Concerto 2fl G Major Score

Bach's mastery of rhythm and harmony inventiveness and genius for composition produced some of the richest and most beautiful music of all time. Those qualities are strikingly evident in his early concerti which are among the most recorded and performed works in the Baroque repertoire. This volume reprints complete and unabridged seven complete concerti for solo keyboard and orchestra from the renowned Bach-Gesellschaft edition still considered the primary source for Bach's music.

The 'Eulenburg Audio+Score' series contains the orchestral world's greatest musical treasures from the baroque, classical and romantic repertoire. - 50 volumes of clearly-presented and authoritative scores, with informative prefaces detailing the biographical and creative background- - 50 CDs of great performances of each work in full length, from orchestras including the London Philharmonic Orchestra, the Royal Philharmonic Orchestra, and the Philharmonia Orchestra. Amazing value: almost 50% cheaper than buying each volume separately! This is the perfect gift for any music-lover. 'Eulenburg Audio+Score' is the new way to hear, read and understand music. Eulenburg is the 130 year-old world-famous publishing brand, renowned for its top-quality, reliable study scores at reasonable prices. Focussing on the fields of opera, orchestral music, chamber music and vocal music, it is the favourite choice of conductors, orchestra musicians, soloists, students, teachers and music lovers generally. The more you read, the more you hear! / Tout Instrument

Written in the year 1775, Mozart's lively violin concerti manifest the young composer's astonishing maturity and command of his craft. An incredible fluency of musical speech ? richness of texture and sheer beauty of melodic line pervade this music (Veims, The Concertos). Indeed, the concerti are the composer's earliest compositions that have maintained a secure position in the world's repertoire. Also a staple of the concert hall is the Sinfonia Concertante, K.364, composed in 1779, and scored for violin, viola, and orchestra. Undoubtedly the most significant work Mozart composed that year, the piece is distinguished by its symphonic sweep, advanced harmonies, and the beautiful slow movement, among Mozart's most moving creations. Now all six masterpieces are available in this convenient, inexpensive edition.

Beethoven's fifth and final piano concerto is at the same time the culmination of his efforts in this genre and a reflection of all his artistic skill and expertise. The surviving manuscripts provide a clear insight into his working methods and his intentions regarding the work's performance.The editor, Jonathan Del Mar, has closely scrutinised the autograph solo piano part and reproduced Beethoven's sophisticated performance instructions for the first time in a modern edition. Among other things, this has special repercussions for the left-hand figured bass line of the piano part during the tutti passages.As with the Piano Concertos Nos. 1 to 4, the piano reduction appears with a separate solo part containing all the information needed by the soloist to conduct the ensemble from the piano.- Many wholly new corrections in the solo and orchestral parts- Piano reduction with a separate solo part, as was customary in Beethoven's day- With Beethoven's continuo figures for the first time in a modern edition / Score

This volume contains two of Beethoven's most loved and widely performed piano concertos printed in the traditional format for two pianos: Piano I is the solo part; Piano II a piano reduction of the orchestral score. Edited by Franz Kullak.

Featuring the same technical brilliance innovation and imagination which distinguished the great piano pieces Transcendental Etudes and Hungarian Rhapsodies these two works are staples in the repertoire of any serious pianist.This full score includes Franz Liszt's Concerto No. 1 for Piano and Orchestra in E-flat Major; and Concerto No. 2 for Piano and Orchestra in A Major.Reprint of two concerti from Franz Liszt's Musikalische Werke herausgegeban von der Franz Liszt-Stiftung Breitkopf & Härtel Leipzig 1907-1939.

D major-Johannes Brahms' Violin Concerto written for his friend Joseph Joachim has remained a standard in the concert literature since its first performance. No scholarly critical edition of this work has ever been published and therefore the many sometimes conflicting sources have never been evaluated for a critical performing edition. Not only Brahms' autograph score solo part and autograph Piano reduction but also his personal copies of the first edition score as well as the first edition orchestral parts have all been consulted. Clive Brown’s edition offers insights into the genesis of the composition and the working relationshipbetween Brahms and Joachim. The critical commentary comments on all discrepancies in the sources. The critical edition of Brahms' own Piano reduction is at the same time a performing edition and includes an informative introduction as well as comments on performance practice. In addition the Piano reduction includes a separate brochure with not only the well known Joachim cadenza but also those by J. Halir H. Heermann L. Auer and F. Busoni. An informative preface (Ger/Eng) with references to performance practice and a critical commentary are included in the edition First scholarly critical edition of this standard work Critical commentary (Eng) Insightful comments on performance practice An Urtext Violin part and an additional Violin part marked with fingering and bowing suggestions by Joseph Joachim Valuable cadenza brochure with cadenzas by Joachim Halir Heermann Auer and Busoni Full score critical commentary & parts (BA9049) and Violin & Piano reduction (BA9049-90) and study score (TP949) available for sale

Commissioned by the London Philharmonic Orchestra Luzerner Sinfonieorchester Bergen Philharmonic Orchestra and Adelaide Symphony Orchestra and first performed in 2013 by Lawrence Power with the LPO conducted by Vladimir Jurowski. Cast in three contrasting movements this work is expressive energetic and highly virtuosic culminating in a breathless Allegro pitting the soloist against the orchestra. A major addition to the canon of concertante works by James MacMillan and to the Viola repertoire in general. Full orchestra materials available on hire. Suitable for advanced standard performers.

The most important concert and orchestral works from the Baroque era to the Romantic period in the 'Eulenburg Audio Score' series: All scores are presented in a reader-friendly format, including CD with excellent recordings of the masterpieces.NEW: 25 masterpieces in a handy slipcase at the special price of 199.- ? as a complement to the existing set of '50 Masterpieces' (EAS 100-50, 399.- ?).The basis of every music library!The 'Eulenburg Audio Score' series contains the orchestral world's greatest musical treasures from the baroque, classical and romantic repertoire. - Over 80 volumes of clearly-presented and authoritative scores, with informative prefaces detailing the biographical and creative background- - CDs of great performances of each work in full length, from orchestras including the London Philharmonic Orchestra, the Royal Philharmonic Orchestra, and the Philharmonia Orchestra. Amazing value: almost 50% cheaper than buying each volume separately! This is the perfect gift for any music-lover. 'Eulenburg Audio Score' is the new way to hear, read and understand music. Eulenburg is the 130 year-old world-famous publishing brand, renowned for its top-quality, reliable study scores at reasonable prices. Focussing on the fields of opera, orchestral music, chamber music and vocal music, it is the favourite choice of conductors, orchestra musicians, soloists, students, teachers and music lovers generally. The more you read, the more you hear! / Concert Band

INTRODUCTION
The Four Seasons : Sonnet Texts
Bibliography
Il Cimento dell'armonia e dell'inventione
(The Contest of Harmony and Invention)
Twelve Concertos for violin, strings, and continuo
(Opus 8)
THE FOUR SEASONS (OPUS 8, NOS. 1-4)
Concerto No. 1 in E Major: La Primavera ( Spring )
(Op. 8, No. 1 / RV 269)
I. Allegro
II. Largo
III. Allegro
Concerto No. 2 in G Minor: L'Estate ( Summer )
(Op. 8, No. 2 / RV 315)
I. Allegro non molto
II. Adagio
III. Presto
Concerto No. 3 in F Major: L'Autunno ( Autumn )
(Op. 8, No. 3 / RV 293)
I. Allegro
II. Adagio molto
III. Allegro
Concerto No. 4 in F Minor: L'Inverno ( Winter )
(Op. 8, No. 4 / RV 297)
I. Allegro non molto
II. Largo
III. Allegro
OTHER VIOLIN CONCERTOS (OPUS 8, NOS. 5-12)
Concerto No. 5 in E-flat Major: La Tempesta di Mare ( The Storm at Sea )
(Op. 8, No. 5 / RV 253)
I. Presto
II. Largo
III. Presto
Concerto No. 6 in C Major: Il Piacere ( Pleasure )
(Op. 8, No. 6 / RV 180)
I. Allegro
II. Largo e cantabile
III. Allegro
Concerto No. 7 in D Minor
(Op. 8, No. 7 / RV 242)
I. Allegro
II. Largo
III. Allegro
Concerto No. 8 in G Minor
(Op. 8, No, 8 / RV 332)
I. Allegro
II. Largo
III. Allegro
Concerto No. 9 in D Minor
(Op. 8, No. 9 / RV 236)
I. Allegro
II. Largo
III. Allegro
Concerto No. 10 in B-flat Major: La Caccia ( The Hunt )
(Op. 8, No. 10 / RV 362)
I. Allegro
II. Adagio
III. Allegro
Conceto No. 11 in D Major
(Op. 8, No. 11 / RV 210)
I. Allegro
II. Largo
III. Allegro
Concerto No. 12 in C Major
(Op. 8, No. 12 / RV 178)
I. Allegro
II. Largo
III. Allegro
IMPORTANT VARIANTS
How to Use the Variants
Concerto No. 7 in D Minor (RV 242)
Allegro (Movement I)
a. Substitute for Bars 50-76
Concerto No. 9 in D Minor (RV
(Version for Oboe, Strings and Continuo, RV 454)
Allegro (Movement I)
a. Substitute for Bars 91-102
Concerto No. 11 in D Major (RV 210)
Allegro (Movement I)
a. Substitute for Bars 100-112
b. Substitute for Bars 122-132
Allegro (Movement II)
c. Substitute for Bars 38-67
d. Substitute for Bars 113-154
e. Substitute for Bars 171-214
f. Substitute for Bars 171-208
CRITICAL NOTES
The Sources
The Amsterdam Print
The Dresden Manuscripts
The Manchester Partbooks
The Turin Autograph Scores
The Dover Edition
Text Fonts Used in The Four Seasons

Full Score - for Violin and Orchestra-Mozart composed the majority of his works for solo string instruments and orchestra during the years 1773 to 1779. Especially important in this context are the years 1773 and 1775 which witnessed the creation of the five concertos for violin and orchestra as well as several single movements for the same scoring. The reasons for this flourish of activity in this domain lie partly in the fact that Mozart who still occupied the post of concertmaster to the Prince-Archbishop was either obliged or inspired to provide such works for special occasions during this long period spent in Salzburg. But another reason was certainly the possibility of experimenting withall the new compositional techniques acquired during his third trip to Italy and his stay of several months in Vienna from July to September 1773.The piano reduction of Mozart?s D major violin concerto is easier to play uncluttered and practical with page turns where you need them and where necessary fold-out pages.The solo part gives players the critical Urtext of the New Mozart Edition. A prepared performance part is also included with bowings fingerings and performance practice comments. An additional brochure is included with todays most performed cadenzas 'Eingänge' and fermata embellishments.This collection offers players a spectrum of styles available in no other publication.Urtext of the New Mozart EditionFull score and parts (BA4866) violin & piano reduction (BA4866-90) and study score format 22.5 x 16.5cm (TP273) available for sale

Mozart composed the majority of his works for solo string instruments and orchestra during the years 1773 to 1779. Especially important in this context are the years 1773 and 1775 which witnessed the creation of the five concertos for violin and orchestra as well as several single movements for the same scoring. The reasons for this flourish of activity in this domain lie partly in the fact that Mozart who still occupied the post of concertmaster to the Prince-Archbishop was either obliged or inspired to provide such works for special occasions during this long period spent in Salzburg. But another reason was certainly the possibility of experimenting withall the new compositional techniques acquired during his third trip to Italy and his stay of several months in Vienna from July to September 1773.The piano reduction of Mozart?s D major violin concerto is easier to play uncluttered and practical with page turns where you need them and where necessary fold-out pages.The solo part gives players the critical Urtext of the New Mozart Edition. A prepared performance part is also included with bowings fingerings and performance practice comments. An additional brochure is included with todays most performed cadenzas 'Eingänge' and fermata embellishments.This collection offers players a spectrum of styles available in no other publication.Urtext of the New Mozart EditionFull score and parts (BA4866) violin & piano reduction (BA4866-90) and study score format 22.5 x 16.5cm (TP273) available for sale