Download Digital Sheet Music of BASS for Trumpet, Trombone (duet)

All site ▾

My account (log-in)

€

EUR €USD $GBP £CAD $CNY ¥

Français

Free Sheet Music ▾
Digital Sheet Music
Music Sheet Library ▾
Musical Equipment ▾

BASS
Not classified 4,991

Piano & keyboards
Piano solo 312
Accordion 282
Piano, Voice 270
Easy Piano 173
C Instruments 122

Piano, Vocal and Guitar 113
Piano Accompaniment 38
Organ 16
1 Piano, 4 hands 10
Accordion ensemble 6
2 Accordions 5
Piano Quintet: piano, 2 violins, viola, cello 5
Piano Trio: piano, violin, cello 4
Piano Quintet: piano, violin, viola, cello, double bass 3
Piano Quartet: piano, violin, viola, cello 2
1 Piano, 6 hands 2
Organ, Piano (duet) 1
2 Pianos, 4 hands 1
Harpsichord 1
2 Pianos, 8 hands 1

+ 15 instrumentations

- Retract

Guitars
Bass guitar 1,655
Guitar notes and tablatures 83
Guitar 40
Melody line, (Lyrics) and Chords 29
Mandolin, Piano (duet) 16

Ukulele 11
Electric Bass (band part) 10
2 Guitars (duet) 7
4 Guitars (Quartet) 4
2 Dulcimers (duet) 3
Guitar Ensemble 2
Lyrics and Chords 2
Ukulele Ensemble 1
3 Guitars (trio) 1
Piano, Guitar (duet) 1

+ 10 instrumentations

- Retract

Voice
Choral 2-part 1,044
Vocal duet, Piano 566
Choral SATB 415
Vocal duet 256
Choral 3-part 214

Choral TTBB 159
Choral SSAA 119
Choral Unison 33
Low voice, Piano 32
Low voice 13
High voice 10
Medium voice, Piano 7
Soli, Mixted choir and accompaniment 3
Tenor voice 2
Choral 2
Choral SSATTB 1
Voice solo 1

+ 12 instrumentations

- Retract

Woodwind
Flute, Oboe, Clarinet, Bassoon 2,418
Woodwind Quintet: flute, oboe, bassoon, clarinet, horn 1,192
Clarinet Quartet: 4 clarinets 485
Oboe, Bassoon (duet) 185
Clarinet Ensemble 136

Clarinet, Bassoon (duet) 129
Flute, Oboe, Bassoon 125
Flute, Clarinet and Bassoon. 121
Saxophone Quintet: 5 Saxophones 120
2 Clarinets (duet) 116
Clarinet Quintet: 5 clarinets 107
Flute ensemble 95
Oboe, Clarinet, Bassoon (trio) 95
Oboe, Piano (duet) 90
3 Clarinets (trio) 70
Flute 67
Saxophone Quartet: 4 saxophones 66
Flute Quartet: 4 flutes 63
Bass Clarinet, Piano 62
Clarinet 62
Flute, Bassoon, and Piano 44
Recorder Quartet 44
Recorder Ensemble 42
Flute Quintet : 5 flutes 40
Flute, Clarinet, Horn and Bassoon (Quartet) 39
2 Recorders (duet) 38
2 Saxophones (duet) 36
2 Flutes (duet) 36
Flute and Piano 31
Tenor Saxophone and Piano 25
Alto Saxophone and Piano 22
Clarinet, Bassoon, Piano (trio) 21
Saxophone ensemble 20
Clarinet and Piano 20
Recorder 18
Flute Trio: 3 flutes 16
Soprano Saxophone and Piano 14
Alto Saxophone 14
Saxophone (band part) 12
Saxophone, Bassoon (duet) 11
3 Saxophones (trio) 10
2 Oboes (duet) 9
3 Recorders (trio) 9
2 Clarinets, Bassoon 9
Recorder, Piano 8
Oboe (band part) 6
Clarinet, Double bass (duet) 6
Clarinet (band part) 5
Descant (Soprano) Recorder, Basso continuo 5
Oboe, Bassoon and Piano 5
Flute, Clarinet (duet) 4
Oboe 3
Flute and Guitar 3
Clarinet, Cello (duet) 3
Baritone Saxophone, Piano 3
Flute, Basso continuo 2
2 English horns and Pianoforte 2
Flute, Violoncello 2
Flute, Oboe, Clarinet (trio) 2
Baritone Saxophone 2
Treble (Alto) Recorder, Piano 2
Oboe, Cello 2
Bass Clarinet 2
Tenor Saxophone 2
Clarinet, Guitar (duet) 2
Descant (Soprano) Recorder 2
2 Recorders, Guitar 1
2 Oboes and Basson 1
Tenor Recorder 1
Bagpipe 1
Oboe, Clarinet, Bassoon and Piano 1
Oboe, Clarinet (duet) 1
2 Clarinets, Piano 1
Piccolo 1
Soprano Saxophone 1
Flute, Oboe (duet) 1
Clarinet, Violin (duet) 1
English horn, Harp (duet) 1
Flute, Violin and Violoncello 1
5 Recorders 1
Treble (Alto) Recorder 1
English Horn 1

+ 77 instrumentations

- Retract

Woodbrass
Brass Quintet: 2 trumpets, horn, trombone, tuba 63
Trombone and Piano 49
Brass quartet : 2 trumpets, trombone, tuba 43
Trombone 29
Brass Quartet: 4 trombones 23

Tuba and Piano 21
Trumpet, Bassoon (duet) 21
Trumpet, Piano 19
2 Trombones (duet) 15
Brass Quartet: 2 trumpets, horn, trombone 15
Trumpet 13
Bass Trombone 12
2 Trumpets (duet) 12
French Horn and Piano 12
French horn and Basson (duet) 12
Euphonium, Piano (duet) 11
Brass Quartet 11
Tuba 11
French horn 8
Trombone ensemble 6
2 Tubas (duet) 6
Trombone (band part) 5
Trumpet (band part) 5
Bass Trombone and Piano 5
Euphonium 5
2 French horns (duet) 4
Trumpet, Trombone (duet) 3

Brass Trio 3
Horn Ensemble 3
Bass Clef Instruments 3
4 Tubas 3
3 Trumpets (trio) 2
3 Tubas (trio) 2
3 Trombones (trio) 2
Brass Quartet: 4 horns 2
2 English horns and Pianoforte 2
Brass Quartet: 2 trumpets, 2 trombones 1
Euphonium, Tuba (duet) 1
Trumpet, violin (duet) 1
French horn (band part) 1
2 Euphoniums (duet) 1
Brass Quartet: 4 trumpets 1
Trumpet, Horn (duert) 1
Trombone, Organ 1
3 French horns (trio) 1
English horn, Harp (duet) 1
English Horn 1

+ 42 instrumentations

- Retract

Strings
String Quintet: 2 violins, viola, cello, bass 669
Double Bass 585
Double bass, Piano (duet) 399
String Quartet: 2 violins, viola, cello 354
2 Double basses (duet) 118

Cello, String Bass (duet) 83
Violin, Bassoon (duet) 56
Cello, Piano 54
Violin and Piano 44
Violin 43
Viola and Bassoon 39
String Trio: violin, viola, cello 36
Viola, Piano 34
Violin, Cello (duet) 27
Cello (band part) 25
Harp 24
2 Cellos (duet) 17
4 Double Basses 15
Doublebass (band part) 13
3 double basses 10
Cello 9
Flute, Doublebass (duet) 9
Violoncello, Basso continuo 8
2 Violins (duet) 8
Viola 7
4 Cellos 6
Violin (band part) 5
String Trio: 2 violins, cello 4
Violin, Viola (duet) 4
2 Violas (duet) 3
String Quintet: 2 violins, 2 violas, cello 2
Viola and Harp 2
Piano Trio: Violin, Viola, Piano 2
String quartet: 4 violins 2
Harp, Voice 2
String Trio: 3 cellos 2
Viola, Cello (duet) 2
Viola (band part) 2
Harp, Cello (duet) 2
Harp, Violin (duet) 2
2 Cellos, Piano 1
Violin, Basso continuo 1
Cello, Guitar (duet) 1
Cello, Orchestra 1
String Trio: 3 violins 1
3 Harps 1
Harp, Flute (duet) 1
2 Violins, Piano 1

+ 43 instrumentations

- Retract

Percussion & orchestra
Concert band 897
String Orchestra 261
Jazz Ensemble 186
Orchestra 102
Brass ensemble 85

Jazz combo 80
Handbells 64
Chamber Orchestra 50
Drums 45
Marching band 45
Percussion Ensemble 39
String Quintet : 2 Violins, Viola, Violoncello, Doublebass, Keyboard 19
Drum (band part) 8
Xylophone, Piano 5
School Ensemble 3
Percussion 2
Marimba 2
Piano and Orchestra 2
Xylophone 1
3 Marimbas 1
Big band 1
Flexible Instrumentation 1

+ 17 instrumentations

- Retract

Others

Home Best Sellers

New releases Methods Studies

Sellers

AmericansAt Musicnotes At Sheetmusicplus At Virtualsheetmusic
EuropeansAt Tomplay At Prof-Editions At Note4piano At Noviscore At Quickpartitions

International artists list

French artists list

Top artists

POP
Adele
Daft Punk
Avicii
Pharrel Williams
Bruno Mars
Lily Allen
Birdy
John Legend
Passenger
Emeli Sand�
Beatles
NEW AGE / CLASSICAL
Yiruma
Ludovico Einaudi
John Williams
Piazzolla
John Rutter
Dmitri Shostakovich
Benjamin Britten
Ennio Morricone
Paul Mealor
John Rutter
Eric Whitacre
John Tavener

FREE SHEET MUSIC
185,000+ free sheet music

SHEET MUSIC LIBRARY
1,500,000+ buy and delivery

DIGITAL SHEET MUSIC
2,000,000+ buy and print

MUSICAL INSTRUMENTS
200,000+ buy and delivery

Sheet Music Membership ($37.75/year)

Digital sheet music, access after purchasing

Post mailing Digital sheet music

Sorting and filtering :

with audio

with video

with play-along

You've selected:

BASS

easy

Trumpet, Trombone (duet)

Sheetmusic to print

3 sheet music found

Gabrieli: Sonata Pian e Forte, Ch. 175 for Trumpet & Trombone Choir

Gabrieli: Sonata Pian e Forte, Ch. 175 for Trumpet & Trombone Choir #Trumpet, Trombone (duet) #EASY #Giovanni Gabrieli #James M #Gabrieli: Sonata Pian e Forte, #jmsgu3 #SheetMusicPlus

Brass Band Trombone,Trumpet,Tuba - Level 2 - SKU: A0.1220622 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Contest,Early Music,Fes...(+)

Brass Band Trombone,Trumpet,Tuba - Level 2 - SKU: A0.1220622 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie, ASCAP. Contest,Early Music,Festival,Historic,Instructional,Renaissance. Score and Parts. 45 pages. Jmsgu3 #816951. Published by jmsgu3 (A0.1220622). A musical monument: the first composition to employ dynamics Minimum Instrumentation: 4 Trumpets, 2 Alto Trombones, 3 Tenor Trombones, 1 Bass Trombone, and 1 Tuba. Suggested instrumentation: 8 trumpets, 4 Alto Trombones, 6 Tenor Trombones, 2 Bass Trombones, 4 Tubas.InnovationsFirst of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which he calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.

$47.95 ≈ 44.74€

Gabrieli: Canzon Septimi Toni Ch. 172 for Trumpet & Trombone Double Choir

Gabrieli: Canzon Septimi Toni Ch. 172 for Trumpet & Trombone Double Choir #Trumpet, Trombone (duet) #EASY #Giovanni Gabrieli #James M #1 Bass Trombone #Gabrieli: Canzon Septimi Toni #jmsgu3 #SheetMusicPlus

Brass Ensemble Trombone,Trumpet - Level 2 - SKU: A0.1224064 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Fes...(+)

Brass Ensemble Trombone,Trumpet - Level 2 - SKU: A0.1224064 Composed by Giovanni Gabrieli. Arranged by James M. Guthrie. Chamber,Contest,Early Music,Festival,Historic,Renaissance. Score and Parts. 51 pages. Jmsgu3 #820156. Published by jmsgu3 (A0.1224064). From Sacrae Symphoniae, Venice, 1597Minimum instrumentation: Two choirs of 2 Trumpets, 1 Tenor Trombone & 1 Bass Trombone.InnovationsFirst of all, Gabrieli preferred sacred vocal and certainly instrumental music. Hence, he concentrated on music that consequently took advantage of resonance and likewise reverberation for maximum effect. Seems like Gabrieli may have invented dynamics – or was rather the first to indicate them such as in his Sonata Pian’ e Forte. Consequently, he was also a pioneer in spatial techniques. He therefore developed and used very specific notation to indicate instrumentation. Gabrieli experimented with assembling massive instrumental forces into isolated groups separated by space. In this way, he consequently contributed heavily to the Baroque Concertato style.Polychoral WorksGabrieli probably used the layout of the San Marco church for his experiments. This is because he worked there as a musician and composer. Furthermore, the church had two choir lofts facing each other. He certainly used these to create striking spatial effects between instrumental forces. Certainly, many of his works are composed such that a choir or instrumental group could first be heard on one side, then consequently followed by a response from the group on the other side. Sometimes there was probably a third group positioned near the main altar as well.Spatial MusicAbove all, Gabrieli studied carefully detailed groups of instruments and singers. Furthermore, it seems like he created precise directions for instrumentation in rather than two groups. The instruments, because they could be appropriately situated, could consequently be heard with perfect clearness at distant locations. As a result, arrangements that seem bizarre on paper, can in contrast sound perfectly in balance.First WorksFinally, Gabrieli published his first motets along with his uncle Andrea's compositions in Concerti (1587). These compositions furthermore indicate considerable usage of dialogue and echo effects. Consequently, here we see low and high choirs with the variance between their ranges indicated by instrumental accompaniment. Seems like Gabrieli’s later motets Sacrae Symphoniae (1597) move away from close antiphony. In contrast, he moves towards not simply echoing the material but developing it through sequential choral entrances. Even more, he takes this procedure to the extreme in the Motet Omnes Gentes. Unlike earlier works, here the instruments are certainly an essential part of the presentation. Also, only parts marked: Capella are supposed to be sung.HomophonyHence, after 1605, Gabrieli moves to a much more homophonic style. He writes sections purely for instruments – which calls Sinfonia – and smaller sections for vocal soloists, accompanied by a basso continuo.

$47.95 ≈ 44.74€

Jesu, joy of man's desiring by Bach for Trumpet and Trombone

Jesu, joy of man's desiring by Bach for Trumpet and Trombone #Trumpet, Trombone (duet) #EASY #Classical #Johann Sebastian Bach #Ander #Jesu, joy of man's desiring by #Woods Only, Arrangements #SheetMusicPlus

B-Flat Trumpet,Instrumental Duet,Trombone - Level 2 - SKU: A0.1125403 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Christmas,Easter,Sac...(+)

B-Flat Trumpet,Instrumental Duet,Trombone - Level 2 - SKU: A0.1125403 Composed by Johann Sebastian Bach. Arranged by Ander. Baroque,Christmas,Easter,Sacred,Wedding. 6 pages. Woods Only, Arrangements #726187. Published by Woods Only, Arrangements (A0.1125403). This easy arrangement for trumpet and trombone duet has been adapted to be simple to perform and understand the structure of the original work for various levels of musical knowledge. It can be played freely by beginning students because of the ease imposed on the piece. It is often performed at wedding ceremonies slowly and reverently, challenging the effect suggested by Bach in his original score for voices with trumpet, oboes, strings, and continuous bass. This is one of Bach's most beautiful cantatas, made famous by the Jesus the Joy of Men chorus. It was originally composed for Advent 1716 in Weimar. Years later, already in Leipzig, Advent was tempus clausum, there was no music in the churches. Bach then reworked it for the Feast of Mary's Visitation. It is the final chorale of the cantata Herz und Mund und Tat und Leben. Although it is the 32nd cantata composed by Bach, of those that have survived, it was given BWV 147 in the complete catalog of his works.

$3.99 ≈ 3.72€