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Trio H-Dur
$25.95
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Format : Score and Parts
Composed by Wilhelm Friedemann Bach (1710-1784). For violin, harpsichord obbligato, [cello]. This edition: Paperbound. H-Dur (B major). German title: Trio in H. Vl,Cemb B-Inc.19. Score and parts. Language: all languages. BR-WFB B-Inc. 19. 16 pages. Published by Carus Verlag
Instrumentation :
Harpsichord and Strings
Publisher :
Carus Verlag
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Wedding Trios for Strings Violin, Viola, and Cello (3 books)
String Trio: violin, viola, cello
[Set of Parts]
Greenblatt & Seay
Arranged by Deborah Greenblatt. String Trio. For violin, viola, cello. Wedding. ...
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Arranged by Deborah Greenblatt. String Trio. For violin, viola, cello. Wedding. Set of parts. Standard Notation. 48 (violin a), 48 (viola b), 48 (cello c) pages
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Klaviertrio Nr. 38 D-Dur
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Doblinger
(Hob. XV:24). Composed by Franz Joseph Haydn (1732-1809). Edited by H. C. Robbin...
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(Hob. XV:24). Composed by Franz Joseph Haydn (1732-1809). Edited by H. C. Robbins Landon. For violin, cello and piano. Chamber music. Diletto Musicale. Chamber music. Level 2-3/2/3. 16 + 7 pages. Published by Doblinger Music Publishers
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Klaviertrio Nr. 16 C-Dur
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(Hob. XIV:C1). Composed by Franz Joseph Haydn (1732-1809). Edited by H. C. Robbi...
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(Hob. XIV:C1). Composed by Franz Joseph Haydn (1732-1809). Edited by H. C. Robbins Landon. For violin, cello and piano. Chamber music. Level 1-2/1-2/2. 15 pages. Published by Doblinger Music Publishers
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Klaviertrio Nr. 1 H-dur op.8(1)
Piano Trio: piano, violin, cello
Breitkopf & Härtel
By Johannes Brahms (1833-1897). For Violin, Cello, Piano. This edition: Urtext, ...
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By Johannes Brahms (1833-1897). For Violin, Cello, Piano. This edition: Urtext, paperback. Edition Breitkopf. 100 pages. Published by Breitkopf and Haertel
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Klaviertrio Nr. 4 F-Dur
Piano Trio: piano, violin, cello
Doblinger
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(Hob. XV:39). Composed by Franz Joseph Haydn (1732-1809). Edited by H. C. Robbins Landon. For violin, cello and piano. Chamber music. Level 1-2/2/2. 17 pages. Published by Doblinger Music Publishers
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Klaviertrio Nr. 10 A-Dur
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(Hob XV:35). By Franz Joseph Haydn (1732-1809). Edited by H. C. Robbins Landon. For violin, cello and piano. Chamber music. Level 2-3/2/2. 30 pages. Published by Doblinger Music Publishers .
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Klaviertrio Nr. 34 B-Dur
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Doblinger
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(Hob. XV:20). Composed by Franz Joseph Haydn (1732-1809). Edited by H. C. Robbins Landon. For violin, cello and piano. Chamber music. Diletto Musicale. Chamber music. Level 2-3/2/3-4. 21 + 7 pages. Published by Doblinger Music Publishers
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Klaviertrio Nr. 1 H-dur op.8(2)
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Breitkopf & Härtel
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By Johannes Brahms. For Violin, Cello, Piano. This edition: paperback. Edition Breitkopf. 86 pages. Published by Breitkopf and Haertel (German import).
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(Hob XV:9). Composed by Franz Joseph Haydn (1732-1809). Edited by H. C. Robbins Landon. For violin, cello and piano. Chamber music. Diletto Musicale. Chamber music. Level 2/2-3/3. 16 + 6 pages. Published by Doblinger Music Publishers
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(Hob. XV:38). Composed by Franz Joseph Haydn (1732-1809). Edited by H. C. Robbins Landon. For violin, cello and piano. Chamber music. Diletto Musicale. Chamber music. Level 2/2/2. 16 + 7 pages. Published by Doblinger Music Publishers
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(Hob XV:6). Composed by Franz Joseph Haydn (1732-1809). Edited by H. C. Robbins Landon. For violin, cello and piano. Chamber music. Level 2-3/2-3/2-3. 26 pages. Published by Doblinger Music Publishers
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Bach J.s. - Complete Organ Works Vol.5 - Sonatas, Trios, Concertos + Cd-rom
Organ
[Sheet music + CD-ROM]
Breitkopf & Härtel
Bach: Complete Organ Works Vol. 5 Sonatas / Trios / Concertos - ed. by Pieter D...
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Bach: Complete Organ Works Vol. 5 Sonatas / Trios / Concertos - ed. by Pieter Dirksen Organ Works Based on Compositions by Bach and Others Genres such as sonata, trio and concerto were initially uncommon in the keyboard music of the early 18th century. Thus it comes as no surprise that many of the pieces in this volume are arrangements by Bach of original compositions and of works by other composers. Next to the Sonatas BWV 525?530 and the Concertos or concerto movements based on pieces by other composers BWV 592?596, the volume also contains the Trio in D minor BWV 583, the Trio settings BWV 585?587 as well as the early versions of BWV 527 and 528. Moreover, the CD-ROM offers eight arrangements of trio movements by Bach made by others. In his detailed introduction, Pieter Dirksen discusses various aspects of these pieces' origins, inasmuch as they help us better understand the works. The organist will especially welcome the comments on performance practice and registration. It is precisely the fact that these works derive from chamber-music models that leads to individual considerations for each work group.
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Triolet In Eb (WALTHEW RICHARD H)
Hautbois, Clarinette et Basson
Boosey and Hawkes
Par WALTHEW RICHARD H.. Durée: 10', Format: New Edition portrait/ Répertoire /...
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Par WALTHEW RICHARD H.. Durée: 10', Format: New Edition portrait/ Répertoire / Hautbois, Clarinette et Basson
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Klaviertrio Nr.1 H-Dur Op. 8 (2) (BRAHMS JOHANNES)
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[Sheet music]
Breitkopf & Härtel
Par BRAHMS JOHANNES. Editeur(s) d'origine: Gál, Hans/ Répertoire / Violon, Vio...
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Par BRAHMS JOHANNES. Editeur(s) d'origine: Gál, Hans/ Répertoire / Violon, Violoncelle et Piano
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Brahms Johannes - Klaviertrio Nr.1 H-dur Op.8(2) - Violin, Cello, Piano
Piano Trio: piano, violin, cello
Breitkopf & Härtel
Composer : Brahms, Johannes Instrumentation : Vl,Vc,Klav Edition : Urtext Edito...
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Composer : Brahms, Johannes Instrumentation : Vl,Vc,Klav Edition : Urtext Editor : Gál, Hans
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Klaviertrio Nr.1 H-Dur Op. 8 (1)
Piano Trio: piano, violin, cello
Breitkopf & Härtel
/ Violon, Violoncelle Et Piano
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Kaller Ernst - Organ Method Band 1 - Organ
Organ
Schott
Instrument : organ Nombre de Pages : 62 This School of Organ Playing presuppose...
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Instrument : organ Nombre de Pages : 62 This School of Organ Playing presupposes a certain technical facility on the piano. The pedal exercises at the beginning are rudimentary and should be practiced in all keys, gradually accelerating the tempo. The studies are graded according to their polyphony, beginning with simple two part exercises, followed by those in three and more parts. This acquaintance with the strict principles of polyphonic music, and the introduction to effective part writing, with a knowledge of harmonic form and architectonic values, provide the essential background for the correct performance of polyphonic music, especialle the fugue. The most important musical forms have been used to illustrate the various possibilites of registration and its relationship to style (colourful, individualistic and smooth playing). The studies are so arranged that earlier technical points, etc. are constantly reviewed, through comparison of style and form, in order to fix, or refreshen, the ideas in the student's mind. It is very important that the evolution of organ music from vocal music should be made clear to the student the very beginning, both musically and intellectually. He will be shown the technical evolution of organ music during the centuries and thus prepared for an artistic execution and interpretation of old and new words, especially for the incomparable art of our great Johann Sebastian Bach. Content : Grundlagen des Pedalspiels - T.L. da Vittoria: Bicinium: Bonum erat - A. Zoilo: Bicinium: Quare fremuerunt - Melius illi - W. Dietrich: Übung in e-Moll - G.P. Telemann: Largo - J.K.F. Fischer: Übung d-Moll - G.P. Telemann: Kanon - J. Pachelbel: Magnificat peregrini toni Meine Seele erhebt den Herrn - T.L. da Vittoria: Accedentes principes - J.K.F. Fischer: Übung in g-Moll - W. Dietrich: Pedalübung - S. Scheidt: Vater unser im Himmelreich VI. Versus Choralis in Basi - H.L. Haßler: Crucifixus - J.K.F. Fischer: Praeludium D-Dur - J. Pachelbel: Übung in a-Moll - W. Dietrich: Übung in As-Dur - R. Schwarz-Schilling: Kanon a 2 - Kanon a 3 - G. Aichinger: Stabat mater - J. Pachelbel: Durch Adams Fall ist ganz verderbt - J.K.F. Fischer: Praeludium fis-Moll - H.L. Haßler: Benedictus - J. Pachelbel: Was mein Gott will, das gescheh' allzeit - T.L.da Vittoria: Exclamans Jesus - S.Scheidt: Warum betrübst du dich, mein Herz IX. Versus. Choralis in Basso - D. Zipoli: Pastorale - J. Pachelbel: Vom Himmel hoch - J.S. Bach: Pedal-Exercitium - J.K.F. Fischer: Fuga g-Moll - J. Pachelbel: Komm, Gott Schöpfer, heiliger Geist - J.K.F. Fischer: Praeludium und Fuga cis-Moll - W. Dietrich: Pedalsolo - Übungen für mehrstimmiges Spiel in einer Hand: J.K.F. Fischer: Praeludium und Fuga e-Moll - H.L. Haßler: Da Jesus an dem Kreuze stund - M. Praetorius: Es ist ein Ros entsprungen - S. Scheidt: Vom Himmel hoch - M. Praetorius: Nun bitten wir den heiligen Geist - B. Resinarius: Nun bitten wir den heiligen Geist - S. Scheidt: Psalmus: Da Jesus an dem Kreuze stund - J.K.F. Fischer: Praeludium und Fuga h-Moll - J.S. Bach: Vom Himmel hoch - O Welt ich muß dich lassen - Herzlich tut mich verlangen - D. Buxtehude: Ach Herr, ich armen Sünder - J.S. Bach: Trio c-Moll - W. Dietrich: Pedalsolo/Trillerübung - J.S. Bach: Allein Gott in der Höh' sei Ehr' - J.K.F. Fischer: Praeludium und Fuga e-Moll - J.L. Krebs: Trio für 2 Manuale und Pedal
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Complete Organ Works Band 2
Organ
Wiener Urtext
Sous le titre de 'Kleinere Werke' [Small Works], le second volume des oeuvres po...
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Sous le titre de 'Kleinere Werke' [Small Works], le second volume des oeuvres pour orgue par Carl Philipp Emanuel Bach dans l'édition Wiener Urtext contient toutes les oeuvres écrites par le compositeur à l'exception des sonates plusieurs mouvements pour orgue: préludes, fugues, trio, choral arrangements et des pièces pour horloge musicale. Les fugues, en particulier, prouver que C. Ph. E. Bach était un élève attentif de son père. La musique théoricien Friedrich Wilhelm Marpurg apprécié ces fugues tant qu'il a inclus certains d'entre eux à titre d'exemples dans ses écrits théoriques. Les pièces pour horloge musicale sont une sélection variée de pièces dans le style galant qui ont été initialement écrits pour instruments mécaniques et qui sont les meilleurs pour être exécutée sur l'orgue. En collaboration avec les Sonates pour orgue publiés dans le vol. 1, c'est probablement la collection la plus complète des oeuvres de Bach, fils aîné de seconde qui peut être effectué sur l'orgue. / Orgue
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Die Fröhliche Querflöte
Flute
Schott
Les nouveaux travaux de l'école 'La Flûte joyeuse' est destiné aux jeunes dé...
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Les nouveaux travaux de l'école 'La Flûte joyeuse' est destiné aux jeunes débutants à partir de 7 ans dans un seul ou dans des cours collectifs. L'école prend les étudiants sur avec la motivation, de façon intéressante et pleine d'humour, et garantit que le plaisir et la joie de l'apprentissage ne ??sont pas perdus. Ceci est assuré par un mélange de morceaux attrayants de la musique, des exercices simples et un concept bien structuré pratique: augmentation simple et adaptée aux enfants le degré de difficulté, la balance des mélodies, des duos et des exercices, des conseils pour l'improvisation et la composition et le texte d'accompagnement, d'information et de photos. Beaucoup d'illustrations colorées ajoutent à l'apprentissage amusant. Les premières marches mènent au sujet de jouer sur la tête de zoom sur une mélodie sonore. Les élèves apprennent les rudiments de la flûte à une échelle de D 'à C'''. Jeu Trio n o 1 du livre 1 et compléter l'offre et de fournir une sélection variée de littérature pour l'enseignement. / Flûte
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Schule Des Orgeltriospiels
Divers
Barenreiter
/ Divers
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Klarinettenkonzert A-Dur KV 622 (MOZART WOLFGANG AMADEUS)
Clarinette Alto et Piano
[Sheet music]
Breitkopf & Härtel
Par MOZART WOLFGANG AMADEUS. Editeur(s) d'origine: Kling, H -Trio di Clarone/ RÃ...
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Par MOZART WOLFGANG AMADEUS. Editeur(s) d'origine: Kling, H -Trio di Clarone/ Répertoire / Clarinette Alto et Piano
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Mozart Wolfgang Amadeus - Klarinettenkonzert A-dur Kv622 - Clarinet, Piano
Clarinet and Piano
Breitkopf & Härtel
Composer : Mozart, Wolfgang Amadeus Instrumentation : Klar-a,Klav Edition : Pian...
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Composer : Mozart, Wolfgang Amadeus Instrumentation : Klar-a,Klav Edition : Piano and solo Editor : Kling, H;Trio di Clarone
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H. Gehring: Zing zoals je lacht: Vocal: Score and Parts
Broekmans en Van Poppel
25 vragen over zingen vanuit de stromende adem-Auch dieses G-Dur-Trio reiht sich...
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25 vragen over zingen vanuit de stromende adem-Auch dieses G-Dur-Trio reiht sich würdig in die Schar der erhaltenen und bislang übersehenen Werke des Altmeisters Quantz: leichtes Spiel ist garantiert.
11.00 GBP - Sold by Musicroom UK
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Bohuslav Martinu: String Trio No.1 H.136: String Trio: Parts
Supraphon
The fate of Bohuslav Martinu's String Trio no.1 which dates from the turn of 19...
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The fate of Bohuslav Martinu's String Trio no.1 which dates from the turn of 1923 and 1924 and was lost until 2005 is somewhat remarkable. The trio is the first work which Martinu created in Paris after becoming the private pupil of Albert Roussel and was probably performed twice in Paris during 1924. It had its Czech premiere in February 1925 and Martinu requested his friend S. Novak to make sure that they didn't lose the scores of the things they played because he did not have any sketches or copies.Precisely that which Martinu feared then occurred - the sole existing version of the trio was lost; it was not until the autumn of 2005 that the autographof the trio (the score and parts for the viola and cello - the violin part is still missing) was found at the Danish Royal Library in Copenhagen thanks to the searches of the Bohuslav Martinu Institute and it is after this autograph that this edition has arisen.
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Bohuslav Martinu: String Trio No.1 H.136: String Ensemble: Study Score
String Orchestra
Barenreiter
The fate of Bohuslav Martinu's String Trio no.1 which dates from the turn of 19...
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The fate of Bohuslav Martinu's String Trio no.1 which dates from the turn of 1923 and 1924 and was lost until 2005 is somewhat remarkable. The trio is the first work which Martinu created in Paris after becoming the private pupil of Albert Roussel and was probably performed twice in Paris during 1924. It had its Czech premiere in February 1925 and Martinu requested his friend S. Novak to make sure that they didn't lose the scores of the things they played because he did not have any sketches or copies.Precisely that which Martinu feared then occurred - the sole existing version of the trio was lost; it was not until the autumn of 2005 that the autographof the trio (the score and parts for the viola and cello - the violin part is still missing) was found at the Danish Royal Library in Copenhagen thanks to the searches of the Bohuslav Martinu Institute and it is after this autograph that this edition has arisen.
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Ars Organi Vol. 3 (PEETERS FLOR)
Organ
Schott
Complete theoretical and practical method for organ-playing in three parts. Par ...
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Complete theoretical and practical method for organ-playing in three parts. Par PEETERS FLOR. Flor Peeters, born in Belgium in 1903, is one of the most important organists and organ composers of the 20th century. After completing his studies at the famous Lemmens Institute in Mechelen, he worked there as a teacher of organ and improvisation before becoming professor at and director of the Royal Flemish Conservatoire of Antwerp. Until his death in 1986, Peeters gave concerts all around the world, held numerous master classes and received several awards and prizes for his achievements as a composer, organist and teacher. In his successful three-volume educational work 'Ars Organi', Peeters combines theoretical knowledge and practical exercises on all aspects of organ playing, starting with basic information on the instrument, manual and pedal exercises and two-part manual and pedal playing. While Vol. 2 contains exercises on three-part playing, Vol. 3 contains exercises on four and five-part playing as well as studies on demanding trio playing. Each learning stage is accompanied by pedal exercises and tips on articulation, touch, interpretation, registration and organ specifications - a valuable compendium for every organist. / Méthode / Date parution : 1954-11-20/ Méthode / Orgue
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C. Klomp H. Petersen: Organ Plus Brass 1: Brass Ensemble: Score and Parts
Brass ensemble, Organ
Barenreiter
Includes parts for Trumpet I and II in B-flat; Trombones I & II in C; Horn in F;...
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Includes parts for Trumpet I and II in B-flat; Trombones I & II in C; Horn in F; TimpaniRepertoire for Brass Ensemble and Organ.Suitable for amateur Brass ensembles and non-professional organists.Offers various Brass parts enabling performances with flexible instrumentation.The alternation of Organ and Brass ensemble is in many parts of the world a standard practice in church services and concerts. It is much rarer however to hear the joint performance during entrance and exit processionals as well as chorale preludes. This is due not least to the lack of literature for the combination.This new series ?Organ Plus Brass? presentsoriginal works and more importantly new arrangements which are geared towards amateur wind players. The Organ part is manageable for the non-professional organist and can be played on a small or medium-sized instrument.The full score comes with an inserted wind score in C which is also available separately. Wind parts in C and B-flat can also be purchased. The edition enables the performance by Brass Ensembles of varying instrumentation.Volume 1 includes the arrangement of ?Marche Triomphale? by Théodore Dubois. This composition was originally written for solo Organ and is a part of the popular ?Douze pièces nouvelles? which is available under the order number BA 8471.
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The Gallipoli Songbook (Pvg)
Piano, Vocal and Guitar
Amsco Wise Publications
The Gallipoli Campaign took place between April 1915 and January 1916 and marked...
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The Gallipoli Campaign took place between April 1915 and January 1916 and marked the first significant military engagement for Australia as an independent dominion. The Gallipoli Songbook commemorates this crucial event of the Great War with a collection of contemporary songs relating to the soldiers, the public at home, and the sheer poignancy of such a tragic event, all arranged for Piano, Vocal and Guitar.The diversity of songs included in this Gallipoli Songbook is testament to the spirit of optimism, consolation and humour inherent in the collective consciousness at the time of such great anxiety and fear. This is a wonderful compilation of contemporary tunes that were popular both before the War, during the various campaigns and after the War itself. Some songs included here sum up the optimistic and patriotic spirit in the years leading up to Gallipoli, such as Waltzing Matilda and God Save The King, while others like And The Band Played Waltzing Matilda, from after the event, look back on the horrors of the Anzac experience on those fateful days.Other tunes come from the wonderful British Music Hall tradition, using irony, sarcasm and humour to overcome the sadness associated with the Great War. Songs like Oh! It's A Lovely War, It's A Long Way To Tipperary and Along The Road To Gundagai were popular both at home and as marching tunes, conquering the petrifying realities of war with rousing music and song. The Gallipoli Songbook also includes wistful, sad and heartbreakingly poignant lyrics that capture the unavoidable sadness associated with the costs of total war, songs like I Wonder Who's Kissing Her Now, There's A Long, Long Trail and The Gift Of Years, all bittersweet reflections on love, loss and life's transience. Each song included here is a fantastic way to remember the victims of the Gallipoli campaign, and to understand the power that music has to allay, disguise and reflect upon fear and anxiety. The songs, arranged for Piano, Vocal and Guitar with full lyrics and chord boxes, are a fascinating insight into the period from before the War to after it, and their timelessness makes them as fun to play and sing now, as they were back then. The book also contains a smattering of brilliant images from the time, as well as an extensive foreword that explains, in detail, some of the songs and their meanings.The Gallipoli Songbook is an enjoyable, poignant and fascinating collection of tunes of, or relating to, the Great War and the Gallipoli campaign. Each song is beautiful in its own way, and would be perfect for a commemorative performance, or just an addition to your general repertoire. This songbook is perfect for a musician interested in history, or simply anyone who appreciates the golden age of emotive songs that meant more back then than we could ever imagine today. / Piano/Vocal/Guitare (PVG)
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Leichte Orgelstücke Verschiedener Komponisten
Organ
Moseler Verlag
/ Orgue
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