Quintet E flat Major

Quintet for Wind Instruments in E flat major op. 88 2-Reicha published a total of 24 wind quintets for the ?classical? scoring of flute oboe clarinet horn and bassoon; op. 88 no. 2 is one of the best-loved and most played. ?If it were possible to surpass Haydn in the compositionof quartets and quintets Reicha would have succeeded with these quintets? thus raved the ?Allgemeine Musikalische Zeitung? on a performance of Reicha?s quintets ?it seems to me that it is impossible to unite more correctnessand clarity with more inventiveness and originality.? This work exudes inspiration and spirit from every note. In addition to the parts we have also produced a handy study edition of the score.

Small format score of this work by Max Bruch edited by Michael Kube with a forword by Christopher Fifield. Max Bruch's String Quintet In E flat major.

Edition for piano two violins viola and violoncello-Edition for piano two violins viola and violoncello (2-piano reduction with 1 each of the string parts) 'Mr. Mozart Kapellmeister wishes to announce to the most worthy public the appearance in print of three of his recently contrived piano concertos. These three concertos may be performed not only with a large orchestra including wind instruments but also a quattro that is with two violins one viola and violoncello. They will be issued early in April of this year (1783).' As this advertisement shows it was Mozart's intention to keep the accompaniment part flexible in his piano concertos K.413-5 and as we know from a letter Mozart wrote to his father inK.449 as well. In addition to orchestral forces it is also possible to use a chamber setting with string instruments one to a part. This chamber music edition accommodates this option thereby enriching Mozart's charming chamber music with piano. These editions of Mozart's Piano Concertos are based on the Urtext editions published in the New Mozart Edition. In the present arrangement for two pianos the solo Part - as well as the strings - are unchanged and thus identical with the version in the NMA. The piano arrangement adheres to the original orchestral score. Chamber music editions available for: Piano Concerto No.11 in F major K.413 BA4875Piano Concerto No.12 in A major K.414 BA4877Piano Concerto No.13 in C major K.415 BA4879Piano Concerto No.14 in E-flat major K.449 BA4871

Like many of Davies’s smaller works this is in a relatively lucid modal style midway between the clarity of his carols and the complications of his symphonies: the opening is in a kind of B flat minor and the close is triumphantly in G flat major. What happens in between -- always in 4/4 march time but usually with exuberant syncopations and cross-rhythms - is a sequence of transformations of the theme heard first from the second trumpet on the top line at the start; it will be heard again from the horn and from the first trumpet in upward-moving inversion with brilliant climaxes to punctuate. An ebullient piece in a simplified yet still very distinctive harmonic andrhythmic style and surely destined to make a rousing encore item. Arranged for brass quintet.

En 1771, en même temps, deux compositeurs à Madrid, Luigi Boccherini et Gaetano Brunetti ' découverte ' et établi le quintette à cordes comme un nouveau genre musical. Tandis que les oeuvres de Boccherini sont effectuées aujourd'hui encore, le oeuvre de son collègue, membre de l'Orchestre Royal, doit encore être découvert. Son Quintet en si bémol majeur, opus 7/3 fournit une bonne occasion de le faire. Comme des contributions à ce genre de Mozart, il est inscrit pour deux violons, deux altos et violoncelle. Ecrit dans un style concertant, le travail de cinq-mouvement permet de tous les artistes interprètes ou exécutants ont leur mot à dire musical, contenant des figurations solos virtuoses et solos mélodiques. Un ajout précieux au répertoire quintet chaîne - avec un vraiment agréable de jouer et de l'expérience d'écoute garantis ! / 2 Violons, 2 Altos Et Violoncelle

All the standard-instrumentation string quintets, plus String Quintet in C Minor, K.406; Quintet with Horn or Second Cello, K.407; and Clarinet Quintet, K.581. Content : String Quintet in B-flat Major, K.174 String Quintet in C Minor, K.406 (arrangement of the Serenade for Wind Instruments) Quintet for Violin, 2 Violas, Violoncello and Horn or 2nd Violoncello in E-flat Major, K.407 String Quintet in C Major, K.515 String Quintet in G Minor, K.516 Quintet for Clarinet, 2 Violins, Viola and Violoncello in A Major, K.581 String Quintet in D Major, K.593 String Quintet in E-flat Major, K.614

The String Quintet in E-flat major Op.97 (with two Violas) is the third work Dvo ák composed during his stay in America. ?This quintet may be said in three of its movements to show the influence of American life and American music upon the composer? wrote the American music critic Henry Krehbiel on 7 January 1894. The use of particular melodic and rhythmic elements in his American compositions as typically found in Afro-American gospels strengthened the gathering conception considering Dvo ák to be the founder of an American national style of music. The String Quintet in E-flat major was premiered on 12 January 1894 at the Carnegie Halland was published shortly afterwards in score and parts by Simrock. This first edition is the main source for this publication.Reprint from the Complete Edition of the Works of Anton n Dvo ák Vol. IV/8.New foreword (Cz/Eng/Ger) by David Beveridge with an evaluation of the origin of the composition.