(Harpsichord). By Halsey Stevens. For Piano, Harpsichord. Peermusic Classical. Softcover. 20 pages. Peermusic #60890-535. Published by Peermusic

(Doppelkonzert/Violinkonzert). By Franz Joseph Haydn (1732-1809). Edited by Helmut Schultz. Violin, harpsichord and string orchestra. For harpsichord. Continuo-Aussetzung: Helmut Schultz. Single part. Composed 1777. Hob XVIII:6*. 23 pages. Published by Baerenreiter Verlag

By Antonio de Cabezon (1510-1566). Edited by Gerhard Dorer / Miguel Bernal Ripoll. For Organ, Piano, Harpsichord. Ausgewahlte Werke fur Tasteninstrumente, Band I. Playing Score; Collection; Urtext Edition (paperbound). Published by Baerenreiter Verlag

By Johann Sebastian Bach. For 4 Harpsichords, Strings. Breitkopf Orchestral Library. Published by Breitkopf and Haertel (German import).

By Johann Sebastian Bach. Edited by Keller(Urtext). For piano (harpsichord). BWV 894,903,904,906,944. Published by C.F. Peters.

Sonatas for Harpsichord. By Domenico Scarlatti. Arranged by Emilia Fadini. Piano Collection. Size 9x12 inches. 217 pages. Published by Ricordi.

By Jean-Philippe Rameau. Edited by Jean Saint-Arroman, Philippe Lescat. Harpsichord and several instruments - (harpsichord, violin, viol or harpsichord, flute, 2nd violin). For Harpsichord, Violin, Viol, Flute. Facsimiles. La Musique Francaise Classique de 1650 a 1800. Level: Grade 0. 72 pages. Published by Editions Fuzeau Classique - France (French import).

By Vincent Persichetti. For Harpsichord. Classical. Solo part. Opus 156. 11 pages. Duration 7:00. Published by Theodore Presser Company.

Volume 2. By Zipoli, Domenico. Edited by Luigi F. Tagliavini. For Piano, Harpsichord. Playing Score (paperbound). Published by Soeddeutscher Musikverlag (German import).

By Johann Sebastian Bach. For 4 Harpsichords, Strings. This edition: Harpsichord 3 solo. Breitkopf Orchestral Library. 8 pages. Published by Breitkopf and Haertel (German import).

Perfomance Material with the Urtext of the New Bach-Edition. By Johann Sebastian Bach. Edited by Heinrich Besseler. For Harpsichord. Single Part. BWV 1051. Duration 19'. Published by Baerenreiter-Ausgaben (German import).

Harpsichord

SKU: UM.23075

Composed by Peter Thorne. Score. United Music Publishing #23075. Published by United Music Publishing (UM.23075).

ISBN 9790224423075.

Harpsichord; Early Music

SKU: UT.HS-307

Composed by Antonio Valente. Edited by Maria Luisa Baldassari. Paperback (Soft Cover). Classical. Ut Orpheus #HS 307. Published by Ut Orpheus (UT.HS-307).

ISBN 9790215327146. 9 x 12 inches.

Antonio Valente blind, Neapolitan since a long time according to the list of Neapolitan musicians by Scipione Cerreto and organist in S. Angelo a Nilo in Naples, is known in modern times for his two volumes of keyboard music: Versi spirituali published in 1580 and, some years before, the volume here in transcription, Intavolatura de cimbalo, printed by Giuseppe Cacchio in 1576.
This volume has many original features: first keyboard tablature ever printed in Naples, itâ??s not written in musical characters but in a number-based system never met, according to the current studies, in any other print or manuscript both in and outside Italy. The dedication letter, written by Fraâ?? Alberto Mazza, praises Valente as the inventor of this writing method, so easy and effective that everybody, even uncouth youths that did not know music and keyboard, could attain the result of playing from it in two months.
The Intavolatura presents different genres of music: a fantasia, six ricercatas, a Salve Regina on a cantus firmus, four vocal chansons intabulated for keyboard with more or less diminutions,and nine dances, variations and dance/variations on long-living tenors like Romanesca or Zefiro. There are no liturgical compositions, both because unsuitable in a collection for amateurs and because Valente will publish a new book of sacred music in a few years.
The book is a sort of compendium of the keyboard genres of the period, similar to some older Spanish publications and to the later Neapolitan ones by Trabaci and Majone. Other contemporary volumes on the contrary choose to present a single type of composition: this is the case of the Versetti by Valente and the Ricercate by Rocco Rodio.