Franz Schubert: Sonata for Piano and Arpeggione A minor D 821 (op. post.)

including the unfinished works-The second volume in this series of Franz Schubertâ??s Complete Piano Sonatas has been carefully edited annotated and fingered for the ABRSM by Howard Ferguson. This is part of a series of authoritative performing editions of standard keyboard works prepared from original sources by leading scholars including informative introductions performance notes and detailed editorial markings. Volume Two includes the four sonatas: D.575 D.664 D.784 and D.845 as well as five unfinished works and range from popular favourites to mere fragments only a few bars long. Even in the earliest of these sonatas Schubert demonstrates his compositional poeticism sensitivity and skill inthe romantic idiom. For a broad scope of emotion and feeling they are second only to Beethovenâ??s sonatas.

Franz Schubert's Piano pieces for four hands are among the most varied and significant works in the repertoire. Included in this volume are fifteen of Schubert's best and most popular titles taken from the definitive Breitkopf

The early sonatas. Par SCHUBERT FRANZ. Schubert was visibly adventurous in his early piano sonatas, as is apparent in their wide-ranging key schemes, diverging versions of many movements or entire sonatas, and numerous works left incomplete. This revised Urtext edition contains the sonatas he composed between 1815 and 1817. An updated preface and valuable notes on central questions of performance practice (e.g. articulation, pedalling and embellishments), with a special emphasis on his idiosyncratic treatment of accent-like diminuendo hairpins, form a useful introduction to the sonatas. Schubert?s drafts and fragments can be accessed on the Bärenreiter website. - Urtext edition based on the ?New Schubert Edition?, with drafts and fragments accessible on the Bärenreiter website (see BA 9642: Extras) - Reader-friendly engraving with practical page-turns and running titles to facilitate the location of sonatas and movements - Valuable notes on performance practice in Schubert?s day (Ger/Eng) - Critical Commentary with readings relevant to performance, especially regarding Schubert?s notation of accents (Eng) / Date parution : 2022-07-30/ Recueil / Piano

Par SCHUBERT FRANZ. Schubert?s piano sonatas reflect the entire cosmos of his distinctive writing, spanning from an early experimentation with this form to the iconic last three sonatas, which the composer completed in 1828, the last year of his life. All three volumes are equipped with informative prefaces on the genesis and sources, as well as valuable notes on piano playing in Schubert's time (including articulation, pedal usage, ornamentation) by Mario Aschauer - with a focus on Schubert's characteristic notation of accents. A quick location of works and individual movements is facilitated by running titles at the top of the right-hand pages with indications of opus and movement numbers. The Critical Commentary lists in particular readings relevant to interpretation. Schubert's drafts and sonata fragments are accessible via the Bärenreiter website. The indispensable three-volume standard work at the cutting edge of Schubert research is available at a special set price! / Date parution : 2023-07-31/ Recueil / Piano

Newly engraved scholarly-critical performing edition.Detailed notes on performance practice (Ger/Eng).Practical page turns.Access to Schubert?s drafts at www.baerenreiter.com.New Foreword (Ger/Eng) and Critical Commentary (Eng).Schubert?s great C Minor Sonata D 958 was composed in 1828 just a few months before his death along with the late sonatas in A major (D 959) and B-flat major (D 960). Conceived as a triptych they constitute his musical testament to the Piano sonata genre.This scholarly-critical edition by Walburga Litschauer is based on the New Schubert Edition and presents thismasterpiece in a spacious new engraving. Notes on performance practice especially on pedalling and Schubert?s distinctive manner of writing accents form a Foreword to the work. Rounding off the edition is a Critical Commentary which presents alternative readings of interest to performers. Schubert?s drafts for all four movements of the sonata can be accessed on Bärenreiter?s website.This new edition replaces our existing edition BA 5632.

The most popular collection of classical Piano music ever published. This authoritative volume contains over 140 selections, covering all fields of Classic, Romantic, Modern, Light, Sacred and Operatic music. / Rép International / Recueil / Piano

90 chefs d'oeuvres intemporels de la musique classique. Partitions piano. / Piano

Franz Schubert wrote his Arpeggione Sonata for piano and arpeggione, a hybrid instrument that was part guitar, part violoncello and fashionable at that time. The version for violin and piano has survived in a manuscript of parts from the days of Schubert which has become accessible only recently and is quite a sensation in the early 19th-century violin repertoire. The edition follows, for the most part, the text of Schubert's extant autograph and the contemporary violin part. / Violon Et Piano

Description The 'Sonata d'arpeggione' was originally written for the guitarre d'amour or arpeggione - a kind of enlarged guitar that could be bowed cello-style. The instrument did not survive longer than a few years, but this piece by Schubert is a lovely reminder. This edition is transcribed for flute by James Galway and edited by Phillip Moll for the Great Performer's Edition series. The opening Allegro Moderato is built around a wistful melody. A second theme proceeds in gentle gusts of semiquavers (the arpeggione could not play fast notes with much volume at all, and so the Sonata's quicker portions are almost always marked piano or pianissimo). The Adagio is a rich but introverted musing on an almost hymn-like subject, at the end Schubert invites the soloist to improvise a brief transition into the final, multi-sectioned Allegretto . Songlist Sonata (Per Arpeggione)

The 'Arpeggione' was a guitar-like instrument tuned in the same way as the guitar but held between the knees and played with a bow. The instrument possessed a warm quality and it was this attribute which Schubert exploited in the sonata which he wrote for it in 1824. Schubert's manuscript on which this edition is based contains an alternative violin part which dates from the same period. To avoid an excess of leger lines and clef changes Schubert wrote the arpeggioned part almost exclusively in the treble clef which the performer was expected to read an octave lower than written. The work was edited for the viola when it came into its own as a solo instrument around the turn ofthe century.

Composed in 1828 Sonata In B-flat is thought to be Schubert's last complete instrumental work.This Urtext edition edited by Walburga Litschauer contains an updated foreword in both German and English as well as a critical commentary (in English only) documenting all significant readings of the sources which are relevant for the interpretation of this work. It also takes Schubert’s idiosyncratic sometimes unclear writing of accents into account.Newly-engraved with a clear layout this edition contains practical page turns as well as advice on performance practice issues by Mario Aschauer.

Ausgabe für Viola-An authoritative urtext edition of Schubert's Sonata In A Minor D 821 for the Arpeggione - also known as the Guitar-Violincello or 'Guitar D'Amour'. This version has been transcribed for Viola and Piano edited byWolf-Dieter Seiffert.

Les recueils de la collection Legendary Piano Series sont un véritable trésor, en édition limitée à 3000 exemplaires et numérotée !

Présentés dans une boîte d'un grand raffinement, leur couverture luxueuse est brodée en suèdine, aspect et toucher velours, tandis que le papier et la gravure sont eux-aussi d'une qualité remarquable.

Legendary Classical Solos est un ouvrage qui trouvera sa place dans les meilleures bibliothèques, invitant son possesseur à être joué, lu et relu pendant des années. / Variétés / Coffret Partition /

Cet album contient neuf pièces de ABRSM de 2013 et 2014 syllabus Piano Grade 7. Caractéristiques principales: Trois pièces de chacune des listes A, B et C. Répertoire attrayant et varié. Edité avec soin et clairement présentées tout au long. Informations utiles sur les pièces et l'examen. Performances mettant en vedette CD par les plus grands pianistes professionnels. / Piano