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18 sheet music found "Nocturne" (Chopin) - Beautiful EASY version for BARITONE SAXOPHONE and PIANO.
"Nocturne" (Chopin) - Beautiful EASY version for BARITONE SAXOPHONE and PIANO. # Baritone Saxophone, Piano # EASY # Frederic Chopin # Iury Cardoso # "Nocturne" # Iury Cardoso # SheetMusicPlus
Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.1456782 Composed by Frederic Chopin. Arranged by Iury Cardoso. 19th Century,Chamber,Classic...(+)
Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.1456782 Composed by Frederic Chopin. Arranged by Iury Cardoso. 19th Century,Chamber,Classical,Romantic Period,Traditional. Score and part. 7 pages. Iury Cardoso #1035853. Published by Iury Cardoso (A0.1456782). Easy BARITONE SAXOPHONE (with PIANO) arrangement of the piece: Nocturne (Op.9 n.2) by Frédéric Chopin(Score and baritone saxophone part: 7 pages)This arrangement of Chopin's Nocturne presents new musical textures and adaptation solutions to transform the original piece (composed for piano) into an easy version for BARITONE SAXOPHONE and PIANO. To help you learn this arrangement, the melodies and chords were made easier and the difficult parts were adapted, without losing the poetic beauty of the original song. Get Chopin's Nocturne sheet music now and play this masterpiece that captivates the soul with its timeless beauty.Other features of this sheet music:- Easy arrangement: made for beginner or intermediate level musicians (This is a more accessible version for music students).- Chord symbols included: but, if you prefer, there is also a version of this same arrangement without the chord symbols and without the piano on this website.- This arrangement is also a version for teacher/student duet: the students can be accompanied by their teacher playing the piano (the piano parts can be played on piano or electronic keyboard). - Other versions available: On this site, there is a version of this arrangement for BARITONE SAXOPHONE SOLO and also versions for SAXOPHONE TRIO/QUARTET/QUINTET (with or without piano accompaniment).See more arrangements by Iury Cardoso, thank you so much!easy nocturne chopin for baritone saxophone and pianoeasy nocturne chopin sheet musiceasy version of nocturne op.9 n.2 for baritone saxophone solo and pianoeasier version of nocturne op.9 n.2 for baritone saxophone solo and pianonocturne chopin for baritone saxophone solonocturne chopin baritone saxophone and piano sheet musicnocturne easy baritone saxophone and piano duetnocturne for baritone saxophone beginnereasy baritone saxophone chamber musicnocturne chopin but on the baritone saxophoneeasy baritone saxophone with piano nocturne sheet musiceasy baritone saxophone and piano duetbaritone saxophone and piano duet for beginnersbaritone saxophone and piano duet sheet musiceasy baritone saxophone sheet musicbeautiful baritone saxophone sheet musicbeautiful baritone saxophone sheet music for beginnersbeautiful baritone saxophone and piano for beginnersnocturne for beginnerschopin for baritone saxophone studentsnocturne chopin best arrangement for baritone saxophone and pianonocturne chopin best easy arrangement for baritone saxophone and pianonocturne chopin easy version for baritone saxophonenocturne chopin easy version for baritone saxophone and pianoeasy baritone saxophoneeasy pianoteacher student duetchopin easy sheet music for baritone saxophone solonocturne chopin best easy arrangement for baritone saxophonenocturne chopin arrangement for easy baritone saxophone solo with pianonocturne chopin for solo baritone saxophoneromantic sheet music for baritone saxophone and piano. "Nocturne" (Chopin) - Beautiful EASY version for BARITONE SAXOPHONE and PIANO.
"Nocturne" (Chopin) - Beautiful EASY version for BARITONE SAXOPHONE and PIANO. # Baritone Saxophone, Piano # EASY # Frederic Chopin # Iury Cardoso # "Nocturne" # Iury Cardoso # SheetMusicPlus
Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.1456798 Composed by Frederic Chopin. Arranged by Iury Cardoso. 19th Century,Chamber,Classic...(+)
Baritone Saxophone,Piano - Level 2 - Digital Download SKU: A0.1456798 Composed by Frederic Chopin. Arranged by Iury Cardoso. 19th Century,Chamber,Classical,Romantic Period,Traditional. Score and part. 7 pages. Iury Cardoso #1035869. Published by Iury Cardoso (A0.1456798). Easy BARITONE SAXOPHONE (with PIANO) arrangement of the piece: Nocturne (Op.9 n.2) by Frédéric Chopin(Score and baritone saxophone part: 7 pages)This arrangement of Chopin's Nocturne presents new musical textures and adaptation solutions to transform the original piece (composed for piano) into an easy version for BARITONE SAXOPHONE and PIANO. To help you learn this arrangement, the melodies and chords were made easier and the difficult parts were adapted, without losing the poetic beauty of the original song. Get Chopin's Nocturne sheet music now and play this masterpiece that captivates the soul with its timeless beauty.Other features of this sheet music:- Easy arrangement: made for beginner or intermediate level musicians (This is a more accessible version for music students).- Chord symbols not included: but, if you prefer, there is also a version of this same arrangement with the chord symbols and without the piano on this website.- This arrangement is also a version for teacher/student duet: the students can be accompanied by their teacher playing the piano (the piano parts can be played on piano or electronic keyboard). - Other versions available: On this site, there is a version of this arrangement for BARITONE SAXOPHONE SOLO and also versions for SAXOPHONE TRIO/QUARTET/QUINTET (with or without piano accompaniment).See more arrangements by Iury Cardoso, thank you so much!easy nocturne chopin for baritone saxophone and pianoeasy nocturne chopin sheet musiceasy version of nocturne op.9 n.2 for baritone saxophone solo and pianoeasier version of nocturne op.9 n.2 for baritone saxophone solo and pianonocturne chopin for baritone saxophone solonocturne chopin baritone saxophone and piano sheet musicnocturne easy baritone saxophone and piano duetnocturne for baritone saxophone beginnereasy baritone saxophone chamber musicnocturne chopin but on the baritone saxophoneeasy baritone saxophone with piano nocturne sheet musiceasy baritone saxophone and piano duetbaritone saxophone and piano duet for beginnersbaritone saxophone and piano duet sheet musiceasy baritone saxophone sheet musicbeautiful baritone saxophone sheet musicbeautiful baritone saxophone sheet music for beginnersbeautiful baritone saxophone and piano for beginnersnocturne for beginnerschopin for baritone saxophone studentsnocturne chopin best arrangement for baritone saxophone and pianonocturne chopin best easy arrangement for baritone saxophone and pianonocturne chopin easy version for baritone saxophonenocturne chopin easy version for baritone saxophone and pianoeasy baritone saxophoneeasy pianoteacher student duetchopin easy sheet music for baritone saxophone solonocturne chopin best easy arrangement for baritone saxophonenocturne chopin arrangement for easy baritone saxophone solo with pianonocturne chopin for solo baritone saxophoneromantic sheet music for baritone saxophone and piano. Chopin: Prelude Op. 28 No. 6 for Baritone Saxophone & Piano
Chopin: Prelude Op. 28 No. 6 for Baritone Saxophone & Piano # Baritone Saxophone, Piano # INTERMEDIATE # Frederic Chopin # James M # Chopin: Prelude Op. 28 No. 6 f # jmsgu3 # SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.1476129 Composed by Frederic Chopin. Arranged by James M. Guthrie. 19th Century,Chamber,His...(+)
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.1476129 Composed by Frederic Chopin. Arranged by James M. Guthrie. 19th Century,Chamber,Historic,Romantic Period,Standards. Score and part. 7 pages. Jmsgu3 #1053655. Published by jmsgu3 (A0.1476129). Chopin's Prelude in B minor, Op. 28 No. 6, is significant for its sad and expressive nature, often described as reflecting pure sadness and depression. This Prelude is renowned for its cello-like left-hand melody, evoking the rich tones of a cello and creating a somber atmosphere. The piece is known for its duality of voices, with the right hand providing an echo effect that should be skillfully managed to avoid monotony. George Sand described this prelude as plunging the soul into frightful depression, emphasizing its emotional depth. This intro was played at Chopin's funeral, adding to its historical and emotional significance. The left hand in this prelude carries the melody, resembling the full tones of a cello, while the right-hand plays an accompaniment with repeated upper notes that are integral to the piece. Overall, Chopin's Prelude in B minor, Op. 28 No. 6, stands out for its emotional depth, melancholy melody, and unique cello-like qualities. Waltz in A Minor (Chopin) - Baritone Saxophone and Piano - Chamber music
Waltz in A Minor (Chopin) - Baritone Saxophone and Piano - Chamber music # Baritone Saxophone, Piano # INTERMEDIATE # Classical # Frederic Chopin # Raymond Fenech # Waltz in A Minor # Raymond Fenech # SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.760540 Composed by Frederic Chopin. Arranged by Raymond Fenech. Christmas,Classical,Easter,...(+)
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.760540 Composed by Frederic Chopin. Arranged by Raymond Fenech. Christmas,Classical,Easter,Holiday,Instructional,Love. Score and part. 9 pages. Raymond Fenech #4623209. Published by Raymond Fenech (A0.760540). Waltz in A minor, often designated as No. 19, is a waltz for solo piano composed by Frédéric Chopin. The waltz was written sometime between 1843 and 1848, but was not published until 1860, after the composer's death. The piece shows great sadness, while enclosing some episodes that hint at happiness and hope. The first theme of the piece uses a simple but effective melody, conveying a sad portrait, with decorative ornaments used throughout. The second theme is more interesting and lively, although it still has a certain sadness. About halfway through the piece, there is a modulation into A major, featuring a happy and joyful melody. The piece concludes with the main theme, followed by a short coda. The Level is Intermediate/Advanced Intermediate and the duration is approximately 2.01 minutes. It could be played in any type of recital/concert. Scriabin: Prelude Op. 11 No. 2 for Baritone Sax & Piano
Scriabin: Prelude Op. 11 No. 2 for Baritone Sax & Piano # Baritone Saxophone, Piano # INTERMEDIATE # Alexander Scriabin # James M # Scriabin: Prelude Op. 11 No. 2 # jmsgu3 # SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.549468 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instruc...(+)
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.549468 Composed by Alexander Scriabin. Arranged by James M. Guthrie, ASCAP. Concert,Instructional,Romantic Period,Sacred,Standards. Score and part. 12 pages. Jmsgu3 #3499757. Published by jmsgu3 (A0.549468). Score: 8 pages, solo part: 2 pages, piano part: 2 pages. Duration: 3:10. An introspective and meditative work with a lot of dynamic and phrasing nuance. Works well for church meditations or recital encores.Background Op.11/2 Alto Clarinet version. First of all, Scriabin composed mostly for the solo piano and also the orchestra. This is probably because he was a gifted pianist and therefore certainly appreciated the piano. Scriabin grew up in the late Romantic period, consequently, he was fond of the great piano masters of the time. As a result, he wrote his first noteworthy compositions in the manner of Chopin and Liszt. Forms Likewise, Scriabin used many of the same forms as Chopin. These certainly include the étude, prelude, nocturne, and even the mazurka. In contrast, as he developed his own sense of style his music became more and more unusual. So, the last five of his Piano Sonatas do not have a key signature and therefore lean towards atonality. Philosophy Scriabin also developed a keen interest in philosophy and likewise poetry. He was above all particularly fascinated by Nietzsche, Delville, and Blavatsky. Consequently, he finally established his own ideas about metaphysics and certainly mysticism. Scriabin consequently advanced theories about the relationship between color and musical keys. Synesthesia He also may have experienced a condition called synesthesia where he could probably sense a response created from a different stimulus. Therefore, it was almost as if he could see music and hear colors. Scriabin, therefore, arranged the colors in a circle similar to the circle-of-fifths and assigned each key area a color. Finally, he assigned the key of C to the color red, while the key of G was orange. Similarly, he assigned D to yellow, A to green, and so forth. Strangely, he did not differentiate between major and minor key colors. Multimedia Hence, his ability to translate colors into music certainly gave Scriabin a most noteworthy interest in creating multimedia events. Furthermore, He designed his biggest work, the Mysterium, to last an entire week. Even more, Scriabin made plans not only for music, but also colored lights, incense, and dancing. He designed the performance to occur in the foothills of the Himalaya mountains. The Mysterium was never performed, and only sketches of the work remain. Modern Performances In modern times, we often experience performances of Scriabin’s most famous completed works accompanied by colored laser lights and incense. These are the Poem of Ecstasy (completed in 1908) and the Poem of Fire (completed in 1910). The lighting effects for these early performances were accomplished by the clavier à lumiéres. It was a keyboard instrument that projected colored light onto a screen. Nocturne Op. 9, No. 1 for Baritone Saxophone and Piano
Nocturne Op. 9, No. 1 for Baritone Saxophone and Piano # Baritone Saxophone, Piano # INTERMEDIATE # Classical # Frederic Chopin # Diego Marani # Nocturne Op. 9, No. 1 for Bari # Diego Marani # SheetMusicPlus
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.1281222 Composed by Frederic Chopin. Arranged by Diego Marani. Classical,Instructional,Roma...(+)
Baritone Saxophone,Piano - Level 3 - Digital Download SKU: A0.1281222 Composed by Frederic Chopin. Arranged by Diego Marani. Classical,Instructional,Romantic Period,Standards,Wedding. Score and part. 10 pages. Diego Marani #872566. Published by Diego Marani (A0.1281222). One of the better known nocturnes, this piece has a rhythmic freedom that came to characterize Frédéric Chopin's later work. The piece is 85 measures long and in 6/4 meter is written in ternary form; after the primary theme, the secondary theme starts in measure 19, followed by a modified version of the primary theme in measure 70. The opening section moves into a contrasting middle section in the same key signature, which flows back to the opening material in a transitional passage. The reprise of the first section grows out of this, followed by a Picardy third ending.This arrangement for baritone sax with piano accompaniment reflects faithfully the original and is suitable for any purpose and occasion. Fauré: Élégie Op. 24 for Baritone Sax & Piano
Fauré: Élégie Op. 24 for Baritone Sax & Piano # Baritone Saxophone, Piano # INTERMEDIATE/ADVANCED # Classical # Gabriel Faure # James M # Fauré: Élégie Op. 24 for Ba # jmsgu3 # SheetMusicPlus
Baritone Saxophone,Piano - Level 4 - Digital Download SKU: A0.549729 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicu...(+)
Baritone Saxophone,Piano - Level 4 - Digital Download SKU: A0.549729 Composed by Gabriel Faure. Arranged by James M. Guthrie, ASCAP. Contemporary,Multicultural,Romantic Period,Standards,World. Score and part. 22 pages. Jmsgu3 #3531407. Published by jmsgu3 (A0.549729). Duration: ca. 7:00, Score: 12 pages, solo part: 2 pages, piano: 7 pages. An epic choice for a recital or funeral. Fauré Background: In the first place, Gabriel Fauré 1845 –1924) was a famous French composer, musician, and educator. Furthermore, his musical ideas influenced numerous 20th-century composers. Therefore, historians regard him as one of the leading French composers of his time. Famous Works: Among his most famous compositions, by and large, are the Pavane, Elegie (op. 24), Requiem, Sicilienne, Nocturnes for piano and the songs Après un rêve and Clair de lune. Inasmuch as his early works are well-known and relatively easy to perform, Faure’s music seems to have become gradually more difficult during his later life. In other words, his later works are somewhat esoteric and complex. Early Home Life: Fauré was in fact born into a well-cultivated family. His aptitude for music became particularly clear early on - when he was still a boy. Under these circumstances, his parents sent him to a music institution in Paris. Consequently, the training he received there prepared him for a career as a church organist and choirmaster. Middle Life: It is important to realize that Fauré studied music composition with the French musical mastermind Camille Saint-Saëns, who became his lifelong friend. Fauré eventually graduated from college and earned a living as an organist and educator. During this period, he had, on the whole, little time to compose. He consequently became more successful in his middle age, becoming organist of the Église de la Madeleine and director of the Paris Conservatoire. However, he still needed time on balance for composing. Therefore, given these points, he withdrew to the countryside during the summer to focus on composing. Later Life: Fauré was, in the final analysis, recognized in France as the foremost French composer of his time. The French government held a national musical tribute particularly for him in Paris. The French President notably headed the ceremony. Elsewhere, on the contrary, Fauré's music was slow to become accepted, except of course, in England. Legacy: Historians often describe Fauré's music in general as a transition between the end of Romanticism and the beginning of modernism. As an illustration, when Fauré was born, Chopin was still composing. However, by the time of Fauré's death, jazz and atonal music, in particular, had come to fruition. Fauré, by all means, suffered from increasing deafness in his later years. Some musicologists believe this to be indeed the cause of the esoteric nature of Faure’s final works.