for String Quartet. Par . This iconic traditional Irish melody shines in this accessible arrangement by Larry Moore. Moore's cut-time version begins in G major but modulates to A major for the final section, providing much-needed experience with C-sharps and G-sharps! / Date parution : 2023-01-24/ Répertoire / Quatuor à Cordes

Par . The full range of traditional fiddle repertoire is now at your fingertips! Using these generous collections, you can create your own ceilidh, barn dance, jazz club or Sarajevo street-café. Some of this music is familiar, some more exotic, but all of it is absolutely authentic, faithfully arranged and, above all, hugely enjoyable. / Date parution : 2022-02-26/ Recueil / Alto

Les joueurs d'alto aimeront les 15 favoris folkloriques dans cette collection, à condition complète avec playback sur CD: A-Tisket A-Tasket - Bury Me Not on the Lone Prairie - (Oh, My Darling) Clementine - Frere Jacques (Are You Sleeping?) - The Galway Piper - Greensleeves - Home on the Range / Alto

Arrangement: Cohen Mary. Par COHEN MARY. 'Stringfest ' est une collection de mélodies populaires avec imagination arrangé pour les groupes de la chaîne. La musique a été aménagée avec une flexibilité supplémentaire pour répondre à une variété de situations et les capacités de chaque pièce, y compris les pièces de duo (grades 2-3) qui peuvent être utilisés de façon indépendante, ainsi que des pièces très simples pour les débutants et les accompagnements piano facultatifs. Le format de pack ' Stringfest ' est particulièrement utile pour l'enseignant et comprend une note de piano et un CD amélioré de parties de la chaîne imprimable pour chaque instrument comme fichiers PDF afin que vous pourrez imprimer exactement ce que vous avez besoin. Le CD comprend aussi accompagnement au piano choeurs des pistes pour une aide supplémentaire avec la pratique et de la performance. / Niveau : Facile / Répertoire / Quatuor à Cordes

60 Traditional Pieces. Violist and composer Benedict Taylor presents a collection of 60 pieces for solo viola. Drawn from the rich tradition of Irish folk music the collection covers a range of styles including Jigs, Reels, Hornpipes and Marches. The volume includes notes on playing styles, and is accompanied by a CD with a recording of all tunes. German and French translations of all texts are available as PDF downloads from the Schott Music website. Suitable for players of grades 3-8.

Scatter the Mud is a collection of three traditional jigs: Scatter the Mud Up Sligo and Cock of the North. And included by way of light relief the Air: Factory Girl. The tunes are presented in the way they may appear in a session or ceilidh played several times each one after the other. Ideally suited to a quartet that plays for functions - weddings parties etc. - a crowd-pleasing encore. This work is also suitable for string orchestra and if you have purchased this set of score and parts additional individual parts are available separately price: £2.00 each.

Highland Fling-The 1st & 3rd Position String Quartet series is excellent training material for String Quartet using only 1st & 3rd Positions throughout.1st And 3rd Position String Quartet: Traditional - Highland Fling features a stirring medley of half a dozen Highland reels.

for Easy Violin Skillful Violin and (opt) Viola or Cello-Three traditional folk songs - Annie Laurie The Ash Grove and Scarborough Fair - arranged for two Violins with the option of adding either a Viola or Cello to make an impromptu trio.The Violin parts in this book are ideal for teacher and pupil and are labelled either 'easy Violin' or 'skillful Violin' according to their level of difficulty. The optional Viola and/or Cello parts are also simple to follow and play.

A selection of folk ballads from England Ireland Scotland and Wales.A ballad is the blending of words the beauty of melody tone rhythm and expression. They reflect the history of a people their legends religion love and work. British ballads are renouned for their verse melodic construction and for the enormous range of expression.1 The Lass of Richmond Hill is a poem by Leonard McNally a barrister about a lass who became his wife in 1787. The music is by James Hook (1746 1827).2 Sally in our Alley. The words are by Henry Carey who also wrote the original music but this was replaced by the tune we now know an English traditionalmelody in 1790.3 Caller Herrin'. The poem is by Lady Nairne (1766 1845). Nathaniel Gow the famous Scottish violinist wrote the music in 1798 as a harpsichord piece combining the traditional Edinburgh fish wives cry Caller Herrin' with the bells of St Andrew's Church Edinburgh.4 Men of Harlech. The music is traditionally Welsh and the ballad probably originated from North Wales where the native princes had ruled the longest.5 David of the White Rock (Dafydd y Garres Wen). Sir Walter Scott (1771-1832) wrote the words to this ballad The Dying Bard. David Owen the Welsh bard of the ballad composed the tune on his death-bed on awakening from a trance in which be believed himself to have heard the tune in heaven.6 Oft in the Stilly Night. The words describe an old man's memories of the smiles the tears of boyhood years. The eyes that shone now dimmed and gone and how oft in the stilly night he remembers other days. The ballad is by the Irish poet Thomas Moore (1779 1852) who set the words to a traditional air.7- The Meeting of the Waters. Written by Thomas Moore music Irish traditional.The Meeting of the Waters is the confluence of the rivers Avonmore and Avonberg in a beautiful valley near Avoca County Wicklow.8 Oh! Charlie is my Darlin'. The

String Quartet-A straight forward arrangement of the lovely Irish tune 'Danny Boy'.Grade: 3 - 4

After Concertino for Clarinet and String Quartet-Inspired by Concertino for Clarinet and String Quartet which draws on fragments of folk tunes from northwestern China. This edition presented for solo clarinet (B flat or A).

A superb collection containing five varied folk tunes set for Viola or Cello with Piano accompaniment. Taken from the vast Petrie collection of Ancient Irish Music these traditional melodies have been freely and imaginatively adapted by Howard Ferguson to form a suite of concert and recital pieces. Part of the ABRSM syllabus.