Jazz Conception for Trumpet

Intermediate Jazz Conception is another addition to the popular series of etude books created by Jim Snidero featuring some of the finest jazz musicians in the world. This book/cd set includes 15 etudes based on standards modal tunes and blues demonstrated by Jim Rotondi on trumpet with the incredibly swinging rhythm section of Dave Hazeltine on piano Peter Washington on Bass and Kenny Washington on Drums. New to Intermediate Jazz Conception is an appendix dedicated to style and improvisation including a scales syllabus nomenclature and over 95 lines and ideas extracted for the study of improvisation!The recording features two separate versions of each etude; one withthe soloist and rhythm section and one with the rhythm section only. Hear how the soloist performs the etudes play with or without the soloist on the cd and learn about both jazz style and improvisation from some of the best.Other series available by Jim Snidero: Easy Jazz Conception and Jazz Conception.'A talented musician musical advocate and educator ... a genuinely significant figure in jazz composition' Penguin Guide to Jazz'A master musician' Down Beat Magazine

Featuring a quartet of alto trumpet guitar and vibes at the top Marks stellar treatment of this George Shearing classic swings hard from beginning to end. The intricate bebop lines are skillfully woven throughout and there are solo spots fortrumpet and alto. Also included is an unaccompanied brass statement and ample opportunities for the saxes to shine.

Ce livre/cd permet aux trompettistes de tous niveaux d'étudier le langage du jazz. Il contient 21 solos qui sont enregistrés sur le CD par Joe Magnarelli (trompette), Mike LeDonne (Piano), Dennis Irwin (Basse) et Kenny Washington (Batterie). Deux enregistrements par morceaux : une version complète + une version sans la partie solo. / Trompette / Partition + Cd

Feature your drummer on brushes with this classy chart on a well-known standard. The ensemble plays mostly tutti rhythms with solo fills provided by the drums. A great concept on a wonderful tune. Also included is a trumpet solo.

Par SNIDERO JIM. The Jazz Conception Study Guide shows through detailed analysis how to get inside the creative process of creating a jazz solo, it provides a wealth of ideas and practice suggestions for the serious jazz educator and for self-study. Adapted compatible editions are available for alto/baritone, tenor soprano saxophones, trumpet, trombone, flute, clarinet, guitar, piano, bass, and saxophone section. Please note that the mp3 CD that comes with this guide may not work on some (older) CD players./ Recueil / Instruments Mélodiques

A comprehensive study text teaching elements of jazz phrasing articulation vibrato chord studies and technical studies leading to improvisation. In addition a theory workbook section teaches scales modal concepts and chordconstruction. Includes jazz trumpet studies and trumpet improvising.

Ce livre est conçu pour les trompettistes de niveau intermédiaire qui souhaitent s'initier au monde du jazz. Ollie Weston, musicien de jazz de renom, présente les concepts clés étape par étape, en les expliquant clairement et simplement tout au long de l'ouvrage, avec un minimum de jargon musical. L'improvisation est abordée dès le début avec des enregistrements authentiques de trio de jazz en direct sur les pistes audio d'accompagnement pour que vous puissiez jouer en même temps. Les principaux sujets abordés sont les suivants : les modes, le jeu swing, le développement mélodique, la progression 2-5-1, les progressions du blues jazz, les gammes pentatoniques, les extensions d'accords jazz, le développement stylistique, les sons uniques de la trompette et bien d'autres encore. / Trompette / Schott

Level: easy / intermediate Format: English / French / German Arranger/Editor: Thomas Stevens This book is a supplement to the original James Stamp Warm-Ups and Studies (Editions Bim, Switzerland), and all of James Stamp?s concepts and instructions presented in the original volume should apply to these studies as if they were included in this book. The Stamp Warm-up No.6 from the original book (page 10) constitutes the main body of these studies (II, 1-6, pages 18-35). In his studio teaching, James Stamp had his advanced students play No.6 in the natural minor, harmonic minor, ?jazz? melodic minor, whole-tone, and diminished scales, versions of which are included in this volume. The philosophy of the Supplemental Studies, to which James Stamp agreed many years ago, was to fill in some of the blank pages of his legacy, to wit: to show his advanced scale exercises and some of his pedagogical ?roots.? One cannot do this without mentioning Max Schlossberg (1873-1936), whom many consider to be the father of the American school of trumpet playing, and who had a great influence on James Stamp?s work. James Stamp was a student of professor Schlossberg, and he used, especially during his formative years as a teacher, some of Schlossberg?s original unpublished materials in his work. Schlossberg?s concepts also greatly influenced the development of the now world-famous original published Stamp materials (Editions Bim). The Supplemental Studies include four preparatory scale exercises (I, page 8-16) and five attack-air flow studies (III, page 36-39) used by James Stamp, both sets of which have their origins in the concepts of Max Schlossberg and the members of the so-called Schlossberg School. Thomas Stevens

Santorella's Jazz Improvisation series is a revolutionary response driven concept for learning licks you can actually use in real life playing situations / Trompette

Write for a horn section!
In this book, you will learn how to add saxophones and brass to a rhythm section ensemble. You will learn the capabilities and characteristics of the most common instruments, and how to order them effectively. You will also learn the different roles that a horn section can serve in your ensemble. Online audio tracks demonstrate the key concepts, as exemplified in a complete score.
You will learn to:
Write for alto, tenor, and baritone saxophone, as well as trumpet and trombone
Construct common voicings, such as unisons, octave unisons, two- to five-part soli, and open voicings
Expand your harmony by using jazz chords
Use brass mutes
Compose many textures, including melodies, solis, fills, pads, comping parts, background lines, and others
Score advanced harmonic techniques characteristic of brass sections, such as chromatic approach chords, four- and five-part voicings, tension substitutions, and more
?An amazing book that opens your mind for new horn arranging techniques. Horns on steroids!?
?Hassan El Shafei, Artist/Record Producer
?Arranging for Horns is the one-stop-shop the young arranger can make to explore the techniques, applications, and context for contemporary horn arranging. Jerry Gates masterfully compiled three decades of experience?both in classroom and in professional writing?into an organized and concise 80-page text. Highly recommended!?
?Adi Yeshaya, Composer, Arranger (Prince, Aretha Franklin, The Voice)
?An insightful and valuable resource for all arrangers. Jerry?s explanations are very clear and concise. Highly recommended!?
?Mark Harrison, Keyboardist/Composer, Music Educator, and Author
?Jerry is a devoted musician and educator who has written yet another clear and concise book! This time Jerry guides the reader through a direct and useful approach to writing horn arrangements. Included are rhythm section considerations, notations, and a valuable mention about contour shaping as the blueprint for a successful arrangement. This book demystifies arranging for horns and inspires us to dive right in. There are great tools included and distilled from Jerry?s many years of experience and education. I highly recommend it for anyone who wants to get quick and positive results without excess theory to weigh the creative process down.?
?David Goldblatt, Composer, Pianist, and Music Director (for national television programs, world tours, and varied media)
?Jerry Gates? Arranging for Horns is a concise yet thorough guide to horn arranging in jazz and popular styles. The book progresses through each vital instrument, offering writing techniques for them as individuals and as a group. Arranging for Horns goes one step further than many treatments of this topic, looking at how an arrangement can vary throughout a song?changing the intensity of the music. This added consideration gives arrangers a powerful tool for adding shape and contour to their songs. Recommended for all arrangers and songwriters.?
?Ben Newhouse, Composer and Educator
/ Partitions jazz

Swingin' Christmas Quartets. The concept of the successful Swing Quartets, Jazz Quartets and Groove Quartets publications is now also available in a Christmas edition: Bert Lochs has arranged four traditional Christmas songs in a swing style with combo accompaniment. The Swingin' Christmas Quartets are available for trumpet, flute, clarinet and alto saxophone quartets, and all four versions can be combined to create whichever instrumentation you require. The online audio for each piece contains not only a demo version with a full line-up?and a pure playback version?but additionally four versions in which each of the four wind voices is omitted in turn, making them ideal for practice purposes