Format : Sheet music + CDLangue : Français
10 Special Easy Hits Transcriptions for Saxo
SKU: M7.DOHR-13937
ISBN 9790202029374.
Der erste Satz von Mendelssohns dreisätziger Orgelsonate op. 65, Nr. 6 ist ein Variationensatz über den Choral Vater unser im Himmelreich. Die vorliegende Bearbeitung für Saxophonquartett übernimmt die Originaltonart d-Moll. Die Unterschiede zum Original sind: * Der einleitende thematische Choral wurde unter Beibehaltung der Mendelssohnschen Harmonik statt fünfstimmig jetzt vierstimmig gesetzt. * Die vierte Variation, ein überaus virtuoser Abschnitt im Organo-pleno-Klang, musste entfallen. * Als Abschluss der Quartettbearbeitung wurde der dritten Variation der wirkungsvolle Schluss der vierten Variation des Originals angefügt.
SKU: M7.ART-42049
ISBN 9783866420496. German.
Blues-Improvisation vom Allerfeinsten - das möchte jeder Saxophonist können, um für den großen Auftritt und jede Jam-Session gerüstet zu sein und dabei frenetisch gefeiert zu werden. Schneller, leichter und vor allem erfolgreicher dieses Ziel erreichen - mit dieser Schule hat jeder die Chance! Michael Gundlach beweist mit diesem Lehrkonzept, wie man in kürzester Zeit das Thema Blues in allen Facetten kennenlernen sowie in den gängigen Musikstilen anwenden kann. Alle theoretischen Erläuterungen sind im Hinblick auf die direkte praktische Anwendung gestaltet worden und werden in den Songs dieser Schule sofort umgesetzt und erklärt. So wird die erläuterte Theorie direkt nachvollziehbar und überflüssige Lehrinhalte werden vermieden. Außergewöhnlich an dieser Schule ist nicht nur die einzigartige Konzeption, sondern auch die äußerst aufwendige Studio-Produktion. Es wurden dabei fantastische Playbacks erstellt die das eigene Üben zum einzigartigen Erlebnis werden lassen.
SKU: BT.DHP-1001865-404
ISBN 9789043161633. Dutch.
Horen, lezen and spelen - de meest complete methode voor blazers - is verschenen voor dertien verschillende instrumenten in drie delen die geschikt zijn voor zowel groeps- als individueel onderwijs. Deze succesvolle methodeis samengesteld volgens de hedendaagse normen en eisen van het muziekonderwijs en de daarbij behorende examens. Elk boek staat boordevol gehooroefeningen, spelletjes, puzzels, tips en wetenswaardigheden. De verkoopprijs van ditboek is inclusief toegang tot de online audiotracks in mp3-formaat die voor extra speelplezier zorgen. Met de unieke code in het boek kun je deze direct downloaden of streamen. In alle drie de delen is dr. Checkup de guitige gidsdie de leerlingen steeds begeleidt met nuttige informatie en tips. In deel 3 krijgt hij versterking van ene Theodor Tonleiter.
In deel 1 komen de notenwaarden tot achtsten in een beperkte omvang aan de orde, evenals een aantalvoortekens. Daarnaast wordt aandacht besteed aan de belangrijkste hulpgrepen. De geschiedenis van het instrument staat beschreven op een speciale bladzijde met fraaie illustraties.
In deel 2 staat - naast een ritmischeuitbreiding naar zestiende noten en de introductie tot de 6/8 maatsoort - een chromatische toonuitbreiding op het programma. Verder belicht elk boek speeltechnieken enoefeningen die zijn toegespitst op het betreffende instrument.Een bladzijde met nieuwe informatie over het instrument is weer een waardevol extraatje.
In deel 3 komt het spelen van talrijke stukken op de eerste plaats, maar ook nieuwe toonladders en intervallen komen aan de orde, evenalsTheodor Tonleiter's uitleg over majeur- en mineurtoonsoorten. De leerlingen leren improviseren over een akkoordenschema. Verder bevat deel 3 ritmische uitbouw tot de meestvoorkomende en gebruikte combinaties van notenwaarden.Interessante wetenswaardigheden over de bouw van het instrument komen op een speciale bladzijde aan bod.
SKU: BT.DHP-1002213-404
ISBN 9789043161367. Italian.
A tutti coloro che cercano un nuovo strumento pedagogico per imparare a suonare, la casa editrice musicale De Haske propone i metodi della serie Ascolta, leggi and suona, un??opera educativa e ludica con accompagnamentodisponibile in linea. Questi metodi attuano un processo decisamente aperto, gratificante e moderno per rivoluzionare l??insegnamento musicale: attraverso l??ascolto, la lettura e l??interpretazione dei singoli esercizi, dei giochi edei quiz potrete imparare divertendovi. Ogni singolo esercizio prevede l??esecuzione con accompagnamento di una vera band: Il prezzo di questa pubblicazione include l'accesso al materiale audio scaricabile. In più troverete tantenotizie sulla storia del vostro strumento, sugli interpreti, e sulla tecnica giusta per suonare. Sono disponibli in italiano i volumi per 9 strumenti a fiato.
SKU: BT.DHP-1002352-404
ISBN 9789043161596. French.
Pour tous ceux qui recherchent un nouvel outil pédagogique pour apprendre jouer d??un instrument vent, les ?ditions De Haske proposent la méthode ?couter, lire and jouer. Elle se compose d??une méthode richement illustréeen trois volumes avec fichiers audio en ligne et d??ouvrages éducatifs et ludiques fondés sur les principes actuels de la théorie musicale. Tout en se conformant aux exigences de l??apprentissage classique, cette collection utiliseune approche résolument ouverte, motivante et moderne de l??enseignement musical permettant aux élèves de découvrir la pratique instrumentale avec plaisir. De nombreux jeux, exercices d??écoute, morceaux et compositions originalespermettent d??acquérir un savoir-faire tout en s??amusant. ?couter - lire jouer: trois éléments incontournables de la pratique musicale, trois concepts réunis dans une collection enrichissante et simple utiliser.
SKU: MA.EMR-51003
1. Polkastrophe / 2. Tacot Walzer / 3. Die Polka der Konig / 4. Yodel a Dede / 5. Warum Nicht.
SKU: BT.DHP-1001961-400
ISBN 9789043108577. International.
A fantastic book containing 13 varied songs all of which have beenTop 10 hits. A perfect book for all budding pop stars. Includes: AGroovy Kind of Love, Theme from MASH, The Power of Love, RockAround the Clock, The Adams Family and many more. Kids Play Hits! kan als aanvullend speelmateriaal bij de methode Horen, Lezen and Spelen worden gebruikt, maar ook los daarvan. Met dertien stukken die allemaal hoog in de hitparade hebben gestaan.Kids Play Hits! enthält dreizehn Titel, die alle ganz oben auf den Hitlisten der vergangenen Jahre standen. Das Buch kann (nicht nur) als ergänzendes Spielmaterial zur Instrumentalschule Hören, Lesen and Spielen Band 1 eingesetzt werden. Kids Play Hits!, anch??esso ideale da affiancare al metodo Ascolta, leggi and suona, Vol.1, contiene 13 canzoni famose.
SKU: HL.44001219
ISBN 9789043112727. UPC: 073999970401. International (more than one language).
This exciting book with CD accompaniment featuring real musicians, covering many styles of light music including swing, country, rumba, slow rock, disco, mambo, cha-cha and rock. This book can be used together with a keyboard or piano (book available separately) for a concert performance or as a short audition item. Met Master Swop is het 'swoppen' op niveau geblazen voor diegenen die meesterschap nastreven in verschillende swing- en popstijlen. Het is wederom een tegelijkertijd leerzaam en leuk boek vol afwisseling. Zoals alle SWOP-boeken:met een door een live-band ingespeelde cd en een afzonderlijk verkrijgbaar begeleidingsboek voor keyboard/piano, inclusief de akkoorden voor gitaar en basgitaar.Die zehn abwechslungsreichen Stucke in Master Swop in verschiedenen Unterhaltungsmusik- Stilarten sind ebenso zum Uben wie auch zum Vortragen geeignet. Die Begleitungen sind von einer echten Band auf der beiliegenden CD eingespielt. Wer lieber mit einem Pianisten oder Keyboarder auftritt, kann die Begleitungen in einem separaten Buch erwerben. L'unione delle parole Swing e Pop ha dato il nome a questo stile musicale dinamico e tonificante: lo Swop. Questa equazione funziona altrettanto bene nel jazz e nel blues, nel rock e nella musica pop. Per scoprire, migliorare e perfezionare questo nuovo genere musicale, la collezione Swop si articola in sette raccolte distinte. Da Very Easy Swop a Work Swop (per creare un vero gruppo), lasciatevi guidare dall'accompagnamento musicale affidato ad un gruppo di professionisti.
SKU: PR.165001000
ISBN 9781491129241. UPC: 680160669776. 9 x 12 inches.
Commissioned for a consortium of high school and college bands in the north Dallas region, FOR THEMYSTIC HARMONY is a 10-minute inspirational work in homage to Norwood and Elizabeth Dixon,patrons of the Fort Worth Symphony and the Van Cliburn Competition. Welcher draws melodic flavorfrom five American hymns, spirituals, and folk tunes of the 19th century. The last of these sources toappear is the hymn tune For the Beauty of the Earth, whose third stanza is the quatrain: “For the joy of earand eye, For the heart and mind’s delight, For the mystic harmony, Linking sense to sound and sight,”giving rise to the work’s title.This work, commissioned for a consortium of high school bands in the north Dallas area, is my fifteenth maturework for wind ensemble (not counting transcriptions). When I asked Todd Dixon, the band director whospearheaded this project, what kind of a work he most wanted, he first said “something that’s basically slow,” butwanted to leave the details to me. During a long subsequent conversation, he mentioned that his grandparents,Norwood and Elizabeth Dixon, were prime supporters of the Fort Worth Symphony, going so far as to purchase anumber of high quality instruments for that orchestra. This intrigued me, so I asked more about his grandparentsand was provided an 80-page biographical sketch. Reading that article, including a long section about theirdevotion to supporting a young man through the rigors of the Van Cliburn International Piano Competition fora number of years, moved me very much. Norwood and Elizabeth Dixon weren’t just supporters of the arts; theywere passionate lovers of music and musicians. I determined to make this work a testament to that love, and tothe religious faith that sustained them both. The idea of using extant hymns was also suggested by Todd Dixon,and this 10-minute work is the result.I have employed existing melodies in several works, delving into certain kinds of religious music more than a fewtimes. In seeking new sounds, new ways of harmonizing old tunes, and the contrapuntal overlaying of one tunewith another, I was able to make works like ZION (using 19th-century Revivalist hymns) and LABORING SONGS(using Shaker melodies) reflect the spirit of the composers who created these melodies, without sounding likepastiches or medleys. I determined to do the same with this new work, with the added problem of employingmelodies that were more familiar. I chose five tunes from the 19th century: hymns, spirituals, and folk-tunes.Some of these are known by differing titles, but they all appear in hymnals of various Christian denominations(with various titles and texts). My idea was to employ the tunes without altering their notes, instead using aconstantly modulating sense of harmony — sometimes leading to polytonal harmonizations of what are normallysimple four-chord hymns.The work begins and ends with a repeated chime on the note C: a reminder of steeples, white clapboard churchesin the country, and small church organs. Beginning with a Mixolydian folk tune of Caribbean origin presentedtwice with layered entrances, the work starts with a feeling of mystery and gentle sorrow. It proceeds, after along transition, into a second hymn that is sometimes connected to the sea (hence the sensation of water andwaves throughout it). This tune, by John B. Dykes (1823-1876), is a bit more chromatic and “shifty” than mosthymn-tunes, so I chose to play with the constant sensation of modulation even more than the original does. Atthe climax, the familiar spiritual “Were you there?” takes over, with a double-time polytonal feeling propelling itforward at “Sometimes it causes me to tremble.”Trumpets in counterpoint raise the temperature, and the tempo as well, leading the music into a third tune (ofunknown provenance, though it appears with different texts in various hymnals) that is presented in a sprightlymanner. Bassoons introduce the melody, but it is quickly taken up by other instruments over three “verses,”constantly growing in orchestration and volume. A mysterious second tune, unrelated to this one, interrupts it inall three verses, sending the melody into unknown regions.The final melody is “For the Beauty of the Earth.” This tune by Conrad Kocher (1786-1872) is commonly sung atThanksgiving — the perfect choice to end this work celebrating two people known for their generosity.Keeping the sense of constant modulation that has been present throughout, I chose to present this hymn in threegrowing verses, but with a twist: every four bars, the “key” of the hymn seems to shift — until the “Lord of all, toThee we praise” melody bursts out in a surprising compound meter. This, as it turns out, was the “mystery tune”heard earlier in the piece. After an Ivesian, almost polytonal climax, the Coda begins over a long B( pedal. At first,it seems to be a restatement of the first two phrases of “For the Beauty” with long spaces between them, but it soonchanges to a series of “Amen” cadences, widely separated by range and color. These, too, do not conform to anykey, but instead overlay each other in ways that are unpredictable but strangely comforting.The third verse of “For the Beauty of the Earth” contains this quatrain:“For the joy of ear and eye, –For the heart and mind’s delightFor the mystic harmonyLinking sense to sound and sight”and it was from this poetry that I drew the title for the present work. It is my hope that audiences and performerswill find within it a sense of grace: more than a little familiar, but also quite new and unexpected.
SKU: CF.W2657
ISBN 9780825891120. UPC: 798408091125. 9 x 12 inches.
On May 29, 1913, an over-capacity audience in Paris’ Théâtre desChamps-Élysées witnessed an historical spectacle as they became a brutecatalyst in the most (in)famous opening night of the twentieth century.The Rite of Spring premiered that evening in the midst of a riot inspiredby the overwhelming primitivism both onstage and in the score.One-hundred plus years later, the music still incites the senses. The balletwas first published in 1914 in a reduction for two pianos, and serves asa basis for this arrangement. This edition is presented in honor of thecentennial of the ballet’s premiere, and is intended to give soloists andaccompanists a chance to perform this monumental work.On May 29, 1913, an over-capacity audience in Paris’ Théâtre des Champs-Élysées witnessedan historical spectacle as they became a brute catalyst in the most (in)famous opening nightof the twentieth century. The Rite of Spring premiered that evening in the midst of a riotinspired by the overwhelming primitivism both onstage and in the score. Subtitled “Picturesof Pagan Russia,” the ancient scenes were evoked using contemporary musical innovations,shattering expectations of a more traditional Ballet Russe production.How was an ancient ritual of sacrifice to the earth to be scored? The unevolved pesantecharacter of a village gathering was portrayed by odd time signatures and accents. Melodieswere geometrically woven as dissonant pastorales with grace-notes mimicking gutturalbreaks in primal voices. Instruments were orchestrated against the grain, straining soundsinto unrecognizable timbres. And just like the dancers on stage, musicians were organizedinto alternating groups often clashing with one another.One-hundred plus years later, the music still incites the senses. The ballet was first publishedin 1914 in a reduction for two pianos, and serves as a basis for this arrangement. This editionis presented in honor of the centennial of the ballet’s premiere, and is intended to give soloistsand accompanists a chance to perform this monumental work. Both movements may beplayed alone, and the first movement may also serve as a solo piece.