Les auteurs ont conçu - avec l'aide de professeurs d'instruments - une méthode permettant d'avoir un outil à la fois ludique et vivant pour l'enfant, et le plus précis possible pour le professeur, tout en permettant à celui-ci d'enseigner suivant sa propre sensibilité musicale.Les avantages, non exhaustifs, de la formation musicale par l'orchestre :- un rapport beaucoup plus direct et moins abstrait entre le solfège et la pratique instrumentale (tout l'apprentissage solfégique étant directement lié à l'instrument que l'élève a choisi)- passer par l'oral avant l'écrit- une formation auditive plus développée, due aux partitions interprétées par différents instrumentistes- une meilleure compréhension/analyse des oeuvres proposées grâce à la pratique instrumentale- développer l'autonomie de l'élève- la pratique instrumentale collective au sein de ce cours donnera l'envie (dès que l'élève aura le niveau suffisant) de rejoindre un des ensembles instrumentaux du conservatoire ou de l'école de musiqueChaque volume de Symphonic FM se présente sous la forme d'un livre de l'élève (choisi en fonction de l'instrument pratiqué) et d'un livre du professeur.A partir du volume 5, nous avons changé la présentation des livres des élèves pour des raisons pratiques (densité de l'ouvrage).Il y a désormais :un cahier principal comportant ce qui est commun à tous les instruments une partie séparée spécifique à chaque instrumentcomportant les duos instrumentaux, les versions instrumentales des chants et les pratiques instrumentales.Ainsi, chaque élève achètera non plus le correspondant à la famille de son instrument mais le cahier de son propre instrument.

Part of the Belwin Master Solos series and prepared under the direction of Keith Snell, each of these folios contains a collection of graded solos that should prove to be a useful source for both student and teacher. Each folio contains works from the Renaissance, Baroque, and Classical periods, folk songs and traditional tunes, and a section of original compositions. For the student, these solos will provide material with specific challenges in rhythm, range, and key signatures in music that is both instructive and enjoyable to perform. Each solo has been selected and arranged to challenge the student in different areas of technique and musicianship while providing exposure to a variety of musical styles that are enjoyable to perform. In addition, special attention has been given to creating accompaniments that are easy to play yet at the same time add interest to the solo parts. Available in easy, intermediate, and advanced levels as are the Belwin Master Duets. Contains: Abendlied (Schumann) * Gigue (Handel) * Habanera (Bizet) * Nocturne (Tyndall) * Three Minatures (Snell) * Two Royal Fanfares (Prelude To Te Deum/La Rejouissance) (Charpentier).

Category: Instrumental SeriesFormat: Book and CDInstrumentation: Trombone / Baritone / BassoonLevel: IntermediateEach collection contains 11 songs arranged for the instrumentalist wanting to play in a jazz style -- without the need to learn to improvise. All of the books are compatible, with only minimal changes in the variation section to accommodate the ranges and unique characteristics of the instruments.Titles are: I Got Rhythm * But Not for Me * Embraceable You * A Foggy Day * Fascinating Rhythm * I've Got a Crush on You * 'S Wonderful * How Long Has This Been Going On * Nice Work If You Can Get It * Someone to Watch Over Me * Strike Up the Band.

Le jeu à plusieurs oblige à écouter, à réagir et à répondre à d?autres sons. Avec Les Trios 1 and 2 , vous aurez à votre disposition de nombreuses compositions simples et originales classées dans l?ordre croissant de difficulté. Les Trios sont idéaux pour faire du jeu à trois un véritable plaisir musical.

Part of the Belwin Master Solos series and prepared under the direction of Keith Snell, each of these folios contains a collection of graded solos that should prove to be a useful source for both student and teacher. Each folio contains works from the Renaissance, Baroque, and Classical periods, folk songs and traditional tunes, and a section of original compositions. For the student, these solos will provide material with specific challenges in rhythm, range, and key signatures in music that is both instructive and enjoyable to perform. Each solo has been selected and arranged to challenge the student in different areas of technique and musicianship while providing exposure to a variety of musical styles that are enjoyable to perform. In addition, special attention has been given to creating accompaniments that are easy to play yet at the same time add interest to the solo parts. Available in easy, intermediate, and advanced levels as are the Belwin Master Duets. Contains: Aria (Handel) * Ballad (Snell) * Chant Russe (Lalo) * Dances for Trombone (Snell) * Golliwogg's Cakewalk (Debussy).

This book teams up Grammy winner Lennie Niehaus and jazz trombonist Rick Simerly for a set of exciting jazz solos written for the intermediate trombone player. These 14 jazz solos were specially written for Jamey Aebersold's popular Volume 54 Maiden Voyage Play-A-Long and since they are by Lennie, you know they swing and are fun to play! To make it even better, we've included a Play-A-Long/demonstration CD with jazz trombone master Rick Simerly playing the solos with the Volume 54 accompaniment tracks to demonstrate proper jazz feel and interpretation. Lennie writes, Rick plays. You listen, play and learn. Enjoy!
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