Par PROUST PASCAL. / Niveau : Difficile / méthode - études / Répertoire / Trompette ou Cornet

Par BACH JOHANN SEBASTIAN. Ces 24 études ont été transcrits à partir des fugues du Clavier bien tempéré, Livre I, écrite par JSBach en 1722. L'utilisation de chacune des tonalités majeures et mineures douze offert une collection unique pour la période et se présente comme un jalon dans l'histoire de la musique. Bach prévu que l'interprète doit avoir une grande liberté dans l'interprétation de ce travail. Dans cette édition, pour trompette, tempos ont été indiquées en termes généraux plutôt que des indications métronomiques spécifiques. / Niveau : Avancé / Etude / Trompette ou Cornet

Guillaume Balay (1871-1943) served in the French military as a prolific Cornet player having won first place in the 1894 Cornet Award competition at the National Academy of Music in Paris. His compositions and studies were popular in the Cornet and brass repertoire at the time including his Fifteen Studies for Cornet. This Balay work remains within the Cornet study repertoire to this day and is suitable to advance level players. The Fifteen Studies address features including accidentals breath control intervals range ornamentation chromaticism complex rhythms dynamics performance directions andvariations in time and key signatures among other aspects. These quirky studies provide the advanced Cornet player with exciting exercises to ensure progress to a high level of technique.

First published in 1915 this is a work that has stood the test of time by one of the Brass world's most important pedagogues Characteristic Studies for the Cornet should be part of any Trumpet student's library. Within its pages the student will gain valuable insight on tonguing and the 24 characteristic studies will help the student to gain absolute control of technique articulation slurring and endurance. This work will prove helpful and beneficial to the developing student.Herbert Lincoln Clarke was a well-known American Cornet player feature soloist bandmaster andcomposer. Clarke’s legacy includes composing a portion of the standard repertoire for the instrument many recordings as well as a seminal school of playing which emphasized not only technical aptitude but also increased warmth and lyricism of tone. He also produced several method books that are still used by Brass students to this day.