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Anonymous Modern classical
Sheetmusic to print
16 sheet music found
<
1
Chording to the Dance Masters - Melody and chords for 44 Renaissance Dance Consort pieces
Chording to the Dance Masters - Melody and chords for 44 Renaissance Dance Consort pieces
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C Instruments
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EASY
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Renaissance
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Various
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Chording to the Dance Masters
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Wold Meridian
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SheetMusicPlus
C Instrument - Level 2 - By Various. By Anonymous, Claudin de Sermisy, Henry VIII, Pierre Phalese, Thoinot Arbeau, John Dowland (1563- 1626), Michael...
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C Instrument - Level 2 - By Various. By Anonymous, Claudin de Sermisy, Henry VIII, Pierre Phalese, Thoinot Arbeau, John Dowland (1563- 1626), Michael Praetorius (1571-1621), Pierre Attaignant (1494-1553), Pierre Certon (1510-1572), William Cornysh (1470-1523), Juan Del Encina (1468-1530), Claude Gervaise (1540-1560), Giorgio Mainerio (1535-1582), Erasmus Widmann (1572-1634), and Tielman Susato (1500-1561). Arranged by Alastair Lodge. 151, 153, 162, Folk, Renaissance. Lead Sheet / Fake Book. 38 pages. Wold Meridian #727149. Published by Wold Meridian
Chording to the Dance Masters is a selection of dance tunes that were collected originally between about 1500 and 1620. Printing made many of these tunes popular throughout Europe during these times, some of them composed by the printer/publishers themselves, but many more of them existed previously as rustic dance tunes or popular chansons. The works were originally published to be played by three to five instrumentalists, with no particular instruments specified. They suited consorts or ?choirs? of instruments that were depicted in the illustrations of Agricola, Mersenne and most notably Praetorius and are now preserved in museums around the world.
Many editions exist in the 3, 4 or 5 parts as originally published, and these are an absolute joy to perform from, where the interweaving parts create interesting harmonies that demonstrate the skills of these renaissance composer/arranger/publishers. Playing with modern reproductions of the early instruments will recreate textures and sounds unique to this period. However, not everyone is lucky enough to either own these instruments or else have contact with others with whom they could form ensembles. This book aims to widen the experience out to those who would like to play these tunes on their own or with the accompaniment of a guitar, keyboard or other available chordal instrument. Fake books abound for those who wish to play Jazz, Folk, Classical and Popular music where the melody is annotated with chords so that players can access these tunes in their own way. As far as I am aware, this has not often been done for the player who wishes to busk their way through music of the Renaissance period.
I have attempted to include all the chords implied by the polyphonic parts of the original publications, simply because it is in the transitions of the harmonies under the melodies where the genius of the original arranger/publisher resides. Those who go on to explore the original versions may look forward to the way in which each line presents the player with intrinsically beautiful counter melodies.
At first, the rapidity of chord changing can be a bit daunting, so I have marked out what I consider to be the essential chords for accompaniment in boxes. Playing just these will provide adequate accompaniment, whilst leaving the more adventurous scope to enhance their performance by referencing some of the other chords. You can hear the chording arrangements together with the original 3, 4 or 5 part versions of all 44 pieces on a YouTube playlist which has been made as a companion to this volume at
https://youtube.com/playlist?list=PLYRWH2nycMkMoIoEYEMVPa_EXY6NVDpNS
As well as the solo or player in a duo, this book would also be of value for someone who is used to reading chords rather than melody lines wishing to join in with a renaissance consort. The selection I have chosen represents quite a few of the ?standards? that have become regularly played since the revival of renaissance music in the late 1960s. It is hoped that should this volume prove popular, companion volumes with all the parts provided for the same pieces could make essential repertoire for the budding renaissance dance consorts of the future.
$11.46 ≈
10.69€
O Come, O Come, Emmanuel (2004)
O Come, O Come, Emmanuel (2004)
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Organ
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Christmas
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anonymous, adapted by Thomas H
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Gary R
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O Come, O Come, Emmanuel
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Gary R. Smoke
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SheetMusicPlus
Composed by anonymous, adapted by Thomas Helmore, 1854. Arranged by Gary R. Smoke. Contemporary Classical, Modern, General Worship, Repertoire, Christmas. Score...
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Composed by anonymous, adapted by Thomas Helmore, 1854. Arranged by Gary R. Smoke. Contemporary Classical, Modern, General Worship, Repertoire, Christmas. Score. 6 pages. Published by Gary R. Smoke (S0.140133). - Score - Contemporary Classical,Modern,General Worship,Repertoire,Christmas - Gary R. Smoke
$2.50 ≈
2.33€
O Come, O Come, Emmanuel (1999)
O Come, O Come, Emmanuel (1999)
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Organ
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Christmas
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anonymous, adapted by Thomas H
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Gary R
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O Come, O Come, Emmanuel
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Gary R. Smoke
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SheetMusicPlus
Composed by anonymous, adapted by Thomas Helmore, 1854. Arranged by Gary R. Smoke. Contemporary Classical, Modern, General Worship, Repertoire, Christmas. Score...
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Composed by anonymous, adapted by Thomas Helmore, 1854. Arranged by Gary R. Smoke. Contemporary Classical, Modern, General Worship, Repertoire, Christmas. Score. 3 pages. Published by Gary R. Smoke (S0.140139). - Score - Contemporary Classical,Modern,General Worship,Repertoire,Christmas - Gary R. Smoke
$2.00 ≈
1.87€
W.A. Mozart - Flute Concerto K.622g ( Berlin Manuscript) Full Score and parts
W.A. Mozart - Flute Concerto K.622g ( Berlin Manuscript) Full Score and parts
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Chamber Orchestra
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Classical
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Wolfgang Amadeus Mozart
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James Strauss
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W.A. Mozart - Flute Concerto K
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James Strauss
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SheetMusicPlus
Chamber Orchestra - SKU: A0.1035223 Composed by Wolfgang Amadeus Mozart. Arranged by James Strauss. Classical. Score and parts. 149 pages. James Strauss...
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Chamber Orchestra - SKU: A0.1035223 Composed by Wolfgang Amadeus Mozart. Arranged by James Strauss. Classical. Score and parts. 149 pages. James Strauss #5349777. Published by James Strauss (A0.1035223). Toward the end of 1791 Mozart wrote his famous concerto for basset clarinet and orchestra, known today as the Clarinet Concerto, K.622. It appeared in print for the first time ten years later, when it was published simultaneously by Breitkopf Härtel, André and Sieber. In the same year, Breitkopf also published an arrangement for flute in G major by A. E. Müller, adding to the rich musical history of the early 19th century. Also was found a second source at the Berlin Staat Bibliotek by an anonymous arranger. This arrangement is now available for the first time in a modern edition, this edition has been based his edition on the Berlin Manuscript and the first edition of 1801.The piano reduction takes into account the performance practice of the time.- First modern edition- Important and welcome addition to the flute repertoire- Reliable edition by Christopher Hogwood.
$40.00 ≈
37.32€
J'ai Vu Le Loup (recorder ensemble)
J'ai Vu Le Loup (recorder ensemble)
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Anonymous
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Kathleen Arends & Drake Mabry
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J'ai Vu Le Loup
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Drake Mabry
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SheetMusicPlus
Small Ensemble Alto Recorder,Bass Recorder,Soprano Recorder,Tenor Recorder - Level 3 - SKU: A0.799559 Composed by Anonymous. Arranged by Kathleen Arends...
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Small Ensemble Alto Recorder,Bass Recorder,Soprano Recorder,Tenor Recorder - Level 3 - SKU: A0.799559 Composed by Anonymous. Arranged by Kathleen Arends & Drake Mabry. Classical,Folk,Renaissance,World. Score and parts. 15 pages. Drake Mabry #3860143. Published by Drake Mabry (A0.799559). This is the recorder ensemble version of J'ai Vu Le Loup (I saw the Wolf). J'ai Vu Le Loup is an old French song in which the Gregorian chant tune of Dies Irae becomes a lively dance. The lyrics describe seeing the wolf, the fox, and the hare (possibly the King, the Church, and the Landlord) eating, drinking, and dancing. Variations of this song seem to exist from as early as the 13th century and can be found in several European countries as well as in modern Cajun and Quebec French versions. Even modern pop and rap performers have made use of it. This recorder ensemble arrangement begins simply, then builds throughout to a frenzied, syncopated finale. Each part has its own interest.
$7.99 ≈
7.45€
J'ai Vu Le Loup (brass ensemble)
J'ai Vu Le Loup (brass ensemble)
#
Anonymous
#
Kathleen Arends & Drake Mabry
#
J'ai Vu Le Loup
#
Drake Mabry
#
SheetMusicPlus
Small Ensemble B-Flat Trumpet,Horn,Trombone,Tuba - Level 3 - SKU: A0.799560 Composed by Anonymous. Arranged by Kathleen Arends & Drake Mabry. Classical,...
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Small Ensemble B-Flat Trumpet,Horn,Trombone,Tuba - Level 3 - SKU: A0.799560 Composed by Anonymous. Arranged by Kathleen Arends & Drake Mabry. Classical,Folk,Renaissance,World. Score and parts. 14 pages. Drake Mabry #3860133. Published by Drake Mabry (A0.799560). This is the brass ensemble version of J'ai Vu Le Loup (I saw the Wolf). J'ai Vu Le Loup is an old French song in which the Gregorian chant tune of Dies Irae becomes a lively dance. The lyrics describe seeing the wolf, the fox, and the hare (possibly the King, the Church, and the Landlord) eating, drinking, and dancing. Variations of this song seem to exist from as early as the 13th century and can be found in several European countries as well as in modern Cajun and Quebec French versions. Even modern pop and rap performers have made use of it. This brass ensemble arrangement begins simply, then builds throughout to a frenzied, syncopated finale. Each part has its own interest.
$7.99 ≈
7.45€
J'ai Vu Le Loup (mixed clarinet ensemble)
J'ai Vu Le Loup (mixed clarinet ensemble)
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Anonymous
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Kathleen Arends & Drake Mabry
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J'ai Vu Le Loup
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Drake Mabry
#
SheetMusicPlus
Small Ensemble B-Flat Clarinet,Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.799558 Composed by Anonymous. Arranged by Kathleen Arends & Drake Mabry...
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Small Ensemble B-Flat Clarinet,Bass Clarinet,E-Flat Clarinet - Level 3 - SKU: A0.799558 Composed by Anonymous. Arranged by Kathleen Arends & Drake Mabry. Classical,Folk,Renaissance,World. Score and parts. 14 pages. Drake Mabry #3860135. Published by Drake Mabry (A0.799558). This is the mixed clarinet ensemble version of J'ai Vu Le Loup (I saw the Wolf). J'ai Vu Le Loup is an old French song in which the Gregorian chant tune of Dies Irae becomes a lively dance. The lyrics describe seeing the wolf, the fox, and the hare (possibly the King, the Church, and the Landlord) eating, drinking, and dancing. Variations of this song seem to exist from as early as the 13th century and can be found in several European countries as well as in modern Cajun and Quebec French versions. Even modern pop and rap performers have made use of it. This mixed clarinet ensemble arrangement begins simply, then builds throughout to a frenzied, syncopated finale. Each part has its own interest.
$7.99 ≈
7.45€
J'ai Vu Le Loup (Bb clarinets)
J'ai Vu Le Loup (Bb clarinets)
#
Anonymous
#
Kathleen Arends & Drake Mabry
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J'ai Vu Le Loup
#
Drake Mabry
#
SheetMusicPlus
Small Ensemble B-Flat Clarinet - Level 3 - SKU: A0.799557 Composed by Anonymous. Arranged by Kathleen Arends & Drake Mabry. Classical,Folk,Renaissance,W...
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Small Ensemble B-Flat Clarinet - Level 3 - SKU: A0.799557 Composed by Anonymous. Arranged by Kathleen Arends & Drake Mabry. Classical,Folk,Renaissance,World. Score and parts. 14 pages. Drake Mabry #3860131. Published by Drake Mabry (A0.799557). This is the Bb clarinet ensemble version of J'ai Vu Le Loup (I saw the Wolf). J'ai Vu Le Loup is an old French song in which the Gregorian chant tune of Dies Irae becomes a lively dance. The lyrics describe seeing the wolf, the fox, and the hare (possibly the King, the Church, and the Landlord) eating, drinking, and dancing. Variations of this song seem to exist from as early as the 13th century and can be found in several European countries as well as in modern Cajun and Quebec French versions. Even modern pop and rap performers have made use of it. This Bb clarinet ensemble arrangement begins simply, then builds throughout to a frenzied, syncopated finale. Each part has its own interest.
$7.99 ≈
7.45€
J'ai Vu Le Loup (keyboard 6 hands)
J'ai Vu Le Loup (keyboard 6 hands)
#
Anonymous
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Kathleen Arends & Drake Mabry
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J'ai Vu Le Loup
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Drake Mabry
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SheetMusicPlus
Small Ensemble Keyboard - SKU: A0.799561 Composed by Anonymous. Arranged by Kathleen Arends & Drake Mabry. Classical,Folk,Renaissance,World. Score and p...
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Small Ensemble Keyboard - SKU: A0.799561 Composed by Anonymous. Arranged by Kathleen Arends & Drake Mabry. Classical,Folk,Renaissance,World. Score and parts. 16 pages. Drake Mabry #3860141. Published by Drake Mabry (A0.799561). This is the keyboard 6 hands (or three keyboards) version of J'ai Vu Le Loup (I saw the Wolf). J'ai Vu Le Loup is an old French song in which the Gregorian chant tune of Dies Irae becomes a lively dance. The lyrics describe seeing the wolf, the fox, and the hare (possibly the King, the Church, and the Landlord) eating, drinking, and dancing. Variations of this song seem to exist from as early as the 13th century and can be found in several European countries as well as in modern Cajun and Quebec French versions. Even modern pop and rap performers have made use of it. This keyboard 6 hands arrangement begins simply, then builds throughout to a frenzied, syncopated finale. Individual parts are included for use with three separate keyboards.
$7.99 ≈
7.45€
J'ai Vu Le Loup (saxophone ensemble)
J'ai Vu Le Loup (saxophone ensemble)
#
Saxophone ensemble
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Anonymous
#
Kathleen Arends & Drake Mabry
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J'ai Vu Le Loup
#
Drake Mabry
#
SheetMusicPlus
Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - SKU: A0.799564 Composed by Anonymous. Arranged by Kathleen Arend...
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Woodwind Ensemble Alto Saxophone,Baritone Saxophone,Soprano Saxophone,Tenor Saxophone - SKU: A0.799564 Composed by Anonymous. Arranged by Kathleen Arends & Drake Mabry. Classical,Folk,Renaissance,World. 14 pages. Drake Mabry #3860145. Published by Drake Mabry (A0.799564). This is the saxophone ensemble version of J'ai Vu Le Loup (I saw the Wolf). J'ai Vu Le Loup is an old French song in which the Gregorian chant tune of Dies Irae becomes a lively dance. The lyrics describe seeing the wolf, the fox, and the hare (possibly the King, the Church, and the Landlord) eating, drinking, and dancing. Variations of this song seem to exist from as early as the 13th century and can be found in several European countries as well as in modern Cajun and Quebec French versions. Even modern pop and rap performers have made use of it. This saxophone ensemble arrangement begins simply, then builds throughout to a frenzied, syncopated finale. Each part has its own interest.
$7.99 ≈
7.45€
J'ai Vu Le Loup (double reed ensemble)
J'ai Vu Le Loup (double reed ensemble)
#
Anonymous
#
Kathleen Arends & Drake Mabry
#
J'ai Vu Le Loup
#
Drake Mabry
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SheetMusicPlus
Small Ensemble Bassoon,English Horn,Oboe d'Amore - Level 3 - SKU: A0.799554 Composed by Anonymous. Arranged by Kathleen Arends & Drake Mabry. Classical,...
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Small Ensemble Bassoon,English Horn,Oboe d'Amore - Level 3 - SKU: A0.799554 Composed by Anonymous. Arranged by Kathleen Arends & Drake Mabry. Classical,Folk,Renaissance,World. Score and parts. 15 pages. Drake Mabry #3860129. Published by Drake Mabry (A0.799554). This is the double reed ensemble version of J'ai Vu Le Loup (I saw the Wolf). J'ai Vu Le Loup is an old French song in which the Gregorian chant tune of Dies Irae becomes a lively dance. The lyrics describe seeing the wolf, the fox, and the hare (possibly the King, the Church, and the Landlord) eating, drinking, and dancing. Variations of this song seem to exist from as early as the 13th century and can be found in several European countries as well as in modern Cajun and Quebec French versions. Even modern pop and rap performers have made use of it. This double reed ensemble arrangement begins simply, then builds throughout to a frenzied, syncopated finale. Each part has its own interest. An alternate english horn version of the oboe d'amore part is included.
$7.99 ≈
7.45€
Corpus Christi Carol for recorder quintet
Corpus Christi Carol for recorder quintet
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5 Recorders
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INTERMEDIATE
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Clive Lane
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Clive Lane
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Corpus Christi Carol for recor
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Clive Lane
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SheetMusicPlus
Recorder - Level 3 - SKU: A0.1321610 By Clive Lane. By Traditional. Arranged by Clive Lane. Christmas,Classical,Medieval. Recorder Ensemble. 12 pages. C...
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Recorder - Level 3 - SKU: A0.1321610 By Clive Lane. By Traditional. Arranged by Clive Lane. Christmas,Classical,Medieval. Recorder Ensemble. 12 pages. Clive Lane #910086. Published by Clive Lane (A0.1321610). The Corpus Christi Carol or Falcon Carol is a Middle or Early Modern English hymn (or carol), first written down by an apprentice grocer named Richard Hill between 1504 and 1536. The original writer of the carol remains anonymous.I have arranged it here for recorder quintet: descant, treble, tenor, bass, contrabass.Score and parts.
$2.99 ≈
2.79€
Lammā badā yatathanna - Amazing vocal (voice & piano) arrangement
LammÄ badÄ yatathanna - Amazing vocal (voice & piano) arrangement
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Piano, Vocal and Guitar
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INTERMEDIATE
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Traditional - Anonymous
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Dimitris Anousis
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LammÄ badÄ yatathanna -
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Dimitris Anousis
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SheetMusicPlus
Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.784579 Composed by Traditional - Anonymous. Arranged by Dimitris Anousis. Classical,Multicultural,World. Sc...
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Guitar,Piano,Vocal,Voice - Level 3 - SKU: A0.784579 Composed by Traditional - Anonymous. Arranged by Dimitris Anousis. Classical,Multicultural,World. Score. 8 pages. Dimitris Anousis #5709767. Published by Dimitris Anousis (A0.784579). Lammā badā yatathanna - Amazing original vocal (voice & piano) arrangement of the well known traditional Andalusian - Arabic song, made by pianist, composer and arranger Dimitris Anousis. This is the first arrangment of the piece for voice and piano! This is the real deal! With all the parts of the song, written in a understandable way to be pianistic but to have an orchestral feeling while playing, not for the piece to sounds poor. Ideal for all kinds of events. Appropriate also for students. Lamma Bada Yatathanna لما بدا يتثنى is an Arabic muwashshah of the Nahawand maqam. Considered to be a traditional Andalusian/Arabic Song. The poem is considered one of the most famous Arabic pieces of its era (13th-15th century). In modern times, the song has been recorded by many Arabic artists. The author of the piece is disputed, and thought to be either Lisan al-Din Ibn al-Khatib (1313-1374) or Muhammad Abdulrahim Al-Maslub ((1786-1895).
$8.99 ≈
8.39€
Favorite Recorder Tunes - Beautiful Airs and Ballads of the British Isles
Favorite Recorder Tunes - Beautiful Airs and Ballads of the British Isles
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Recorder
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INTERMEDIATE
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Folkloric/Traditional
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Duets
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Favorite Recorder Tunes - Beau
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Solos & Duets. British Isles. E-book. 45 pages. Mel Bay Publications - Digital Sheet Music #30963EB. Published by Mel Bay Publications - Digital S...
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Solos & Duets. British Isles. E-book. 45 pages. Mel Bay Publications - Digital Sheet Music #30963EB. Published by Mel Bay Publications - Digital Sheet Music
ISBN 9781513459462. 8.75x11.75 inches.
This exceptional collection of 41 truly beautiful airs and ballads from the British Isles offers both well-known tunes by the prolific blind Irish harpist, Turlough OCarolan and rarely heard melodies by anonymous composers; all have stood the test of time. Arranged for soprano or tenor recorder, these include OCarolans classically influenced Lord Inchiquin and Eleanor Plunkett as well as O Gentle Dove and Cuckoo Dear both examples of the strong tradition of song in Wales. Among other tunes, the haunting modal melodies of The Dark Slender Boy and Enchanted Valley express the melancholic heart and soul of the British Isles. A few of these songs have taken on a life of their own in modern times. Bonny at Morn, a popular traditional tune of northern England and Scotland, was arranged for soprano voice and harp by the 20th century British composer, Benjamin Britten. The Skye Boat Song originally recounted Bonnie Prince Charles Edward Stuarts journey to the Isle of Skye after his defeat at the historic Battle of Culloden. Later, the song evolved into a lilting lullaby and was more recently used as the theme song for the popular Outlander television series. Departing slightly from recorder notation practice, author Marcia Diehl has judiciously arranged these melodies complete with spare slur markings to aid the amateur player in authentically and musically rendering these tunes.
$12.99 ≈
12.12€
Classics for Flatpicking Guitar
Classics for Flatpicking Guitar
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Guitar notes and tablatures
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EASY
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Fingerstyle/Fingerpicking
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Classical
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William Bay
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Classics for Flatpicking Guita
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Mel Bay Publications - Digital Sheet Music
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SheetMusicPlus
Composed by William Bay. Solo/Transcriptions. Value Line. Ebook and online audio. Published by Mel Bay Publications - Digital Sheet Music (M0.98056BCDEB). - ebo...
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Composed by William Bay. Solo/Transcriptions. Value Line. Ebook and online audio. Published by Mel Bay Publications - Digital Sheet Music (M0.98056BCDEB). - ebook and online audio - - Mel Bay Publications - Digital Sheet Music
ISBN 9781610656436. 8.5 X 11 inches. A collection of classical pieces arranged for flatpicking guitar, together with a few modern flatpicking originals in the classical style by William Bay. Includes works by J.S. Bach, Dowland, Handel, Krieger, Mouret, Playford, Praetorius, Quantz, Rameau, Sanz, and St. Jacome, as well as music by a couple of anonymous Renaissance lutenists-21 pieces in all. All selections appear in standard notation and tablature with fingering and suggested guitar chords when appropriate. The online recording includes all of the selections in the book.
$9.99 ≈
9.32€
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Anonymous Modern classical
