Concerto for Piano No. 3 in E-flat, Op. 29

The Concerto In E Flat For Viola Strings And Basso Continuo is the reconstruction of a lost concerto that has been formed the works: BWV 169 BWV 49 and BWV 1053. This fascinating work has been constructed by Wilfried Fischer and the Piano Reduction has been arranged by Michael Topel.The solo Viola part is also included on a separate insert.

Voici une des nombreuses partitions de Wolfgang Amadeus Mozart. Ce génie, mort à l'âge de 35 ans, a révolutionné la musique classique. Vous retrouverez à travers la partition Concerto for Horn and Orchestra No. 2 E flat major K. 417 (with solo parts in E flat and F) tout le talent de Mozart. Cette partition a été composée pour Cor Et Piano. C'est l'éditeur Henle qui a publiée cette oeuvre. / Cor Et Piano / Chanson En Séparée

Written in 1803 by Johann Nepomuk Hummel (1778-1837) this Trumpet Concerto in E-flat Major is a classical piece of the Trumpet repertoire. Composed in the spirit of Mozart and initially for the keyed-Trumpet it was re-discovered in 1958 by a Yale student after 150 years of inertia due to the obsolescence of the instrument for which it was made. This edition offers a transposition in E-flat Major (initially in E Major) adapted to the instruments in use today. The other instruments to be involved in this concerto are a Flute two Oboes two Clarinets two Bassoons two Horns Timpani and Strings. Hummel?s Trumpet Concerto begins with an orchestra onlyfirst movement in a sonata theme which is repeated with the inclusion of the soloist. This Allegro Spirito sounds reminiscent of the Haffner Symphony (No. 35 in D Major) by Mozart but distinguished itself by a second theme. The second movement Andante is more melodic with the trumpet which holds long notes. Finally the Rondo offers a blissful and bright end to the Concerto. Former student of Mozart Johann Nepomuk Hummel (1778-1837) was a brilliant composer pianist conductor and teacher. Evolving at the same period as Beethoveen he became as famous as him and wrote numerous concertos (for Piano Oboe Trumpet Violin and others) operas and some wind music pieces.

E flat major-The composer is known chiefly for his compositions for wind instruments Concerto in E flat major for Clarinet and Orchestra Op.36 being one such example. The piece was written in 1803 and is exceptional for its superb instrumental setting and formal balance. Without exaggeration Kramar's concerto is described as the most performed clarinet concerto in the Czech repertoire. The piano reduction was written by composer Ladislav Simon and the solo part was revised by prof. Jiri Kratochvil. (ed. Jan Racek). This practical edition is part of the Musica Antiqua Bohemica series.

Concerto in E-flat Major-Johann Sebastian Bach's spirited F-minor concerto is wonderfully compact of a manageable length for the student player and displays all the wonderful qualities associated with the granddaddy of the keyboard. Great fun to learn and play! Its companion on this disc is a concerto long attributed to Johann Christian Bach but now proven to belong to one of Bach's lesser-known sons Johann Christoph Friedrich Bach who was a skillful composer as this marvelous gem will testify. It is perfect for the beginning student a wonderful preparation for the Mozart concerti. Includes a second compact disc with a special slow-tempo version of the accompaniments to help you get up tospeed. Includes a newly engraved authoritative printed music score with orchestral reduction printed on high-quality ivory paper; and a compact disc containing a complete version with soloist in digitally remastered stereo; then a second digitally remastered stereo version of the orchestral accompaniment minus the soloist; and a second compact disc containing the complete version of the concerto followed by a -20% slow-tempo version of the accompaniments for practice purposes. Performed by David Syme piano. Accompaniment: Stuttgart Festival Orchestra. Conductor: Emil Kahn.

Par FIALA JOSEPH. Joseph Fiala (c1748 - 1816) was a famous Czech composer and performer of his day. Mozart spoke highly of him, and he held a succession of important musical posts at European courts. His Divertimento in D is a recent discovery, and is published here for the first time. Written for the 'Klappentrompete' (Keyed Trumpet), it dates from the same period as Haydn's Concerto in E flat for the same instrument, and represents a welcome (and technically less demanding) addition to the classical Trumpet repertory./ Répertoire / Trompette et Piano

Beethoven's fifth and final piano concerto is at the same time the culmination of his efforts in this genre and a reflection of all his artistic skill and expertise. The surviving manuscripts provide a clear insight into his working methods and his intentions regarding the work's performance.The editor, Jonathan Del Mar, has closely scrutinised the autograph solo piano part and reproduced Beethoven's sophisticated performance instructions for the first time in a modern edition. Among other things, this has special repercussions for the left-hand figured bass line of the piano part during the tutti passages.As with the Piano Concertos Nos. 1 to 4, the piano reduction appears with a separate solo part containing all the information needed by the soloist to conduct the ensemble from the piano.- Many wholly new corrections in the solo and orchestral parts- Piano reduction with a separate solo part, as was customary in Beethoven's day- With Beethoven's continuo figures for the first time in a modern edition / Piano

with Audio of Full Performances and Orchestral Accompaniments Schirmer's Musical Library Vol. 2145. Par BEETHOVEN LUDWIG VAN. Beethoven's five piano concertos remain staples of the repertoire. This collection gives pianists the opportunity to play along with professionally recorded orchestral accompaniments, making it a valuable resource for concerto performance preparation. CONTENTS: Concerto No. 1 in C Major, Op. 15 Concerto No. 2 in B-flat Major, Op. 19 Concerto No. 3 in C minor, Op. 37 Concerto No. 4 in G Major, Op. 58 Concerto No. 5 in E-flat Major, Op. 73 Emperor/ Recueil / Piano

Over 20 favourite concerto movements arranged for piano solo by Cecil Bolton. From Rachmaninov's Second Piano Concerto to Mozart's Clarinet Concerto this collection features many of your favourites!

E-flat major-Many wholly new corrections in the solo and orchestral parts.Piano reduction with a separate solo part as was customary in Beethoven’s day.With Beethoven’s continuo figures for the first time in a modern edition.Beethoven’s fifth and final Piano Concerto is at the same time the culmination of his efforts in this genre and a reflection of all his artistic skill and expertise. The surviving manuscripts provide a clear insight into his working methods and his intentions regarding the work’s performance.The editor Jonathan Del Mar has closely scrutinised the autograph solo piano part and reproduced Beethoven’ssophisticated performance instructions for the first time in a modern edition. Among other things this has special repercussions for the left-hand figured bass line of the piano part during the tutti passages.As with the Piano Concertos Nos. 1 to 4 the Piano reduction appears with a separate solo part containing all the information needed by the soloist to conduct the ensemble from the Piano.

E-flat major-Many wholly new corrections in the solo and orchestral parts.Piano reduction with a separate solo part as was customary in Beethoven’s day.With Beethoven’s continuo figures for the first time in a modern edition.Beethoven’s fifth and final Piano Concerto is at the same time the culmination of his efforts in this genre and a reflection of all his artistic skill and expertise. The surviving manuscripts provide a clear insight into his working methods and his intentions regarding the work’s performance.The editor Jonathan Del Mar has closely scrutinised the autograph solo piano part and reproduced Beethoven’ssophisticated performance instructions for the first time in a modern edition. Among other things this has special repercussions for the left-hand figured bass line of the piano part during the tutti passages.As with the Piano Concertos Nos. 1 to 4 the Piano reduction appears with a separate solo part containing all the information needed by the soloist to conduct the ensemble from the Piano.