Classical And Fingerstyle Tech - Mi

Cette classe de maître avec instructeur de MI David Oakes vise à tout guitariste électrique ou acoustique qui veut un accès rapide, approfondie mise à la terre dans les éléments essentiels du classique et le fingerstyle technique. Les sujets abordés comprennent : arpèges et échelles, accident vasculaire cérébral libre et reste accident vasculaire cérébral, P-i échelle technique, patrons de trois-de-la-chaîne, harmoniques naturels et artificiels, tremolo et rasgueado et plus. Le livre comprend 12 cours intensifs de droit et de la main gauche en notation standard and onglet, et le CD comporte des pistes acoustiques solos 92. / Guitare

The ragtime and early jazz music pioneers during the first decades of the last century didn???t know that the sounds they created would echo in the music that people loved for years to come. They started an American music traditionthat is alive to this day. I was born and raised in Sweden and I have always enjoyed the music from that era but being a Guitarist I never thought that playing back-up in a jazz band was for me. I???d rather do something with thesesongs so that they would fit my approach playing fingerstyle Guitar.Many of the early jazz songs and of course classical ragtime often is played as Piano music with a steady left hand playing bass notes and chords togetherwith the right hand playing a syncopated melody on top. This style of playing is very similar to the alternating bass style on the Guitar. So these tunes easily lend themselves to a fingerstyle arrangement.With classicalragtime I approach arranging by transcribing the original Piano sheet-music. The important thing is to find keys that suit the Guitar and then decide what notes not to play since it is not technically possible to play all thenotes in a Piano score on the Guitar. I like to play in keys that will give me the opportunity to use open strings in the bass while the melody moves up and down the neck. This is especially important since my aim is to make myarrangements not too difficult to play so that the player can concentrate on the music instead of being too concerned with the technical aspects of his/her playing. The most important challenge though is to make the tune soundlike Guitar music not Piano music played on the Guitar.

In this unique lesson David Laibman teaches two Classic Ragtime compositions: Red Carpet Rag and Scott Joplin???s 1899 famous Maple Leaf Rag. These are difficult arrangements but they are taught section by section includingsplit-screen segments where you can see exactly what the left and right hands are doing. David explains fingerings slides hammer-ons and pull-offs harmonics and any other technical points. Also complete music and tablatureare included. As David says often in the lesson 'Fingerstyle guitar is a creative process and there is no single right way to do things. I am always discovering new ways to play certain bits and then wondering why ittook me so long to find them. If the fingering of a passage seems difficult and you want to change it go right ahead! Fingerings should work for the music and for you. Above all ragtime should be fun. Enjoy!' A detailedprinted tab/music instructional booklet is included as well as a PDF file of the booklet on the DVD.

Effective Technique for Fingerstyle/Classical Guitar-The Fingerpower series delivers a proven and effective path to technical development. This guitar edition focuses on fingerstyle and classical guitar playing with short progressive exercises that are easy to learn and fun to practice developing strength in both hands.