Format : Sheet music
Both Chet Baker's distinctive West Coast cool jazz trumpet sound and his unique vocal stylings are presented in this long-awaited 24-song folio which features note-for-note transcriptions of Chet Baker hits. Songs include: Au Privave • Cherokee • Early Morning Mood • Freeway • Have You Met Miss Jones • How Deep Is the Ocean • How High the Moon • I Get Along Without You Very Well • Let's Get Lost • Loaded • and more! Includes a biography and a discography.
SKU: AP.1-ADV1107
ISBN 9783892211280. UPC: 805095011074. English. [Chet Baker] Transcr. Wolfgang Lackerschmid.
Includes eight transcriptions of Chet's improvised solos for B flat and C concert instruments. Chet's solo were spliced out on eight audio tracks, so you can sit in and play Chet's solos along with his original accompaniment, or improvise your own ideas. For inspiration this edition contains three complete tracks. Some of the tracks feature an intimate accompaniment of vibes, bass (sometimes an additional guitar and flute), while others are from sessions with Larry Coryell, Buster Williams, and Tony Williams.
SKU: HL.49046158
ISBN 9790001204651. UPC: 842819101673. 9.0x12.0x0.065 inches.
The idea of playing two instruments alternately in a single work came from Clark Terry whom I saw in a video. Alongside his virtuosity in alternating between the two instruments, I found the contrast in tonal colouring an interesting concept, almost as if a violinist changed to playing the violoncello. The small cornet in E flat possesses a soft and velvety timbre which is closer to the flugelhorn than the better-known trumpet with its more incisive tone. Sentimental music requires smooth sounds. This composition is my tribute to Miles Davis and Chet Baker, two idols of my youth. -Peter Eotvos, 2017.
SKU: HL.44011917
Cette piece est un hommage a une figure importante du jazz des annees 30 et 40 : Harry James, trompettiste virtuose dont le style a inspire le jeu d'artistes comme Chet Baker. Harry James s'illustre d'abord aupres de Benny Goodman, mais decide de fonder sa propre formation en 1939 et en fait l'un des Orchestres de Swing les plus reputes de l'epoque. Il engage notamment Frank Sinatra et reprend des classiques tels que Sleepy Lagoon d'Eric Coates et Ciribiribin d'Alberto Pestalozza. Naohiro Iwai a rassemble ces deux succes dans un arrangement pour Trompette Solo et Orchestre d'Harmonie.
SKU: BT.DHP-0971004-140
Cette pièce est un hommage une figure importante du jazz des années 30 et 40 : Harry James, trompettiste virtuose dont le style a inspiré le jeu d’artistes comme Chet Baker. Harry James s’illustre d’abord auprès de Benny Goodman, mais décide de fonder sa propre formation en 1939 et en fait l’un des Orchestres de Swing les plus réputés de l’époque. Il engage notamment Frank Sinatra et reprend des classiques tels que Sleepy Lagoon d’Eric Coates et Ciribiribin d’Alberto Pestalozza. Naohiro Iwai a rassemblé ces deux succès dans un arrangement pour Trompette Solo et Orchestre d’Harmonie.
SKU: BT.DHP-0971004-010
Prior to the second world war Harry James was a ‘name’. In 1939 this trumpet player/composer founded his own orchestra with which he undertook a series of successful tours. Naohiro Iwai wrote this solo for trumpet with wind band accompaniment as an ode to Harry James, making use of the golden oldies Sleepy Lagoon and Ciribiribin. Cette pièce est un hommage une figure importante du jazz des années 30 et 40 : Harry James, trompettiste virtuose dont le style a inspiré le jeu d’artistes comme Chet Baker. Harry James s’illustre d’abord auprès de Benny Goodman, mais décide de fonder sa propre formation en 1939 et en fait l’un des Orchestres de Swing les plus réputés de l’époque. Il engage notamment Frank Sinatra et reprend des classiques tels que Sleepy Lagoon d’Eric Coates et Ciribiribin d’Alberto Pestalozza. Naohiro Iwai a rassemblé ces deux succès dans un arrangement pour Trompette Solo et Orchestre d’Harmonie.
