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Orchestral Excerpts, Volume II
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By Richard Strauss (1864-1949). Edited by Bartholomey. For clarinet solo. Published by International Music Company
Instrumentation :
Clarinet
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IMC (International Music Co.)
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Orchestral Excerpts, Volume II
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Orchestral Excerpts from the Symphonic Repertoire - Volume 2 (for Cello)
Cello
IMC (International Music Co.)
Compiled by Rose-Stutch. Orchestral excerpt book for cello. Published by Interna...
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Compiled by Rose-Stutch. Orchestral excerpt book for cello. Published by International Music Co.
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Volume I (BROWN)
IMC (International Music Co.)
By Orchestral Excerpts. Trombone and tuba solo. Published by International Music...
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By Orchestral Excerpts. Trombone and tuba solo. Published by International Music Co.
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Volume VII (BROWN)
IMC (International Music Co.)
By Orchestral Excerpts. Trombone and tuba solo. Published by International Music...
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Volume I for Timpani (STEVENS)
Percussion
IMC (International Music Co.)
By Orchestral Excerpts. Percussion. Published by International Music Co.
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Volume II (VIELAND)
Viola
IMC (International Music Co.)
By Orchestral Excerpts. Viola solo. Published by International Music Co.
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Volume IV (VIELAND)
Viola
IMC (International Music Co.)
By Orchestral Excerpts. Viola solo. Published by International Music Co.
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Volume VII (VOISIN)
Trumpet
IMC (International Music Co.)
By Orchestral Excerpts. Trumpet solo. Published by International Music Co.
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Volume I (CHAMBERS)
IMC (International Music Co.)
By Orchestral Excerpts. Horn solo. Published by International Music Co.
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Volume VIII (SANKEY)
IMC (International Music Co.)
By Orchestral Excerpts. String bass solo. Published by International Music Co.
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Volume V (CHAMBERS)
IMC (International Music Co.)
By Orchestral Excerpts. Horn solo. Published by International Music Co.
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Volume II (WUMMER)
Flute
IMC (International Music Co.)
By Orchestral Excerpts. Flute solo. Published by International Music Co.
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Volume IX (WUMMER)
Flute
IMC (International Music Co.)
By Orchestral Excerpts. Flute solo. Published by International Music Co.
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Volume II (ZIMMERMANN)
IMC (International Music Co.)
By Orchestral Excerpts. String bass solo. Published by International Music Co.
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Volume III (VIELAND)
Viola
IMC (International Music Co.)
By Orchestral Excerpts. Viola solo. Published by International Music Co.
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Volume IV (ZIMMERMANN)
IMC (International Music Co.)
By Orchestral Excerpts. String bass solo. Published by International Music Co.
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Volume III (ZIMMERMANN)
IMC (International Music Co.)
By Orchestral Excerpts. String bass solo. Published by International Music Co.
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Volume III (WUMMER)
Flute
IMC (International Music Co.)
By Orchestral Excerpts. Flute solo. Published by International Music Co.
(1)
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Volume I (VIELAND)
Viola
IMC (International Music Co.)
By Orchestral Excerpts. Viola solo. Published by International Music Co.
(1)
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Volume VI (WUMMER)
Flute
IMC (International Music Co.)
By Orchestral Excerpts. Flute solo. Published by International Music Co.
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Volume II (CHAMBERS)
IMC (International Music Co.)
By Orchestral Excerpts. Horn solo. Published by International Music Co.
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Volume IV (WUMMER)
Flute
IMC (International Music Co.)
By Orchestral Excerpts. Flute solo. Published by International Music Co.
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Volume I (ZIMMERMANN)
IMC (International Music Co.)
By Orchestral Excerpts. String bass solo. Published by International Music Co.
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Volume V (ZIMMERMANN)
IMC (International Music Co.)
By Orchestral Excerpts. String bass solo. Published by International Music Co.
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Volume III (CHAMBERS)
IMC (International Music Co.)
By Orchestral Excerpts. Horn solo. Published by International Music Co.
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Volume VIII (WUMMER)
Flute
IMC (International Music Co.)
By Orchestral Excerpts. Flute solo. Published by International Music Co.
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Volume V (VIELAND)
Viola
IMC (International Music Co.)
By Orchestral Excerpts. Viola solo. Published by International Music Co.
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Volume I (WUMMER)
Flute
IMC (International Music Co.)
By Orchestral Excerpts. Flute solo. Published by International Music Co.
(1)
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Volume V (BROWN)
IMC (International Music Co.)
By Orchestral Excerpts. Trombone and tuba solo. Published by International Music...
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By Orchestral Excerpts. Trombone and tuba solo. Published by International Music Co.
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Volume II (BROWN)
IMC (International Music Co.)
By Orchestral Excerpts. Trombone and tuba solo. Published by International Music...
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By Orchestral Excerpts. Trombone and tuba solo. Published by International Music Co.
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Volume III (BROWN)
IMC (International Music Co.)
By Orchestral Excerpts. Trombone and tuba solo. Published by International Music...
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By Orchestral Excerpts. Trombone and tuba solo. Published by International Music Co.
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BAXTRESSER JEANNE - ORCHESTRAL EXCERPTS FOR FLUTE VOL.2
Theodore Presser Company
Orchestral Excerpts for Flute with Piano Accompaniment has transformed the liter...
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Orchestral Excerpts for Flute with Piano Accompaniment has transformed the literature and become the standard excerpt book since its release in 1995. The original collection presents excerpts as you'll see them on auditions and orchestra stands, enhanced with Baxtresser's insightful commentaries on preparing each excerpt. Prefatory essays and piano accompaniments add further resources to best prepare for auditions and life as an orchestra player. Orchestral Excerpts for Flute, Volume 2 with Piano Accompaniment provides all the same features for thorough preparation of another 56 excerpts drawn from 27 works including Tchaikowsky ballets, Strauss tone poems, John Williams film scores, and a wealth of essential repertoire from Bach through Stravinsky. DedicationA Letter to my Dear Flutist FriendsNotes for the PianistTo the PianistsWith My AppreciationWhy This New Book?Learning and Studying Excerpts TodayHow to Use This BookFlute Parts The Music You Will UseLearning to Take a Successful AuditionPersonal PreparationThe Audition To Win or to LearnPlaying in an OrchestraPlaying in Opera and Ballet OrchestrasAcknowledgmentsAbout Jeanne BaxtresserAbout the Collaborative EditorsBACHJOHANN SEBASTIANMass in B MinorBWV 232Part IVNo. 24Benedictusbars 1-12BARTOKBELAConcerto for OrchestraMvt. Ibars 1-35Mvt. IVbars 1-25Mvt. IVpickup to bar 136 through 151Mvt. Vbars 26-148BEETHOVENLUDWIG VANSymphony No. 7 in A MajorOp. 92Mvt. Ibars 38-88Mvt. IIbars 131-183BERLIOZHECTORSymphonie FantastiqueOp. 14Mvt. I2 bars before [2] through [3]Mvt. I4th bar of [5] through 3rd bar of [6]Mvt. III1½ bars before [37] through 5th bar of [38]GOUNODCHARLESPetite SymphonieMvt. IIbars 1-29Mvt. IIbars 60-89MAHLERGUSTAVSymphony No. 9Mvt. I2 bars before Misterioso through 3rd bar of Nicht mehr so langsamMvt. Ibeat 4 of Sehr zögernd through 3rd bar after Wieder a tempoSymphony No. 10Mvt. Vbars 27-45MOZARTWOLFGANG AMADEUSThe Magic FluteK. 620Act INo. 8Finalebars 1-24 of Wie stark ist nicht dein Zauberton!Act IINo. 21Finalebars 1-10PISTONWALTERThe Incredible FlutistThe Flutist, Lento after [E] through end of soloRIMSKY-KORSAKOVNICOLAIScheherazadeMvt. II3 before [Q] through 13th of [Q]Mvt. IIIpickups to 8 before [B] to 1 before [B]Mvt. IIIpickups to [M] through [N]Mvt. IV4th bar of [T] through Più strettoSCHUMANNROBERTSymphony No. 1Spring, Op. 38Mvt. Ibars 14-23Mvt. Ibars 158-193Mvt. IVbars 174-206SHOSTAKOVITCHDMITRISymphony No. 5Op. 47Mvt. I[13][15]Mvt. I[39] through 3rd bar of [41]Mvt. IIpickup to 6 bars before [59]through 8th bar of [60]Symphony No. 6Op. 54Mvt. I[16] through 3rd bar of [18]Mvt. I4 bars before [23] through [26]Mvt. I3 bars before [27] through 7th bar of [27]Symphony No. 15Op. 141Mvt. Ibar 1 through 4 bars after [4]Mvt. I8th bar of [46] through [50]STRAUSSRICHARDDer RosenkavalierOp. 59Act I4 bars before [230] through [233]Act I[251][253]Don JuanOp. 20Bar 1 through [B][K] through 3rd bar of [L]Ein HeldenlebenOp. 406 bars before [14] through [14]3rd bar of [15] through 8th bar of [15]2nd bar before [41] through 11th bar of [41]Symphonia DomesticaOp. 538 bars before [22] through [24]STRAVINSKYIGORThe FirebirdPas de Deux (Firebird and Ivan Tsarevitch)1945 version1 bar before [25] through 4th bar of [33]Appearance of the Thirteen Enchanted Princesses, 1910 version4 bars before[52] through 2nd bar of [53]Jeu de CartesVariation IV: [75][79]Symphonies of Wind Instruments2 bars before [6] through [9]3 bars before [14] through 3rd bar of [26][28] to the 3rd bar of [37]TCHAIKOVSKYPETER ILYITCHThe NutcrackerOp. 71Act IIChinese DancecompleteDance of the Mirlitonsbar 1 to [C]Sleeping BeautyOp. 66Act IIINo.25Pas de QuatreSwan LakeOp. 20Act IIINo. 19Pas de Six [32][33]Act IIINo. 19[35][36]WILLIAMSJOHNHarry Potter and the Prisoner of AzkabanSuite for OrchestraHagrids Friendly Bird, bars 127-151Star WarsSuite for OrchestraPrincess Leias themepickup to bar 15 through bar 33War HorseDartmoor1912bars 1-15Dartmoor1912pickup to bar 131 through bar 144 / Flûte traversière / Theodore Presser Company
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Daniel Bourgue: Techni-Cor Volume 5 : Transposition: French Horn: Score
Français
French horn
[Sheet music]
Billaudot
Daily Exercises and orchestral Excerpts
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Martin Wulfhorst: The Orchestral Violinist's Companion Volumes 1+2: Violin:
Barenreiter
Today?s professional orchestral musicians are highly specialized and highly qual...
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Today?s professional orchestral musicians are highly specialized and highly qualified instrumentalists. While the traditional study at universities and music schools gives students an excellent foundation for orchestral playing it has long been acknowledged that it often does not prepare a musician for all the challenges of orchestral life.The Orchestral Violinist's Companion imparts knowledge and skills essential for the orchestral violinist extending on the musician?s high school or university education. This advice and training manual is intended to serve as a guide for the full course of a musician?s career from the preparation for anaudition to the long-term heavy work load in an orchestra. The volumes cover an abundance of themes including:Practice techniquesSight-readingDaily practice routineLooking after your bodyBow technique and tone productionLeft hand techniquePizzicato technique and other special techniquesRhythm and ensemble playingNotation and performance practicePreparing of orchestral partsItalian French and German terms and abbreviationsKnowledge of styleDevelopment of a core repertoirePreparation for auditionsCoping with stage frightCoping with orchestral lifeAppreciation for the orchestra as a social environmentCoping with the long-term physical and mental pressures in an orchestraIncluded is a detailed annotated index of orchestral excerpt collections thematically relevant books and articles and recent important studies on ?Performance Science?. Chapters on essential practice and performance techniques include hundreds of examples from over 300 orchestral works which encompass the areas of symphony oratorio opera operetta and ballet from the period between c. 1750 and 1950. In addition there are exercises specifically designed to advance a player?s orchestral technique.As well as serving as useful teaching material for courses these volumes are geared towards students currently in graduate or postgraduate courses specializing in orchestral playing audition candidates
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Easy Concert Pieces Band 2: Double Bass
Double bass, Piano (duet)
[Sheet music + CD]
-
Beginner
Schott
24 Easy Pieces From 5 Centuries Using Half To 3Rd Position. The Easy Concert Pie...
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24 Easy Pieces From 5 Centuries Using Half To 3Rd Position. The Easy Concert Pieces series features easy to moderately difficult works for double bass with piano accompaniment. Ordered by difficulty in three volumes, the pieces are suitable for auditions, competitions or exams. The series contains original works by Bottesini, Dragonetti, Gretchaninoff, Hindemith, Laska, Regner, Reinagle, Teppo Hauta-aho and others as well as orchestral excerpts by Beethoven, Dvorak, Haydn, Mahler and arrangements of famous classical masterpieces. All pieces are included on the accompanying CD, as a full version and as a piano accompaniment.Volume 2 (easy to intermediate) contains pieces up to the 3rd position. As some new double bass tutors have a different approach in introducing position changes, volume 2 offers several pieces which reach the 2nd position, some pieces using only 1st and 3rd positions and some more difficult pieces which encompass all positions from half to third position.Volume 3 in preparation.
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Philip A. Parker: Yorke Studies For Double Bass: Double Bass: Study
Double Bass
[Sheet music]
-
Intermediate
Yorke Edition
The second volume of studies and exercises for Double Bass concentrating on sec...
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The second volume of studies and exercises for Double Bass concentrating on second to fourth positions. Editor Rodney Slatford has selected a relatively simple and tuneful repertoire designed to aid technique and fluency in playing. Both volumes of Double Bass Studies include a glossary of terms scales arpeggios and orchestral excerpts. Suitable for the equivalent of ABRSM Grade 5.
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Easy Concert Pieces Band 3
Double bass, Piano (duet)
[Sheet music + Audio access]
Schott
The ?Easy Concert Pieces? series offers a wide spectrum of pieces from the Renai...
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The ?Easy Concert Pieces? series offers a wide spectrum of pieces from the Renaissance, Baroque, Classical, Romantic and Modern eras. The repertoire enriches the daily exercises and double bass tutor and is suited for all kinds of auditions. It contains original works for double bass solo as well as orchestral excerpts and arrangements of famous classical masterpieces. Volume 1 (easy) contains pieces in half and first position, with easy rhythms and melodies. It includes easy strokes and articulations such as portato, staccato and legato. Some pieces contain easy Flageolets. This volume offers a broad selection of classical masterpieces in easy arrangements.Volume 2 (easy to intermediate) contains pieces up to the 3rd position. As some new double bass tutors have a different approach in introducing position changes, volume 2 offers several pieces which reach the 2nd position, some pieces using only 1st and 3rd positions and some more difficult pieces which encompass all positions from half to third position. This volume consists of more original works.Volume 3 (intermediate) increases the repertoire up to the 6th position and requires a good control of the lower positions. It makes higher demands on expressive playing and interpretation, velocity and rhythm, as well as bowing techniques with articulation and phrasing./ Recueil / Contrebasse et Piano
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The Flûte Audition
Flute
Universal Edition
The New Essential Companion. Henrik Wiese, the internationally renowned orchestr...
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The New Essential Companion. Henrik Wiese, the internationally renowned orchestral and solo flautist, has spent four years compiling what promises to be the definitive guide to audition repertoire for students preparing for a seat in a professional orchestra. He has worked with his own students in Salzburg as they engaged in auditions, as well as with other professional players and his teaching colleagues at the conservatorium. He sourced repertoire lists from job advertisements past and present and referred to other audition lists such as those of Baxtresser and Wye. Considerable research has gone into the differences between existing editions of the chosen pieces even, surprisingly, from twentieth century composers such as Prokofiev and Stravinsky. 'The Flute Audition then looks at practical matters such as page turns and metronome markings. Wiese comments, for example, that Hindemith's own recording takes a passage from 'Symphonic Metamorphoses markedly slower than in the score. The result of all this painstaking research is the most comprehensive collection of international audition pieces yet published in a single volume. 'This is an excellent collection of orchestral excerpts for the next generation of young musicians. You can use it to prepare for auditions anywhere in the world. Whether it's for an opera house, symphony or chamber orchestra, everything you need is here.'/ Recueil / Flûte Traversière
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Trevor Wye: Practice Book For The Piccolo: Piccolo: Instrumental Tutor
Piccolo
Novello & Co Ltd.
A generous volume of orchestral excerpts and extracts for practice compiled by ...
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A generous volume of orchestral excerpts and extracts for practice compiled by Trevor Wye and Patricia Morris. This is a methodical approach to piccolo technique designed to help the flautist transfer the playing techniques of the flute to the piccolo.
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The Young Orchestral Flautist Volume 2: Flute: Instrumental Album
Flute
[Score]
Pan Educational Music
Wonderful excerpts from Symphonies Ballets Overtures etc... Grade: 3-5
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Orchestral Excerpts for Flute: Flute
Flute and Piano
Theodore Presser Co.
Volume 2
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Low(Er!) Etudes For Tuba (SNEDECOR PHIL)
Trumpet
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Intermediate/advanced
Art of Sound Music
Par SNEDECOR PHIL. Many years ago, on a suggestion from Marine Band tubist John ...
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Par SNEDECOR PHIL. Many years ago, on a suggestion from Marine Band tubist John Cradler, I wrote a quirky collection of tunes set in the lower register of the tuba That book, published in 1991, 'mimics to be popular beyond my wildest dreams with players of all age levels and ability. Its success exposed a void in studies with actual music in the extreme lower part of the tuba range, a part of the instrument that is so important in the music of Prokofiev, Wagner and other composers. The ability to read notes (on sight!) of 4 and 5 ledger lines had only been previously addressed with repetitive exercises and academic method books. The embarrassing gap between that first volume and today's long-awaited and requested second book is only the fault of yours truly, who until recently didn't think there was a sincere desire for a second book. When I did decide to start writing, I was conflicted over which direction to go: Low Vol. 2? Low(er!) Etudes? Higher Lyrical? Orchestral Excerpt-Based Etudes? Duets? I finally decided on this combination of Lou/(er!) Etudes with accompanying duets that give the player a break from the ultra low writing, and provide a chance to revisit the well-loved tunes of the first book with fresh harmonies. I hope you enjoy what I've finally come up with and accept my apologies for taking so long to do it! My sincere thanks to tubists everywhere for making these tunes part of your music-making over the years. This long-awaited Low(er!) Etudes for Tuba includes more of the melodies Phil Snedecor is known for composing. Always harmonically fresh and melodically surprising, these tunes pose challenges beyond the ultra low notes and offer new discoveries upon each reading. Also included are companion duets to the original Low Etudes for Tuba. A great book to keep on the music stand in your studio! / Niveau : 4 / Etudes et exercices / Etude / Trompette
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Sinfonias / Individual Instrumental Pieces (GLUCK CHRISTOPH WILLIBALD)
Orchestra
[Sheet music]
Barenreiter
Gluck Complete Edition V/2. Par GLUCK CHRISTOPH WILLIBALD. While Christoph Willi...
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Gluck Complete Edition V/2. Par GLUCK CHRISTOPH WILLIBALD. While Christoph Willibald Gluck dedicated his artistic life almost entirely to the composition of works for the opera stage, he also produced a number of instrumental works which have been somewhat marginalized until recently. This volume of the 'Gluck Complete Edition (GGA) is the first to present 17 symphonies attributed to Gluck in a historical-critical edition - furthermore, the volume includes a new version of one of the trio sonatas published in 1961 as part of the GGA. Current research indicates that no reliable information about the genesis of the respective works exists for any of the symphonies attributed to Gluck. This is due to a lack of both autograph sources and reliable data pertaining to the history and first performances of these works. It is assumed that some of the existing symphonies might in fact be the lost overtures of Gluck's earlier operas. Others were possibly written to be performed in private or public concerts. The greatest challenge for the editors of this volume was posed by the question of authenticity and authorship of the works presented here. As no autographs exist for any of the symphonies bearing Gluck's name, the only indicators of authorship are attributions in the copies of score and parts, either original or added at a later time. The reliability of these attributions for individual works largely depends on the respective state of source material, meaning available sources as well as the condition of the respective copy. A thorough authenticity analysis concluded Gluck's authorship as valid in the case of 13 symphonies, while in the case of four other symphonies, diverging attributions lead to the acceptance of open authorship. As a result, this volume includes all compositions for which, according to the most current research, Gluck's authorship has not been refuted. In the case of two symphonies, one concerto for flute, and six trio sonatas published in 1961 as part of the GGA, Gluck's authorship has been disproven - detailed explanations are included in the volume's Foreword (Ger). The Foreword also discusses the individual instrumental works attributed to Gluck by various encyclopedias. In addition to the detailed Foreword, the volume includes facsimiles of representative source excerpts. The Critical Commentary (Ger) analyzes the state of sources and includes extensive information on editorial principles and performance practice./ Répertoire / Orchestre
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A. Carse: The History Of Orchestration: Reference
[Book]
Dover Publications
This well-known study by an eminent musicologist constitutes one of the best mid...
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This well-known study by an eminent musicologist constitutes one of the best mid-level explorations of the nature and function of the orchestra. Tracing the beginnings of modern music from the seventeenth through early twentieth centuries, the survey presents forty-four musical excerpts and thirteen sketches of instruments, plus appendices and quotations related to conducting methods. Featured composers include Purcell, Scarlatti, Bach, Handel, Gluck, Haydn, Mozart, Beethoven, Schubert, Berlioz, Wagner, Debussy, Elgar, and many others. Author Adam Carse examines the evolution of individual musical instruments along with varying performance techniques and concepts of instrumental color. He further explores the recognition of major instrumental groups and their musical distinctions, decisions regarding volume and balance of tone, the influence of musical subject matter upon orchestration, and many similar topics. This volume represents a splendid resource for music students, enthusiasts of musical history and classical music, and music lovers of all ages. Corrected republication of the 1925 edition published by Kegan Paul, Trench, Trubner and Company, Limited.
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St. John Passion "O Mensch, bewein" BWV 245.2 (BACH JOHANN SEBASTIAN)
Voice and Orchestra
[Sheet music]
Barenreiter
Par BACH JOHANN SEBASTIAN. The St. John Passion, Bachs first passion oratorio,...
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Par BACH JOHANN SEBASTIAN. The St. John Passion, Bachs first passion oratorio, can hardly be understood as one work. Between 1724 and 1750 the work was performed at least four times in various Leipzig churches under the composers direction and for every one of these occasions it was revised sometimes quite substantially. This edition presents the St. John Passion in its second version of 1725, of which only excerpts were rendered in the New Bach Edition volume II/4 (1973). This version as well as the last one of 1749 constitute the two versions that have come down to us almost in their entirety. Most recently found sources in particular the libretto print of the passion rediscovered in 2015 are taken into consideration in this edition for the first time./ Répertoire / Chant et Orchestre
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Sicilianischer Jahrgang (TELEMANN GEORG PHILIPP)
Orchestra
[Sheet music]
Barenreiter
Zwölf Kirchenmusiken Vom 7. Bis Zum 18. Sonntag Nach Trinitatis Und Michaelis. ...
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Zwölf Kirchenmusiken Vom 7. Bis Zum 18. Sonntag Nach Trinitatis Und Michaelis. Par TELEMANN GEORG PHILIPP. Following the principles of the edition, the volume contains a segment of 12 contiguous pieces of church music from a single cycle. They are excerpted from the so-called 'Sicilian Cycle and consist of the compositions for the 7th - 18th Sundays after Trinity (except the 11th Sunday), the music for which is no longer extant) plus the feast of Michaelmas. The pieces in the cycle reveal elements attributed to the music of southern Italy, which occur in at least one movement of each work. Among these elements are pastoral instrumentation, with oboes and occasionally recorders, and the melodious writing of the arias, all embedded in a translucent texture. The cycle was written for the ducal court in Eisenach, where Telemann was titular chapel-master. It cannot be precisely dated, but the period of composition can be narrowed down between 1717 and 1721. The underlying words, printed as an annual cycle in 1720, stem from the singer, instrumentalist and later Eisenach court secretary Johann Friedrich Helbig. A Foreword and Critical Commentary provide information on the genesis, sources and reception of this very widely disseminated cycle. Also included are facsimiles from the musical and textual sources and an edition of the underlying texts./ Répertoire / Orchestre
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Tone Development Through Interpretation (MOYSE MARCEL)
Flute and Piano
[Sheet music]
Peters
for the Flute. Par MOYSE MARCEL. Flautist and pedagogue Marcel Moyse's Tone Deve...
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for the Flute. Par MOYSE MARCEL. Flautist and pedagogue Marcel Moyse's Tone Development Through Interpretation collects 90 melodic lines of instructional value for the performer, organized according to register, dynamics, and other musical characteristics. An essential tool for students of the flute, but useful for players of any wind instrument, this anthology of excerpts from songs, operas, and the orchestral repertoire arms a performer with the practice tools to confront any interpretational challenge using the appropriate playing technique. As a supplement, the volume includes piano accompaniments for nine of the more substantial excerpts. Sought after by flautists around the globe, the original edition ofTone Development Through Interpretationis now available worldwide through Edition Peters in association with McGinnis Marx. / Date parution : 2023-03-11/ Etude / Flûte Traversière et Piano
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Poems Of Life (FUCHS KENNETH)
Piano, Voice
Hal Leonard
12 Poems by Judith G. Wolf for Countertenor, Cello, and Orchestra. Par FUCHS KEN...
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12 Poems by Judith G. Wolf for Countertenor, Cello, and Orchestra. Par FUCHS KENNETH. This piece, along with three others, earned the composer a Grammy for the 2018 Best Classical Compendium. Composer's program note excerpt: Judith G. Wolf's expressive poems take us on a memorable journey through everyday life, the support of family and friends, the joy of love, and the pain of grief and loss. I was moved by her work to compose Poems of Life, an orchestral song cycle that sets to music twelve poems from Wolf's most recent volume of poetry, Otherwise. The poems weave a narrative of eternal love, the pain of loss through death, emotional transformation through grief, and spiritual enlightenment. CONTENTS: Prologue 1. Ethereal 2. Time Slips Away Movement 1 3. Gary Died 4. Just Like That 5. Watching for Death 6. Face Movement 2 7. Sisters 8. Forever Gone 9. The Retreat Movement 3 10. The Dream Epilogue 11. Conversation 12. Epiphany. Orchestra accompaniment rental item is available separately from the publisher./ Répertoire / Chant et Piano
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Easy Piano CD Play-Along Volume 2: Favorite Classical Themes
Piano solo
[Sheet music + CD]
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Easy
Hal Leonard
Chaque livre dans cette collection vient avec un CD d'interprétations professio...
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Chaque livre dans cette collection vient avec un CD d'interprétations professionnelles complètes, et contient des arrangements pour piano facile. Avec ces livres vous pourrez : écouter des interprétations professionnelles complètes de chaque chanson, jouer les arrangements pour piano facile en même temps que les interprétations, chanter en même temps que les interprétations complètes, jouer les arrangements pour piano facile comme des solos, sans le CD.
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