Morning

SKU: LO.20-1141L

UPC: 000308043204.

The hymns Holy, HOLY, HOLY; AMAZING GRACE; ALL THINGS BRIGHT AND BEAUTIFUL; and MORNING HAS BROKEN are combined in this effective medley.

SKU: FP.FBS03

ISBN 9790570500192.

Sarah Baker is Vocal Composer in Residence at Education Music Services, an ABRSM examiner and a well known composer of songs and musicals for primary schools and massed-choral events.

All this experience has come together in the creation of this album of piano pieces, inspired by growing up in the Chiltern Hills. Suitable for players of around grade 4-5 standard, her evocative sound pieces describe a crash-landing hot air balloon, garden invading cows and a even a snake in a pond!

Air Balloon!: One vivid memory I have as a child is of the day that a hot air balloon passed over our house and made an emergency landing on the road in front! The sound of the gas being blown into the balloon to try to keep it high enough to pass the house sounded so loud and intimidating, and then there was the bustle of the neighbours as we all went out into the street to watch. It was both terrifying and exhilarating to watch the balloon float past and then land so near by.

Buzzards Circling: There is something so calming and restful about watching birds of prey circling in the thermal currents of a summer sky. Growing up in the Chilterns gave me plenty of opportunity to watch buzzards and red kites. This piano solo captures the beauty of their flight as they glide so effortlessly through the air.

There’s A Cow In The Garden Eating The Flowers: Inspired by the memory of seeing an unexpected cow in the garden! This surreal image is captured in a quirky waltz, as I portray both the absurdity of the moment and the sense of wonder I felt as a child, looking out of the window and seeing the cow walking round and eating the flowers. The final phrase articulates my longing: ‘I wish it would come again’.

Watching The World Go By: A short, reflective piece, remembering what it was like to have time to just sit and watch the world go by from my bedroom window.

Autumn Skies: A miniature about the beauty of Autumn skies and the poignant sense of loss for a summer gone. Friends I was fortunate to have several children of my own age living close by. We seemed to be forever making dens, playing out in the street and generally enjoying each other’s company. This piece reflects that sense of well-being.

Snake In The Pond: One hot summer I was astonished and scared to see a grass snake cooling off in our garden pond! I watched, both horrified and fascinated, as it rose up from the depths and then disappeared again. Here I portray the sense of the hazy summer afternoon as I peacefully watched the tiny movements of fish in the pond, contrasted with the fear and excitement of seeing the snake appear.

Morning Commute: I recollect many mornings stuck in traffic as my Dad took me to school on his way to work. There is one main road out of the village where I grew up, and that got more and more congested the closer we got to the town. We may not have chatted a lot, but it was always good to be together with my Dad, lost in our own thoughts.

The Witch’s Cottage: My siblings and I had a fascination with a small cottage nearby. It was set back from the road in a dark part of the woods and we called it 'the witch's cottage’. Every time we passed, I imagined I heard the distant cackle of the witch and wished I could catch a glimpse of her.

These pieces are written to complement my other collection, Night Time Impressions, which also draw on childhood recollections, particularly of the woods behind the house where I grew up. - Sarah Baker 2023.

SKU: BT.DHP-1074329-140

9x12 inches. English-German-French-Dutch.

The Englishman, Bishop Reginald Heber (1783?1826), wrote Brightestand Best of the Sons of the Morning for Epiphany. These lyrics werepublished in 1811, in the Christian Observer, but were set to music andissued in hymnal books only after Heber?s death, by English composerand organist James Proctor Harding. This attractive arrangement byHenk Hogestein will give every Christmas concert a certain elan.

De Engelsman Bishop Reginald Heber (1783-1826) schreef Brightest and Best of the Sons of the Morning voor het feest van Driekoningen. Deze tekst werd in 1811 gepubliceerd in de Christian Observer, maar pas na Hebers dood opmuziek gezet door James Proctor Harding (1850-1911) - onder de titel Morning Star. Het sfeervolle arrangement van Henk Hogestein geeft elk kerstconcert een zeker elan.

Morning Star ist die Vertonung eines Gedichts zum Dreikönigsfest aus der Feder des englischen Bischofs Reginald Heber aus dem 18. Jahrhundert. Das Lied des Organisten und Kirchenmusikkomponisten Harding wurde in mehrere englische Gesangbücher aufgenommen und wird heute noch oft gesungen. Dieses reizvolle Arrangement von Henk Hogestein verleiht jedem Weihnachtskonzert einen gewissen Schwung!

En 1811, le journal chrétien The Christian Observer publie le texte du cantique de l’Épiphanie, Brightest and Best of the Sons of the Morning, de l’évêque anglican Reginald Heber (1783-1826). Ce texte ne sera mis en musique et intégré dans des recueils de cantiques que plusieurs années après la mort de son auteur. James Proctor Harding (1850-1911) fut organiste l’église St. Andrew d’Islington (Londres) pendant plus de trente-cinq ans. Il composa également des œuvres de musique sacrée. En 1892, il met en musique le texte de Reginald Heber. Le cantique sera publié sous le nom de Morning Star (“Étoile du matin”).Ce charmant arrangement d’Henk Hogesteinapporte une touche de brillance tout concert de Noël.

SKU: GI.G-5010

This profound collection for Palm Sunday, Triduum, and Easter, deeply infused with the passion of the season, evolves from the worship in the parishes where Rory Cooney and Gary Daigle have served over the years. Trumpet in the Morning, Rory Cooney's highly inspirational hymn for the millennium, is set to the haunting strains of an early-American melody. The text draws on jubilee imagery, especially from the book of Leviticus, but its point of view is distinctly modern. New hymns resound with the emotions of the season, including the solemn strains of Good Friday's Precious Blood and the truly uplifting title song, This Very Morning. Also included is a new concertato arrangement of Suzanne Toolan's classic, I Am the Bread of Life. Highlights of this collection include a stirring acclamation for baptism that has been expanded into a song for the sprinkling of the assembly. There is an upbeat Litany of Saints to accompany the baptismal procession to the font, appropriately based on When the Saints Go Marchin' In and incorporating the refrain from that enduring spiritual. One each of the following octavos: TRUMPET IN THE MORNING (G-4970) • QUIET STRENGTH (G-5011) • PALM SUNDAY PROCESSIONAL (G-5012) • LENTEN GOSPEL ACCLAMATION (G-5013) • PRECIOUS BLOOD (G-5014) • FRACTION RITE AND “TABLEPRAYER” (G-5015) • CONCERTATO ON “I AM THE BREAD OF LIFE” (G-5016) • PSALM 31: I PLACE MY LIFE (G-3613) • GENESIS READING FOR THE GREAT VIGIL (G-5018C) • PSALM 118 (EASTER ALLELUIA) FOR THE GREAT VIGIL (G-5019) • A LITANY OF SAINTS: WHEN THE SAINTS COME MARCHIN’ IN (G-5020) • YOU HAVE PUT ON CHRIST (G-5021) • THIS VERY MORNING (G-5022).

SKU: BT.AMP-029-020

Morning Song features the horn quartet mostly in a soloistic role - indeed there is an accompanied cadenza towards the end of the piece - but there are moments where the horns assume their conventional fanfare band role as harmonic support or playing the counter melody. This expressive composition shows all the versatility of the horn quartet and gives them the chance to be in the spotlight.

In het fraaie Morning Song heeft het hoornkwartet vooral een solistische rol - er is tegen het eind zelfs een begeleide cadens - maar er zijn ook momenten waar de hoorns hun conventionele rol in het fanfareorkest spelen: alsharmonische ondersteuning of in de contramelodie. De veelzijdigheid van het hoornkwartet wordt vakkundig en uitvoerig verkend in deze expressieve compositie.

Morning Song zeigt das Hornquartett im Wesentlichen in einer Solorolle, aber es gibt auch Stellen, wo die Hörner ihre übliche Funktion im Blasorchester als harmonische Unterstützung oder als Spieler der Gegenmelodie ausfüllen. Diese ausdrucksvolle Komposition lotet die ganze Vielseitigkeit des Hornquartetts aus und bietet diesem Teil Ihres Blasorchesters einmal die Gelegenheit, sich zu präsentieren.

SKU: HL.14003430

ISBN 9780711932555. 9.0x12.0x0.073 inches.

Eighteen traditional and well-loved songs of England, Ireland, Scotland and Wales. Carefull arranged by Carol Barratt to sit comfortably under the hands of the young pianist and suitable for all players of Grade One Plus standard. Contents: All Through the Night * Annie Laurie * Auld Lang Syne * Barbara Allen * Blow Away the Morning Dew * Cockles And Mussels * David of the White Rock * Drink To Me Only * Early One Morning * Land of my Fathers * Londonderry Air * Scarborough Fair * The Ash Grove * The Blue Bell of Scotland * The Gypsy Laddie * The Harp That Once * When I Was a Tailor * Will Ye No Come Back Again?

SKU: CF.YAS33

ISBN 9780825858468. UPC: 798408058463. 8.5 X 11 inches. Key: G major.

A walk through the park or a morning stroll through the forest is what this piece best calls to mind. With its pastoral setting and lush melodies, Velvet Morning will truly showcase your group's mastery of legato playing.
Velvet Morning is a warm and colorful work for string orchestra. Please play con sordino if available. The music is a reflection of my love for the orchestral music of Barber, Ravel, Debussy and Satie. It should have the same sense of passion and intensity that those masters employ in their music.The opening tempo is marked rubato, and should speed up then slow down based on the phrases. The main melody appears at m. 11 in the first violins and should have a flowing quality. The harmony does utilize some slight dissonances from time to time which should be emphasized. The violas and cellos take over the melody at m.19 with a counter line in the violins. The melody returns to the violin at m. 27 with a pianistic cello line punctuated by pizzicato in the bass. Some transitional material follows that builds up to a full presentation at m. 47. Let the ensemble open up here with an intense, full sound. This winds down to a return of the introduction at m. 60. The ending should be tender and deliberate all the way to the last plush chord.

About Carl Fischer Young String Orchestra Series

This series of Grade 2/Grade 2.5 pieces is designed for second and third year ensembles. The pieces in this series are characterized by:
--Occasionally extending to third position
--Keys carefully considered for appropriate difficulty
--Addition of separate 2nd violin and viola parts
--Viola T.C. part included
--Increase in independence of parts over beginning levels