Format : Sheet music
SKU: HL.49045845
UPC: 841886033801.
New music on old instruments and new organ literature in dialogue with historical Iberian works. The present edition contains a collection of works, composed for an authentically rebuilt historical Spanish organ and covering a wide range of styles, which adds new sounds to the purely Baroque repertoire. With works by Jose Blasco de Nebra, Francisco Correa de Arauxo, Antonio de Cabezon, Pedro de Araujo, Antonio de Cabezon and new compositions by Guy Bovet, Michael Kapsner, Pavel Klimashevsky, Zsigmond Szathmary and Alfred Muller-Kranich. The new Spanish organ of the Hochschule fur Musik Mainz as an authentically rebuilt historical instrument from the workshop of the organ builder Joaquin Lois from Tordesillas in Castile shall both adequately reproduce early music and be a source of inspiration for contemporary music. For this reason, the Hochschule fur Musik Mainz commissioned five composers to write modern compositions according to the motto 'Early music in dialogue with New Music' which are a valuable addition to the repertoire of historical instruments of the 'Siglo de Oro'. Certain specifications had to be taken into account: e. g. a limited pitch range, half stops for treble and bass registers, the short octave as well as a mean-tone temperament. In addition, each composition is based on a work of the Iberian organ literature; sometimes, the work found its way into the new composition, sometimes, it only served as an inspiration. The pieces can also be played on a modern organ, although there is a special charm in playing and hearing them played on an appropriate historical instrument. Encompassing a broad range of styles, the resulting collection adds new sounds to the purely Baroque repertoire.
SKU: HL.49003687
ISBN 9790001036757. UPC: 073999998283. 12.0x8.75x0.133 inches.
Der Ariadne Musica von Johann Kaspar Ferdinand Fischer kommt eine besondere Bedeutung zu: ein zyklisches Werk, das fast alle Tonarten mit je einem Praludium und einer Fuge in gedrangter und pragnanter Form bringt und Choralbearbeitungen in der Folge der liturgischen Jahresfestkreises hinzufugt. In seiner Geschlossenheit ist dieses Werk in der Art der Fugenformungen und der Behandlung der jeweiligen Tonalitat eine Schule des Fugenspiels fur den Organisten.
SKU: UT.ES-30
ISBN 9790215306073. 8.26 x 11.69 inches.
Sonate da Organo (Versetti di I Tuono; Versetti di II e III Tuono; Versetti di IV Tuono in Elami; Versetti di V Tuono in C: 3 #; Versetti di VI Tuono in Fafaut)/ Messa Solennissima/ Messa di Doppio/ Messa di Madonna/ Messa di Requiem/ Postcomunio in Gisolreut 3 b/ Versetti ed Elevazioni per la Messa di Requiem/ Toccata in D: 3 b/ Offertorio/ Poscomunio in Cisolfaut/ Poscomunio in altra maniera
SKU: HL.14009590
Lemare's compositions are uneven in quality, but the best are still active in the repertoire. The Toccata di Concerto is certainly full of fireworks and has the capacity to show the abilities of a great Organ. The upper parts have plenty of French toccata style, but the theme in the pedals gives the piece substance, as does the romantic, chromatic interlude in the middle of the work.Organ virtuoso and composer Edwin Lemare was the world's highest-paid Organist at the height of his career in the early 1900's, drawing bravos from ctritics and the crowds who queued around the block to hear this most famous of Organists. After having served as a church Organist for a relativelyshort period, he began the life of a travelling recitalist, beginning with a hundred-recital tour of the USA and Canada in 1900, a career that continued until the stock market crash of 1929. Lemare was also virtuosic in his ability to transcribe great Orchestral works for the Organ, allowing audiences in those less urban times to hear works played live that they might have heard no other way.
SKU: UT.ES-9
ISBN 9790215301887. 9 x 12 inches.
Concerto CXXX per 2 Organi alternati La Martina/ Fuga I/ Fuga II/ Fuga III/ Fuga IV/ Toccata I/ Toccata II/ Fuga V/ Toccata III/ Fuga VI
SKU: MN.10-936
UPC: 688670109368.
May be performed independently or as a suite. Includes: Bouree (Handel) from Water Musick Gavotte (Corelli) from Violin Sonata Lento (Bizet) from L Arlesienne Suite No. 1.
SKU: HL.14021210
Lord, How Long Wilt Thou Forget Me? was beautifully composed by Felix Mendelssohn the German composer, Pianist and Organist.
Felix Mendelssohn was recognised early on as a musical prodigy but his parents where sceptical about capitalising from Mendelssohn's talent.
This fantastic arrangement contains the first movement From Lord, How Long Wilt Thou Forget Me?, expertly arranged for Soprano, SATB and Organ.
SKU: CA.1802600
ISBN 9790007093150.
For the first time a completely self-contained organ repertoire is presented which originated in the churches of northern Germany after 1780, and yet keeping up the musical traditions of the 17th century. Thus, a many-facetted, more recent organ music from northwestern middle Europe is now accessible. Focal points of the music clearly are church songs and counterpoint; a fascinating element is the rich chromaticism. The pieces are of medium difficulty, practical for liturgical or concert use.
SKU: HL.14004527
SKU: HL.14009660
6.75x9.75x0.055 inches.
SKU: HL.48184718
UPC: 888680841225. 9x12 inches.
“French composer, organist and pianist, Alexandre Boëly (1785-1858) was born in to a family of musicians. Having received musical education from an early age, Boëly led a successful career. His Organ works remain prominent within the instrument's repertoire. The series of Boëly's Complete Works was assembled by Amédée Gastoué, Norbert Dufourcq and Brigitte François-Sappey. The third volume contains six of Boëly's most famous works. For all advanced organists, Boëly's Organ works are an essential addition to the repertoire.&rdquo.
SKU: HL.49046414
ISBN 9781540090522. UPC: 842819103974.
The American musical patrons Mildred and Robert Wood Bliss were considering which distinguished composer to commission to create a work in celebration of their 30th wedding anniversary in 1938. The couple had made the acquaintance of Igor Stravinsky in April the preceding year at the premiere of his ballet Jeu de Cartes in New York and had subsequently invited the composer to their country home 'Dumbarton Oaks' in Washington D.C. to talk about a new composition. Stravinsky only just managed to complete the work in time for the anniversary celebrations: its date of completion was also the date of its first performance. For his classically styled three-movement work, he selected the title Concerto in E flat, adding the subtitle Dumbarton Oaks as a dedication. The structure of the work references the concerto grosso: it features a soloist ensemble which unites in the tutti sequences but also plays in concertino groups during the solo episodes. Broken chordal structures characterise the central movement whereas the outer movements are distinguished through their use of fugato. Dumbarton Oaks went on to become one of Stravinskys mostsuccessful works, performed widely and delighting Mildred Bliss so much that she immediately issued another commission, for the Symphony in C. Its composer's very public commitment to American cultural life helped pave the way for Stravinskys emigration to the USA in 1945. As early as 1952 Leif Thybo created an arrangement for organ which Stravinsky probably did not know at the time of his life.
SKU: MN.12-128
UPC: 688670121289.
The three movements that make up Nocturnes, Book I are programmatic pieces that take as their points of departure a painting, the rhythms of a great city, and a poem. 1. The Starry Night is a written down improvisation based on Vincent van Goghs famous picture of the same name. The tonal material is a quite literal transformation of the visual elements of the painting: the melismatic cadenzas mirror van Goghs swirling starlight, and the powerful chords were suggested by the sinister trees that shoot upward to puncture the skys patterns. 2. Stovers Rag is a product of the ragtime revival of the early 1970s, when many composers tried their hand at writing concert rags. The New York night, which was not without its sinister element in those days, is expressed in an updating of the classic ragtime format. The piece looks backward as well, with the old French Baroque basse de trompette making an appearance in the trio section. 3. The Song of Shadows taps the nostalgic mood typical of the poetry of Walter de la Mare. The poem of the same name pictures a lone musician on a winter night, an dog sleeping before a sinking fire, and, at the end, the spirits that are summoned by music. The opening melody, played on an 8 flute with tremulant, suggests the blues-tinged sound of an alto saxophone, and throughout the movement the organs capacity for sustained tone is used to suggest and atmosphere of dreamy timelessness. The pieces were written in 1971 and first performed on July 2, 1972 at the National Shrine of the Immaculate Conception in Washington, DC, with the composer at the console.
SKU: UT.ES-50
ISBN 9790215315570. 9 x 12 inches.
