The Band's Visit

A New Musical - Vocal Selections-Winner of the 2018 Tony Awards for Best Musical Best Original Score and eight others  The Band's Visit is a musical adaptation of the 2007 Israeli film of the same name and features music and lyrics by David Yazbek. This folio features 11 songs with Vocal lines and Piano accompaniment. Songs include: 'Answer Me' 'The Beat of Your Heart' 'Haled's Song About Love' 'It Is What It Is' 'Itzik's Lullaby' 'Omar Sharif' 'Papi Hears the Ocean' 'Something Different' 'Soraya' 'Waiting' and 'Welcome to Nowhere'.

Anton Bruckner (1824-1896). Par BRUCKNER ANTON. Anton Bruckner (b. 4.9.1824, Ansfelden, d. 11.10.1896, Vienna) didn’t have it easy. Throughout his life, the Austrian composer was plagued by self-doubt. Anton Bruckner came from a simple, rural background. After the death of his father, he was accepted as a choirboy at the monastery of Sankt Florian in 1837. After several years as a school assistant and his own organ and piano studies, he first worked as organist in St. Florian, then from 1855 as cathedral organist in Linz. Introduced to music theory and instrumentation by Simon Sechter and Otto Kitzler, he discovered Richard Wagner as an artistic role model, whom he admired throughout his life and also visited several times in Bayreuth. In 1868 Anton Bruckner became professor of basso continuo, counterpoint and organ at the Vienna Conservatory; ten years later court organist; and in 1891 finally honorary doctor of the University of Vienna. He was considered an important organ virtuoso of his era, but had to wait a long time for recognition as a composer. It was not until Symphony No.7 in E major, composed between 1881 and 1883, with the famous Adagio written under the effects of Wagner's death, that he achieved the recognition he had hoped for, even if he was reluctant to accept it given his inclination towards scepticism and self-criticism. Anton Bruckner was a loner who did not want to follow a particular school or doctrine. He composed numerous sacred vocal works, such as his three masses, the Missa Solemnis in B flat minor (1854), the Te Deum (1881-84) and numerous motets. As a symphonic composer, he wrote a total of nine symphonies and many symphonic studies from 1863 onwards, tending to revise completed versions several times over. Bruckner's orchestral works were long considered unplayable, but in fact were merely exceptionally bold for the tonal language of their time, uniting traditions from Beethoven through Wagner to folk music, on the threshold between late Romanticism and Modernism. Anton Bruckner composed about 40 motets during his lifetime, the earliest a setting of Pange lingua around 1835, and the last, Vexilla regis, in 1892. Thomas Doss has compiled some of these motets in this volume for symphonic wind orchestra. These motets show many characteristics of personal expression, especially Bruckner's colourful harmony in the earlier works, which is in places aligned with Franz Schubert (changes between major and minor; and movements in thirds). Later works are characterised by many components which, in addition to the expanded stature of the movements, include above all a sense of the instrumentation as an outward phenomenon and the harmony as a compositional feature that works more internally. Some aspects of Bruckner's work are the result of his long period of study, which familiarised him not only with the tradition of his craft, but also gave him insights into the 'modernity' of his time in such composers as Wagner, Liszt and Berlioz. From this developed his personal standpoint, which always pursues the connection between the old and the new. / Date parution : 2023-07-31/ Répertoire / Concert Band/Harmonie

Many people when asked the question 'Do you have any hobbies?' will answer 'Shopping' (even though the female part of the population may be more interested in this than the male one). Of course it is great fun to walk about in a Shopping Mall browsing in various small shops looking for things you have always wanted to possess. This was what William Vean was doing one day when he came across the idea to write a composition in which several shops could try to sell their wares (and this idea didn't cost him a penny). First the audience are taken to a 'Jeans store' then a 'Phone shop' is visited after which a visit is made to a 'Perfumery'. Thefourth part depicts a profession which is practised in several premises namely that of shoplifter. In the fifth part there is room for a bite to eat at a Chinese restaurant and finally after a visit to the hairdresser's it's time to go home.

Prague also named ‘The Golden City’ has been the cultural and administrative capital city of the Czech Republic for thousands of years. The city is beautifully situated on the river Moldau. Every year millions of tourists visit Prague. It is one of the most popular cities of Eastern Europe. With it's mysterious little squares dark alley ways and cobblestone streets the ‘City of the 100 Towers’ is a unique mixture of architecture dominated by monumental buildings numerous churches and the oldest castle of Europe. The Bohemian capital city remains timeless. Visit the fort and be amazed at the lovely views over the Charles Bridge. Spend your time carefully browsing through the little stalls filled with paintings photos jewelery and hand-decorated products accompanied by the sounds of the street musicians in the background. Notice the famous 15 th century astronomical clock that indicates the time every hour with a parade of the twelve apostles. When composing this piece it was Jan Bosveld’s intention to depict the atmosphere of this metropolitan city with over one million inhabitants rather than to create a fairly literal musical portrait. One of the many other names of Prague is ‘The City of the Clocks’. This can be heard throughout the piece depicted by the tubular bells. The piece consists of three movements (slow-fast-slow) and was written in a rhapsodic format. Jan Bosveld was commissioned to write ‘The Golden City’ by the Dutch Music Lend and Information Centre (MUI) a department of the library for the province of Gelderland in Arnhem the Netherlands.

The Netherlands have been an important trading nation for a long time – partly as a result of their geographical situation. One of the first multinationals in The Netherlands was the ‘Verenigde Oostindische Compagnie’ (VOC). The aim of the VOC was to send ships to Asia in order to buy pepper and spices and to take over the Portuguese monopoly in this field. The Company was successful. An era of great prosperity resulted in which the art of painting (Rembrandt van Rijn) as well as science (Constantijn Huygens) flourished alongside a thriving economy. 1. The Sails are set : There is a lot of hustle and bustle on the quay. The crew are preparing fordeparture. Goodbyes are said and once the sails have been hoisted the ship sets out to sea.2. A Visit to the Rajah of Yogyakarta: After a voyage of many months the place of destination is reached. A visit to the Radja the king of the area around Yokyakarta follows. The dishes and beverages and the native culture in general are very pleasant after having been on a diet of ship’s biscuit and water for such a long time.3. The Holds have been loaded: The holds have been loaded to the brim and the voyage home can be begin!4. Death sails along: Life at sea is rough. not seldom did a sailor die of a tropical disease or scurvy. After a memorial service the Captain would speak the words ‘One two three in God’s name ...’ and the body wrapped in canvas would be committed to the sea.5. A joyful homecoming: After many months of hardship coming home is perhaps the best part of the entire voyage. The quay is filled with people eager to give the crew a warm welcome.

Par OKPEBHOLO SHAWN E.. Shawn Okpebholo?s Heritage, in the Edition Peters Concert Band Series, evokes moods, events and sounds (including West African drumming and indigenous melodies) from an ethnomusicological research visit the composer undertook to Nigeria. One of the primary musical themes of the work is an adaptation of a song that comes from the Esan people, a small ethnic group in the southern part of Nigeria and the tribe to which the composer has deep historical and family ties. The Esan language is poetic in nature and, at various moments in the work, the musicians chant the text from an Esan song: Ekine leleyea do obhimen la doeki nalo (My investment in you is paid off. Because of your hard work, your future is bright). Heritage is a revised version of a work previously entitled This is Africa, which was commissioned by Professor Marcellus Brown and the Boise State University Symphonic Winds for the 2011 National CBDNA Convention and is dedicated to the memory of Dr Harry Begian. / Date parution : 2022-05-31/ Répertoire / Concert Band

Grade .5 - Score Only-Take advantage of some of the silly voices your young band students can create with this whimsical visit to Santa's workshop. Lots of workshop tool sound effects combine with some Christmas favorites to show the audience theworkshop from the Elves' point of view. They need paint they need googly eyes they need nails they need A BREAK! (Grade 1/2)

Glitter and glamour good-looking people a lot of Bling Bling and fast cars ? images like these will cross our minds when we think of the movie world. However reality proves to be different : as a rule a tremendous amount of work will have been done on the set before a film is ready to be shown on the big screen. A visit to an actual movie set inspired John Emerson Blackstone to write a composition bearing the same name. He had both seen a number of characteristic attributes and heard the typical phrases used in film making and he incorporated them into ?On the Movie Set? . In the first part ?The Clapboard? a ?director?s assistant? is supposed to shout ?Quieton the set?? and ?Action!? as is done before a real scene is shot. Subsequently in order to create the right atmosphere the clacking of a ?Clapboard? should be heard. During a romantic scene we should be transported to another world by means of sweet sounds in the background so romantic music is of course heard in the next part ?Love Scene?. At the end of a long working day ?It?s a wrap? is called on the set to inform everyone that the filming on that day is completed. Now there is only one more thing left to dream of : an Oscar..... Perf. Note: The use of the right props will add to the performance and appreciation of ?On the Movie Set?. A red carpet and a glamorous reception should give your audience the feeling they are attending a real ?opening night?!

In ‘A Summer Holiday’ Patrick Millstone takes us with him on a journey. After a year’s hard work we may finally enjoy a well-earned holiday. The first part of this three-part composition has the appropriate title ‘On Tour’. When we chose our holiday destination the brochure said that it would be bathed in sunlight every day. Unfortunately this turns out not to be the case. Somewhat melancholically we play round games in our summer house on a ‘Rainy Day’. However the next day when the sun again has driven away all the clouds we naturally visit the ‘Crowded Beach’ where we enjoy both sun sea and beach once again.

In ‘A Summer Holiday’ Patrick Millstone takes us with him on a journey. After a year’s hard work we may finally enjoy a well-earned holiday. The first part of this three-part composition has the appropriate title ‘On Tour’. When we chose our holiday destination the brochure said that it would be bathed in sunlight every day. Unfortunately this turns out not to be the case. Somewhat melancholically we play round games in our summer house on a ‘Rainy Day’. However the next day when the sun again has driven away all the clouds we naturally visit the ‘Crowded Beach’ where we enjoy both sun sea and beach once again.

'Letter from Home was commissioned as a patriotic work in 1944 by Paul Whiteman and his Radio Hall of Fame Orchestra. Composed toward the end of the Second World War this music suggests the emotions of a soldier reading a letter from home. The music has been described as Copland's 'most sentimental' and reflects his own homesickness while visiting Mexico. This sensitive transcription by Brian Belski has produced another wonderful wind band setting from America's most iconic composer.” - Craig Kirchoff (Windependence Series Editor)Instrumentation: flute I flute II oboe clarinet I in Bb clarinet II in Bb clarinet III in Bb bass clarinet in Bb bassoon soprano saxophone in Bb alto saxophone in Eb tenor saxophone in Bb baritone saxophone in Eb trumpet in Bb I trumpet in Bb II trumpet in B

Le poème symphonique Un Américain à Paris brosse le portrait d?un Américain visitant la capitale française. L?oeuvre débute par un thème jovial : le promeneur descend les Champs-Élysées. Assis à la terrasse d?un café du Quartier Latin l?Américain a le mal du pays. Un blues intensément mélancolique et solidement rythmé traverse la trame. Puis il fait la rencontre d?un compatriote ; la musique s?envole et se réinstalle dans l?exubérance de la première partie. La musique triomphe dans une ambiance typiquement française. Une oeuvre superbement arrangée par Franco Cesarini.