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| Johann Sebastian Bach:
Cantata BWV 61 Nun Komm:
Mixed Choir: Vocal Score
Soli, choeur mixte et accompagnement
Soli, chœur mixte et piano [Partition]
Barenreiter
Cantata for the First Sunday of Advent-Nun komm der Heiden Heiland BWV 62Cantat...(+)
Cantata for the First Sunday of Advent-Nun komm der Heiden Heiland BWV 62Cantata for the First Sunday of AdventBach began two of his cantatas (BWV 61 and 62) - belonging to the Weimar and Leipzig periods respectively - with Martin Luther`s Advent hymn 'Nun komm der Heiden Heiland' a German version of the early church hymn 'Veni redemptor gentium'. The cantata can be described as a Choral Cantata typical of Bach's late creative period incorporating the older technical processes of polyphonic chorale settings as well as more modern solo movements.Urtext of the New Bach EditionPerformance material (BA10062) Vocal score (BA10062-90) & study scoreformat 22.5 x 16cm (TP1062) available for sale
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| Johann Sebastian Bach:
Cantata No.134: Mixed
Choir: Score
Soli (AT), Choeur Mixte (SATB) Et
Orchestre [Partition]
Barenreiter
Cantata for Easter Tuesday-Ein Herz dass seinen Jesum lebend weiss BWV 134Canta...(+)
Cantata for Easter Tuesday-Ein Herz dass seinen Jesum lebend weiss BWV 134Cantata for Easter Tuesday (third version).Cantata BWV 134 belongs to those works in which we can follow particularly clearly Bach's custom of continually altering and improving his works from performance to performance.Although this cantata in the course of its history became a valuable even a particularly festal church cantata it does not disown its secular origin. The complete absence of blblical words and chorale is striking. Urtext of the New Bach Edition Fullscore & performance material (BA10134) vocal score (BA10134-90) available for sale
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| Johann Sebastian Bach:
Cantata BWV 61 Nun Komm:
Mixed Choir: Score
Soli, choeur mixte et accompagnement
Soli, chœur mixte et orchestre [Partition]
Barenreiter
Cantata for the First Sunday of Advent-Nun komm der Heiden Heiland BWV 62Cantat...(+)
Cantata for the First Sunday of Advent-Nun komm der Heiden Heiland BWV 62Cantata for the First Sunday of AdventBach began two of his cantatas (BWV 61 and 62) - belonging to the Weimar and Leipzig periods respectively - with Martin Luther`s Advent hymn 'Nun komm der Heiden Heiland' a German version of the early church hymn 'Veni redemptor gentium'. The cantata can be described as a Choral Cantata typical of Bach's late creative period incorporating the older technical processes of polyphonic chorale settings as well as more modern solo movements.Urtext of the New Bach EditionPerformance material (BA10062) Vocal score (BA10062-90) & study scoreformat 22.5 x 16cm (TP1062) available for sale
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| Johann Sebastian Bach:
Cantata BWV 61 Nun Komm:
Mixed Choir: Study Score
Partition de Poche [Partition]
Barenreiter
Cantata for the First Sunday of Advent-Nun komm der Heiden Heiland BWV 62Cantat...(+)
Cantata for the First Sunday of Advent-Nun komm der Heiden Heiland BWV 62Cantata for the First Sunday of AdventBach began two of his cantatas (BWV 61 and 62) - belonging to the Weimar and Leipzig periods respectively - with Martin Luther`s Advent hymn 'Nun komm der Heiden Heiland' a German version of the early church hymn 'Veni redemptor gentium'. The cantata can be described as a Choral Cantata typical of Bach's late creative period incorporating the older technical processes of polyphonic chorale settings as well as more modern solo movements.Urtext of the New Bach EditionPerformance material (BA10062) Vocal score (BA10062-90) & study scoreformat 22.5 x 16cm (TP1062) available for sale
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| Johann Sebastian Bach:
Cantata No.134: SATB:
Parts
Soli (AT), Choeur Mixte (SATB) Et
Orchestre
Barenreiter
Cantata for Easter Tuesday-Ein Herz dass seinen Jesum lebend weiss BWV 134Canta...(+)
Cantata for Easter Tuesday-Ein Herz dass seinen Jesum lebend weiss BWV 134Cantata for Easter Tuesday (third version).Cantata BWV 134 belongs to those works in which we can follow particularly clearly Bach's custom of continually altering and improving his works from performance to performance.Although this cantata in the course of its history became a valuable even a particularly festal church cantata it does not disown its secular origin. The complete absence of blblical words and chorale is striking. Urtext of the New Bach Edition Fullscore & performance material (BA10134) vocal score (BA10134-90) available for sale
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| Johann Sebastian Bach:
Cantata No.134: SATB:
Part
Soli (AT), Choeur Mixte (SATB) Et
Orchestre
Barenreiter
Cantata for Easter Tuesday-Ein Herz dass seinen Jesum lebend weiss BWV 134Canta...(+)
Cantata for Easter Tuesday-Ein Herz dass seinen Jesum lebend weiss BWV 134Cantata for Easter Tuesday (third version).Cantata BWV 134 belongs to those works in which we can follow particularly clearly Bach's custom of continually altering and improving his works from performance to performance.Although this cantata in the course of its history became a valuable even a particularly festal church cantata it does not disown its secular origin. The complete absence of blblical words and chorale is striking. Urtext of the New Bach Edition Fullscore & performance material (BA10134) vocal score (BA10134-90) available for sale
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| Johann Sebastian Bach:
Cantata No.134: SATB:
Part
Soli (AT), Choeur Mixte (SATB) Et
Orchestre
Barenreiter
Cantata for Easter Tuesday-Ein Herz dass seinen Jesum lebend weiss BWV 134Canta...(+)
Cantata for Easter Tuesday-Ein Herz dass seinen Jesum lebend weiss BWV 134Cantata for Easter Tuesday (third version).Cantata BWV 134 belongs to those works in which we can follow particularly clearly Bach's custom of continually altering and improving his works from performance to performance.Although this cantata in the course of its history became a valuable even a particularly festal church cantata it does not disown its secular origin. The complete absence of blblical words and chorale is striking. Urtext of the New Bach Edition Fullscore & performance material (BA10134) vocal score (BA10134-90) available for sale
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| Johann Sebastian Bach:
Cantata BWV 61 Nun Komm:
SATB: Part
Soli (SATB), Choeur Mixte (SATB) Et
Orchestre
Barenreiter
Cantata for the First Sunday of Advent-Nun komm der Heiden Heiland BWV 62Cantat...(+)
Cantata for the First Sunday of Advent-Nun komm der Heiden Heiland BWV 62Cantata for the First Sunday of AdventBach began two of his cantatas (BWV 61 and 62) - belonging to the Weimar and Leipzig periods respectively - with Martin Luther`s Advent hymn 'Nun komm der Heiden Heiland' a German version of the early church hymn 'Veni redemptor gentium'. The cantata can be described as a Choral Cantata typical of Bach's late creative period incorporating the older technical processes of polyphonic chorale settings as well as more modern solo movements.Urtext of the New Bach EditionPerformance material (BA10062) Vocal score (BA10062-90) & study scoreformat 22.5 x 16cm (TP1062) available for sale
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| Johann Sebastian Bach:
Cantata BWV 61 Nun Komm:
SATB: Parts
Soli (SATB), Choeur Mixte (SATB) Et
Orchestre
Barenreiter
Cantata for the First Sunday of Advent-Nun komm der Heiden Heiland BWV 62Cantat...(+)
Cantata for the First Sunday of Advent-Nun komm der Heiden Heiland BWV 62Cantata for the First Sunday of AdventBach began two of his cantatas (BWV 61 and 62) - belonging to the Weimar and Leipzig periods respectively - with Martin Luther`s Advent hymn 'Nun komm der Heiden Heiland' a German version of the early church hymn 'Veni redemptor gentium'. The cantata can be described as a Choral Cantata typical of Bach's late creative period incorporating the older technical processes of polyphonic chorale settings as well as more modern solo movements.Urtext of the New Bach EditionPerformance material (BA10062) Vocal score (BA10062-90) & study scoreformat 22.5 x 16cm (TP1062) available for sale
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| Johann Sebastian Bach:
Cantata BWV 61 Nun Komm:
SATB: Part
Soli (SATB), Choeur Mixte (SATB) Et
Orchestre
Barenreiter
Cantata for the First Sunday of Advent-Nun komm der Heiden Heiland BWV 62Cantat...(+)
Cantata for the First Sunday of Advent-Nun komm der Heiden Heiland BWV 62Cantata for the First Sunday of AdventBach began two of his cantatas (BWV 61 and 62) - belonging to the Weimar and Leipzig periods respectively - with Martin Luther`s Advent hymn 'Nun komm der Heiden Heiland' a German version of the early church hymn 'Veni redemptor gentium'. The cantata can be described as a Choral Cantata typical of Bach's late creative period incorporating the older technical processes of polyphonic chorale settings as well as more modern solo movements.Urtext of the New Bach EditionPerformance material (BA10062) Vocal score (BA10062-90) & study scoreformat 22.5 x 16cm (TP1062) available for sale
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| Johann Sebastian Bach:
Cantata BWV 61 Nun Komm:
SATB: Part
Soli (SATB), Choeur Mixte (SATB) Et
Orchestre
Barenreiter
Cantata for the First Sunday of Advent-Nun komm der Heiden Heiland BWV 62Cantat...(+)
Cantata for the First Sunday of Advent-Nun komm der Heiden Heiland BWV 62Cantata for the First Sunday of AdventBach began two of his cantatas (BWV 61 and 62) - belonging to the Weimar and Leipzig periods respectively - with Martin Luther`s Advent hymn 'Nun komm der Heiden Heiland' a German version of the early church hymn 'Veni redemptor gentium'. The cantata can be described as a Choral Cantata typical of Bach's late creative period incorporating the older technical processes of polyphonic chorale settings as well as more modern solo movements.Urtext of the New Bach EditionPerformance material (BA10062) Vocal score (BA10062-90) & study scoreformat 22.5 x 16cm (TP1062) available for sale
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| Johann Sebastian Bach:
Cantata BWV 61 Nun Komm:
SATB: Part
Soli (SATB), Choeur Mixte (SATB) Et
Orchestre
Barenreiter
Cantata for the First Sunday of Advent-Nun komm der Heiden Heiland BWV 62Cantat...(+)
Cantata for the First Sunday of Advent-Nun komm der Heiden Heiland BWV 62Cantata for the First Sunday of AdventBach began two of his cantatas (BWV 61 and 62) - belonging to the Weimar and Leipzig periods respectively - with Martin Luther`s Advent hymn 'Nun komm der Heiden Heiland' a German version of the early church hymn 'Veni redemptor gentium'. The cantata can be described as a Choral Cantata typical of Bach's late creative period incorporating the older technical processes of polyphonic chorale settings as well as more modern solo movements.Urtext of the New Bach EditionPerformance material (BA10062) Vocal score (BA10062-90) & study scoreformat 22.5 x 16cm (TP1062) available for sale
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| Johann Sebastian Bach:
Cantata BWV 61 Nun Komm:
SATB: Part
Soli, choeur mixte et accompagnement
Soli, chœur mixte et orchestre [Partie séparée]
Barenreiter
Cantata for the First Sunday of Advent-Nun komm der Heiden Heiland BWV 62Cantat...(+)
Cantata for the First Sunday of Advent-Nun komm der Heiden Heiland BWV 62Cantata for the First Sunday of AdventBach began two of his cantatas (BWV 61 and 62) - belonging to the Weimar and Leipzig periods respectively - with Martin Luther`s Advent hymn 'Nun komm der Heiden Heiland' a German version of the early church hymn 'Veni redemptor gentium'. The cantata can be described as a Choral Cantata typical of Bach's late creative period incorporating the older technical processes of polyphonic chorale settings as well as more modern solo movements.Urtext of the New Bach EditionPerformance material (BA10062) Vocal score (BA10062-90) & study scoreformat 22.5 x 16cm (TP1062) available for sale
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| Johann Sebastian Bach:
Cantata BWV 140 Wachet
auf ruft uns die Stimme:
Study
Partition de Poche [Partition]
Barenreiter
Wachet auf ruft uns die Stimme (Wake ye maids! hark strikes the hour) (BWV 140...(+)
Wachet auf ruft uns die Stimme (Wake ye maids! hark strikes the hour) (BWV 140)Cantata for the 27th sunday after TrinityThe Cantata BWV 140 was written in 1731 and first performed in Leipzig on November 25 of that year - the performance was directed by Bach himself. In addition to three vocal soloists and chorus the work is scored for two Oboes English Horn Bassoon Horn Violino Piccolo Strings and Continuo. The Cantata Wachet auf 'Sleepers Awake' is based on a hymn by Philipp Nicolai also written in 1731 for the 27th Sunday after Trinity. Urtext of the New Bach EditionStudy scoreformat 22.5 x 16.5cm (TP1140) performance material (BA10140) and vocal score (BA10140-90) available for sale
Délais: En Stock |
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| Johann Sebastian Bach:
The Peasant Cantata:
Voice: Vocal Score
Voix duo, Piano [Partition]
Paterson's Publications
The Peasant Cantata was written and performed in 1742 as an act of homage to Car...(+)
The Peasant Cantata was written and performed in 1742 as an act of homage to Carl Heinrich Von Dieskau on his becoming 'Lord Of The Manor'. The libretto supplied by Picander deals with the rejoicing of villagers and their congratulations and good wishes to the new laird and his wife. Many folk melodies are introduced and most of the numbers are based on merry country dance tunes.
Délais: En Stock |
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| Joseph M. Martin Heather
Sorenson: Christmas
Dreams (A Cantata): Vocal
Score [Vocal Score]
Shawnee Press
Christmas Dreams (A Cantata)
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| Johann Sebastian Bach:
Cantata BWV 56 Ich Will
Den Kreuzstab: SATB:
Vocal Score
Chorale SATB [Vocal Score]
Barenreiter
Cross Staff Cantata (Kreuzstabkantate)-Ich Will Den Kreuzstab Gerne Tragen 'Kreu...(+)
Cross Staff Cantata (Kreuzstabkantate)-Ich Will Den Kreuzstab Gerne Tragen 'Kreuzstabkantate' (I will my cross-staff gladly carry) 'Cross Staff Cantata (Kreuzstabkantate)') BWV 56Cantata for the 19th Sunday after TrinityBach’s solo cantata Ich Will Den Kreuzstab Gerne Tragen is taken from his third cantata cycle for Leipzig. To judge from its position in the liturgy it was probably first performed on 27 October 1726 the nineteenth Sunday after Trinity.Urtext of the New Bach EditionPerformance material (BA10056) vocal score (BA10056-90) & study score format 22.5 x 16cm (TP1056) available for sale
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| Johann Sebastian Bach:
Cantata BWV 56 Ich Will
Den Kreuzstab: SATB:
Study Score
Chorale SATB
Barenreiter
Cross Staff Cantata (Kreuzstabkantate)-Ich Will Den Kreuzstab Gerne Tragen 'Kreu...(+)
Cross Staff Cantata (Kreuzstabkantate)-Ich Will Den Kreuzstab Gerne Tragen 'Kreuzstabkantate' (I will my cross-staff gladly carry) 'Cross Staff Cantata (Kreuzstabkantate)') BWV 56Cantata for the 19th Sunday after TrinityBach’s solo cantata Ich Will Den Kreuzstab Gerne Tragen is taken from his third cantata cycle for Leipzig. To judge from its position in the liturgy it was probably first performed on 27 October 1726 the nineteenth Sunday after Trinity.Urtext of the New Bach EditionPerformance material (BA10056) vocal score (BA10056-90) & study score format 22.5 x 16cm (TP1056) available for sale
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| Johann Sebastian Bach:
Cantata BWV 61 Nun Komm:
SATB: Part
Soli (STB), Choeur Mixte (SATB),
Basson Obligatoire, Instruments A
Cordes Et Basse Continue
Barenreiter
Cantata for the First Sunday of Advent-Nun Komm Der Heiden Heiland BWV 61Cantat...(+)
Cantata for the First Sunday of Advent-Nun Komm Der Heiden Heiland BWV 61Cantata for the First Sunday of AdventBach began two of his cantatas with Martin Luther`s Advent hymn 'Nun Komm Der Heiden Heiland' a German version of the early church hymn 'Veni redemptor gentium'. One of the most gripping solo parts (following the pattern recitative aria recitative aria) is the bass recitative on the words of the Revelation with its highly expressive declamation of the vocal line and the naive graphicness of the pounding string accompaniment.Equally captivating is the following soprano aria which 'opens its heart' upon the Saviour's 'knocking' in amelody full of the cheerful tidings of Advent. The cantata ends brilliantly with a lovely figurative chorale movement enhanced by the interplay of a lively bustling Violin part which ultimately soars upward to breathtaking heights.Urtext of the New Bach EditionPerformance material (BA10061) vocal score (BA10061-90) & study score format 22.5 x 16cm (TP1061) available for sale.
Délais: En Stock |
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| Johann Sebastian Bach:
Cantata BWV 61 Nun Komm:
SATB: Part
Soli (STB), Choeur Mixte (SATB),
Basson Obligatoire, Instruments A
Cordes Et Basse Continue
Barenreiter
Cantata for the First Sunday of Advent-Nun Komm Der Heiden Heiland BWV 61Cantat...(+)
Cantata for the First Sunday of Advent-Nun Komm Der Heiden Heiland BWV 61Cantata for the First Sunday of AdventBach began two of his cantatas with Martin Luther`s Advent hymn 'Nun Komm Der Heiden Heiland' a German version of the early church hymn 'Veni redemptor gentium'. One of the most gripping solo parts (following the pattern recitative aria recitative aria) is the bass recitative on the words of the Revelation with its highly expressive declamation of the vocal line and the naive graphicness of the pounding string accompaniment.Equally captivating is the following soprano aria which 'opens its heart' upon the Saviour's 'knocking' in amelody full of the cheerful tidings of Advent. The cantata ends brilliantly with a lovely figurative chorale movement enhanced by the interplay of a lively bustling Violin part which ultimately soars upward to breathtaking heights.Urtext of the New Bach EditionPerformance material (BA10061) vocal score (BA10061-90) & study score format 22.5 x 16cm (TP1061) available for sale.
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| Johann Sebastian Bach:
Cantata BWV 61 Nun Komm:
SATB: Part
Soli (STB), Choeur Mixte (SATB),
Basson Obligatoire, Instruments A
Cordes Et Basse Continue
Barenreiter
Cantata for the First Sunday of Advent-Nun Komm Der Heiden Heiland BWV 61Cantat...(+)
Cantata for the First Sunday of Advent-Nun Komm Der Heiden Heiland BWV 61Cantata for the First Sunday of AdventBach began two of his cantatas with Martin Luther`s Advent hymn 'Nun Komm Der Heiden Heiland' a German version of the early church hymn 'Veni redemptor gentium'. One of the most gripping solo parts (following the pattern recitative aria recitative aria) is the bass recitative on the words of the Revelation with its highly expressive declamation of the vocal line and the naive graphicness of the pounding string accompaniment.Equally captivating is the following soprano aria which 'opens its heart' upon the Saviour's 'knocking' in amelody full of the cheerful tidings of Advent. The cantata ends brilliantly with a lovely figurative chorale movement enhanced by the interplay of a lively bustling Violin part which ultimately soars upward to breathtaking heights.Urtext of the New Bach EditionPerformance material (BA10061) vocal score (BA10061-90) & study score format 22.5 x 16cm (TP1061) available for sale.
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| Johann Sebastian Bach:
Cantata BWV 61 Nun Komm:
SATB: Part
Soli (STB), Choeur Mixte (SATB),
Basson Obligatoire, Instruments A
Cordes Et Basse Continue
Barenreiter
Cantata for the First Sunday of Advent-Nun Komm Der Heiden Heiland BWV 61Cantat...(+)
Cantata for the First Sunday of Advent-Nun Komm Der Heiden Heiland BWV 61Cantata for the First Sunday of AdventBach began two of his cantatas with Martin Luther`s Advent hymn 'Nun Komm Der Heiden Heiland' a German version of the early church hymn 'Veni redemptor gentium'. One of the most gripping solo parts (following the pattern recitative aria recitative aria) is the bass recitative on the words of the Revelation with its highly expressive declamation of the vocal line and the naive graphicness of the pounding string accompaniment.Equally captivating is the following soprano aria which 'opens its heart' upon the Saviour's 'knocking' in amelody full of the cheerful tidings of Advent. The cantata ends brilliantly with a lovely figurative chorale movement enhanced by the interplay of a lively bustling Violin part which ultimately soars upward to breathtaking heights.Urtext of the New Bach EditionPerformance material (BA10061) vocal score (BA10061-90) & study score format 22.5 x 16cm (TP1061) available for sale.
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| Johann Sebastian Bach:
Cantata BWV 61 Nun Komm:
SATB: Part
Soli (STB), Choeur Mixte (SATB),
Basson Obligatoire, Instruments A
Cordes Et Basse Continue
Barenreiter
Cantata for the First Sunday of Advent-Nun Komm Der Heiden Heiland BWV 61Cantat...(+)
Cantata for the First Sunday of Advent-Nun Komm Der Heiden Heiland BWV 61Cantata for the First Sunday of AdventBach began two of his cantatas with Martin Luther`s Advent hymn 'Nun Komm Der Heiden Heiland' a German version of the early church hymn 'Veni redemptor gentium'. One of the most gripping solo parts (following the pattern recitative aria recitative aria) is the bass recitative on the words of the Revelation with its highly expressive declamation of the vocal line and the naive graphicness of the pounding string accompaniment.Equally captivating is the following soprano aria which 'opens its heart' upon the Saviour's 'knocking' in amelody full of the cheerful tidings of Advent. The cantata ends brilliantly with a lovely figurative chorale movement enhanced by the interplay of a lively bustling Violin part which ultimately soars upward to breathtaking heights.Urtext of the New Bach EditionPerformance material (BA10061) vocal score (BA10061-90) & study score format 22.5 x 16cm (TP1061) available for sale.
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| Johann Sebastian Bach:
Cantata BWV 56 Ich Will
Den Kreuzstab: Mixed
Choir: Parts
Basse, Choeur Mixte (SATB) Et
Orchestre
Barenreiter
Cantata for the 19th Sunday after Trinity-Ich Will Den Kreuzstab Gerne Tragen 'K...(+)
Cantata for the 19th Sunday after Trinity-Ich Will Den Kreuzstab Gerne Tragen 'Kreuzstabkantate' (I will my cross-staff gladly carry) 'Cross Staff Cantata (Kreuzstabkantate)') BWV 56Cantata for the 19th Sunday after TrinityBach’s solo cantata Ich Will Den Kreuzstab Gerne Tragen is taken from his third cantata cycle for Leipzig. To judge from its position in the liturgy it was probably first performed on 27 October 1726 the nineteenth Sunday after Trinity.Urtext of the New Bach EditionPerformance material (BA10056) vocal score (BA10056-90) & study score format 22.5 x 16cm (TP1056) available for sale
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| Johann Sebastian Bach:
Cantata BWV 56 Ich Will
Den Kreuzstab: Mixed
Choir: Part
Basse, Choeur Mixte (SATB) Et
Orchestre
Barenreiter
Cantata for the 19th Sunday after Trinity-Ich Will Den Kreuzstab Gerne Tragen 'K...(+)
Cantata for the 19th Sunday after Trinity-Ich Will Den Kreuzstab Gerne Tragen 'Kreuzstabkantate' (I will my cross-staff gladly carry) 'Cross Staff Cantata (Kreuzstabkantate)') BWV 56Cantata for the 19th Sunday after TrinityBach’s solo cantata Ich Will Den Kreuzstab Gerne Tragen is taken from his third cantata cycle for Leipzig. To judge from its position in the liturgy it was probably first performed on 27 October 1726 the nineteenth Sunday after Trinity.Urtext of the New Bach EditionPerformance material (BA10056) vocal score (BA10056-90) & study score format 22.5 x 16cm (TP1056) available for sale
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| Johann Sebastian Bach:
Cantata BWV 56 Ich Will
Den Kreuzstab: Mixed
Choir: Part
Basse, Choeur Mixte (SATB) Et
Orchestre
Barenreiter
Cantata for the 19th Sunday after Trinity-Ich Will Den Kreuzstab Gerne Tragen 'K...(+)
Cantata for the 19th Sunday after Trinity-Ich Will Den Kreuzstab Gerne Tragen 'Kreuzstabkantate' (I will my cross-staff gladly carry) 'Cross Staff Cantata (Kreuzstabkantate)') BWV 56Cantata for the 19th Sunday after TrinityBach’s solo cantata Ich Will Den Kreuzstab Gerne Tragen is taken from his third cantata cycle for Leipzig. To judge from its position in the liturgy it was probably first performed on 27 October 1726 the nineteenth Sunday after Trinity.Urtext of the New Bach EditionPerformance material (BA10056) vocal score (BA10056-90) & study score format 22.5 x 16cm (TP1056) available for sale
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| Johann Sebastian Bach:
Cantata BWV 56 Ich Will
Den Kreuzstab: Mixed
Choir: Part
Basse, Choeur Mixte (SATB) Et
Orchestre
Barenreiter
Cantata for the 19th Sunday after Trinity-Ich Will Den Kreuzstab Gerne Tragen 'K...(+)
Cantata for the 19th Sunday after Trinity-Ich Will Den Kreuzstab Gerne Tragen 'Kreuzstabkantate' (I will my cross-staff gladly carry) 'Cross Staff Cantata (Kreuzstabkantate)') BWV 56Cantata for the 19th Sunday after TrinityBach’s solo cantata Ich Will Den Kreuzstab Gerne Tragen is taken from his third cantata cycle for Leipzig. To judge from its position in the liturgy it was probably first performed on 27 October 1726 the nineteenth Sunday after Trinity.Urtext of the New Bach EditionPerformance material (BA10056) vocal score (BA10056-90) & study score format 22.5 x 16cm (TP1056) available for sale
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| Johann Sebastian Bach:
Cantata BWV 56 Ich Will
Den Kreuzstab: Mixed
Choir: Part
Basse, Choeur Mixte (SATB) Et
Orchestre
Barenreiter
Cantata for the 19th Sunday after Trinity-Ich Will Den Kreuzstab Gerne Tragen 'K...(+)
Cantata for the 19th Sunday after Trinity-Ich Will Den Kreuzstab Gerne Tragen 'Kreuzstabkantate' (I will my cross-staff gladly carry) 'Cross Staff Cantata (Kreuzstabkantate)') BWV 56Cantata for the 19th Sunday after TrinityBach’s solo cantata Ich Will Den Kreuzstab Gerne Tragen is taken from his third cantata cycle for Leipzig. To judge from its position in the liturgy it was probably first performed on 27 October 1726 the nineteenth Sunday after Trinity.Urtext of the New Bach EditionPerformance material (BA10056) vocal score (BA10056-90) & study score format 22.5 x 16cm (TP1056) available for sale
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| Johann Sebastian Bach:
Cantata BWV 56 Ich Will
Den Kreuzstab: Mixed
Choir: Part
Basse, Choeur Mixte (SATB) Et
Orchestre
Barenreiter
Cantata for the 19th Sunday after Trinity-Ich Will Den Kreuzstab Gerne Tragen 'K...(+)
Cantata for the 19th Sunday after Trinity-Ich Will Den Kreuzstab Gerne Tragen 'Kreuzstabkantate' (I will my cross-staff gladly carry) 'Cross Staff Cantata (Kreuzstabkantate)') BWV 56Cantata for the 19th Sunday after TrinityBach’s solo cantata Ich Will Den Kreuzstab Gerne Tragen is taken from his third cantata cycle for Leipzig. To judge from its position in the liturgy it was probably first performed on 27 October 1726 the nineteenth Sunday after Trinity.Urtext of the New Bach EditionPerformance material (BA10056) vocal score (BA10056-90) & study score format 22.5 x 16cm (TP1056) available for sale
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| Johann Sebastian Bach:
Cantata BWV 132 Bereitet
Die Wege: Mixed Choir:
Score
Soli, choeur mixte et accompagnement
satb (soli), SATB (chœur), Orchestre [Partition]
Barenreiter
Cantata for the 4th Sunday of Advent-Bereitet die Wege bereitet die Bahn BWV 13...(+)
Cantata for the 4th Sunday of Advent-Bereitet die Wege bereitet die Bahn BWV 132Cantata for the 4th Sunday of Advent.The cantata Bereitet die Wege is one of the few works by Johann Sebastian Bach of which we know fairly well how it came into being. The autograph full score bears the date 1715; Bach therefore composed the piece for the church service given by the Weimar court orchestra (of which he was the concert master) on 22 December the fourth Sunday in Advent in the year 1715. We even know the author of the words: it was the High Ecclesiastical Secretary in Weimar Salomon Franck who wrote the poem especially for thatoccasion and had it printed in his annual cycle of cantata texts entitled Evangelisches Andachtsopfer.- Urtext of the New Bach Edition- Full score & performance material (BA10132) vocal score (BA10132-90) available for sale.
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