All 12 tracks from Third Day's first collection of all-original worship songs: Father of Lights · He Is Alive · I Know You Can · In Jesus Name · Lead Us Back · Maker · The One I Love · Our Deliverer · Soul on Fire · Spirit · Victorious · Your Words.
SKU: WD.080689652172
UPC: 080689652172.
Easter is a time for celebration and rejoicing! It is also a time when we can gather our children together to tell them the story of God’s great love and His plan of salvation…He sent His Son to be our Savior, to die on the cross for the sins of the world, and then, on the third day, He rose to life again! What Good News! And what better way to bring your congregation together on Easter Sunday than having your kids choir participate in your Easter services, leading your congregation in a special time of worship and celebration with Hosanna, He Lives!, the new 3-song micro-mini musical for Easter. With your children’s ministry in mind, Hosanna, He Lives! is specially designed to train and encourage young worship leaders while leading your congregation in a celebration of our risen Savior. Featuring three popular worship songs and hymns your kids will love to sing, you can use this resource as an Easter Sunday presentation, or as a collection of worship songs your children’s ministry can enjoy throughout the year! This versatile and adaptable resource contains a worship leader script which can be done with almost any number of kids—from 1 to several! Hosanna, He Lives! is perfect for encouraging your kids to discover a passion for leading worship!
SKU: AP.48228
UPC: 038081557342. English.
Night and Day arranged by Scott Ragsdale is a great Cole Porter standard for your vocalist with a bossa groove around 160 BPM. Lead trumpet range is to a written A above the staff with a written-out tenor sax solo and optional C, B-flat, E-flat, and trombone solo lead parts for flexibility. Vocal range is from low F below middle C to B third line treble clef. Excellent chart! (3:15).
SKU: AP.48228S
UPC: 038081557359. English.
SKU: HL.49041685
ISBN 9783254080295. 4.75x7.5x0.857 inches. German.
'Twilight of the Gods', the Third Day, brings Wagner's Ring cycle with an evening and three days, all full-length performances lasting for hours, to an end. Everything that has happened in the parts before is now brought to a close. Brunhilde and Siegfried burn to death together 'in a purifying fire'; they are redeemed in the highest union. A whole epoch is inevitably nearing its end: The world of men and the realm of the gods are hopelessly corrupt, only a new beginning after the total breakdown can lead to a whole new world.Apart from the libretto, this edition contains introductory commentaries of Kurt Pahlen who also adds information on the compositional structure and context to the musical as well as external and internal dramatic action of the opera. A short synopsis and a brief outline of the genesis bring the work into relation with the composer's entire oeuvre and life, thus offering a comprehensive, richly illustrated introduction.
SKU: HL.14032192
ISBN 9788759858394. 12.0x16.5x0.78 inches. International (more than one language).
Symphony No. 6 for orchestra, 1997-99. Preface / Program Note:... with the Lord a day is like a thousand years, and a thousand years is like a day(New Testament, 2 Peter 3:8)My SYMPHONY NO. 6 was commissioned by the Danish National Radio Symphony Orchestra, the Gteborg Symphony Orchestra and the Oslo Philharmonic Orchestra, to be premiered at the millenium 2000.The subtitle AT THE END OF THE DAY can be understood literally or it can mean when all is added up. However, in my opinion, nothing ever quite adds up, there is always something missing, any ending will be provisional ...This symphony appears to end only a few minutes into the first movement, the first passage, as the music fades away to almost-silence, after a start of flying colours. But then there is still something, a small motive (first heard in the initial sound-waves) which reappears, hesitant, but persistent, and this embryo is what leads on the musical progression. An agitated section of many instrumental voices comes next, until all the voices become obsessed with the same phrase, a see-saw motive based on thirds. This section evolves into almost martial ferocity, when broken off by a tutti descent into an extreme bass-world (a bass-world which actually permeates the whole symphony, emplyoing instruments that I have never used before: double-bass tuba, double-bass trombone, double-bass clarinet, and bass flute).The second movement, the second passage, apparently takes off where the first passage ended, but now the events are more ambiguous, and the same music may be perceived as fast-moving one moment and slow-moving the next. This section is a kind of passacaglia, the characteristic baroque bass-variation.Without a break follows the third and last passage, in a contrasting high register. The music is rhythmically knotty as well as freely flowing. As in the beginning of the symphony, a never-ending descent or fall breaks off the events, and at the very end a delta of new beginnings, of other worlds, is revealed ....The symphony is dedicated to Helle, my wife. - Per Norgard.