Dark Sky

Featuring "Harvey Two-Face," "Introduce a Little Anarchy," and "A Dark Knight". By Hans Zimmer And James Newton Howard. Arranged by Douglas E. Wagner. For Full Orchestra. Full Orchestra. Pop Intermediate Full Orchestra. Movie. Level: 2.5 (grade 2.5). Score. Published by Alfred Publishing.

Featuring: Harvey Two-Face / Introduce a Little Anarchy / A Dark Knight. By Hans Zimmer And James Newton Howard. Arranged by Douglas E. Wagner. For Full Orchestra. Full Orchestra. Pop Intermediate Full Orchestra. Movie. Level: 2.5 (grade 2.5). Conductor Score and Parts. 248 pages. Published by Alfred Publishing.

(Featuring: Harvey Two-Face / Introduce a Little Anarchy / A Dark Knight). By Hans Zimmer and James Newton Howard. Arranged by Douglas E. Wagner. Concert Band. For Concert Band. Concert Band. Pop Young Band. Movie. 2 (Easy) (grade 2). Score. 16 pages

(Featuring: Harvey Two-Face / Introduce a Little Anarchy / A Dark Knight). By Hans Zimmer and James Newton Howard. Arranged by Douglas E. Wagner. Concert Band. Concert Band. Pop Young Band. Movie. Grade 2. Conductor Score and Parts. 130 pages

Score and Parts Bass Clarinet; Marimba; Piano; Vibraphone (Score & Parts)

SKU: HL.231892

For Bass Clarinet, Piano, Marimba and Vibraphone. Composed by John Luther Adams. Music Sales America. Classical. Set. Composed 2017. Chester Music #CH85921. Published by Chester Music (HL.231892).

9.25x12.0x0.098 inches. English.

John Luther Adams' Dark Wind for instrumental quartet (Bass Clarinet, Piano, Marimba and Vibraphone). Score and parts. Dedicated to Marty Walker.

From Darkness To Light is a beautiful setting of the story of Holy week and Easter scripture, composed by Desmond Ratcliffe, for SATB Chorus with Organ Accompaniment

21 Signature Dark Energy Ride Mark I

SKU: HL.3710630

21-inches. Paiste Cymbals. General Merchandise. Hal Leonard #4801621. Published by Hal Leonard (HL.3710630).

UPC: 697643105553. 21.0x21.0x0.066 inches.

Series Description: Forged from a proprietary bronze developed specifically for cymbals, handcrafted from start to finish by highly skilled Swiss craftsmen, conceived and executed according to uncompromising sound concepts, Signature Cymbals are instruments of unsurpassed quality for the discerning drummer's quest for personal creativity and musical excellence. Alloy: Proprietary Signature Bronze Sizes: 20, 21, and 22-inches Weight: Medium Volume: Medium Sound character: A fusion of darkness, energy, projection and brilliance. Very wide range, complex, musical mix. Responsive feel, extremely controllable. Woody, silvery, spanky ping over crunchy, thriving wash. Extremely versatile, flexible ride for wide ranging application in modern blended music styles. Mark I: Tends to be a bit quieter, darker and drier. This manifests itself in the overall sound character and in particular in the bell and ping sound.

20 Signature Dark Energy Ride Mark I

SKU: HL.3710629

20-inches. Paiste Cymbals. General Merchandise. Hal Leonard #4801620. Published by Hal Leonard (HL.3710629).

UPC: 697643105546. 21.0x21.0x0.059 inches.

Series Description: Forged from a proprietary bronze developed specifically for cymbals, handcrafted from start to finish by highly skilled Swiss craftsmen, conceived and executed according to uncompromising sound concepts, Signature Cymbals are instruments of unsurpassed quality for the discerning drummer's quest for personal creativity and musical excellence. Alloy: Proprietary Signature Bronze Sizes: 20, 21, and 22-inches Weight: Medium Volume: Medium Sound character: A fusion of darkness, energy, projection and brilliance. Very wide range, complex, musical mix. Responsive feel, extremely controllable. Woody, silvery, spanky ping over crunchy, thriving wash. Extremely versatile, flexible ride for wide ranging application in modern blended music styles. Mark I: Tends to be a bit quieter, darker and drier. This manifests itself in the overall sound character and in particular in the bell and ping sound.

22 Signature Dark Energy Ride Mark I

SKU: HL.3710631

22-inches. Paiste Cymbals. General Merchandise. Hal Leonard #4801622. Published by Hal Leonard (HL.3710631).

UPC: 697643105560. 22.0x22.0x0.266 inches.

Series Description: Forged from a proprietary bronze developed specifically for cymbals, handcrafted from start to finish by highly skilled Swiss craftsmen, conceived and executed according to uncompromising sound concepts, Signature Cymbals are instruments of unsurpassed quality for the discerning drummer's quest for personal creativity and musical excellence. Alloy: Proprietary Signature Bronze Sizes: 20, 21, and 22-inches Weight: Medium Volume: Medium Sound character: A fusion of darkness, energy, projection and brilliance. Very wide range, complex, musical mix. Responsive feel, extremely controllable. Woody, silvery, spanky ping over crunchy, thriving wash. Extremely versatile, flexible ride for wide ranging application in modern blended music styles. Mark I: Tends to be a bit quieter, darker and drier. This manifests itself in the overall sound character and in particular in the bell and ping sound.

Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade 2

SKU: CF.YAS190

Composed by Sean O'Loughlin. Young String Orchestra. Set of Score and Parts. With Standard notation. 16+16+4+10+10+10+3+12 pages. Duration 3 minutes, 38 seconds. Carl Fischer Music #YAS190. Published by Carl Fischer Music (CF.YAS190).

ISBN 9781491151556. UPC: 680160909056. 9 x 12 inches. Key: E minor.

As part of a collaboration between students and composer, Sean O'Loughlin, Dark Dreams is a dark and mysterious piece that utilizes techniques such as tremolo and pizzicato. Following a slow and mysterious opening which illustrates the tapestry of sound for the composition, the work develops the musical material into various vivid, intense, and gripping musical moments.

Dark Dreams was commissioned by the Westport, Connecticut Public Schools for the Bedford Middle School 7th Grade Orchestra, Michele Anderson, director. It is a piece influenced by many ideas from the students including such descriptive words as dark, mysterious, vivid, intense and gripping. The collaboration process on commissions like this are very rewarding for both the students and composer.

The students were looking to include techniques like tremolo and pizzicato, so the opening includes both of these to set the tapestry of sound for the composition. The slow and mysterious opening gives way to an intense fast section at m. 19. Trading off between upper and lower strings adds to the tension before the upper strings take hold of the melody at m. 31. This melody is derived from the slow opening material. The lower strings get their chance on the melody at m. 47 in an augmented form. This builds to a dramatic slow section at m. 57. The opening material returns at m. 66 to transition back to the fast material. Make sure to play the silence at m. 88 for maximum effect and really lean into the final note even though it is on beat 3 of the measure.

.
< p class=s4>Dark Dreams was commissioned by the Westport, Connecticut Public Schools for the Bedford Middle School 7th Grade Orchestra, Michele Anderson, director. It is a piece influenced by many ideas from the students including such descriptive words as dark, mysterious, A vivid, intense and gripping. The collaboration process on commissions like this are very rewarding for both the students and composer.

The students were looking to include techniques like tremolo and pizzicato, so the opening includes both of these to set the tapestry of sound for the composition. The slow and mysterious opening gives way to an intense fast section at m. 19. Trading off between upper and lower strings adds to the tension before the upper strings take hold of the melody at m. 31. This melody is derived from the slow opening material. The lower strings get their chance on the melody at m. 47 in an augmented form. This builds to a dramatic slow section at m. 57. The opening material returns at m. 66 to transition back to the fast material. Make sure to aplaya the silence at m. 88 for maximum effect and really lean into the final note even though it is on beat 3 of the measure.

.
< p class=s4>Dark Dreams was commissioned by the Westport, Connecticut Public Schools for the Bedford Middle School 7th Grade Orchestra, Michele Anderson, director. It is a piece influenced by many ideas from the students including such descriptive words as dark, mysterious, A vivid, intense and gripping. The collaboration process on commissions like this are very rewarding for both the students and composer.

The students were looking to include techniques like tremolo and pizzicato, so the opening includes both of these to set the tapestry of sound for the composition. The slow and mysterious opening gives way to an intense fast section at m. 19. Trading off between upper and lower strings adds to the tension before the upper strings take hold of the melody at m. 31. This melody is derived from the slow opening material. The lower strings get their chance on the melody at m. 47 in an augmented form. This builds to a dramatic slow section at m. 57. The opening material returns at m. 66 to transition back to the fast material. Make sure to aplaya the silence at m. 88 for maximum effect and really lean into the final note even though it is on beat 3 of the measure.

.
< p class=s4>Dark Dreams was commissioned by the Westport, Connecticut Public Schools for the Bedford Middle School 7th Grade Orchestra, Michele Anderson, director. It is a piece influenced by many ideas from the students including such descriptive words as dark, mysterious, vivid, intense and gripping. The collaboration process on commissions like this are very rewarding for both the students and composer.

The students were looking to include techniques like tremolo and pizzicato, so the opening includes both of these to set the tapestry of sound for the composition. The slow and mysterious opening gives way to an intense fast section at m. 19. Trading off between upper and lower strings adds to the tension before the upper strings take hold of the melody at m. 31. This melody is derived from the slow opening material. The lower strings get their chance on the melody at m. 47 in an augmented form. This builds to a dramatic slow section at m. 57. The opening material returns at m. 66 to transition back to the fast material. Make sure to play the silence at m. 88 for maximum effect and really lean into the final note even though it is on beat 3 of the measure.

.
D ark Dreams was commissioned by the Westport, Connecticut Public Schools for the Bedford Middle School 7th Grade Orchestra, Michele Anderson, director. It is a piece influenced by many ideas from the students including such descriptive words as dark, mysterious, vivid, intense and gripping. The collaboration process on commissions like this are very rewarding for both the students and composer. The students were looking to include techniques like tremolo and pizzicato, so the opening includes both of these to set the tapestry of sound for the composition. The slow and mysterious opening gives way to an intense fast section at m. 19. Trading off between upper and lower strings adds to the tension before the upper strings take hold of the melody at m. 31. This melody is derived from the slow opening material. The lower strings get their chance on the melody at m. 47 in an augmented form. This builds to a dramatic slow section at m. 57. The opening material returns at m. 66 to transition back to the fast material. Make sure to play the silence at m. 88 for maximum effect and really lean into the final note even though it is on beat 3 of the measure.
Dark Dreams was commissioned by the Westport, Connecticut Public Schools for the Bedford Middle School 7th Grade Orchestra, Michele Anderson, director. It is a piece influenced by many ideas from the students including such descriptive words as dark, mysterious,  vivid, intense and gripping. The collaboration process on commissions like this are very rewarding for both the students and composer. The students were looking to include techniques like tremolo and pizzicato, so the opening includes both of these to set the tapestry of sound for the composition. The slow and mysterious opening gives way to an intense fast section at m. 19. Trading off between upper and lower strings adds to the tension before the upper strings take hold of the melody at m. 31. This melody is derived from the slow opening material. The lower strings get their chance on the melody at m. 47 in an augmented form. This builds to a dramatic slow section at m. 57. The opening material returns at m. 66 to transition back to the fast material. Make sure to “play” the silence at m. 88 for maximum effect and really lean into the final note even though it is on beat 3 of the measure.

About Carl Fischer Young String Orchestra Series

Thi s series of Grade 2/Grade 2.5 pieces is designed for second and third year ensembles. The pieces in this series are characterized by:
--Occasionally extending to third position
--Keys carefully considered for appropriate difficulty
--Addition of separate 2nd violin and viola parts
--Viola T.C. part included
--Increase in independence of parts over beginning levels

Orchestra Cello, Contrabass, Piano, Viola, Violin 1, Violin 2, Violin 3 - Grade 2

SKU: CF.YAS190F

Composed by Sean O'Loughlin. Young String Orchestra (YAS). Full score. With Standard notation. 12 pages. Carl Fischer Music #YAS190F. Published by Carl Fischer Music (CF.YAS190F).

ISBN 9781491151921. UPC: 680160909421. 9 x 12 inches.

As part of a collaboration between students and composer, Sean O'Loughlin, Dark Dreams is a dark and mysterious piece that utilizes techniques such as tremolo and pizzicato. Following a slow and mysterious opening which illustrates the tapestry of sound for the composition, the work develops the musical material into various vivid, intense, and gripping musical moments.

Dark Dreams was commissioned by the Westport, Connecticut Public Schools for the Bedford Middle School 7th Grade Orchestra, Michele Anderson, director. It is a piece influenced by many ideas from the students including such descriptive words as dark, mysterious, vivid, intense and gripping. The collaboration process on commissions like this are very rewarding for both the students and composer.

The students were looking to include techniques like tremolo and pizzicato, so the opening includes both of these to set the tapestry of sound for the composition. The slow and mysterious opening gives way to an intense fast section at m. 19. Trading off between upper and lower strings adds to the tension before the upper strings take hold of the melody at m. 31. This melody is derived from the slow opening material. The lower strings get their chance on the melody at m. 47 in an augmented form. This builds to a dramatic slow section at m. 57. The opening material returns at m. 66 to transition back to the fast material. Make sure to play the silence at m. 88 for maximum effect and really lean into the final note even though it is on beat 3 of the measure.

.
< p class=s4>Dark Dreams was commissioned by the Westport, Connecticut Public Schools for the Bedford Middle School 7th Grade Orchestra, Michele Anderson, director. It is a piece influenced by many ideas from the students including such descriptive words as dark, mysterious, A vivid, intense and gripping. The collaboration process on commissions like this are very rewarding for both the students and composer.

The students were looking to include techniques like tremolo and pizzicato, so the opening includes both of these to set the tapestry of sound for the composition. The slow and mysterious opening gives way to an intense fast section at m. 19. Trading off between upper and lower strings adds to the tension before the upper strings take hold of the melody at m. 31. This melody is derived from the slow opening material. The lower strings get their chance on the melody at m. 47 in an augmented form. This builds to a dramatic slow section at m. 57. The opening material returns at m. 66 to transition back to the fast material. Make sure to aplaya the silence at m. 88 for maximum effect and really lean into the final note even though it is on beat 3 of the measure.

.
< p class=s4>Dark Dreams was commissioned by the Westport, Connecticut Public Schools for the Bedford Middle School 7th Grade Orchestra, Michele Anderson, director. It is a piece influenced by many ideas from the students including such descriptive words as dark, mysterious, A vivid, intense and gripping. The collaboration process on commissions like this are very rewarding for both the students and composer.

The students were looking to include techniques like tremolo and pizzicato, so the opening includes both of these to set the tapestry of sound for the composition. The slow and mysterious opening gives way to an intense fast section at m. 19. Trading off between upper and lower strings adds to the tension before the upper strings take hold of the melody at m. 31. This melody is derived from the slow opening material. The lower strings get their chance on the melody at m. 47 in an augmented form. This builds to a dramatic slow section at m. 57. The opening material returns at m. 66 to transition back to the fast material. Make sure to aplaya the silence at m. 88 for maximum effect and really lean into the final note even though it is on beat 3 of the measure.

.
< p class=s4>Dark Dreams was commissioned by the Westport, Connecticut Public Schools for the Bedford Middle School 7th Grade Orchestra, Michele Anderson, director. It is a piece influenced by many ideas from the students including such descriptive words as dark, mysterious, vivid, intense and gripping. The collaboration process on commissions like this are very rewarding for both the students and composer.

The students were looking to include techniques like tremolo and pizzicato, so the opening includes both of these to set the tapestry of sound for the composition. The slow and mysterious opening gives way to an intense fast section at m. 19. Trading off between upper and lower strings adds to the tension before the upper strings take hold of the melody at m. 31. This melody is derived from the slow opening material. The lower strings get their chance on the melody at m. 47 in an augmented form. This builds to a dramatic slow section at m. 57. The opening material returns at m. 66 to transition back to the fast material. Make sure to play the silence at m. 88 for maximum effect and really lean into the final note even though it is on beat 3 of the measure.

.
D ark Dreams was commissioned by the Westport, Connecticut Public Schools for the Bedford Middle School 7th Grade Orchestra, Michele Anderson, director. It is a piece influenced by many ideas from the students including such descriptive words as dark, mysterious, vivid, intense and gripping. The collaboration process on commissions like this are very rewarding for both the students and composer. The students were looking to include techniques like tremolo and pizzicato, so the opening includes both of these to set the tapestry of sound for the composition. The slow and mysterious opening gives way to an intense fast section at m. 19. Trading off between upper and lower strings adds to the tension before the upper strings take hold of the melody at m. 31. This melody is derived from the slow opening material. The lower strings get their chance on the melody at m. 47 in an augmented form. This builds to a dramatic slow section at m. 57. The opening material returns at m. 66 to transition back to the fast material. Make sure to play the silence at m. 88 for maximum effect and really lean into the final note even though it is on beat 3 of the measure.
Dark Dreams was commissioned by the Westport, Connecticut Public Schools for the Bedford Middle School 7th Grade Orchestra, Michele Anderson, director. It is a piece influenced by many ideas from the students including such descriptive words as dark, mysterious,  vivid, intense and gripping. The collaboration process on commissions like this are very rewarding for both the students and composer. The students were looking to include techniques like tremolo and pizzicato, so the opening includes both of these to set the tapestry of sound for the composition. The slow and mysterious opening gives way to an intense fast section at m. 19. Trading off between upper and lower strings adds to the tension before the upper strings take hold of the melody at m. 31. This melody is derived from the slow opening material. The lower strings get their chance on the melody at m. 47 in an augmented form. This builds to a dramatic slow section at m. 57. The opening material returns at m. 66 to transition back to the fast material. Make sure to “play” the silence at m. 88 for maximum effect and really lean into the final note even though it is on beat 3 of the measure.

About Carl Fischer Young String Orchestra Series

Thi s series of Grade 2/Grade 2.5 pieces is designed for second and third year ensembles. The pieces in this series are characterized by:
--Occasionally extending to third position
--Keys carefully considered for appropriate difficulty
--Addition of separate 2nd violin and viola parts
--Viola T.C. part included
--Increase in independence of parts over beginning levels

By Erik Morales. Concert Band/Wind Ensemble. FJH Concert Band. This musical work illustrates the harrowing experience of our hero, Ichabod Crane, as he tries to escape the fate that was cast upon him on that dark and scary night. The introduction also illustrates the unsettling feeling Crane has as he departs into the darkness. Once convinced he is being pursued, he darts forth suddenly on his horse, Gunpowder, and the chase begins. The very last measures of the piece illustrate the moment of impact. The story also suggests that Brom Bones, a character who competed with Crane for the affections of a local maiden, may have been the perpetrator of the horrible prank. But Irving ingeniously hints at this supposition and leaves the reader to ponder the mystery of the legend. Score for this title: B1299S. Extra part for this title: B1299P. Concert Band. Level: Grade 3. Score and Set of Parts. Published by The FJH Music Company Inc.

Featuring "Harvey Two-Face," "Introduce a Little Anarchy," and "Like a Dog Chasing Cars". By Hans Zimmer And James Newton Howard. Arranged by Victor Lopez. For Full Orchestra. Full Orchestra. Pop Concert Full Orchestra. Level: 3.5 (grade 3.5). Published by Alfred Publishing.

Concert band - Grade 3

SKU: CL.012-4489-01

Composed by J. McBride. Concert Band. Concert Band Series. Audio recording available separately (item CL.WFR389). Extra full score. Composed 2016. Duration 5 minutes, 6 seconds. Opus III Wind Orchestra Publications #012-4489-01. Published by Opus III Wind Orchestra Publications (CL.012-4489-01).

Dark Energy, a recently discovered and little-understood phenomenon is forcefully ripping our universe apart. Beginning with nothing less than the creation of the universe, Dark Energy will transport your audiences with depictions of galactic majesty and grandeur. With challenging rhythmic interplay and modern tonalities, Dark Energy will excite students and audiences alike as it expands to an intense and forceful conclusion.

14 Signature Dark Energy Hats Mark I

SKU: HL.3710637

14-inches. Paiste Cymbals. General Merchandise. Hal Leonard #4803714. Published by Hal Leonard (HL.3710637).

UPC: 697643105669. 14.0x14.0x0.2 inches.

Series Description: Forged from a proprietary bronze developed specifically for cymbals, handcrafted from start to finish by highly skilled Swiss craftsmen, conceived and executed according to uncompromising sound concepts, Signature Cymbals are instruments of unsurpassed quality for the discerning drummer's quest for personal creativity and musical excellence. Alloy: Proprietary Signature Bronze Size: 14-inches Weight: medium thin top/extra heavy bottom Volume: soft to loud Stick Sound: pronounced, crisp Intensity: very lively Sustain: medium long Chick Sound: full, meaty, crisp Sound Character: Full, rich, energetic with a definite dark side. Crunchy, with a meaty bite. very wide range, very complex mix. Extremely balanced, very responsive feel. full dark, rich, shimmering,biting open/closed sound. beautiful, fat, meaty, crisp, cutting chick sound. Fast, responsive, articulate with excellent feel and playability. An immensely versatile hi-hat that combines finesse and articulation with raw energy and cutting power.

By Robert Sheldon. By Robert Sheldon. For Concert Band. Concert Band. Young Symphonic. Level: 2.5 (Medium Easy) (grade 2.5). Conductor Score

20 Masters Dark Crash Ride

SKU: HL.3710684

20-inches. Paiste Cymbals. General Merchandise. Hal Leonard #5507220. Published by Hal Leonard (HL.3710684).

UPC: 697643110182. 20.0x20.0x0.061 inches.

Series Description: Masters started out as an assemblage of twelve rides – exquisite and laboriously hand-manufactured cymbals made of CuSn20 bronze to achieve superior sound ideals in various musical genres. In 2014, three crashes and two hats join the series to expand the unique Masters sound atmosphere to additional cymbal types. Masters integrate the experience of the decades long art of cymbal making with the inspirations of international top drummers. Size: 20-inches Weight: very thin Volume: very low to medium loud Stick Sound: brittle, misty, papery Intensity: very lively Sustain: medium Bell Character: integrated, subtle Sound Character: Dark, trashy, papery, low. Wide range, complex and moody mix. Soft and buttery feel with a very wobbly and vibrant response. Fairly defined stick sound over a dark and cloudy wash. Perfectly suited for quieter musical settings such as blues, jazz and acoustic styles. Very user-friendly for percussive use and classical mallet application.

22 Masters Dark Crisp Ride

SKU: HL.3710687

22-inches. Paiste Cymbals. General Merchandise. Hal Leonard #5507422. Published by Hal Leonard (HL.3710687).

UPC: 697643110205. 22.0x22.0x0.067 inches.

Series Description: Masters started out as an assemblage of twelve rides – exquisite and laboriously hand-manufactured cymbals made of CuSn20 bronze to achieve superior sound ideals in various musical genres. In 2014, three crashes and two hats join the series to expand the unique Masters sound atmosphere to additional cymbal types. Masters integrate the experience of the decades long art of cymbal making with the inspirations of international top drummers. Size: 22-inches Weight: medium Volume: low to fairly loud Stick Sound: fairly pronounced, crisp Intensity: lively Sustain: fairly long Bell Character: integrated, fairly strong Sound Character: Dark, crisp, warm, rich, open. Wide range, fairly complex mix. Very responsive feel, quick attack. A nice and crispy stick sound supported by a strong, open and dark shimmering wash. Perfect control. Well suited for all styles of music that require great dynamics and full-bodied ride sound.

Concert band - Grade 3

SKU: CL.012-4489-75

Composed by J. McBride. Concert Band. Concert Band Series. Audio recording available separately (item CL.WFR389). Oversized, spiral-bound score. Composed 2016. Duration 5 minutes, 6 seconds. Opus III Wind Orchestra Publications #012-4489-75. Published by Opus III Wind Orchestra Publications (CL.012-4489-75).

Dark Energy, a recently discovered and little-understood phenomenon is forcefully ripping our universe apart. Beginning with nothing less than the creation of the universe, Dark Energy will transport your audiences with depictions of galactic majesty and grandeur. With challenging rhythmic interplay and modern tonalities, Dark Energy will excite students and audiences alike as it expands to an intense and forceful conclusion.

(Featuring: Harvey Two-Face / Introduce a Little Anarchy / Like a Dog Chasing Cars). By Hanz Zimmer and James Newton Howard. Arranged by Victor Lopez. Concert Band. For Concert Band. Concert Band. Pop Concert Band. Movie. 3 (Medium Easy) (grade 3). Score. 36 pages

(Featuring: Harvey Two-Face / Introduce a Little Anarchy / Like a Dog Chasing Cars). By Hanz Zimmer and James Newton Howard. Arranged by Victor López. Concert Band. Concert Band. Pop Concert Band. Movie. Grade 3. Conductor Score and Parts. 268 pages

(Featuring: Harvey Two-Face / Introduce a Little Anarchy / Like a Dog Chasing Cars). By Hans Zimmer and James Newton Howard. Arranged by Victor Lopez. For Full Orchestra. Full Orchestra. Pop Concert Full Orchestra. Light Concert. 3.5 (grade 3.5). Conductor Score and Parts. 252 pages

Grade 1

SKU: CL.RWS-2007-00

Composed by Kroll. Young Concert Band. RWS Beginning Band Series. Score and set of parts. Composed 2020. Duration 2 minutes, 2 seconds. RWS Music Company #RWS-2007-00. Published by RWS Music Company (CL.RWS-2007-00).

Our adventurers trek through the darkest of woods. In the distance they see a light through the trees. As they get closer, they can see creatures of the forest performing a mystical dance. Beginners will enjoy this exciting concert piece using only the first six notes they have learned in your band.

Concert Band 4-Part Fully Adaptable with Percussion - Grade 1.5

SKU: FJ.B1840S

Score Only. Composed by Randall Standridge. Concert Band. The ReImagine Initiative. Score. The FJH Music Company Inc #98-B1840S. Published by The FJH Music Company Inc (FJ.B1840S).

English.

A moonlit chase through a darkened forest... A haunted galop-esque character that adds to the thrill... This exciting work features dissonant harmonies, driving percussion, and optional synthesizer to create everything from an organ to voices and an eerie harpsichord. A frighteningly good choice to offer a little something different on your next concert!

Grade 1

SKU: CL.RWS-2007-01

Composed by Kroll. Young Concert Band. Extra full Score. Composed 2020. RWS Music Company #RWS-2007-01. Published by RWS Music Company (CL.RWS-2007-01).

Our adventurers trek through the darkest of woods. In the distance they see a light through the trees. As they get closer, they can see creatures of the forest performing a mystical dance. Beginners will enjoy this exciting concert piece using only the first six notes they have learned in your band.

Piano Solo - Easy-Intermediate

SKU: FP.FBS02

Composed by Sarah Baker. Sheet Music and Books. Eight pieces on a night theme for solo piano, by Sarah Baker. Suggested grade 4-5. Classical. Collection. Forsyths Publications #FBS02. Published by Forsyths Publications (FP.FBS02).

ISBN 9790570500192.

Sara h Baker is Vocal Composer in Residence at Education Music Services, an ABRSM examiner and a well known composer of songs and musicals for primary schools and massed-choral events.

All this experience has come together in the creation of this first published album of piano pieces, inspired by the sounds heard at night from the woodland just beyond Sarah’s childhood home.

Suitable for players of around grade 4-5 standard, her evocative sound pieces begin at the tranquillity of dusk and end with the exuberant dawn chorus.

The composer writes:

'I grew up with woods behind my house, and the nocturnal noises and images that I remember were the inspiration for these eight short sound pictures on the theme of night. The music moves first from the tranquility of dusk and evening mists, to the emerging starlight of twilight. As night falls it takes on on a darker quality with shadows and dreams disturbing peace and calm.The night birds and bats swoop and flit past as they seek their prey, but gradually dawn approaches and peaceful sleep is restored. The morning is heralded in the joyful exuberance of the dawn chorus.'.

Concert Band 4-Part Fully Adaptable with Percussion - Grade 1.5

SKU: FJ.B1840

Composed by Randall Standridge. Concert Band. The ReImagine Initiative. Score and Part(s). The FJH Music Company Inc #98-B1840. Published by The FJH Music Company Inc (FJ.B1840).

UPC: 241444430286. English.

A moonlit chase through a darkened forest... A haunted galop-esque character that adds to the thrill... This exciting work features dissonant harmonies, driving percussion, and optional synthesizer to create everything from an organ to voices and an eerie harpsichord. A frighteningly good choice to offer a little something different on your next concert!

For percussion trio. Composed by Andy Harnsberger. Score and parts on CD-Rom. 26 pages. Duration 8 minutes, 20 seconds. Published by Tapspace Publications (TA.TSPCE15-008).

10 Masters Dark Splash

SKU: HL.3710657

10-inches. Paiste Cymbals. General Merchandise. Hal Leonard #5502210. Published by Hal Leonard (HL.3710657).

UPC: 697643116498. 10.0x10.0x0.042 inches.

Series Description: Masters started out as an assemblage of twelve rides - exquisite and laboriously hand-manufactured cymbals made of CuSn20 bronze to achieve superior sound ideals in various musical genres. In 2014, three crashes and two hats join the series to expand the unique Masters sound atmosphere to additional cymbal types. Masters integrate the experience of the decades long art of cymbal making with the inspirations of international top drummers. Size: 10-inches Weight: medium thin Volume: low to medium loud Stick Sound: washy Intensity: lively Sustain: fairly short Bell Character: integrated Sound Character: Dark, soft, warm, fast. Wide range, complex mix. Very soft feel, very responsive. Delicately whooshing effect cymbal with a round, balanced decay for short accents in low to moderate music settings.

Score and Parts Chamber Group, String Ensemble, String Instruments, Piano Chamber

SKU: HL.14035705

For Vioin, Viola, Cello, and Piano Score and Parts. Composed by Judith Weir. Music Sales America. Classical. Set. Composed 2000. Chester Music #CH60854. Published by Chester Music (HL.14035705).

ISBN 9780711948075. 9.0x12.0x0.158 inches.

Distance and Enchantment is a musical essay considering the strikingly common occurrence of people who disappear from home never to return. It takes the form of two meditations on traditional songs which are played together without a break, amounting to a single movement of about eleven minutes duration. The first song, The Dark Eyed Gipsy tells of a woman who of her own accord leaves her home to roam the unknown world with a band of gipsies; and the second A ghaoil lig dhachaigh gu m'mathair mi tells of a girl who wanders a little too far from home on a dark night and is stolen away by the fairies. Scored for Violin, Cello, Viola and Piano. Score and parts included.