Chorale Prelude 'Ich Ruf Zu Dir'

The complete edition of Bunk's organ music comes to an end with the publication of volume VI which contains organ works of a primarily liturgical nature. The quality of the music can be compared with compositions by Max Reger and Sigfrid Karg-Elert.This Urtext edition, prepared by the composer's grandson, is the result of a thorough study of the sources based on the latest findings of musical scholarship. Each volume includes a detailed foreword, a Critical Commentary, and many facsimiles and illustrations.Inserted in the volume is a CD which shows a facsimile reproduction of the first edition of Gerard Bunk's Liebe zur Orgel. This reference book by the late Romantic composer, which was highly regarded by none less than Albert Schweitzer and which affords valuable insights into the art of organ building and organ playing in Germany during the first half of the 20th century, has hence been made available again to interested organists and church musicians.- First complete Urtext edition of Bunk's organ works- Edited by the composer's grandson- Detailed foreword and Critical Commentary for each volume (Ger/Eng)- Many facsimiles and illustrationsContents'Wilhelmus van Nassouwe en Choral? 'Nun danket alle Gott?'Kleine Fantasie über C.H.D.B.? for organ or pianoChorale prelude 'Wachet auf, ruft uns die Stimme? (trio for 2 manuals and pedals)37 short chorale improvisations for liturgical use / Orgue

Spiral Bound-Forty exceptional pieces for organ carefully chosen from across Europe and perfect for special occasions services or purely for pleasure.Adagio from Sonata no. 1 Felix MendelssohnAdagio no. 2 Christian HeinrichRinckAdagio no. 3 Christian Heinrich RinckAdagio no. 4 Christian Heinrich RinckAdagio no. 10 Christian Heinrich RinckAllegro from ?Magnificat? Alexandre GuilmantAndante no. 1 Albert Lister PeaceAndantetranquillo Edward John HopkinsAndante tranquillo from Sonata no. 3 Felix MendelssohnAve Maria Alexandre GuilmantBénédiction nuptiale Camille Saint-SaënsChorale prelude on ?Herr Jesu Christ dich zu uns wend? JohannSebastian BachChorale prelude on ?Herzlich tut mich verlangen? Johann Sebastian BachChorale prelude on ?Herzlich tut mich verlangen? Johannes BrahmsChorale prelude on ?Liebster Jesu wir sind hier? Johann SebastianBachChorale prelude on ?O Welt ich muss dich lassen? Johannes BrahmsChorale prelude on ?O wie selig seid ihr doch ihr Frommen? Johannes BrahmsCommunion in Ab Alexandre GuilmantElegy Charles Harford LloydElegyCharles Hubert Hastings ParryFestive prelude Sigfrid Karg-ElertGrand Choeur in G Théodore SaloméIch dank dir lieber Herr Sigfrid Karg-ElertInterlude in F Herbert BrewerMarch in G Henry SmartMarch-SortieThéodore DuboisMelody in G Alexandre GuilmantNoël Ecossais Alexandre GuilmantPastorale in F Johann Sebastian BachPostlude Alexandre GuilmantPostlude in D minor Anton BrucknerPrayer in Bb AlexandreGuilmantPrelude César FranckPrelude in C Anton BrucknerPrière Notre-Dame from ?Suite Gothique? Léon BoëllmannVesper voluntary no. 1 Edward ElgarVesper voluntary no. 2 Edward ElgarVesper voluntary no. 3Edward ElgarVesper voluntary no. 5 Edward ElgarVoluntary John Ebenezer West

Cette série d'anthologies de l'année liturgique et importantes occasions d'église qui convient particulièrement pour les musiciens d'église non professionnels a été élargi par un second volume en réponse à une demande fréquente.L'objectif principal de 'Louange et Merci pour Orgue II' se trouve dans le répertoire du 19e siècle.En son centre, sont des paramètres choral pour les 'Hymns of Praise' et 'louange et de reconnaissance' de la Hymnbook protestante allemande ainsi que la section 'Louange et Merci' à partir de la Hymnbook catholique allemande.oeuvres pour orgue éprouvées librement composé sont également inclus, comme l'op 'Festpostludium' de Christian Fink. 63 et fantaisies de choral.- Collection de moindre organe connu fonctionne adapté à toutes les confessions- Compositions d'orgue gratuits et des paramètres choral éprouvée du 19ème siècle- Facile à niveau moyen de difficulté / Orgue

Aulos I to a certain degree continues Orbán's easy piano pieces for children, which he composed for Ágnes Lakos's piano tutor and which Editio Musica Budapest published in a separate volume entitled Enchanted Forest in 2011 (Z14742). Yet on this occasion the composer took on something which was both significantly different and more than his earlier pieces for children. On the one hand, he did not compose for beginners but for more advanced students who have studied piano for at least three years. On the other, he did not set developing the technique of piano playing as an aim, rather a systematic presentation of different polyphonic genres and compositional procedures (imitation, fugue, stretto, inversion, augmentation and diminution, double counterpoint, latent polyphony, double and triple fugue, cantus firmus technique, etc.). Orbán introduces his students to the mysteries of polyphony in a direct and practical manner, and thus actually makes them familiar with the art of composition.The educational use of the series is significantly increased by the fact that before each piece the composer presents and clarifies with demonstrative illustrations the polyphonic procedure he introduces. Orbán's explanations are not text-book-like at all, but are deliberately personal and subjective, full of lessons and individual associations taken from his practice as a composer. They were written in the same spirit as the works themselves - while they perfectly fulfil their educational purpose they are equally individual, witty and inspired pieces of music that are a joy to play. / Ensemble Mixte