The fifth string quartet by the innovative Philip Glass was originally commissioned by David and Evelyne Lennette for the Kronos Quartet and was first performed on February 15 1992.

'Liebeslied' was written in 1941 and lasts for approximately 4:00 minutes. This version is for Viola and Piano.

for String Quartet - 2013. Par LIM LIZA. / Date parution : 2022-07-23/ Répertoire / Quatuor à Cordes

Par SCHREIER ANNO. Anno Schreier created these four miniatures as preliminary studies for his opera on the logician and computer scientist, Alan Turing, considered today to be the most influential theorist in the development of computers. / Date parution : 2022-07-30/ Répertoire / 2 Altos

Par . La collection De Haske Flexible String Trios présente de multiples avantages pour les ensembles à cordes à instrumentation variable : le set complet contient un conducteur à trois voix et neuf parties séparées. En effet, chaque voix est déclinée pour chacun des trois instruments (violon, alto et violoncelle), permettant ainsi d?envisager toutes les combinaisons instrumentales. Le recueil Discover Roma Music conçu par Nico Dezaire réunit un florilège de mélodies populaires attrayantes de Hongrie, de Roumanie et de Bosnie en un joli panorama de la culture musicale des Roms d?Europe centrale et méridionale. / Date parution : 2022-09-14/ Recueil / Trio de Cordes

Les duos à cordes ont tendance à être quelque peu éclipsés par d\'autres instruments pour la musique de chambre pour cordes - en particulier les quatuors à cordes, pourtant le duo à cordes est une introduction idéale au monde de la musique de chambre pour toute personne qui apprend un instrument. Fabian Payr et Ruth Bamberger ont sélectionné 15 'uvres de clavecin appropriées de la période baroque et les ont arrangées pour deux instruments à cordes. Ces pièces pour duo, faciles à jouer, sont particulièrement appropriées comme matériel pour les leçons d\'instrument mais aussi comme répertoire pour les spectacles d\'étudiants. Elles encouragent l\'étude de la pratique de l\'interprétation baroque et promeuvent le sujet quelque peu négligé du jeu d\'ensemble en musique de chambre. / Partitions classique / Cordes / Autres cordes frottées / RICORDI

Arrangeur : Larry Moore
Instrumentation : Quatuor à Cordes
Type de produi : Conducteur Parties
Collection : Pops For String Quartet
Difficulté : 2
Language : ENG
Année d\'édition : 2022 / Partitions variété - pop - rock / Variété internationale / Cordes / HAL LEONARD

Par FRANCES-HOAD CHERYL. A short string trio commissioned by City of London Sinfonia in 2021. / Date parution : 2022-04-26/ Répertoire / Trio à Cordes

Par FREEMAN ALEX. Alex Freeman found initial inspiration for his string quartet (2015) in a series of photographs a geologist friend showed him of en échelon veins in rock formations. The open strings punctuated with pizzicato unisons that begin the single-movement work call to mind something crystalline and shimmering, which is immediately infused with tumbling lyrical lines in something of a rapid caccia technique throughout. The middle of the work becomes more suspended in slower material loosely based on a technique of prolation canon, comprises layers of free, expressive, lyrical, and even elegiac music moving at different speeds. As the work concludes, the materials converge in a rhythmically pulsating stasis and an almost chorale-like statement. Duration: c. 13' This product includes the score and the parts (A4 sized). American-Finnish composer Alex Freeman (b.1972) has established himself among the foremost composers of choral music in Finland. A dedicated citizen of his musical community, a teacher, and a choral singer himself, he composes music that reflects an appreciation for a wide range of aesthetics and a passion for communicating with listeners and performers. In his choral works, in particular, we find music that aims to be sonorous, melodic, and resonant, but is always crafted to carefully avoid the cliches that can burden conventional tonality. His instrumental works run the gamut: a cantata with orchestra based on poetry of Whitman; a significant body of solo piano works that reveal deep roots in everything from austere absolute music to soaring elegaic rhetoric (see Albany Records, Inner Voice); his chamber work Blueshift (Navona Records), which is a kind of paean to Reich and Adams in miniature; open-ended modular works, like various iterations of his Slow All Clocks for electronic media, solo clarinet, and mixed choirs of kanteles; and, recently, some new directions in microtonal music. / Date parution : 2022-05-31/ Répertoire / Quatuor à Cordes

Strinq quartet no. 14. Par WILSON IAN. / Date parution : 2022-04-26/ Répertoire / Quatuor à Cordes

String quartet no. 10. Par WILSON IAN. / Date parution : 2022-04-26/ Répertoire / Quatuor à Cordes

String quartet No. 20. Par WILSON IAN. / Date parution : 2022-04-26/ Répertoire / Quatuor à Cordes

Par LEIVISKA HELVI. Finnish composer Helvi Leiviskä (1902-1982) created a broad-based output of orchestral works, solo songs and chamber music. Her style could be described as moderate modernism, deriving influences from multiple sources such as late Romanticism, Symbolism, Expressionism, Existentialism and Neo-Classicism. Leiviskä's output is characterised by philosophical and religious themes, images of nature and narrative structures. Many of her works focus on human existential angst and spiritual searching and growth. Helvi Leiviskä originally completed her Piano Quartet in A major op. 1 in 1926 but revised it a decade later, in 1935. Written for the traditional piano quartet lineup (violin, viola, cello and piano), the work is in three movements and has a duration of about 25 minutes. It features religious and ecstatic imagery such as may be found in French, German or Russian neo-Romantic styles. Leiviskä's Piano Quartet is considered one of the cornerstones of her chamber music output. Its early version was premiered in two parts at student recitals of the Helsinki Music Institute (the 1st movement in 1925 and the 2nd and 3rd movements in 1926). The revised version was performed in full by Timo Mikkilä (piano), Sulo Aro (violin), Ilmo Ranta (viola) and Pentti Rautawaara (cello) on Finnish radio in 1939. The work was also on the programme of Leiviskä's second composition concert in 1945, being performed on that occasion by Jussi Jalas (piano), Erik Cronvall (violin), Erik Karma (viola) and Yrjö Selin (cello). Two commercial recordings have been released (Finlandia Classics 2012 and Telos Music 2016). It is published for the first time 2022 with an extensive foreword by Susanna Välimäki. The product includes the full score (piano part) and a set of string parts. Duration: c. 25'. Have a look inside by clicking 'sample'. / Date parution : 2022-05-31/ Répertoire / Quatuor avec Piano