Mean What You Say

SKU: HL.244265

UPC: 888680707651. 5.0x5.0x0.2 inches.

A Broadway song with a super contemporary pop groove. From the hit Broadway show Waitress and with music by pop singer/songwriter Sara Bareilles here is an upbeat pop tune with an introspective message loaded with metaphors and meanings. A hit to feature your women.

SKU: HL.282483

ISBN 9781540034403. UPC: 888680789275. 9.0x12.0x0.967 inches.

Almost 70 contemporary hits released since 2010 in easy piano arrangements with lyrics: All About That Bass • Bad Romance • Brave • Call Me Maybe • Cups (When I'm Gone) • Feel It Still • Get Lucky • Happy • Havana • Hey, Soul Sister • I Will Wait • Just Give Me a Reason • Let It Go • Mean • Moves like Jagger • Need You Now • Radioactive • Rolling in the Deep • Shake It Off • Stay with Me • Thinking Out Loud • Uptown Funk • We Are Young • and more.

SKU: LO.15-3644H

ISBN 9780787764630.

And what Christmas means to each of us is what makes the season bright. And our Christmas cheer is meant to be shared, and can heal a broken heart. Love will help us remember what Christmas means. Program this touching original Christmas ballad to bring light to why we celebrate this season of the year. Comfortable ranges and strong voice leading throughout help to speed up learning time.

SKU: HL.249573

ISBN 9781540005571. UPC: 888680711528. 6.0x9.0x0.396 inches. Ukulele Chord Songbook.

This series features convenient 6″ x 9″ books with complete lyrics and chord symbols above the lyrics for dozens of great songs. Each song also includes chord grids at the top of every page, and the first notes of the melody for easy reference. These books are perfect for people who don't read music but want to strum chords and sing, and are equally ideal for more advanced, music-reading ukulele players who don't feel like wading through note-for-note notation. This easy collection features 60 songs you can play with just four chords: Brave • Careless Whisper • Cecilia • Drift Away • Every Rose Has Its Thorn • Fields of Gold • Good Riddance (Time of Your Life) • Hey, Soul Sister • Ho Hey • Last Kiss • Let It Be • Mean • Peaceful Easy Feeling • Renegades • Stand by Me • Teach Your Children • Toes • Viva La Vida • What's Up • Zombie • and many more.

SKU: LM.27671

ISBN 9790230976718.

Blues Burger - Boogalou Blues - Manhattan - Duck - On a Blue Day - Blues for Chloe - Start it now - Dooley - Pick up the Blues - Sacre petit doigt - Pretty Drummer You Know what I mean ? - Golden Rag - Blue Cha-Cha.

SKU: HL.1465615

ISBN 9798350127058. UPC: 196288212508.

Designed with the beginner in mind, Christmas Songs for the Very Beginner features popular, easy-to-play melodies in pre-staff notation, perfect for those in their first months of learning. Arrangements consist of simple rhythms, letter names inside each note, minimal hand movement, and no page turns. This book is a perfect supplement for students needing extra playing material, with each song including playing tips and fingering diagrams. The songs are presented in order of difficulty. The written piano accompaniments can be played by a teacher or friend, or you can play along with the recorded accompaniments. The price of this book includes access to audio tracks of the accompaniments, for download or streaming, using the unique code provided on page 1. The book also includes over five pages of music activities including coloring fun, music math, and a Christmas countdown for more fun! Songs include: All I Want for Christmas Is My Two Front Teeth • Away in a Manger • Do You Hear What I Hear • Feliz Navidad • Happy Holiday • Here Comes Santa Claus • Jingle Bell Rock • Let It Snow! Let It Snow! Let It Snow! • Where Are You Christmas? • You're a Mean One, Mr. Grinch •Ÿand more.

SKU: CL.032-3710-00

Celebrate the Big Band Era while your trumpet section takes the lead in this very playable ensemble feature. As with all Howard Rowe charts, Know What I Mean? is designed to sound full and exciting with less than complete instrumentation and optional suggested solos fro the soloists of your choosing are provided for younger bands. Big time sounds, but not hard to play!

SKU: HL.154338

UPC: 888680099923. 5.0x5.0x0.2 inches.

From the opening piano chords through the layered rhythms and synth lines, this #1 hit from Justin Bieber is both complex and laid back at the same time. An attractive feature for pop, show and jazz groups.

SKU: CF.CM9583

ISBN 9781491154052. UPC: 680160912551. 6.875 x 10.5 inches. Key: Eb major. English. Thomas Moore (1779-1852).

Thomas Moore (17791852) was an Irish poet, singer, songwriter and entertainer. In his poem, On Music, Moore emphasizes the power that music has in our lives and the ability it has to evoke memories and feelings from the past. Music transcends that which can be spoken or felt. The beauty of making music together is to establish meaningful connections with others and to share a common language through song. We are reminded, however, that relationships with each other can be fluid or unstable, but as the words of the poem remind us, music will not betray. No matter the experiences that we face, the relationships that we foster, or the memories that we create, music will always be there for us in times of need and in times of celebration. What does music mean to you? How does it enrich your life? On Music Thomas Moore When through life unblest we rove, Losing all that made life dear, Should some notes we used to love, In days of boyhood, meet our ear, Oh! how welcome breathes the strain! Wakening thoughts that long have slept, Kindling former smiles again In faded eyes that long have wept. Like the gale, that sighs along Beds of oriental flowers, Is the grateful breath of song, That once was heard in happier hours. Filld with balm the gale sighs on, Though the flowers have sunk in death; So, when pleasures dream is gone, Its memory lives in Musics breath. Music, oh, how faint, how weak, Language fades before thy spell! Why should Feeling ever speak, When thou canst breathe her soul so well? Friendships balmy words may feign, Loves are even more false than they; Oh! tis only musics strain Can sweetly soothe, and not betray. Note to the performer: Liberty can be taken with the tempo markings and rubato should be used throughout in order to further stress the beauty and significance of the text. With its vocal-like descant, the flute should be treated as an additional voice rather than mere accompaniment to enhance the texture of the piece.
Thomas Moore (1779a1852) was an Irish poet, singer, songwriter and entertainer. In his poem, On Music, Moore emphasizes the power that music has in our lives and the ability it has to evoke memories and feelings from the past. Music transcends that which can be spoken or felt. The beauty of making music together is to establish meaningful connections with others and to share a common language through song. We are reminded, however, that relationships with each other can be fluid or unstable, but as the words of the poem remind us, music will not betray. No matter the experiences that we face, the relationships that we foster, or the memories that we create, music will always be there for us in times of need and in times of celebration. What does music mean to you? How does it enrich your life? On Music a Thomas Moore When through life unblest we rove, Losing all that made life dear, Should some notes we used to love, In days of boyhood, meet our ear, Oh! how welcome breathes the strain! Wakening thoughts that long have slept, Kindling former smiles again In faded eyes that long have wept. Like the gale, that sighs along Beds of oriental flowers, Is the grateful breath of song, That once was heard in happier hours. Fillad with balm the gale sighs on, Though the flowers have sunk in death; So, when pleasureas dream is gone, Its memory lives in Musicas breath. Music, oh, how faint, how weak, Language fades before thy spell! Why should Feeling ever speak, When thou canst breathe her soul so well? Friendshipas balmy words may feign, Loveas are even more false than they; Oh! atis only musicas strain Can sweetly soothe, and not betray. Note to the performer: Liberty can be taken with the tempo markings and rubato should be used throughout in order to further stress the beauty and significance of the text. With its vocal-like descant, the flute should be treated as an additional voice rather than mere accompaniment to enhance the texture of the piece.
Thomas Moore (1779-1852) was an Irish poet, singer, songwriter and entertainer. In his poem, On Music, Moore emphasizes the power that music has in our lives and the ability it has to evoke memories and feelings from the past. Music transcends that which can be spoken or felt. The beauty of making music together is to establish meaningful connections with others and to share a common language through song. We are reminded, however, that relationships with each other can be fluid or unstable, but as the words of the poem remind us, music will not betray. No matter the experiences that we face, the relationships that we foster, or the memories that we create, music will always be there for us in times of need and in times of celebration. What does music mean to you? How does it enrich your life? On Music - Thomas Moore When through life unblest we rove, Losing all that made life dear, Should some notes we used to love, In days of boyhood, meet our ear, Oh! how welcome breathes the strain! Wakening thoughts that long have slept, Kindling former smiles again In faded eyes that long have wept. Like the gale, that sighs along Beds of oriental flowers, Is the grateful breath of song, That once was heard in happier hours. Fill'd with balm the gale sighs on, Though the flowers have sunk in death; So, when pleasure's dream is gone, Its memory lives in Music's breath. Music, oh, how faint, how weak, Language fades before thy spell! Why should Feeling ever speak, When thou canst breathe her soul so well? Friendship's balmy words may feign, Love's are even more false than they; Oh! 'tis only music's strain Can sweetly soothe, and not betray. Note to the performer: Liberty can be taken with the tempo markings and rubato should be used throughout in order to further stress the beauty and significance of the text. With its vocal-like descant, the flute should be treated as an additional voice rather than mere accompaniment to enhance the texture of the piece.
Thomas Moore (1779-1852) was an Irish poet, singer, songwriter and entertainer. In his poem, On Music, Moore emphasizes the power that music has in our lives and the ability it has to evoke memories and feelings from the past. Music transcends that which can be spoken or felt. The beauty of making music together is to establish meaningful connections with others and to share a common language through song. We are reminded, however, that relationships with each other can be fluid or unstable, but as the words of the poem remind us, music will not betray. No matter the experiences that we face, the relationships that we foster, or the memories that we create, music will always be there for us in times of need and in times of celebration. What does music mean to you? How does it enrich your life? On Music - Thomas Moore When through life unblest we rove, Losing all that made life dear, Should some notes we used to love, In days of boyhood, meet our ear, Oh! how welcome breathes the strain! Wakening thoughts that long have slept, Kindling former smiles again In faded eyes that long have wept. Like the gale, that sighs along Beds of oriental flowers, Is the grateful breath of song, That once was heard in happier hours. Fill'd with balm the gale sighs on, Though the flowers have sunk in death; So, when pleasure's dream is gone, Its memory lives in Music's breath. Music, oh, how faint, how weak, Language fades before thy spell! Why should Feeling ever speak, When thou canst breathe her soul so well? Friendship's balmy words may feign, Love's are even more false than they; Oh! 'tis only music's strain Can sweetly soothe, and not betray. Note to the performer: Liberty can be taken with the tempo markings and rubato should be used throughout in order to further stress the beauty and significance of the text. With its vocal-like descant, the flute should be treated as an additional voice rather than mere accompaniment to enhance the texture of the piece.
Thomas Moore (1779–1852) was an Irish poet, singer, songwriter and entertainer. In his poem, On Music, Moore emphasizes the power that music has in our lives and the ability it has to evoke memories and feelings from the past. Music transcends that which can be spoken or felt. The beauty of making music together is to establish meaningful connections with others and to share a common language through song.We are reminded, however, that relationships with each other can be fluid or unstable, but as the words of the poem remind us, music will not betray. No matter the experiences that we face, the relationships that we foster, or the memories that we create, music will always be there for us in times of need and in times of celebration. What does music mean to you? How does it enrich your life?On Music – Thomas MooreWhen through life unblest we rove,Losing all that made life dear,Should some notes we used to love,In days of boyhood, meet our ear,Oh! how welcome breathes the strain!Wakening thoughts that long have slept,Kindling former smiles againIn faded eyes that long have wept.Like the gale, that sighs alongBeds of oriental flowers,Is the grateful breath of song,That once was heard in happier hours.Fill’d with balm the gale sighs on,Though the flowers have sunk in death;So, when pleasure’s dream is gone,Its memory lives in Music’s breath.Music, oh, how faint, how weak,Language fades before thy spell!Why should Feeling ever speak,When thou canst breathe her soul so well?Friendship’s balmy words may feign,Love’s are even more false than they;Oh! ’tis only music’s strainCan sweetly soothe, and not betray.Note to the performer: Liberty can be taken with the tempo markings and rubato should be used throughout in order to further stress the beauty and significance of the text. With its vocal-like descant, the flute should be treated as an additional voice rather than mere accompaniment to enhance the texture of the piece.