the sounds and intonations of the piano and the heritage of European music behind it, as well as the contours and cadences of the religious folk songs known as Spirituals. But the black congregations also sang hymns and choruses from the Classical tradition, and the Spirituals became the basis of many adaptations by white arrangers. Thus, we may speak of standardized adaptations of Spirituals as white black music, and black performance styles of Classical works as black white music. Piano ragtime music is a non-religious example of white music (the military march) made into black white music by the blending in of the syncopated rag rhythm. Sonata Hymnica No. 6 explores the intermingling of these two strains of American music as heard in the 19th-century black church. In his classic book The Souls of Black Folk (Chicago, 1903), W. E. B. Du Bois confesses to not being a musician but nonetheless finding himself enthralled by the music of the Southern 19th-century African Americans. He refers to their singing as the Frenzy or ‘Shouting,’ when the Spirit of the Lord passed by, and seizing the devotee, made him mad with supernatural joy . . . stamping, shrieking, and shouting, the rushing to and fro and waving of arms, the weeping and laughing, the vision and the trance (p. 116). On another page, Du Bois speaks of . . . the songs of my fathers . . . swelling with song, instinct for life, tremendous treble and darkening bass (p. 163). Sonata Hymnica No. 6 uses the African call and response form as well as percussive polyrhythms.

$10.00 ≈ 9.33€