Format : Sheet music + Audio access
SKU: PR.114418600
ISBN 9781491111543. UPC: 680160642656.
Telemann for Two Volume I, Fantasias 1-6 arranged for Two FlutesWhat could be more delightful than playing Telemann duets, or playing the Telemann Fantasias? Sharon Sparrow and Jeffery Zook have created a remarkable set of duet adaptations of the Fantasias,sounding as if Telemann himself had composed them as two-part inventions. The original Telemann works are shared between the two players, mixed with counterpoint to enhance the authentic solo works. The result is equally suitable for formal recitals and recreational duet playing! The present publication includes two performance scores of their settings of Fantasias 1-6, with a Volume II to include Fantasias 7-12.______________________________________Text from the scanned back cover:SHARON SPARROW is Assistant Principal Flute of the Detroit Symphony Orchestra. She began musical studies on piano at age four, but it was the flute that led her to the Juilliard School for a Bachelor degree with Julius Baker. She received her Master’s degree with Thomas Nyfenger at the Mannes College of Music. Sharon’s professional career began in the Memphis Symphony, followed by tenured positions in the Fort Wayne Philharmonic and Detroit Symphony, and guest positions in the Hong Kong Philharmonic, Baltimore, Chicago, and Pittsburgh Symphonies. In 2016, Presser published her successful audition training book, 6 Weeks to Finals, and she is a much sought after coach for audition candidates across the country, as well as a frequent Master Class clinician at major schools including Boston University and Peabody Conservatory.JEFFERY ZOOK has been a member of the Detroit Symphony since1992. His formal musical studies began at Interlochen and continued at University of Michigan and the Royal Academy of Music in London. His teachers have included William Bennett and Trevor Wye. A prize winner in the NFA Young Artists Competition, Mr. Zook made his solo debut with the Detroit Symphony as a senior in high school, and has since performed all the Vivaldi concerti with them. He has recorded extensively for MusicMinus One and performed frequently at NFA conventions, including the concerto gala in 2017. Mr. Zook has served on the faculty at University of Michigan and Oakland University. In 2002 Zook and Sharon Sparrow founded the Detroit Flute Connection, a series of masterclasses for flutists.
SKU: CA.3913707
ISBN 9790007135652. Language: German.
The cantata cycle Die Tageszeiten, which was composed in Hamburg in 1757, is one of the outstanding late works of Georg Philipp Telemann. A Symphonie and four cantatas (each of which consists of an aria, accompagnato, aria, and chorus) portray, in a richly sensitive manner, the course of a day, beginning with the awakening of nature to the sunset. The poetry of Friedrich Wilhelm Zachariae and Telemann's music herald the beauty of nature, as well as the greatness of God revealed within it. Colorful instrumentation and pictures in sound corresponding to each time of the day, delicate compositional structure, and an ingenious realization of the text characterize this work, whose musical idiom is at times reminiscent of Haydn. Score available separately - see item CA.3913700.
SKU: CA.3913711
ISBN 9790007216085. Language: German.
The cantata cycle Die Tageszeiten, which was composed in Hamburg in 1757, is one of the outstanding late works of Georg Philipp Telemann. A Symphonie and four cantatas (each of which consists of an aria, accompagnato, aria, and chorus) portray, in a richly sensitive manner, the course of a day, beginning with the awakening of nature to the sunset. The poetry of Friedrich Wilhelm Zachariae and Telemann's music herald the beauty of nature, as well as the greatness of God revealed within it. Colorful instrumentation and pictures in sound corresponding to each time of the day, delicate compositional structure, and an ingenious realization of the text characterize this work, whose musical idiom is at times reminiscent of Haydn. Score and part available separately - see item CA.3913700.
SKU: CA.3913719
ISBN 9790007133115. Language: German.
The cantata cycle Die Tageszeiten, which was composed in Hamburg in 1757, is one of the outstanding late works of Georg Philipp Telemann. A Symphonie and four cantatas (each of which consists of an aria, accompagnato, aria, and chorus) portray, in a richly sensitive manner, the course of a day, beginning with the awakening of nature to the sunset. The poetry of Friedrich Wilhelm Zachariae and Telemann's music herald the beauty of nature, as well as the greatness of God revealed within it. Colorful instrumentation and pictures in sound corresponding to each time of the day, delicate compositional structure, and an ingenious realization of the text characterize this work, whose musical idiom is at times reminiscent of Haydn. Score and parts available separately - see item CA.3913700.
SKU: CA.3913705
ISBN 9790007129187. Language: German.
SKU: CA.3913714
ISBN 9790007216115. Language: German.
SKU: CA.3913713
ISBN 9790007216108. Language: German.
SKU: CA.3913718
ISBN 9790007216122. Language: German.
SKU: CA.3913712
ISBN 9790007216092. Language: German.
SKU: CA.3913709
ISBN 9790007216078. Language: German.
SKU: PR.114418820
ISBN 9781491113998. UPC: 680160667697.
Composed by Telemann as a double concerto for recorder and transverse flute, Zart Dombourian-Eby’s new edition is prepared for piccolo, flute, and piano — remaining compatible with available orchestral editions, and respectfully faithful to Telemann’s detailed nuances. Cast in the slow-fast, slow-fast four-movement mold typical of Baroque concert works, the CONCERTO IN E MINOR is at once among the most beautiful and exhilarating works of Telemann’s formidable output.______________________________________Text from the scanned back cover:ZART DOMBOURIAN-EBY is the Principal Piccoloist of the SeattleSymphony and is regularly featured as both a soloist and clinician in Seattle and across the world. Her performances consistently receive highest praise from both critics and audiences. A native of New Orleans, she received B.A. and M.M. degrees from Louisiana State University. After a year of study with Albert Tipton she attended Northwestern University earning a Doctor of Music degree under the tutelage of Walfrid Kujala. She has been a member of the New Orleans Pops, Baton Rouge Symphony, Colorado Philharmonic, and the Civic Orchestra of Chicago. She has performed with the Chicago Symphony and served on the faculties of the University of Washington and Pacific Lutheran University. She was the founding editor of Flute Talk and ison the Editorial Board for The Flutist Quarterly. Zart is the immediate past president of the National Flute Association, and been a featured soloist and presenter at numerous NFA conventions. Zart has commissioned numerous works, including two for piccolo and piano by Martin Amlin, sonatas by Gary Schocker and Levente Gyongyosi, and a chamber work by Ken Benshoof. She can be heard in over 100 recordings by the Seattle Symphony, and her solo CD, in shadow, light, is available on Crystal Records. Her award-winning edition of the three Vivaldi piccolo concertos is published by Theodore Presser.A native of Seattle, VALERIE SHIELDS received her B.M. summa cum laude in organ and violin from St. Olaf College. While completing her M.M. from Northwestern University, she became increasingly interested and skilled in the art of improvisation. She served as Director of Music at St. Luke’s Lutheran Church in Park Ridge, Illinois, where she developed a music program involving over 150 participants in choirs and chamber music groups.Upon her return to Seattle, she served for 12 years as director of adivision of the Northwest Girlchoir. She became organist and developed a vibrant Youth Choir at Phinney Ridge Lutheran Church, where she served for over 30 years, as well as enjoying a 20-year tenure as Music Director and Composer-in-Residence of Temple De Hirsch Sinai. Valerie’s work with children’s choirs,churches, and synagogues has inspired over 100 published compositions.When I was invited to perform a Vivaldi piccolo concerto in Italy a few years ago, my host, Luisa Sello, wrote that Carol Wincenc was going to be on the same concert, and was there any piece that we could play together? I looked and asked around, and my colleague Joanna Bassett recommended the Telemann Concerto in E Minor for Traverso and Recorder. I didn’t know the piece, but as I listened to a recording of it, I immediately loved it and could easily envision how beautifully it could work, with a few “adjustments,†for flute and piccolo. I got to work, and the current publication is the result. I have performed it many times, and enjoy it even more every time. It fits a unique place in our repertoire, and works equally well with piano as with the string orchestra setting.According to Steven D. Zohn, pre-eminent Telemann scholar, and author of Music for a Mixed Taste: Style, Genre, and Meaning in Telemann’s Instrumental Works, much is unknown about the concerto itself; it likely dates from the 1720s, soon after Telemann moved to Hamburg. Only an eighteenth-century copyist’s set of parts is extant, that of Johann Samuel Endler, who was engaged at the Darmstadt court as a singer and violinist, later becoming Vice-Kapellmeister and Kapellmeister, and who had a large collection of Telemann’s works.As in my Vivaldi concertos edition (Presser 414-41190), I have added virtually all of the articulations and dynamics that appear here, and have inserted quite a bit of ornamentation. Unlike the Vivaldi edition, I have not included any indication of the original Telemann in those passages, nor have I included any pedagogical markings, such as fingerings.Finally, I would like to acknowledge, with gratitude, Joanna Bassett, Daniel Dorff, Benton Gordon, Evan Pengra-Sult, Sandra Saathoff, Valerie Shields, Carol Wincenc, and Steven Zohn, for the various roles they played in the making of this publication.— Zart Dombourian-EbyJune 2018.
