Format : Sheet music + Audio access
SKU: HL.282477
ISBN 9781540034342. UPC: 888680789213. 9.0x12.0x0.812 inches.
Almost 100 songs from the birth of the rock and roll era in the 1950s are included in this collection arranged for easy piano with lyrics. Songs include: All I Have to Do Is Dream * Bye Bye Love * Chantilly Lace * Don't Be Cruel * Earth Angel * Fever * Great Balls of Fire * Hound Dog * I Walk the Line * It's So Easy * Kansas City * Lonely Teardrops * Mister Sandman * Only You (And You Alone) * Peter Gunn * Rock Around the Clock * Sh-Boom * Shout * Sixteen Tons * Tequila * Tutti Frutti * Unchained Melody * Volare * Why Do Fools Fall in Love * Yakety Yak * Your Cheatin' Heart * and more.
SKU: HL.275647
ISBN 9781540026378. UPC: 888680744670. 9.0x12.0x0.195 inches. Book with Online Media.
Today's best way to practice jazz! Accurate, easy-to-read lead sheets and professional, customizable audio tracks accessed online for 10 songs. The interactive, online audio interface includes: tempo control; looping; buttons to turn each instrument on or off; lead sheet with follow-along marker; and melody performed by a saxophone or trumpet on the head in and head out. The full stereo tracks can also be downloaded and played off-line. Separate lead sheets are included for C, B-flat, E-flat and Bass Clef instruments. This volume includes 10 songs: Con Alma * Django * Doodlin' * In Your Own Sweet Way * Jeru * Jordu * Killer Joe * Lullaby of Birdland * Night Train * Waltz for Debby.
SKU: HL.49046478
UPC: 840126931693.
This practical book is all about the 1950s. What happened in the areas of music, film, sports and travelling at that time? What did people eat and drink? How did they furnish their homes? Little stories, puzzles, many questions, songs and biographical questions recall to the mind the time of Germany's economic miracle, the heroes of Berne and the Germans' new-found desire to travel. All important areas of life are addressed in 15 chapters. The accompanying CD contains the appropriate hits of the 1950s for singing along and moving to the music. All who were young then will fondly remember those days.
SKU: BT.1540-08-140-MS
9x12 inches. English-German-French-Dutch.
American Treat: an attractive medley with songs from the 1950s and 1960s written by Naohiro Iwai. Many styles are featured, including boogie, dixie and rock. A nostalgic treat! Content: Don’t Treat Me Like a Child _x0007_ Come on a My House _x0007_ Mr Lonely _x0007_ Music to Watch Girls by Don’t Treat Me Like a Child • Come on a My House • Mr Lonely • Music to Watch Girls byAmerican Treat: een aantrekkelijke medley met songs uit de jaren vijftig en zestig. Verschillende stijlen komen aan bod, waaronder boogie,dixie en rock. Een nostalgische traktatie!Don’t Treat Me Like a Child • Mr Lonely • Music to Watch Girls by
SKU: BT.1540-08-010-MS
SKU: HL.14013003
ISBN 9780711934948. 11.75x8.25x0.06 inches.
Henryk Mikolaj Gorecki's career spans more than 40 years, dating from the post-Stalinist era of the mid 1950s and embracing a catalogue of more than 70 acknowledged works. It was not, however, until the phenomenal success of his third symphony, Symphony of Sorrowful Songs Op 36, which brought the composer world-wide renown through its numerous performances and recordings, that his music reached an extended audience outside his native Poland. Since then the directness and emotional impact of his music have established him as one of the major figures of contemporary music.
SKU: GI.G-8801
UPC: 785147880103. Sotho, Yoruba. Text Source: 1. Sotho folk song, 2. Yoruba (Nigerian) song.
1. Mangwani mpulele is a Sotho folk song of the Bantu people in South Africa, Lesotho, and Botswana. It was made popular in the United States by The Kingston Trio, a prominent part of the folk revival of the 1950s and 1960s. One rendering of the text into English has: Aunt, open the door for me. I am getting wet with rain. Whether it’s here or whether it’s there, I am getting wet with rain. 2. Ise oluwa is a well-known Yoruba (Nigerian) Christian song that was made widely popular by the African American singing group Sweet Honey in the Rock. It was first arranged (or perhaps composed) by Thomas Ekundayo Phillips (1884–1969), the “father” of Nigerian church music, when he was organist and choir director at the Anglican cathedral in Lagos, Nigeria. The translation of the text is: The works of God cannot be undone. Improvised percussion should be played throughout both songs, intensifying where percussion fills are indicated. Appropriate instruments include: djembe (or low-sounding hand drums), shekeres, agogo bells, or gourd rattles. SA voices with improvised percussion.
SKU: FA.MFGT057
8.27 x 11.69 inches.
During the middle of the 1950s, Tailleferre explored more popular musical styles in a series of works, including her Opéra-minute Un Rouille à l’arsenic », a number of songs written with Claude Marcy and her musical comedy « Parfums ». This slow is from that period and is very influenced by a Jazz piano style, perhaps by her friend Jean Wiener.
SKU: DY.DO-1522
ISBN 9782897963026.
Francis Bebey est né à Douala en juillet 1929, dans une grande famille où son père, pasteur, luttait pour nourrir ses enfants. Mais Francis a eu l'opportunité d'aller à l'école. Admirant son frère aîné, Marcel Eyidi Bebey, il s'est éduqué, s'est distingué, et a finalement reçu une bourse pour passer son baccalauréat en France.Nous approchions de la fin des années 1950 lorsqu'il est arrivé à La Rochelle. Plus que jamais, dans cette France où les Africains étaient regardés avec curiosité, condescendance ou dédain, Francis s'appuyait sur ses ressources intellectuelles. Travailleur assidu, il a obtenu son baccalauréat, puis s'est installé à Paris où il a commencé des études d'anglais à la Sorbonne. Un jour, il a su ce qui l'attirait vraiment : il voulait faire de la radio. Francis a appris son métier en France et aux ?tats-Unis.Après avoir travaillé quelques années comme reporter, il a été embauché en 1961 en tant que fonctionnaire international au Département de l'information de l'UNESCO.Parallèlement, Francis a toujours été attiré par la création musicale. Son activité diurne très sérieuse ne l'empêchait pas de fréquenter les clubs de jazz le soir. ? Paris, le jazz, la musique à la mode à cette époque, mais aussi la rumba et la salsa l'attiraient. Il collectionnait les disques et assistait à de nombreux concerts. Avec son complice Manu Dibango, Francis montait sur scène et jouait de la musique.Francis aimait la musique classique depuis son enfance. Il avait grandi en écoutant les cantates et les oratorios de Bach ou Handel que son père chantait au temple. Il s'est passionné pour la guitare, impressionné par les maîtres espagnols et sud-américains, et a décidé d'apprendre à jouer de l'instrument lui-même.Il a commencé à composer des pièces pour guitare, mêlant les diverses influences qui le traversaient avec la musique traditionnelle africaine qu'il portait en lui depuis son enfance. Son approche a captivé le directeur du Centre culturel américain (alors situé dans le quartier de Saint-Germain à Paris), qui lui a offert l'opportunité de se produire devant un public. Francis y a donné son premier récital de guitare (1963) devant un public hypnotisé. Son premier album solo est sorti peu de temps après.Progressivement, Francis est devenu reconnu comme musicien et compositeur. Plusieurs albums de l'ambassadeur africain de la guitare, comme le décrivait la presse, sont sortis. Il a également écrit des livres, au point que sa carrière artistique est devenue difficile à concilier avec sa carrière de fonctionnaire. En 1974, même s'il était devenu le directeur général chargé de la musique à l'UNESCO, il a fait le saut audacieux et a démissionné de cette prestigieuse institution pour se consacrer aux trois activités qui l'intéressaient : la musique, la littérature et le journalisme.Il a exploré le patrimoine musical traditionnel du continent africain, notamment à travers le piano à pouce sanza et la musique polyphonique des pygmées d'Afrique centrale, ou en chantant dans sa langue maternelle et en composant des chansons humoristiques en français !Le succès a suivi. Francis Bebey a parcouru le monde : de la France au Brésil, du Cameroun à la Suède, de l'Allemagne aux Caraïbes, ou du Maroc au Japon... la liste des pays où il a été invité à se produire, à donner des conférences ou à rencontrer des lecteurs est très longue. En plus de la reconnaissance publique, il bénéficiait de la reconnaissance de ses collègues musiciens, tels que le guitariste John Williams ou le Vénézuélien Antonio Lauro, qui l'ont invité à faire partie du jury d'un concours de guitare classique à Caracas.Sa vie était le voyage d'un pionnier africain, un homme enraciné dans son patrimoine culturel et portant un message de partage et d'espoir pour le monde. Son originalité continue de résonner dans le monde entier depuis son décès à la fin du mois de mai 2001.Francis Bebey was born in Douala in July 1929, into a large family where his father, a pastor, struggled to feed his children. But Francis had the opportunity to go to school. Admiring his elder brother, Marcel Eyidi Bebey, he educated himself, distinguished himself, and eventually received a scholarship to go and take his baccalaureate in France.We approached the end of the 1950s when he arrived in La Rochelle. More than ever, in this France where Africans were looked at with curiosity, condescension, or disdain, Francis relied on his intellectual resources. A diligent worker, he obtained his Baccalaureate, then moved to Paris where he started English studies at the Sorbonne. One day, he knew what truly attracted him: he wanted to do radio. Francis learned his craft in France and in the USA.After working for a few years as a reporter, he was hired in 1961 as an international civil servant in the UNESCO Information Department.In parallel, Francis had always been drawn to musical creation. His very serious daytime activity didn??t prevent him from frequenting jazz clubs in the evenings. In Paris, the Jazz, the trendy music of that time, but also rumba and salsa attracted him. He collected records and attended numerous concerts. With his accomplice Manu Dibango, Francis took the stage and played music.Francis liked classical music since his childhood. He grew up listening to the cantatas and oratorios of Bach or Handel that his father had sung in the temple. He became passionate about the guitar, impressed by the Spanish and South American masters, and decided to learn to strum the instrument himself.He started composing guitar pieces, blending the various influences that flow through him with the traditional African music he had carried within since childhood. His approach captivated the director of the American Cultural Center (then located in the Saint-Germain neighborhood of Paris), who offered him the opportunity to perform in front of an audience. Francis gave his first guitar recital there (1963) in front of a mesmerized audience. His first solo album was released shortly thereafter.Gradually, Francis became recognized as a musician and composer. Several albums of the African guitar ambassador, as described by the press, were released. He also wrote books, to the point that his artistic career became challenging to reconcile with his career as a civil servant. In 1974, even though he had become the General Manager in charge of music at UNESCO, he took the bold leap and resigned from this prestigious institution to dedicated himself to the three activities that interested him: music, literature, and journalism. He explored the traditional musical heritage of the African continent, notably through the thumb piano sanza, and the polyphonic music of the Central African pygmies, or singing in his native language and composing humoristic songs in French!Success followed. Francis Bebey traveled the world: from France to Brazil, Cameroon to Sweden, Germany to the Carribean, or Morocco to Japan... the list of countries where he was invited to perform, gives lectures, or meets readers is very long. In addition to public recognition, he enjoyed the recognition of his fellow musicians, such as guitarist John Williams or Venezuelan Antonio Lauro, who invited him to be a part of the jury for a classical guitar competition in Caracas.His life was the journey of an African pioneer, a man rooted in his cultural heritage and carrying a message of sharing and hope for the world. His originality continues to vibrate around the world since his passing at the end of May 2001.
SKU: AP.12-0571539300
ISBN 9780571539307. English.
The life and good times of one of the world's favourite songwriters. If you've ever hummed a popular film or stage song from the mid-1950s on, the chances are you've been humming one of Leslie Bricusse's. The man behind songs such as Talk to the Animals, Goldfinger, Feeling Good, and Pure Imagination has been celebrated throughout the music industry. The result is a string of awards to his name, including a GRAMMY, a couple of Oscars (as well as ten nominations) and eight Ivor Novellos. Leslie's story of talent, determination, and a little bit of luck will take you on a fascinating journey from humble beginnings to dizzying heights. Over the years, Leslie has collaborated with a dazzling array of stage and screen stars, including Rex Harrison, Peter O'Toole, Albert Finney, Richard Attenborough, Frank Sinatra, Sammy Davis Jr., Julie Andrews, Roger Moore, Liza Minelli, and Peter Sellers, and of course his sensational songwriting partnerships with Anthony Newley, as well as with composers Henry Mancini, John Williams, and John Barry.
